ART HISTORY OF THE WORLD

GENSHIN IMPACT FONTAINE SYMPHONY BY LONDON SYMPHONY

ORCHESTRA AND FOLK MUSICIANS

Genshin Impact
"Genshin Impact" emerges as a captivating open-world action role-playing
game, meticulously crafted by miHoYo. Set within the enchanting realm of
Teyvat, this game beckons players to embark on a journey through a world
brimming with diverse landscapes, intricate characters, and a profound
elemental system. Players embody the role of the Traveler, on a quest to
reunite with their lost twin while untangling the enigmas that shroud
Teyvat. With its stunning visual aesthetics, engrossing narrative, and a
character acquisition system driven by the gacha mechanism, "Genshin
Impact" has garnered immense acclaim, not only for its expansive
universe but also for its real-time co-op gameplay and ongoing content
updates that consistently immerse players in an ever-evolving adventure.

The musical cadence of "Genshin Impact" varies across Teyvat's diverse

regions, with Fontaine being the latest nation unveiled. Nestled within
the vast expanse of Teyvat, the Fontaine region boasts an alluring
landscape that combines lush forests, serene lakes, and charming
villages, alongside the captivating experience of underwater
exploration, evoking a profound sense of tranquillity.

The Performance, captured within the illustrious Roundhouse, features

the London Symphony Orchestra along with a few of the topmost folk
performers of France. Under the baton of Robert Ziegler, this
performance showcases top-tier folk musicians and the orchestra,
rendering two exquisite game soundtrack pieces produced by HOYO-MiX:
"Fontaine" and "Rondeau des fleurs et des rapieres."

The London Symphony Orchestra

Established in 1904, the London Symphony Orchestra emerged as one of the
earliest orchestras shaped by the musicians themselves. Across
generations, remarkable talents have sculpted the LSO's reputation for
unwavering excellence and awe-inspiring repertoires. Presently ranked
among the world's premier orchestras, the LSO serves as the Resident
Orchestra at the Barbican, presenting around 70 concerts there annually.
The LSO family encompasses luminaries such as Music Director Sir Simon
Rattle, Principal Guest Conductors Gianandrea Noseda and François-Xavier
Roth, Conductor Laureate Michael Tilson Thomas, and Associate Artists
Barbara Hannigan and André J Thomas.
With over 50 concerts held each year across the UK and the world,
coupled with a dynamic program of recordings, live streams, and on-
demand broadcasts, the LSO's impact reaches millions annually. Artistic
residencies span across Paris, Dortmund, Tokyo, and Aix-en-Provence,
along with a thriving presence in Australasia and Latin America, and a
transatlantic partnership with the Music Academy in Santa Barbara. The
LSO holds the distinction of being the first British orchestra owned by
its players, a testament to its enduringly independent spirit.
Pioneering the recording of gramophone records and film scores, the LSO
boasts more recordings than any other orchestra globally, with a history
that spans peak-time television series.

Origins tracing back to 1904, when 50 members of the Queen's Hall

Orchestra defied Sir Henry Wood's 'no deputies' mandate to establish
their own orchestra, the LSO has witnessed pivotal developments in
British orchestral life. Premieres of now-iconic compositions and
collaborations with legendary conductors mark its storied journey. Even
after more than a century, the spirit of revolution prevails.

In their exquisite performance of the Fontaine symphony, the LSO has

seamlessly incorporated a diverse array of classical and folk
instruments, including the glass harmonica, harpsichord, accordion,
mandolin, and more. Hailing from the hub of culture and the arts,
Fontaine proudly embodies what the traveling merchant Francis describes
as "true beauty and elegance." Based on France, Fontaine encapsulates
both the visual and musical aesthetics of the nation, thereby enriching
the player's immersive experience. The LSO's symphony stands as a
masterpiece, deftly crafted to accentuate exploration in Fontaine. The
resonating notes of "Rondeau des fleurs et des rapieres" harmonize with
combat situations, synchronizing with character movements in battle.
Occasional choir interjections and folk instrumentations conjure the
ambiance of French streets. In sum, the orchestra has admirably realized
the essence one anticipates while engaging in a game—providing a
palpable and involving experience.