J SUSE ansPROGRAMME Hodie Christus natus est Chant, mode | Magnificat, BWV 243.1 Johann Sebastian Bach Soli Angeli Benipayo, soprano | Angella Lista, soprano II Via Villasin, alto Rovic Solomo, tenor Karl Saret, baritone INTERMISSION 15 minutes Exsultate, jubilate, k.165(K.158a) _ Wolfgang Amadeus Mozart Second Salzburg Version Angeli Benipayo, soprano solo Fantasia on Christmas Carols Ralph Vaughan Williams Karl Saret, baritone solo Payapang Daigdig Felipe Padilla de Leon Soli Angella Lista, soprano Jose Mari Javato, tenorPROGRAMME NOTES Hodie Christus natus est Chant, mode | Hodie Christus natus est is a Latin antiphon associated with the Christmas season, echoing the angels’ proclamation of Christ's birth in the Gospel of Luke. Traditionally used in Roman Catholic liturgy during the Second Vespers of Christmas Day, the antiphon precedes the Magnificat. Its joyous declara- tion has inspired composers across centuries, enriching the Christmas musical repertoire. This chant, rooted in the Gospel narrative, encapsulates the fes- tive spirit of the season and remains a cherished part of Christian worship, symbolizing the timeless celebration of the Nativity. Hodie Christus natus est: Today is Christ born; hodie Salvator apparuit; today the Savior has appeared; hodie in terra canunt Angeli, today the Angels sing, laetantur Archangeli; the Archangels rejoice; hodie exsultant justi, dicentes: today the righteous rejoice, saying: Gloria in excelsis Deo, alleluia. Glory to God in the highest. Alleluia! Magnificat, BWV 243.1 Johann Sebastian Bach Johann Sebastian Bach (1685-1750), a prolific German composer of the Ba- roque era, is celebrated for his intricate and influential works, including can- tatas and the monumental Mass in B Minor. As Thomaskantor in Leipzig, Bach's devout Lutheran faith deeply influenced his compositions. Despite being underappreciated in his time, he is now revered for his blend of expres- sive depth and mathematical precision in Western classical music. Bach's Magnificat, BWV 243, composed in 1723 and later revised in 1733, stands as a pinnacle achievement. Created for Christmas services, the Magnificat includes four interpolations (laudes) in German and Latin. Its movements, alternating between choral and solo sections, showcase Bach's rich orchestra- tion, intricate counterpoint, and expressive vocal writing. The Magnificat, while often performed during Christmas, explores themes of humility, exalta- tion, and divine mercy—testifying to Bach's mastery of Baroque choral and orchestral composition.Magnificat anima mea Dominum; et exsultavit spiritus meus in Deo salutari meo. Vom Himmel hoch, da komm ich her, Ich bring euch gute neue Mair; Der guten Mair bring ich so viel, Davon ich sing'n und sagen will Quia respexit humilitatem ancillae suae; Ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est, et sanctum nomen eius. Freut euch und jubiliert; Zu Bethlehem gefunden wird Das herzeliebe Jesulein, Das soll ewer Freud und Wonne sein. Et misericordia a progenie in proge- nies, timentibus eum. Fecit potentiam in bracchio suo, dispersit superbos mente cordis sui. Gloria in excelsis Deo! Et in terra pax hominibus, bona voluntas! Deposuit potentes de sede et exaltavit humiles. Esurientes implevit bonis, et divites dimisit inanes. My soul proclaims the greatness of the Lord, my spirit rejoices in God my Savior, From heaven on high I come here, 1 bring good news to you; | bring so much good news Of which | will sing and speak. For he has looked with favor on his lowly servant. From this day all generations will call me blessed. The Almighty has done great things for me, and holy is his Name Rejoice and celebrate; At Bethlehem will be found The heart's darling little Jesus, Who shall be your joy and delight. He has mercy on those who fear him in every generation He has shown the strength of his arm, he has scattered the proud in their conceit. Glory to God in the highest, and on earth peace to those on whom his favor rests. He has cast down the mighty from their thrones, and has lifted up the lowly. He has filled the hungry with good things, and the rich he has sent away empty.Virga Jesse floruit, The branch of Jesse flowers, Emmanuel noster apparuit; Our Emmanuel appears; Induit carnem hominis, He takes on the flesh of humanity, Fit puer delectabilis; Alleluja Becoming a charming boy; Alleluia. Suscepit Israel puerum suum He has come to the help of recordatus misericordie suae. his servant Israel for he has remembered his promise of mercy, Sicut locutus est ad patres nostros, the promise he made to our fathers, Abraham et semini eius in saecula. to Abraham and his children forever. Gloria Patri et Filio et Spiritui Sancto, Glory to the Father and to the Son sicut erat in principio et nunc et and to the Holy Spirit, as it was in semper, et in saecula saeculorum, the beginning, is now, and ever shall Amen. be, world without end, Amen. Exsultate, jubilate, K.165 (K.158a) Wolfgang Amadeus Mozart Second Salzburg Version Exsultate, Jubilate is a jubilant motet composed by Wolfgang Amadeus Mozart in 1773 for soprano soloist and orchestra. The title, meaning "Rejoice, be glad" in Latin, captures the essence of the work's celebratory nature. Initially written for the castrato Venanzio Rauzzini, the motet is renowned for its virtuosic and melodic brilliance. Mozart composed the piece during his travels in Italy, possibly inspired by the festive atmosphere of the feast day of St. Anthony the Abbot. The composi- tion exudes joy and praise, reflecting the celebratory spirit of the occasion. Interestingly, two additional versions of "Exsultate, Jubilate" were discovered in Salzburg in 1978, suggesting Mozart's adaptability for different liturgical contexts. Salzburg 1 and Salzburg 2 showcase the composer's ability to tailor the piece for specific occasions, possibly Trinity Sunday and Christmas, re- spectively.Despite challenges Mozart faced in meeting the expectations of his patron, Exsultate, Jubilate stands as a captivating and versatile work in Mozart's repertoire, celebrated for its expressive beauty and the brilliance of the soprano voice. Featured in this program is the Second Salzburg version, whose text is specifi- cally made to commemorate the Nativity. Exsultate, jubilate, © vos animae beatae, Caro factus, factus homo ubique adoratur; date illi gloriam. Summa Trias adoratur, date illi gloriam. Tandem advenit hora, qua Deum colimus in spiritu et veritate, et nomen illius magnum in omni loco est. Debitum jam illi sit sacrificium; sed per Mariam accedamus in fide ad fontem gratiae, ad thronum misericordiae, ut magis acceptabile sit obsequium. Tu virginum corona, tu nobis pacem dona, tu consolare affectus, unde suspirat cor. Alleluja. Fantasia on Christmas Carols Rejoice, resound with joy, o you blessed souls, [He who was] made flesh, made man is everywhere adored; give Him glory. The Great Triad is adored, give It glory. At last the hour has come when we worship God in spirit and in truth, and His name is great in every place. Now let the due sacrifice be made to Him; but through Mary let us approach in faith the source of Grace, the throne of Mercy, so that our service may be more acceptable. You, 0 crown of virgins, grant us peace, Console our feelings, ‘from which our hearts sigh. Alleluia. Ralph Vaughan Williams Ralph Vaughan Williams! Fantasia on Christmas Carols is an orchestral and choral piece that captures the festive spirit of the holiday season. Composed in 1912, it beautifully weaves together well-known English Christmas carols, such as The Truth Sent from Above and the Sommerset and Sussex Carols, creating a musical tapestry that feels both traditional and timeless.] The composition features a baritone soloist who serves as a minstrel, leading the narrative with a rich and evocative melody. The choir and orchestra join in, adding layers of harmonies that transport listeners to the heart of the English Christmas carol tradition. Vaughan Williams, known for his love of folk music, infuses the piece with a pastoral charm that resonates with the warmth and joy of the season. The truth sent from above This is the truth sent from above, The truth of God, the God of love; Therefore don’t turn me from your door, But hearken all, both rich and poor. The first thing, which | do relate, That God at first did man create The next thing, which to you | tell, Woman was made with him to dwell. Then after this, ‘twas God's own choice To place them both in Paradise, There to remain from evil free Except they ate of such a tree. And they did eat, which was a sin, And thus their ruin did begin; Ruined themselves, both you and me, And all of their posterity. Thus we were heirs to endless woes, Till God the Lord did interpose For so a promise soon did run That He'd redeem us with a Son. The Somerset Carol Come all you worthy gentlemen That may be standing by. Christ our blessed Saviour Was born on Christmas day. The blessed virgin Mary Unto the Lord did say, O we wish you the comfort and tidings of joy! Christ our blessed Saviour Now in the manger lay; He's lying in the manger, While the oxen fed on hay. The blessed Virgin Mary Unto the Lord did pray. © we wish you the comfort and tidings of joy! Sussex Carol On Christmas night all Christians sing to hear the news the angels bring; on Christmas night all Christians sing to hear the news the angels bring: news of great joy, news of great mirth, news of our merciful King’s birth. When sin departs before His grace, then life and health come in its place; when sin departs before His grace, then life and health come in its place; angels and men with joy may sing, all for to see the newborn King.The Somerset Carol Sussex Carol God bless the ruler of this house, From out of darkness we have light, And long on may he reign; which made the angels sing this night; Many happy Christmases all out of darkness we have light, He live to see again! which made the angels sing this night God bless our generation “Glory to God and peace to men, Who live both far and near; now and forevermore. Amen.” O we wish you the comfort and tidings of joy! Payapang Daigdig Felipe Padilla de Leon In the realm of Filipino Christmas hymns, one masterpiece stands out: Payapang Daigdig by Felipe Padilla de Leén. A composition of profound na- tional longing, it evolved into a cherished carol during the post-World War II period. Notably, the song was inspired by Dr. Francisco Santiago, de Len's mentor, who crafted the pioneering Filipino concert Christmas carol, Sumilang ang Manunubos, in the 19308. Initially thought to have emerged during wartime turmoil, the true narrative, revealed by de Leon’s son, Prof. Felipe "Jun" de Leon Jr., conveys that the renowned song was actually a tribute to the founding of the United Nations in 1945. The piece, cast in A-B-A form, features a lesser-known, upbeat middle part emphasizing the Nativity. Often compared to Silent Night, it became the Philippines! own Christmas anthem. Contrary to early beliefs, de Leén's brother Eduardo, alongside Brigido Batungbakal, penned the poign- ant lyrics. "Payapang Daigdig" encapsulates the spirit of hope amid fear and devasta- tion, offering solace to those living through war-torn Manila. Beyond its historical context, the hymn, echoing a deep faith in the heart, remains a timeless celebration of peace, goodwill, and the birth of Jesus—a poignant reminder that even in the darkest times, there is hope for a serene and joyous world.Ang gabi'y payapa, lahat ay tahimik Pati mga tala sa bughaw na langit. Kay hinhin ng hangin, waring umiibig Sa kapayapaan ng buong daigdig. Payapang panahon ay diwa ng buhay Biyaya ng Diyos sa sangkatauhan. Ang gabi'y payapa, lahat ay tahimik Pati mga tala sa bughaw na langit. Sa bayan ng Betlehem, sa may dakong Silangan Isang sanggol na puspos ng giliw ang sumilang sa tanan. Talang maningning ang s'yang nagkalat ng pagdating ng Mesiyas Bawat puso'y may tuwa at galak, tanda ng madlang pagliyag. May awit ang lahat na, bawat diwa'y pagsamba, Bawat puso'y pagsinta sa sanggol na Maganda. Lahat tayo ay magpugay sa Mesiyas na sumilang Bawat puso ay pag-alang sa Diyos na masuyong tunay!NE PASIPO VOCAL ENSEMBLE PASIPO is an independent vocal ensemble composed of young singers from diverse backgrounds committed to practicing the art of solo and chamber vocal performance. Originally formed as an opera chorus for Menotti’s Amahl and the Night Visitors, the group has since moved towards exploring the breadth of virtuoso vocal chamber music repertoire across eras, genres and styles — from Renaissance to Contemporary — with an enterprising verve, employing a “collective individuality” approach in performance Since making its debut in April 2019, Pasipo has made numerous appearanc- es and have performed in Steinway Boutiques’ Saturday Steinway Series and at the Erehwon Center for the Arts. The group is currently part of the talent roster of the Manila Pianos Artist Series, having produced programs with them since 2019. Gabby Paguirigan, Musical Director DCPMA and BM Piano , University of the Philippines (2018) First Prize, NAMCYA Junior (2011) & Senior (2015) Piano Categories First Prize (Category C), Princess Galyani Vadhana International Chamber Music Competition (2018) First Prize, Henrietta Sydeco Tayengco Limjoco Piano Concerto Competition (2016) First Prize (Category C), PTGP Etude Competition (2015) SSTMikha Astom, Soprano BM Music Education (Piano), St. Paul University Manila (2020 - present) Semifinalist, NAMCYA 2018 Junior Voice Category ae MEMBERS’ PROFILE Angeli Benipayo, Soprano BM Voice Performance, University of the Philippines (2021) First Prize, NAMCYA 2023 Senior Voice Category First Prize, Fides Cuyugan Asensio Vocal Competition (2019) Agueda, Mayo, Bisperas ng Liwanag (2023) Susanna, Le Nozze di Figaro; Angelina, Trial by Jury (2023) Donna Baluyut, Soprano BM Music Education (Voice), University of Santo Tomas, Magna cum laude (2023) Semifinalist, NAMCYA 2023 Senior Voice Category Ensemble, Turandot (2022) Scholar, Friends for Cultural Concerns of the Philippines Lovelle Inoferio, Soprano BM Music Education (Voice) and BM Voice Performance, University of Santo Tomas (2012) Ensemble, Lucia di Lammermoor (2020), Turandot (2022) Scholar, Consuelo Chito Madrigal FoundationAngella Lista, Soprano BM Voice Performance, University of Santo Tomas (2022) Third Place, Evelina Kalaw Operatic Duet Competition (2021) Honorable Mention, NAMCYA 2019 Senior Voice Category Via Villasin, Soprano BM Voice Performance, Santa Isabel College Manila (2018) Actor, Block Z (film, 2020) Ensemble, Noli Me Tangere (2019) Member, Manila Cathedral-Basilica Choir (2016 ~ present) Jhom Chua-so, Mezzo Soprano BM Music Education (Voice) and BM Voice Performance, University of Santo Tomas (2016) Finalist, NAMCYA 2014 Senior Voice Category Performing Artist, Vibal Publishing Tertulia (2022) Scholar, Klassikal Music Foundation Leo Angelo Lanuza, Countertenor BM Voice Performance, University of Santo Tomas (2018) Semifinalist, NAMCYA 2014 Senior Voice Category Chorus Master, Cavalleria Rusticana and ! Pagliacci (2023) ° . Scholar, Klassikal Music Foundation fe } Ruzzel Clemeno, Tenor MM Voice Performance, St. Paul University Manila (2023 - present) Finalist, Fides Cuyugan Asensio Vocal Competition (2019) Count Almaviva, Il Barbiere di Siviglia (2023) Don Filipo Lino, Noli Me Tangere (2019)Jose Mari Javato, Tenor BM Voice Performance, University of Santo Tomas (2019) Semifinalist, NAMCYA Senior Voice Category (2021, 2017) Third Place (Male Category), IV Jovita Fuentes Vocal Competition (2018) Padre Salvi, Noli Me Tangere (2019) President, Pasipo Vocal Ensemble (2023 - present) Keanu Gregan Rebadeo, Tenor BM Voice Performance, University of Santo Tomas (2023) Ensemble, Cavalleria Rusticana and | Pagliacci (2023) Finalist, Fides Cuyugan Asensio Vocal Competition (2019) Rovic Solomo, Tenor BM Music Education (Voice), University of Santo Tomas (2018) Semifinalist, NAMCYA 2023 Senior Voice Category Badong, Mayo, Bisperas ng Liwanag (2023) Paul Gayanilo, Baritone BM Music Education (Piano), Universidad de Sta. Isabel (2017) Ben, The Telephone (2019, 2020) King Gaspar, Amabl and the Night Visitors (2018) Bikol Languages Sector Coordinator, Music Teachers Network Alliance Philippines Inc. (2022-Present) Makaryo Saret, Baritone BM Voice Performance, University of the Philippines (2020) Slook, La Cambiale di Matrimonio (2019)HAPPY uu PIANO We make your kids happy and confident | through MUSIC! oat Cre bers eit ee ett eekeeN a Ta LIVE u IMITED SLOTS ONLY; My son, Jacob, learned how to play the piano “online”. Before the pandemic, you wouldn't even think of learning the piano online but Happy Piano: made it possible and | really saw the growth of my son. It's a joy to see him laugh, have fun and learn the songs he wants to play! -Kit R, Hoppy Piano Mom Compliments from ROWENA LORENZANA |PATRON MANG INABEL ACKNOWLEDGEMENTS Pasipo would like to thank all those who have made this concert possible. Manila Pianos Artist Series Richard Sy-Facunda Erehwon Center for the Arts Rafael Rivera Benitez Soundlife Studios Darleen Yu Sounds Kradle, Inc. Reginald Tan Javato Family For inquiries and possible partnerships with Pasipo, please send a message through the following platforms: E-mail pasipomusic@gmail.com Contact No. 0916 340 8692 Tag us in your social media posts! Give us a follow and stay updated for future events. Ei Pasipo @pasipo.music Hashtags #Pasipo2023 #PasipoConcertSeries. #Hodie