Značajniju pažnju Nemanja Egerić privlači integralnim izvođenjem „Dvadeset pogleda Nemanja Egerić has attracted significant attention
nt attention with his integral interpretation of
na dete Isusa” Olivijea Mesijana što mu donosi niz umetničkih priznanja – Nagradu za
najuspešniji koncert Galerije SANU, nagradu iz fondacije „Muzičke vizije Ivana Jevtića”,
nagradu „Nevena Popović” za najznačajnije umetničko ostvarenje, dok ga 2022. godine
Udruženje muzičkih umetnika Srbije odlikuje priznanjem za najboljeg mladog umetnika.
Takođe učestvovao je na domaćim i međunarodnim pijanističkim takmičenjima gde je
osvajao prestižne nagrade (UMUS, Klavitas, ReConstruction, INSAM…)
Učestvovao je na međunarodnim festivalima kao što su Bolzano festival Bozen, Lucern
Piano Festival, Musica al Ponte, Međunarodna tribina kompozitora, Piano City, NIMUS,
CONVIVIUM MUSICUM, BLISS, BUNT i dr. Prvi je u Srbiji izveo značajna klavirska dela
Olivijea Mesijana, Lučana Berija, Đerđa Kurtaga, Luiđi Nona, Džonatana Harvija i Ivana
Fedelea, dok 2023. izvodi svetsku premijeru dela 11.000 Saiten Georga Fridriha Hasa
sa Mahler academy orkestrom. U 2022. godini snima svoj prvi kompakt disk sa do tada
nesnimljenim delima savremenog američkog kompozitora Džoela Šadabea, u okviru
fondacije Electronic Music Foundation u Njujorku.
Nakon završenih studija u klasi prof. Miroslava Dacića, usavršava se na post-
diplomskim studijama u Firenci u klasi prof. Bruna Kanina. Potom je završio doktorske
studije na Fakultetu muzičke umetnosti u Beogradu pod mentorstvom prof. Maje Rajković i
prof. Miloša Zatkalika. U 2022. godini završava post-diplomske studije za savremenu
muziku u Torinu u klasi Emanuela Arćulija. Pored akademskog školovanja, usavršavao se
kod eminentnih pijanista: Pitera Hila, Momo Kodame i Pjera Sublea. Zaposlen je na
Fakultetu umetnosti u Nišu u zvanju Docenta na predmetima istorija pijanizma i
poznavanje literature i izvođaštva.
Rođen u Trsteniku 1991. godine, susreće se netipično kasno sa klavirom u svojoj
dvanaestoj godini. Muziku je počeo da istražuje kroz alternativne žanrove, Sound art i
komponovanje, a u izvođenje klasične muzike se zaljubljuje tek pred kraj svojih redovnih
studija. Najviše ga interesuju noviji muzički pravci, a svoj repertoar često kroji od
tradicionalnih i savremenih kompozitora, kako bi kroz sukob estetičke različitosti pronašao
različita lica jedne te iste umetničke istine.
Olivier Messiaen's "Twenty Views of the Child Jesus," earning him a series of artistic
recognitions. He received the Award for the Most Successful Concert from the Gallery of
the Serbian Academy of Sciences and Arts, the award from the "Musical Visions of Ivan
Jevtić" foundation, and the "Nevena Popović" award for the most significant artistic
achievement. In 2022, the Association of Music Artists of Serbia honored him as the best
young artist.
He has also participated in many international piano competitions, where he has
won prestigious awards (UMUS, Klavitas, ReConstruction, INSAM, etc.). He has taken
part in international festivals such as the Bolzano Festival Bozen, Lucern Piano Festival,
Musica al Ponte, International Review of Composers, Piano City, NIMUS, CONVIVIUM
MUSICUM, BLISS, BUNT. He gave Serbian premiers of piano works by Olivier Messiaen,
Luciano Berio, György Kurtág, Luigi Nono, Jonathan Harvey, and Ivan Fedele. In 2023,
he performed a world premiere of Georg Friedrich Haas's piece 11.000 Saiten with
the Mahler Academy Orchestra. In 2022, he recorded his first compact disc featuring
previously unrecorded works by contemporary American composer Joel Chadabe, as
part of the Electronic Music Foundation in New York.
After completing his studies under the guidance of Prof. Miroslav Dacić, he continued his
education with postgraduate studies in Florence under the guidance of Bruno Canino. He
also completed his doctoral studies at the Faculty of Music in Belgrade under the
mentorship of Maja Rajković and Miloš Zatkalik. In 2022, he completed postgraduate
studies in contemporary music under Emanuel Arculi. In addition to his academic training, he
further honed his skills with renowned pianists such as Peter Hill, Momo Kodama, and Pierre
Sublet. He holds the position of Associate Professor at the Faculty of Arts in Niš, where he
teaches courses in the history of pianism and piano literature and performance.
Born in Trstenik in 1991, he had a relatively late encounter with the piano at the age
of twelve. He is primarily interested in contemporary musical trends and often
crafts his repertoire from a blend of traditional and contemporary composers,
seeking to find different facets of the same artistic truth through the clash of aesthetic
differences.