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Research Project
Research Project
Research Project
Thermochromic Camouflage:
Introduction
About Us
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Daniel A. T. Simon was born in the state of Kentucky in March on the twenty-second day of the
month, in the year two thousand and seven, on the fourth day. First, moved to the state of
Tennessee, Estado do Rio de Janeiro in Brazil, the state of Georgia in the USA, and Currently the
state of Virginia. Daniel A. T. Simon aspires to the career of a mine engineer or a geological
engineer. Five years from now Daniel Simon sees himself in a college or university preparing for
Jacob Menichetti was gifted to this world in Virginia in 2007 and has stayed there ever
since. He feels confident doing many different principles of engineering and has not decided
exactly what he wants to do whether Aerospace or Structural. He has an ambition to change the
world in some way and be part of something bigger. He plans to use his projects and assignments
at Governors School to give him experience in engineering and ways to get into college. He has
many different interests for college including UVA, Perdue, Carnegie Mellon, or Princeton. Five
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years from now he will be in whatever college he chooses studying for a PhD or master's degree
in engineering.
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Taylor Jordan was born in Maryland in November 2007 but promptly moved to
Woodbridge Virginia where he has lived ever since. He strives to become an aerospace engineer
and a CEO of his own federal defense company. He plans to achieve this through further
advanced education beginning with the governor’s school at innovation Park and potentially
ending with a PhD from M.I.T. Five years from now, Taylor imagines himself finishing
Problem
In and or on human textiles there is tendency to have some form of coloring, this coloring
usually varies with season and region. This leads to massive demand for the same type of textile
but in assorted colors, which leads to massive overproduction of textiles. This overproduction
textiles creates waste and pollution in our environment. One of the biggest contributors to this is
the camouflage industry as there are hundreds if not thousands of different types of camouflage
Objective
To synthesize a thermochromic dye not harmful to humans, that reacts at regular ambient
First off, in order for anyone to actually use our prototype, it needs to be completely safe.
No harmful or bleeding chemicals can be used in the pigments or material like any other piece of
clothing. The pigments also need to be practical to apply to a material safely and not cause any
additional risk. These pigments also need to serve their function and change based on their
environment to match it. If you travel into a cold forest, the camouflage should change to that
color and help you blend in. The goal is for the camouflage to be multipurpose and a person
wearing it should not need several different types of camouflage for different areas. One piece of
camouflage should be used for a wide variety of areas and be more efficient than existing
camouflage.
Research question
What are the optimum production methods for thermochromic dyes that can change to
We are researching whether these pigments could be practical in use for camouflage and
could improve on the problem. This research and experimentation will be done by designing a
prototype with the dyes we can then use to test the functionality.
Overview
There is a large market demand for colored textiles. This leads to mass production of
textiles which pollutes our environment. There is also market demand for camouflage which
changes color depending on climate. Our project can solve both problems utilizing
thermochromism in clothing and camouflage. Through giving clothing the ability to change color
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which would create less of a demand for new textiles. Through giving camouflage the ability to
change color and would solve the climate problem. The impact in society would be a change to
Manufacturing
e (Fahrenheit) color
Environmental Features
The military fabrics should be able to change to match many different climate types. The
chosen climate types to focus on are Temperate, subtropical, and tropical. These areas are
common, often fought over, and host a large population. These factors create a demand for these
Procedure
First mix Thermochromic dye base using other dye compounds. Then take the dye liquor
and place it in a storage container. Then test for color change of the dye liquors in response to air
temperatures. Utilize the new dye liquor and dye the fabric using screen printing to place in the
pattern desired. Utilize the binder chemical to ensure that the dye does not bleed out of the
fabric. Test the dyed fabric for change based on air temperature. By using these methods, we
The risks of our research are minimal as one of our goals is to have dyes to safe for
regular human use. The dyes cannot be harmful to humans or animals, and they can be worn
without any danger. Any mixing of the dyes will be done in a safe lab environment and
precautions will be put in places to further minimize any risks that might appear.
determine its ability to camouflage. It can be tested in different environments with temperature
that the prototype should change color in and observe if the prototype accurately adapts to the
unique environment. This can be repeated for each different color of the thermochromic
pigments, and we can determine the practicality of our research. The prototype will then be
analyzed to see if it addressed the research problem and meets our engineering goals.
products?
A. Organic solvents such as Acetone, Dimethyl Ethyl Ketone and Hexane could destroy the fine
microstructure of the thermochromic material. Compounds with strong acidic and alkaline
properties are harmful as well. Avoid combining any of these with our thermochromic products.
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A. If exposed to direct sunlight for a long time, the ultraviolet rays from the sun will destroy
thermochromic products. However, for cases that require some degree of UV stability for the
A. No. The thermochromic pigments and our water-based paints and inks are NON-toxic
products conform to ASTM 4236 standard. However, we recommend you follow the general
rules for personal protection – wear latex gloves and protective glasses. Thermochromic products
A. The shelf life for the paints and inks is up to 1 year. The pigments last for more than one year
depending on the storage conditions. For longer shelf life, we recommend keeping the
A. We do not recommend mixing our products with assorted colors and activation temperatures.
Note: You can use them layered on top of one another, in some instances. For example, let us say
you have two thermochromic paints – "Black to Pink" at 95°F (35°C) and "Blue to Colorless" at
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88°F (31°C). Apply the first layer "Black to Pink," wait until it completely dries and then paint
the second layer using the "Blue to Colorless" paint. When you begin heating the painted object,
the color will first turn from blue to black and then the black will turn to pink. This can be done
with 3 or more thermochromic paints/inks with the appropriately chosen colors and activation
temperatures.
Q. What is the maximum heating temperature and time of your thermochromic paints and inks
A. The maximum heating temperature should not exceed 320°F (160°C). The elevated
Q. Can I apply a clear paint sealer to lock the surface painted with the thermochromic paint/ink?
A. The clear paint sealer will not interfere with the color changing process. It is OK if the sealer
contains strong organic solvents. Since they are not mixed with the thermochromic product at the
A. Yes, the products are safe to use on leather and most textiles.
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Q. I printed my name on a T-shirt using your thermochromic fabric paint. Can I wash it along
A. Yes, you can. Our product is resistant to most of the detergents, hot water and bleach.
Q. I would like the bowl of my floor lamp to stay colored during the day and change back to
white when I light it up. The bowl is made of plastic, so is it possible to use your thermochromic
A. Yes, our thermochromic paint could be applied on most plastics, metals, ceramics, glass and
Q. What is the area coverage per unit volume of your thermochromic paints and inks?
A. For the thermochromic fabric paints it is between 2 and 4 square feet per 2 ounces can (1858 -
3716 cm² / 60 ml), depending on the type of the texitle used for screen printing. For the
thermochromic paints and inks it is between 4 and 6 square feet per 2 ounces can (3716 - 5574
cm² / 60 ml), depending on the type of the surface subject of the painting.
A. The drying time depends on the type of the surface subject of the painting, ambient
temperature and relative humidity, but usually it takes from 2 to 12 hours. The painted surface
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could dry in as little as a few minutes if it's heated. The temperature of the heating source should
A. Yes, a spray gun could be used. The best results are achieved with the air pressure above 70
PSI.
Research
Summary:
pigments. There’s theoretical application involving security. Our group see’s similar applications
within our own project. The book says Leuco dyes based thermochromic (TC) systems are used
as pigments including pigments for plastic, paper, metal, and most importantly for our project,
textile substrates. TC systems require their components, a co-solvent, a developer, and a color
former in the form of Leuco dyes. The rest of the article relates to the specifications of different
combinations of TC systems, which could be used to determine which system is ideal for our
project.
Citation:
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Tech Publications.
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Summary: 1 Introduction
with dependence on temperature. This process is exactly what thermochromic clothing requires,
thus the explanation from the article on the chemistry of thermochromism and its real-world
functions helps use develop the necessary techniques to actually create our design. Although the
phenomenon has been studied by scientists for centuries the applications of such technology has
been extremely limited. However, during the last couple decades, the field of thermochromism
has made progress through the discovery and effectiveness of pigments based on leuco dyes.
Leuco dyes are cholesteric liquid crystals which when they are incorporated with polymers, they
form effective thermochromic composites. The article highlights photonic crystals, nanoparticle-
Citation
https://doi.org/10.1021/cr400462e
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Article 3: Photosynthesis
Summary:
The previous articles are about one process for creating the color changing effect. In
order to make sure our team looks at all possible avenues, the last article relates to the familiar
process of photosynthesis. There are multiple different types of chlorophyll reflects green,
however during the sun due to the lack of energy from the sun, plants are unable to synthesis
chlorophyll. Thus, the other pigments representing a brownish red color are more prominent.
Because a similar process could be recreated using a process known as artificial photosynthesis.
However, we don’t require the full photosynthesis, that is we don’t require the creation of energy,
Citation:
https://doi.org/10.5840/philtoday2020124310
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Summary:
The patent presents first a problem and then a solution to said problem. The problem is on
how to obtain a reversible thermochromism composition which can change temperature required
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for change even without changing the combination of the electron donating compound. The
solution which the patent gives to the problem is comprised first of an electron donating
patent will be utilized in our project when forming thermochromism compositions of compounds
Citation:
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Summary:
of liquid crystals. When covering liquid crystals, the article covers how liquid crystals work in
general in terms of orientation and change in structure based on temperature. Additionally, they
cover thermochromism in the form of organic dyes. When covering the topic of thermochromism
in the form of organic dyes, the article explains how dye can be defined as a structure that is
designed to either absorb or be absorbed by, leuco dyes are dyes which due to their names are
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indicated to in some states to be colorless. This method of thermochromism through leuco dyes
as the article explains is in truth not actually based on temperature but rather on Ph which may or
may not be temperature sensitive. The information from the article “Thermochromism in
our substances and to avoid a substance that only gives off the illusion of thermochromism.
Citation:
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Summary:
The article “Fused-Fluoran Leuco Dyes with Large Color-Change Derived from Two-
these Fluoran Leuco are organic dyes which additionally respond to external stimuli by changing
between colored and colorless forms. In their study two Fluorans are fused resulting in a large
two step color change which was reversed with a corresponding change in temperature and was
observed in a solid state. The article also goes through an Indepth explanation of their results and
provides a link to their methods for the synthesis of the bonds. The information from the article
Fused-Fluoran Leuco Dyes with Large Color-Change Derived from Two-Step Equilibrium: iso-
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particular the methods described will be useful and if possible, we will fuse more than two leuco
dyes in our project and this information will be useful in that respect.
Citation:
Shirasaki, Okamoto, Y., Muranaka, A., Kamino, S., Sawada, D., Hashizume, D., & Uchiyama,
M. (2016). Fused-Fluoran Leuco Dyes with Large Color-Change Derived from Two-Step
12046–12051.
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Sources
Tech Publications.
https://doi.org/10.1021/cr400462e
https://doi.org/10.5840/philtoday2020124310
Nakajima Akio, & Ono Yoshiaki. (2002). Reversible Thermochromism Composition Having
Shirasaki, Okamoto, Y., Muranaka, A., Kamino, S., Sawada, D., Hashizume, D., & Uchiyama,
M. (2016). Fused-Fluoran Leuco Dyes with Large Color-Change Derived from Two-
Step
12051.
Changing Paint.
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Fabiani. (2020). Thermochromic materials for indoor thermal comfort improvement: Finite
Liu (2023) Multicolor-tunable biomass thermochromic dyes utilizing tea polyphenols color