Introduction au timbre et à l’énergie

chapitre II.
Répétition accumulatrice
d’énergie

15
 VII
> n# ww>
R Π# w
1

Notice &
T
Guitar 1 A
B

p
Repetition f
accumulatrice F
d’energie >
= r a.sul.pont.
XII

- items needed
-estimated minimum A age:
T
Guitar 2
for the execution
B

guitare I, II et III: 13 year old ß

of this piece: P
Guitare I: 1 plastic knife toothed
-how to play together: right hand

-The time unit isGuitar

eighth 3at 150
-The musician has to count every eighth note
and each eighth rest as indicated above the Guitare II: 1 plastic knife toothed
musical cell (see score)
right hand
- The running of the right hand on
the strings (the right count) must be
memorized by each musician
B
=
>
= Guitare~ +1/4
III:
~
1 plastic knife toothed
r
~

n# œœ
a.sul.pont. ~

> >˙
rightXIIhand

In œ
a.sul.pont.
XIX

r Œ. n ˙˙
#
2
the establishment in this piece is very difficult, it does not require
2 a
importante
& &
large instrumentalT level, but it requires great seriousness, T
précision: Gtr. 1 repetition
memorization, A
B
and especially: a job in slowness. (start the
A
B
work on this piece at tempo 50 then100 and finally at 150)

f F ß P
>r
~
~ +1/4

>
a.sul.pont.
the clef:
> w
a.sul.pont.
IX XII

# # ww
r Œ
1 1
tablature notation
&
2
T
Gtr. 2 A
B
3
4
lignes represent
5 strings

ß P f F
6

indications of right hand position on the string:

a.sul pont. A.rosace+ rosace
sul
Gtr. 3 pont. A.rosace
XIX XII VII V I
= I
5

!
6

16
 II. E = 150
a.sul.pont.

q
a.sul.pont.

situations encountered:Repetition accumulatrice

XII

= e ‰ 11
2

d’energie Œ
Guitar 1
II.
direction T
direction
e, e, e, e,
as near as displacement of Number of 8th Aas near as
B displacement of
possible from 11 9 7 3 possible from

j
the right hand

!
to count at 150bpm the right hand
"
Repetition PÍ P
accumulatrice
à la croche the bridge along the string the bridge
along the string

E=
to the center

150 Julien Malaussena to the fret of the sound

ß F
XII

d’energie
hole

a.sul.pont. a.sul.pont. a.sul.pont.

q q
a.sul.pont. a.sul.pont.

‰j ‰
XII rosace

e e e e 9e
XII

=
à la croche = 11 11 9 11
X

E
3
2
= 150
Guitar 1 T
A
Πa.sul.pont.
Guitar 2 T
A
(a.sul.pont.)
Œ ‰ (a.sul.pont.)

q
B a.sul.pont. a.sul.pont.

"
XII (XII)

" ! F ppsub P F!
PÍ P= 11e
‰ 11e
XII (X)

ß Guitar
F 1 T Π3e (a.sul.pont.)
2e
II. e
a.sul.pont. A
a.sul.pont. a.sul.pont. a.sul.pont.

q q! e e
B A.rosace rosace

‰ ‰ q
rosace XIX a.sul.pont.
XIX(XII)
9e 9e
XII
= " PÍ= P 7
F epp 7
Repetition accumulatri
3 9 3 9 sub

E, E , E , E , Œ ‰
playing with the plastic
=
Œ ‰
(a.sul.pont.)

ß F3
knife.Place the blade 5 6 Number of heighth rest
2 3
Guitar 2 Guitar
d’energie
T T
A perpendicular to the strings a.sul.pont.
A
B a.sul.pont.
which have to be counted
7 at 150 bpm
3e (
B

q à la croche ‰
(XIX) XIX
"
rosace a.sul.pont.

P = ! e F ppsub
" 9e P F !psub F
j
9 3
II. Œ ‰r
E = 150
(a.sul.pont.)
7
‹‹
Guitar 2 13
T 4e 2e

Repetition accumulatrice
a.sul.pont. a.sul.pont. A

q e
a.sul.pont.

‹ !
A.rosace B rosace a.sul.pont.

‰
XIV VII

e Pe 7e repetition:
a.sul.pont. (XIX)
" ‹‹
q ppsub
Gtr. 1 a.sul.pont.

q= F e
to the right XII
7 as7 near as 7

‰
accumulative
e
XII

d’energie
size of the

‹
3
= r
possible from
:muting stings with the left hand
Œ ‰
sound hole
(a.sul.pont.) 11 with knife blade11(right hand),
‹‹
the bridge 2

Œ
13 near the fret I performed a fast
Guitar 3 T

q
4e
‹
(a.sul.p
a.sul.pon
A
Guitar 1 a.sul.pont. perpendicular movement (like
‹
a.sul.pont. T (rosace) a.sul.pont.

F qe
Gtr. 1

>q
B

q Julien
a.sul.pont.

11e
:don’t mute strings A.rosace rosace X

e ‹ Malaussena
A

‰
cutting the string) , on 3 XIV
" P =! pp phighest e F r
B

F
" ‹
(XII)

!gradually
7
‹‹ F
7 strings. 7while
PÍ P
sub sub
13 3
This symbol is valid until another
Œ ‰
moving the hand
(still right hand) longitudinally ‹
(a.sul.pont.)

‹‹ 4e 3e
symbol cancels
Gtr. 2 it Gtr. 1 Gtr. 1
ß AB F
a.sul.pont.
XII Guitar a.sul.pont.
3 T
2e
T
4e

‰ 11e e
XII
(as indicated above)
‹
A X (rosace)

ƒXIX p
B
11
a.sul.pont.

ßa.sul.p
a.sul.pont.

! ppsub F
=" q P 9e F
2

Œ ‰
rosace

9e
directions
Gtr. 2 displacement of the (a.sul.pont.) (a.sul.pont.) 3

r r ‰
right hand along the

Œa.sul.pont.
low string (a.sul.pont.)

‹‹ 2 ‹‹
(XII) 2e 4e 4e
PÍ P ! F ppsub F
a.sul.pont. (X)
a.sul.pont. Guitar T

‹>
s

q as near as ‹
>"
q ‰> q q
A A.rosace to a position
a.sul.pont.

11e
X position
to a sul pont.

8e 8e sound hole 9e8e

slide XIX
Gtr. 3from the
possible from ‹ ‹
B
Gtr. 2 slide fromXIX
the as near as
(XIX)

the bridge ‹ P ‹ !
fret XIX
pp
possible from

ß F F
3 the bridge
r ‹ r ‹
Œ ‰
2e
‹‹ XII ‹
3e
a.sul.pont.

‹
Gtr. 1 T Gtr. 2
q
T

3‰
sace XIX a.sul.pont.

‹ a.sul.pont. ‹
XIX
e e
A

e
a.sul.pont. A a.sul.pont.
4e
‹‹ q ß qp ‹‹11e7e f ‹ ß prsub > q ƒ 8ef ß psubp 7e > r XIV 8
Gtr. 3 B B a.sul.pont.

(a.sul.pont.) ƒ
A.rosace
9 9 X 9 a.sul.pont.
a.sul.pont.
A.rosace rosace

Œ ‰ ‹ = Ï ƒ S Í P 3‰ ‹‹ 7e
‹‹
p ‹ ‹
Œ ‰ ‹‹sul pont. ‹
(a.sul.pont.)
Gtr. 3
#sul pont.
Gtr. 1
" ß F
T
4e 2e 4e
sul pont. ‹
(XIX)

P ! pp f p
Guitar B 3
A

F F ‹ ß64‹epsub XIX
T A.rosace +

˜ ˜
7p
A.rosace

Ï >q ƒ f
A

q q > q
sul pont. sub A.rosace

ƒ P
(rosace)

9Í
sub

S
XII
ß
XIX XIX XIX
e 6e e 6e
B XII

œ "jp II. 2e j P ! ! !2 ‰ F 2 ‰ppsub F

14

XIV! "œ pay œ attention J to not 4eŒ Œ

4e
# ß F
Gtr. 1
f
a.sul.pont. a.sul.pont.

J
Gtr. 2 Gtr. 3 2e

˜ ˜
a.sul.pont.

Repetition
product any accent sul7accumulatrice Ï
T rosace T

3‰
ƒ S2eXIX Í P
VII

7e œ 7e e
A A

j psub > p p p
sul pont.

œ (a.sul.pont.) ƒ ƒ f p f
B B A.rosace

j p > q f ƒ p
pont.

ß ß
XIX X
e
14

! ! e
when you return on

‰ Gtr. 1 ! œ œ J d’energie # " payf attention ß Fto not 2 ‰

highest string here. sub 9 6 sub

˜ ˜
œ à la croche J Œ
j
(rosace)
product any accent
œ j
Gtr. 2
j
14 2e
>
4e T to arrive as 4e
! pp F p F ! !
when you return on
F Gtr. 2 the khife blade
A near as

E
A.rosace +

ƒ p ƒ p f 4e >p
B slide from the sul pont.

J
sul pont. sul pont. a.sul.pont.

= 150 qthe previous ! sub œ >

œ Julien Malaussena
p
a.sul.pont.

> q4e q
possible fromXIX XIX

q
sub highest string here. a.sul.pont. rosace

ß
sub

2 ‰ > q4e sub 8eJ 2 ‰

a.sul.
Gtr. 1
7e
Stretched energy:with XII XIX fret XII A.rosace

11e 4e
the
X bridge

œ
(right hand) continue gesture

Œ > 2e XŒ
a.sul.pont. 2e
sliding along the low string between theXII 4e

q
a.sul.pont. 4e a.sul.pont.

11e
‰ e 11e
Gtr. 3 twoTindicated positions. 4e XII
Gtr. 1
= T

p p >
Gtr. 2 A
A 11

ß psub qf ß>ppsub 4e f f
B

ƒ
sul pont. sul pont. sul pont.
2

ƒq
XIX

Πp
B

7e
XII

f 4e ß
XIX

ß
(a.sul.pont.)
Guitar 1 T (a.sul.pont.)
A
B a.sul.pont. Gtr. 3 Gtr. 2 pay attention to not (X)

>
a.sul.pont. (XII)

"> q PÍ P ! qF ppsub F
a.sul.pont.
A.rosace
Gtr. 3
‰
X 4e T 9e
8e e 8e
A XIX 4e product any accent 2e

XIXp
f 9e ppsub f
B8

‰ƒ
when yousul return on
ß
3 pont.

ß
A.rosace

ß F Œ >q
sul pont.
highest string here. XIX
6e
Gtr. 3 3e
sub 2e 17
a.sul.pont. a.sul.pont.

qß p ‰ß p p q
XIX a.sul.pont.

f
rosace

9e
XIX
Gtr. 2 9e 9e
XII

ƒ f 9e
= 3
T
A
4e 9e

Œ ‰
sub
B
Gtr. 3 (a.sul.pont.)

Guitar 2 T
 S ‹F
p " P ! F ppsub ‹ 4e
‹‹
Gtr. 1
# " f ß F
7
2e
‹

˜ ˜J
3e 2e
a.sul.pont. a.sul.pont.

q
Gtr. 2 2eXIX 4e
j j q
directions

3 ‰! !
rosace XIX a.sul.pont.

9e 9e 9e
XII

9e
displacement of the

œ J r7
right hand along the

œ ‹
13 to a position

Œ1 ‰
13 low string

‹
(a.sul.pont.) as near as

‹
slide from the

>
Gtr. 1fret X possible from
2
‹‹ a.sul.pont.
T a.sul.pont.
right hand direction: Gtr. a.sul.pont.

> a.sul.pont.8e
the bridge

q
a.sul.pont.

>‹ q
A

r
Gtr. 2 A.rosace

11e
X

8e
B

‹‹ A.rosace
a.sul.pont.(XIX)
"to the high register: P ! 13F r ppsub F psub r
q 11e > q ‹ >
X
to the 13 low register:
‹‹ 8e ‹ ‹ 8e
‹‹ ‹
Gtr. 3

‹
Gtr. 1
‹ ‹‹
T Gtr. 1

‹‹
Gtr. 1 A
4e 2e
XIX r r
rosace

‹ 3ß p XII
p
B

‹ Gtr. 2ƒ f
sul pont.
a.sul.pont. a.sul.pont.
Gtr. 1
q ‹ sub ‹
T a.sul.pont. a.sul.pont.

ß
A.rosace rosace

7e
3‰
11e
XIV
11e
VII

7e 7e 7e
A

‹ ‹
ß p ß‹‹ psub
B

ƒ4e ‹‹‹
Gtr. 2

2e f
Gtr. 3

Œ AB ‰ Ï ‹ ƒ S A.rAÍ ‹‹
(a.sul.pont.)
13
Gtr. 1 ‹ ‹
‹
3 T T rosace

‹‹
sul pont.
Gtr. 1 sul pont.

p p
A A.rosace

q q e
p
XIX
#
XII

> " ß
(rosace) sul pont.
4 2e
11e e F
B XIX 4e XIX XIX
e F r e f XIX‹
2‰
Gtr. 2

Pthe fret I ! ppsubr XIX psub r F‹

˜
F
Gtr. 2 :muting stings with the left hand
" F
11 sul pont.

r
9 6 A.rosace 6

q
sub

‹ > ‹
sul pont.

‹
XIX
9e ‹ ‹‹ P6e Œ j
near
‹ Ï œ ƒ‹ S Í 2‰
j
13

q
14

‹ 3e‹‹ ‹‹!
Gtr. 3 A.rosace
r. 1
‹
Gtr. 2
‹ p e
T
Gtr. 3

‹ # F"‹ œ œtoß ‹‹a positionsulJpont.

T

Œ
Gtr.
A 12e
‹
A
:don’t mute strings 4e Gtr. 1

p ppsubpsub r
XIX 3

‹ nearFasr f
B

p rp
4e
A XII ‹
ƒ ‹ ƒ
B

p f
sul pont.

F œ
Gtr. 2
ß
T

9 ‰‹
This symbol is valid until another r r

˜ ˜
11e ‹ 4e‹‹ > ‹
‹‹ œ ß‹‹ psub 7 fret XIX p p
as

ƒ ƒ
B

! ! f‹
13
p
Gtr. 2 slide from the

‹
subA.rosace

j j
possible from
‹
symbol cancels it 14

Ï ‹‹ sulƒ pont. S ‹‹ÍXIX P

‹ Gtr. 1 4e3e‹
Œ Œ . Ï ‹‹ a.sul.pont. ‹ ‹
the bridge

Œ Œ ‹! œPœ
Gtr. 3
‹‹ e e
Gtr. 3
J
sub
Gtr. 1 2e
ƒ S ‹Ísul pont.
3

‹
3

r P#J F> rosace

Gtr. 2
X XII ‹ A.rosace XII ‹ 4e
sul pont. T

œ
a.sul.pont. sul pont.

‹ß F2 ‰XIX
a.sul.pont.

‰
A

pXIX
q > q q p > > q 3 ‰ r‹
sul pont. 2e
> q
a.sul.pont.

7e
B

11e ! 4esul pont.

XIX
11e P e e 8e " f4sulepont.
XIX
e r 7 # "XII f ß F
13

‹
9Gtr. 2 sul pont. Gtr.A.rosace
2

˜ ˜
q >Ï 4œe Œ ‹‰ ‹ > 4eŒ
8 4
‹ q
8
‹

˜ ˜
14 Œ Gtr.Œ3. Œ S Œ Í ‹‹P 7e jGtr. 3 14j
13 XIX

ƒ S ‹ ‹Í P
Gtr. 1
Ï œ ƒ j j
A.rosace

‹ ‹‹ ‹ 8!e
1r. 21 T AT
Gtr. T

! ! 9!e rosace
directions

‹2XIX J p œ J p
A

r œ ßJ psub P#fsulf pont. "F f ‹ ‹ß p

A

œ
ƒp œ ‹r # fJ
displacement of the
Gtr. 3 ! T œ
r ß psub
‹
B Gtr. 1

ß p"13 B f ß Ff ƒ ß psub p F XIX

B B

! œ
right hand along the Gtr. 1
P
r
low string A Gtr.
A.rosace

˜ ˜
‹ p f ‹ > ß ppsub ‹ f

˜ ˜
ƒ 9e
rosace
9e>
‹ ‹ ß ‹
œ jusqu’à ‹ 2
‹‹ Gtr. 1j Gtr. 1 j
œ 4e ‹ j j 9e ! !‹ ‹ 7
14

ƒ S Í P ‹‹
glisser plus

! 9!e ‹‹ œ 8e ‹
14 la Gtr. Gtr. 3
! 2e
près du Gtr. 3 7 sub

J Ï ‹
case XIX 4e
A.rosace œ
A!
œ œA.rosace‹ J ‹ 4eXIX 9e ‹
chevalet Gtr. 3

‹p
Gtr. 1 T

r#
A.rosace +

J
sul pont.

rosace œ
13 > q ppsubJ 6e > psub q ‹
sul pont. A.rosace

œ
Gtr. 2 B XIX XIX XII
9e 6e 6e F
Gtr. 2 F 9e
‰ ‹
sul pont.

‰ " ß F
XIX
9e>
r7 r f
‹‹ in the stretched
˜ ˜
Gtr. 2
‹
2
‹‹ Œ14 Œof energy: ‹‹ couteau
13 Gtr. 2 13 Gtr. 3 2 7

œenergy,
ÏProjection ƒ Í P ‹ j (mainj
Gtr. 1
‹ S
2r. 3Gtr.T1 T like
4e ‹‹p !9e !
‹‹
r ‹ r
A A Gtr. 1

J
avec la lame du
pp ! œ
‹‹ß psub sub pF ‹‹gesture sliding J ‹
ƒ r ƒ ppsub ‹r‹ psubf p # f f theßprevious
œ
B B Gtr. 1
Gtr. 2 F
‹ F"
droite) with the knife blade (right hand)
r r continue
‹ œ
‹ ‹
˜ ˜
Gtr. 2

Gtr. 3‹‹ ‹‹ along the low string , but here > the gesture
Gtr. 3 ‹ ‹
‹ ‹
13

Gtr. 1 ‹ ‹‹ œ
13

‹‹ J ‹‹ ‹‹
Gtr. 3

‹Gtr. 3 ‹ Gtr. 2 Gtr. 1 2e ‹ j j

14

‹‹ 4‹e !9e. !
rrestart the gesture ! œ œ ‹ XIX ‹ XIX rosaceXII a.sul.pont. r A.sul pont.
has to finish with an accent in highest
‹
4e

‹
Gtr. 1
r r‹rosace
strings

œ‹lower that the last Gtr.>2 4e J ‹

A.rosace +

q
sul pont. sul pont. sul pont.

Gtr. 2 ‹
q > q
‹ that the
‹ 2‰ > ‹ q r
sul.pont

7e
> ‰
XII restart the gesture
4e
4e‹ 4e (A.rosace) ‰ 4e
‰
XIX
‹ 6e
Gtr.last
2

‹ ‹ ‹
lower

‹ ‹ slide to the
slide from the center
indication
‹ ‹
13

‹‹ A.rosace ‰ ‰ Œ ‹‹ ‰ ‹‹ Ó
of the sound hole to 2 2 6 A.ro

Œ
Gtr. 3 the right side of this indication (A.Rosace+)

T ‹Gtr. 3 ‹ ƒ a few ‰
and

Gtr. 1 Ï position(
sul pont.
S Í Ppont
sul.pont
Gtr. 2 Gtr. 3 and slide to the « sul
A ‹ ‹
sound hole « A.rosace+ » A.rosace +
3
‹ ‹ ‹
» position (near
Gtr. 1
p
T

q f6e r p Ï f 6 ‰ƒf Sp Í ‹
the bridge)

r 2 ‰ß ppsub>r !r
A

r psubß psub F f f Gtr. 2

B centimeters after the A.sul pont.

r P
sul.pont

ƒ # " ß F
rosace B XII

‹
right side sound hole)
4e
Gtr. 2

‹ ‹‹
˜ ˜
‹ ‹ ‹ ‹
‹ p
A.rosace +

Ï œ ƒ S Í ‹‹P A.rosace j Gtr.Gtr.3 3j A.rosace + ! ! ‹ ‰ ‰ ‹‹ ‰ Ó ‰ ‹

sul pont.

‹ # " ‹
sul.pont

‹ ‹
14

! œ œ ‹‹ J p ‹‹ 6e Gtr. 3 ‹‹
5‹e ß ‹‹ F
‹‹
r. 1Gtr. 3 T
e 2
f
4e 9e

‹ ÍrXIX P
Gtr. 1

r ‹ Ï !‹r
6Gtr.
A

˜ ˜
‹ sul.pont ‹
a.sul pont. ƒ
#
œ r psub "F f ß F f S
B

Jr
rrosace ‹ ‹ ‹
A.sul pont.

‹‹ œ q ‹‹ 11e
˜ ˜
‹‹ > ‹ 14 ‹‹ 1‰ >
j p
XII

‹ j Gtr. 3j
!2 Gtr.
6e ‹
! 1 ‹‹ Gtr. 3 ‹ ‹ ‹
9e ‹
‹ j ‹ ! !
‹
Ï ‹‹ ƒ6e S ‹‹Í P 5‹e #
! œ "œ f Ï ß J‹‹ ƒ FSEwhich
‹
‹‹ of heighth
(
Gtr. 3
6e
œ œ ‹‹ J
‹
, EÍ, EP ‰, E , A.sulNumber
a.sul pont.
Gtr.

˜ ˜
5 6 2 3 rest
A J
‹p XIX p ‹J
Gtr. 2 T pont.

œ q
have to be counted at 150 bpm
> ‰ r
sul.pont

œ > >‹!Ï ! ƒf S(A.sul pont.)

#
# " ß F
Í P
a.sul pont.

sub j
XII

psub " ß F p j
B

6e F e F f e
rosace

f
Gtr. 2 14

˜ ˜ ˜ ˜
9 1 11

Ïœ ƒ S Í P j ! œ 3 ! Ï! œJ ƒofslidethefrom S theÍcenterP ‰ restart j the gesture ‹j lower ! ! p

Gtr. 1 œ ‹
j Gtr.
a.sul pont.
14 Gtr. 1 14

J ‹position # to the "

f ! ß Fr
r. 2
p e ! right œ of this J p e
T
11e, 9 e, 7 e, 3 e, ! œ œ at 150bpm J
# "Ftoœ count œ side the « sul pont » ‹
Number of 8th

r
Gtr. 1 A sound hole to that the last indication

˜ ˜
# "F sound Ïß F
ƒ P
7 3

>S Í‹
œpsub f ß F ppont. f
B

œ J J
>‹
the (A.rosace) and slide
f
‹‹ 11e
˜ ˜ ˜ ˜
hole

>
œ ‹‹j j p 5‰ >
a.sul

j
sub rosace (near the bridge) XII

7e
Gtr. 3 !Gtr.!2œ q
14
j
j j ‹ ! !
14

! !
‹ # "œsul pont.f ß F Œ. ‹‹
Gtr. 3

! œ œ J Gtr. 3 T 7e ! 1œ œ J 3e
! J Œ
A. sul pont.

‹ œ
Gtr. 1 Gtr.

˜q ˜J > !
J
a.sul pont. B œ J
œ ‹ J ‹
A.sul pont.

>
A

> 11e Ï
>
A.rosace

œsub j ‰ j ƒ S Í P
f
XII

p F
rosace

7e
Gtr. 2 14 Gtr. 2

!
Gtr. 2 5

! œ œsul pont. J Œ. Œ
A. sul pont.
Gtr. 1
# " f ß F
r. 3
5e 8e
T

5e
œ
A 18

˜ ˜
Ï
A.rosace

ƒf S Í P
B

p F
>
Gtr. 2

œ j p j
sub
Gtr. 3 14

#
! "œ ß F
Gtr. 3 Gtr.Gtr.2 3
5e 8eGtr. 5e
f J
1
 ‹‹
‹
‹‹
‹
II.
Repetition accumulatrice
d’energie
j
à la croche

E = 150
‹‹
r
a.sul.pont.
r
‹‹ a.sul.pont.
Julien Malaussena

q
a.sul.pont.

‹ ‹
XII

‹‹ ‹‹
11e
‰ 11e 11e
XII X
=
‹ 2
‹
Guitar 1 T
A
Π(a.sul.pont.)
(a.sul.pont.)

B
(XII)

" Ï S PÍ P ! F ppsub F
(X)

ƒ
p
# " f ß F

˜ ˜J
3e 2e
a.sul.pont. a.sul.pont.

œ= q j j
‰! q
rosace XIX a.sul.pont.

9e
XIX
9e 9e
XII

! 9e
! œ œ J 3

Œ ‰
(a.sul.pont.)

>
Guitar 2 T
A
B
(XIX)
" P ! F ppsub F psub

4e 2e
a.sul.pont. a.sul.pont.

q
a.sul.pont. a.sul.pont.
A.rosace rosace

7e
‰
XIV VII

= 7e 7e 7e
3

Œ ‰
(a.sul.pont.)

Guitar 3 T
A (rosace)
B

" P ! F ppsub F psub F

2e 4e
4e

a.sul.pont. a.sul.pont.

q >
a.sul.pont.

>q q
A.rosace a.sul.pont.

11e
‰
X

8e 8e 8e
XIX
3

Gtr. 1 T
A
Œ ‰
p p f p
B

ƒ ß f ß sub

4e 2e
sul pont. A.rosace +
A.rosace

>q q
sul pont. A.rosace
XIX XIX XIX XII
9e 6e 6e 6e
‰ 2 ‰
Œ Œ
2
Gtr. 2 T
A

ƒ p ƒ pp p f p
B

ß sub sub f
4e 2e
A.rosace +
sul pont. sul pont. sul pont.

q > q4e >

XIX XIX

q
rosace a.sul.pont.

7e
‰ ‰
XII
4e 4e
XIX
4e 2 2

Gtr. 3 T Œ Œ
p p
A

ß psub f ß ppsub f f
B

ƒ
4e 9e
19
 2 ‰ 5e
4 ‰ 5e 5e 4e

Gtr. 1 T
A
Œ Ó
f p p p f
B

P P F
2

2e 2e F 3e
XIX a.sul.pont.
a.sul.pont. a.sul.pont.

‰ 4‰
a.sul.pont. XII

‰
XIX

‰ ‰ 4e
XIV

6e 5e
A.rosace

5e 5e 4e 4e 4e 4e
XII A.rosace

2 1 3 4e 2

Gtr. 1 T Œ Gtr. 2 T ‰ Ó Œ ‰ Œ
pFp
A A

f fP f p ! ppsub p p p pP f f p f
B

!
B

P F sub sub

2e 2e 2e 3e 3e
sul pont.
A. rosace a.sul.pont.
XIX XII a.sul.pont.

‰ ‰‰ 3e 4e
‰ 2‰ ‰
a.sul.pont.

6e 3e
A. rosace

3e 4e
‰ 3e 42e 2e 4e
XIV XIX

42e 3e
XII A. rosace
VII
1 23 2 2

Gtr. 2 T
A
‰ Gtr. 3 T
A
ŒŒ ‰ Œ Œ Œ Œ
f f !f f! p pP pp p pp Pf Ppsub f
B B

P! F P
J
sub sub

F
2e 3e 2e 2e
1e 4e
a.sul.pont. XIX XIX A.rosace sul.pont.
XII rosace

‰ ‰ ‰
XII a.sul.pont.
XII rosace

3e
‰
A.rosace

3e 3e 3e 2e 2e 4e
XIV A.rosace

2 3 1 2

Gtr. 3 T
A
Œ Œ ‰ ‰ Œ
f f p p p
B

P ! P p P PP F
>j 1 ‰
1e
11e
J ‰ 8e
sub sub

Gtr. 1 T
A
‰ 2e 1e
Œ 4e ‰ 5e

f p
B

!
ß
4e
a.sul.pont. sul.pont.

>j 1 ‰ q > ‰ ‰q
1e
11e 9e 8e
rosace

4e
A.rosace

"
3

Gtr. 1 T
A
Gtr.‰2 T Œ Œ‰ ‰
A

p p f f f p p
B B

ß !
ß
4e
2e
sul.pont. sul.pont.

>q ‰ 3‰ q 94e ‰ 4e
XII XII

9e e
8
Ep „
5 3

Gtr. 2 T
A
Gtr. 3 T
A
Œ ŒŒ ‰‰ Œ ‰
f f pf f
B B

2e
sul.pont. sul.pont.

‰ ‰ q
XII

9e
XII
5 3 4e

Gtr. 3 T
A
Œ Œ ‰ ‰ Œ
f f p
B

20
 r r
‹‹
r ‹‹ r
13
13

‹‹ ‹ r ‹‹ ‹
‹‹
Gtr. 1
‹‹
‹‹
Gtr. 1

‹ r ‹ ‹ r
13
‹
‹‹Gtr. 3 ‹‹
‹‹ ‹‹
Gtr. 2 Gtr. 3
‹
3
‹ ‹‹ ‹
Gtr. 1
‹ ‹‹ ‹ ‹‹
‹ ‹ ‹
rosace
sul pont.
XIX XII

11e 11e
Gtr. 2
Gtr. 2

r
r Ï ƒ S Í P ‹r ƒ S Í‹‹‹ P p
‹ Ï
13

‹‹
Gtr. 1 T 7 A.rosace

#‹ pF" f ß
A Gtr. 1

p p r
XIX

pp ‹ Fr
B

r ‹ F r ‹ ‹
‹‹ 3 ‹
˜ ˜
# " ß F
Gtr. 3
‹ ‹‹
‹‹ ‹‹ œ ‹ f ‹
Gtr. 2 sub

‹ j

˜ ˜
j ‹ ! !
‹ ‹
14

‹ 3e‹‹
r14 ‹‹! 3‹‹e
Gtr.
‹‹ 3e
Gtr. 3
œ J
‹ œ Gtr. 2 ‹ ‹ œ
Gtr. 1

‹ ‹ j j r J ‹
13‹ ! > ‹!
sul pont.

œ
1 ‹ 9‰
sul pont.
XII

! œ J
Gtr.11e 4e
‹ œ ‹
A.rosace

‹ œ Œ Œ . Œ Œ J ‹Í7 P
7

‹ r ƒ S Í PÏ ƒ P Ï r ‹‹
Gtr. 1
Ï S Í ƒ S
A.rosace

‹‹ ‹
7
>
Gtr. 2 T

p
p‹‹ f ‹ß F r
A

p
p ppP# "F
B

! 3 P #‹ " f ß F
XIX rosace

r r
Gtr. 2

‹‹Gtr. 3 # " f‹‹ ß F ‹

˜ ˜
Gtr.
‹‹ ‹‹

˜ ˜
sub

˜ ˜
‹ œ ‹ j j ‹
œ
r ! œ ‹‹‹ J ‹j Gtr. 1 j ! ! r 9!e ‹‹ œ ‹
14

8!e !‹
14

J ‹
‹ œ œ j ‹ œ ‹
j ‹
Gtr. 1 14

! !
13

‹ 13 œ J ‹ J r
A.rosace

Gtr.œ1 Gtr. 2
‹ ! 9eœ > œ J3 7 ‹‹ >
‹‹ 7
sul pont.

9e
rosace XIX

‹
œ ‹‹ ‹
Ï ƒ> ‹ S 7 Í PJ Ï ƒ S Í P ‹‹ p
Gtr. 2 Gtr.
Gtr. 3 Gtr. 1

‹
T
A

pp p ‹
B

r
Gtr. 2 F
pp #
r
F"
f ß F
# " ß F
˜ ˜
Gtr. 2 sub

Gtr. 1 r
‹‹ f ‹‹
sub
13

˜ ˜
‹ œ ‹ j j
‹
14

!9e !
‹
‹
‹ r r
4e
! œ œ J‹
‹‹
r
r
‹ œ 13 ‹‹ ‹‹ r j j
Gtr. 1

œ‹ J ‹
‹
14
‹‹ Gtr. 2 Gtr. 3
‹ ‹ ‹ œ ‹ ! ! ‹ r
‹ ‹ ! J
‹ >
‹ ‹
‹œ ‹
Gtr. 1
‹‹Gtr. 3 Gtr. 2 ‹ ‹
‹‹ ‹‹ ‹
Gtr. 3

œ Gtr. 2 Gtr. 1 ‹ ‹‹
CODAJ
‹ ‹
Gtr. 3

sul.pont
‹ > q ‹ q
A.sul pont.
‹‹
2‰ > 6‰
rosace XII

4e Gtr. 2 6e
‹ A.rosace +

Ï Sr Ír ‰ r‰ ‰ Ó ‰
sul pont.
ƒ P
sul.pont

Ï Gtr. ƒ S Í P
A.rosace +

"Fp ‹‹f ß ‹‹ F r Ï ‹‹ ƒf S Ír P
1
p
T A.rosace

!r
A

pp #
B

r Gtr. ‹ ‹ r r
‹ ‹ ‹‹
˜ ˜
# œ " f Gtr.ß ‹‹ 2 F
j Gtr.Gtr.3‹‹ 3j ‹‹
‹ ‹‹
‹‹ ‹‹
3
‹ ‹ p
sub

‹ ‹ #‹ " ‹ ‹

˜ ˜
‹ ! ! ‹
! œ œ ‹‹ J ‹ ‹ e 2 ‹‹ 6e Gtr. 3 ‹‹
5‹e f ß‹‹‹ F ‹‹
‹
6Gtr.

˜ ˜
‹ ‹ ‹
j j > ! !14
J
‹ ‹q
A.sul pont.

j 1‰ > j
q
sul.pont

œ
a.sul pont. XII

6e 9e 11e
rosace XIX

! !
(A.sul pont.)

Ï r J Ï ƒ S Í P
Ï p ƒ œS Í P !
r œ Ï Jƒ S Í P ‰
a.sul pont.
Gtr. 1

> ‹ ƒ S Í P ‹‹ J
Gtr. 2
p
T

‹ p œ p r r
A

pp # " ß F pp # " Ïß F
ƒf S Í P
B

‹
F f
‹ F
>
f
‹
!
‹
˜ ˜
# ‹ œ" f ß F j # " f ß Fj
˜ ˜
j Gtr. 3 ! ! œ ‹‹
Gtr. 3
‹j p ‹
sub sub

‹ ‹ ‹

˜ ˜ ˜ ˜
14

! !
‹ ! œ œ J
Gtr. 1
e ‹
! œ œ J ‹‹ #
e " f ß F ‹‹
jœ

˜ ˜
j j j
7 3
J
>! ! ‹ ‹
J
14

>! ! 14
œ
A.sul pont.

!Gtr.œ2 œ J œ j ‰ >
a.sul pont.

qj
XII
11e
rosace

e
! !
7

J J
5

œ Gtr. 3 ! œ J Œ . Œ
A. sul pont.

Ï ƒ S Í P > œ
Gtr. 1

>
sul pont.

J
T

œ p
A

Ï
A.rosace

pp ƒ f S Í P
B

F
>
Gtr. 2

# " f ß F p
sub

˜ ˜
5e 8e 5e # " f ß F

˜ ˜
j j ! 14!
œ œ J œ j j ! !
Gtr. 3 Gtr. 3

J
Gtr. 2 21
! œ œ J
Gtr. 1

> J
œ
>
 r
‹‹
‹
13

‹‹
Gtr. 3 Gtr. 2
Gtr. 1

‹
4

(A.rosace+ jusqu’à la fin) ~

~ 8" ~
~ 4"
18e
r poco
Ï
poco a
ƒ S Í P
accel.
‹‹
très rapide

‹ p
Gtr. 1 T

‹‹ # "
A
Gtr. 3

f ß F
B
Gtr. 2

‹
œ j j
˜ ˜
14

!
! œ œ J
(A.sul pont. jusqu’à la fin)

q
Gtr. 1 ~
~ 8"
20e

œ ra Ï ƒ très SJ Í P
accel. poco poco
Gtr. 2 ‹‹ >
‹
T

# " f ß F
A

‹‹
B Gtr. 3

˜ ˜
‹
œ j j
14

! ~~ 87 " œ J
pocoœ
Gtr. 2 Gtr. 1
q
(A.sul pont. jusqu’à la fin)
16e
œ J
Ï> ƒ S Í P
accel. a poco très
Gtr. 3 T

r # "
A

f ß F
B

! ‹‹

˜ ˜J
13

‹
‹‹
Gtr. 1

œ j j
14
Gtr. 3 Gtr. 2 ‹
! œ œ J
Gtr. 1
7

œ
>
j =150
~
r
Gtr. 2 ~
~ 4" ~ 10"
‹‹
13
rall.
‹
8

!
‹‹
Gtr. 1

‹
Gtr. 1 T
A Gtr. 3
r r
B
Gtr. 2
‹‹ ! ‹‹
‹ ‹
‹‹ ‹‹
Gtr. 3

~ ~ ‹ ‹
~ 4"Gtr. 2 ~ 4"

!
rapide rall. synchroniser
Gtr. 2 T Ï ƒ S Í P
Gtr. 3
p
A

r r
B

‹‹ # " !
f ß F ‹‹

˜ ˜
‹ ‹
œ ‹‹ j ‹‹
Gtr. 3
j
14

‹ ! ! ‹
! œ œ J
Gtr. 1
~
~ 5" ~
~ 4 "
œ J
>
rapide rall. synchroniser
Gtr. 3 Ï ƒ S Í P
p
T
A
B

# !" f ß F

˜j ˜J
Gtr. 2

œ j
14

! !
! œ œ J
Gtr. 1

œ
22 >
Gtr. 3

Gtr. 2