Professional Documents
Culture Documents
18 Eighteen Magazine 2020 Volume 23 01 Original
18 Eighteen Magazine 2020 Volume 23 01 Original
q x p _ L a y o ut 1 1 1/ 1 5/ 1 9 1 2: 0 5 P M P a g e I N F C
1 0 B O N U S H D VI D E O S & D IGI T A L M A G
A C C E S S C O D E O N P G. 3
V ol. 2 3
N o. 1
TH E
S C O R E
G RO U P ®
TM
T IG H T T E E N S L I T S
ST U FFED
BR A A N D
PU SSY
All m o d e ls a re a t le a s t 1 8 y e a rs o ld
S A L E T O M IN O R S F O R B ID D E N
E T 2 3 0 1. 0 2, 0 3, U K 0 2, 0 3 C o nt e nt s. q x p _ 1 1 0/ 2 2/ 1 9 4: 1 5 P M P a g e 2 U S
F E A T U R E S
5 VI R GI N T E R R I T O R Y
R e a d e r fo ru m fo r h o t to p ic s,
c o m m e n ts a n d a d v ic e .
1 2 A FTER SC H O O L SLU T
C LU B 7
H o rn y sc h o o lg irls d itc h th e ir
h o m e w o rk to rid e c o c k .
2 6 N E W Y E A R ’S E V E
N O IS E M A K E R S
K rista a n d M a llo ry rin g in th e
N e w Y e a r w ith a b a n g !
P IC T O R IA L S
18 M A BEL
B ra c e s a n d p o in ty , little n ip s
n e v e r lo o k e d so g o o d !
29 EM M A
L ittle c u tie o p e n s h e r le g s o n th e
o p e n se a .
36 LU LU
P la y s strip p o k e r, b u t it’s ju st a n
e x c u se to g e t n a k e d a n d fu c k .
44 CH A N EL
T a k e s o n a n o ld e r m a n ’s c o c k
th a t’s h a lf th e siz e sh e is.
54 M EG A N “ O ld e r g u y s ’
S h o w s th is g u y w h a t sh e c a n d o c o c k s a re
w ith h e r fe e t, m o u th a n d p u ssy . b ig g e r a n d
6 4 G IN G E R S P E C IA L b e t t e r !”
L o v e re d h e a d s? L o o k n o fu rth e r. -C h a n e l
Page 44
71 CA RM EN
S h e ’s a c u tie w ith a b o o ty .
7 8 E L IA N A
T ig h t a n d p in k – ju st h o w y o u
lik e ‘e m !
8 8 A L L IE
T h e o n ly th in g th a t n e e d s
stu ffin g is h e r p u ssy .
Y o u r c o m p le te g u id e to th is
is s u e ’s B O N U S V ID E O S
T h is is s u e c o m e s w ith 1 0 fu ll-le n g th u n s h e a th e s h is m e a t s w o rd a n d s tic k s
b o n u s v id e o s : s e v e n th a t m a tc h th e p ic - it in h e r in e x p e rie n c e d h o le s .
to ria ls in th is is s u e p lu s th re e h a rd c o re A n o th e r d a d ’s frie n d g e ts a c tio n
s c e n e s fro m o u r G in g e r S p ic e s p e c ia l. w h e n h e w a lk s in o n M e g a n M a rx ta k -
A s a lw a y s , th e s e v id e o s a re a b s o - in g s e x y p ic tu re s . H e g iv e s h e r p o in t-
lu te ly fre e w ith a b s o lu te ly n o s trin g s e rs , a n d s h e ta k e s th e m – re s u ltin g in a
a tta c h e d . T h e y c a n b e p la y e d o n y o u r fo o t jo b , c o c k s u c k in g a n d h o t s e x .
P C , la p to p , M a c , iP h o n e , iP a d , s m a rt- F ro m th e G in g e r S p ic e S p e c ia l,
p h o n e o r ta b le t. Y o u c a n s tre a m th e m tig h t-b o d ie d A le x T a n n e r s tu ffs h e r b ra
o r d o w n lo a d a n d s a v e th e m fo re v e r. b e c a u s e s h e fe e ls s e lf c o n s c io u s a b o u t
N o e m a il, c re d it c a rd o r p e rs o n a l in fo r- h e r s m a ll tits . B u t h e r g u y d o e s n ’t c a re
m a tio n w ill b e re q u e s te d . Y o u ’ll a ls o a b o u t th a t, a n d h e p ro v e s it b y d ic k in g
g e t a fre e d ig ita l v e rs io n o f th e e n tire h e r d e e p a n d g la z in g h e r fa c e .
is s u e s o y o u c a n ta k e 1 8 e ig h te e n A lic e G re e n is a n e x tra n a u g h ty
a n y w h e re y o u g o . re d h e a d w h o is g e ttin g tu to re d b y h o t
M EG A N Page 54 H e re a re th e h ig h lig h ts o f th is is s u e ’s M IL F S a s h a S e a n . B u t S a s h a is n ’t g o in g
b o n u s sce n e s. to te a c h h e r a b o u t m a th o r s c ie n c e .
M a b e l M a y , o n e o f fo u r n e w c o m e rs S h e ’s g o in g to te a c h little A lic e a b o u t
in th is is s u e , is a c u te , little th in g w ith s e x . S h e c a lls in h e r s tu n t c o c k a n d g e ts
b ra c e s a n d p o in ty tits . S h e s h o w s o ff to w o rk s h o w in g A lic e h o w to s u c k
h e r fle x ib ility th e n d id d le s h e r m e a ty a n d fu c k . L u c k y A lic e e v e n g e ts a n
tw a t u n til s h e c u m s . a n a l le s s o n !
E m m a Jo h n s o n is th rille d to b e o u t In th is c la s s ic s c e n e , E m m a R e d d
o n a b o a t a n d e n jo y in g th e s u n n y g e ts h e r re d b u s h s p lit b y a fa t c o c k .
M ia m i w e a th e r. H e r tig h t b o d y a n d S h e rid e s th is g u y fo r a ll s h e ’s w o rth
tin y w a is t lo o k a m a z in g in h e r s k im p y a n d ta k e s h im in d iffe re n t p o s itio n s
o u tfit. T o s h o w h e r a p p re c ia tio n to th e b e fo re s lu rp in g h is lo a d . E m m a is a n
c a p ta in , s h e ta k e s o ff h e r c lo th e s a n d a ll-tim e re a d e r fa v o rite , a n d w h e n y o u
p u ts o n a p u s s y s h o w . w a tc h th is v id e o y o u ’ll s e e w h y .
S e x y A s ia n L u lu C h u d o e s n ’t k n o w N e w b ie E lia n a R o s e is re a d in g a
s h it a b o u t p la y in g p o k e r. S h e ’s h a p p y b o o k , b u t th a t’s b o rin g . S h e ta k e s o ff
w h e n s h e lo s e s a ro u n d o f s trip p o k e r, h e r c lo th e s to re v e a l th a t s h e ’s w e a rin g
C A R M EN Page 71 E L IA N A P a g e 7 8 b e c a u s e th a t m e a n s s h e ’s n a k e d a n d m a tc h in g b ra a n d p a n tie s . T h e y ’re c o v -
n o w s h e g e ts to s u c k a n d fu c k JM a c ’s e re d in s tra w b e rrie s , a n d E lia n a is
h u g e co ck . e a g e r to s h o w y o u h e r s w e e t b e rry .
S k in n y fla ttie C h a n e l S h o rtc a k e is L il’ A llie A d d is o n is a n o th e r fla ttie
h o m e a lo n e w ith h e r d a d ’s frie n d . S h e w h o tra d e s h e r s tu ffe d b ra fo r a s tu ffe d
lik e s o ld e r m e n . H e lik e s h o t te e n s . Y o u p u s s y . A llie is s o tin y y o u ’ll w o n d e r
c a n g u e s s w h a t h a p p e n s n e x t. S h e h o w s h e c a n ta k e th a t c o c k .
H E R E ’S Y O U R B O N U S C O D E
1 . G o to S C O R E M a g .c o m /E T 2 3 0 1
2 . E n te r y o u r a c c e s s c o d e . 3 . E n jo y th e s c e n e s !
A L L IE P a g e 8 8 C o d e m a y b e u se d 1 0 tim e s a n d e x p ire s Ju ly 7 , 2 0 2 0
E T 2 3 0 1. 0 4, U K 0 4 S u b A d s. q x p _ 1 1 0/ 2 3/ 1 9 2: 1 8 P M P a g e 4 U S
M A IL T O : T h e S C O R E G r o u p , D e p t. E T 2 3 0 1 , P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5
E M A IL
o S ig n m e u p fo r 12 is s u e s fo r o n ly 6 9 $ .9 5 s u b s c rip tio n s @ s c o re g ro u p .c o m
o S ig n m e u p fo r 12 is s u e s & 12 X X X b o n u s D V D s fo r o n ly $ 9 9 .9 5 C A LL U S T O D A Y
P ric e is fo r U .S . s u b s c rib e rs o n ly . A ll o th e r c o u n trie s , s e n d th e e q u iv a le n t o f $ 1 0 9 .9 5 U S D fo r 1 2 is s u e s . O r s e n d th e e q u iv a le n t o f $ 1 3 9 .9 5 U S D fo r 1 2 is s u e s w ith 1 2
b o n u s D V D s . P le a s e a llo w 4 -to -8 w e e k s fo r d e liv e ry o f y o u r firs t is s u e . A ll m a g a z in e s w ill a rriv e in a d is c re e t e n v e lo p e to p ro te c t y o u r p riv a c y . B y s ig n in g b e lo w , y o u
W e ’r e h e r e to h e lp
c e rtify th a t y o u a re a t le a s t 1 8 y e a rs o ld . W e a c c e p t p a y m e n t in c a s h (£ , € , C $ o r U S $ b a n k n o te s ), A m e ric a n E x p re s s T ra v e le rs c h e c k s d e n o m in a te d in U S fu n d s o r c h e c k s fro m a C a n a d ia n
b a n k d e n o m in a te d in U S $ (C a n a d a O n ly .) N o C o in s . S o rry , n o In te rn a tio n a l p e rs o n a l c h e q u e s . M a k e c h e c k /m o n e y o rd e r p a y a b le to T h e S C O R E G ro u p . F lo rid a re s id e n ts a d d 7 % s a le s ta x . C re d it
8 a m -7 p m E S T
U .S . & C A N A D A
c a rd tra n s a c tio n s a re b ille d in $ a t c u rre n t e x c h a n g e ra te . C re d it c a rd o rd e rs m u s t p ro v id e th e e x a c t b illin g a d d re s s if d iffe re n t fro m m a ilin g a d d re s s . S u b s c rib e r d is c o u n ts c a n -
n o t b e a p p lie d to fu tu re m a g a z in e s u b s c rip tio n s a n d s o m e a d d itio n a l re s tric tio n s m a y a p p ly . F re e s h ip p in g o ffe r a v a ila b le to U .S . s u b s c rib e rs o n ly o n m o v ie
p u rc h a s e s . D is c o u n ts a n d fre e s h ip p in g o ffe rs c a n n o t b e c o m b in e d w ith o th e r d is c o u n t o ffe rs a n d m a y b e re v o k e d a t a n y tim e a t th e s o le d is c re tio n o f T h e S C O R E
G ro u p . O F F E R E X P IR E S A p ril 7 , 2 0 2 0 .
1 .8 0 0 .4 2 1 .0 7 6 0
R P L E A S E IN D IC A T E: ❑ N ew ❑ R e n e w a l A ll s p e c ia l o ffe rs a re n o n -tra n s fe ra b le a n d a re a p p lic a b le a s lo n g a s y o u r s u b s c rip tio n re m a in s c u rre n t.
R P A Y M E N T M E T H O D: ❑ C h e c k ❑ C a s h ❑ M .O . ❑ M C /A C C E S S /E U R O C A R D ❑ V IS A ❑ D IS C O V E R /N O V U S ❑ A M E X ❑ M A E S T R O ❑ JC B W O R LD W ID E
❑ D IN E R S C L U B ❑ U N IO N P A Y CARD # EXP.
+ 0 1 .3 0 5 .6 6 2 .5 9 5 9
2 4 -H O U R FA X
P R O V ID E S E C U R IT Y C O D E : (L A S T 3 D IG IT S A B O V E S IG N A T U R E ) A M E X C A R D H O L D E R S (E N T E R T H E 4 D IG IT S A B O V E C A R D # )
NAM E AGE C U S T O M E R ID #
ADDRESS E M A IL 1 .3 0 5 .6 6 2 .5 9 5 2
C IT Y S T A T E /C O U N T R Y Z IP /P O S T A L C O D E
S IG N A T U R E
C R E D IT C A R D O R D E R S W IL L N O T B E P R O C E S S E D W IT H O U T A S IG N A T U R E A N D S E C U R IT Y C O D E ET2301 e B o o b S to r e .c o m
E T 2 3 0 1. 0 5- 0 8, U K 0 5- 0 8 V T. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 4: 0 1 P M P a g e 5 U S
S e n d y o u r le tte rs, co m m e n ts
a n d su g g e stio n s to :
18 e ig h te e n
P.O . B o x 5 5 8 15 0 ,
M ia m i, FL 3 3 2 5 5
Em a il a d d re ss:
18 e ig h te e n @ sco re g ro u p .co m
W e b site a d d re ss:
w w w .18 e ig h te e n .co m
R EA D ER FO R U M F O R H O T T O P IC S , Q U E S T IO N S , C O M M E N T S A N D S U G G E S T IO N S .
5
E T 2 3 0 1. 0 5- 0 8, U K 0 5- 0 8 V T. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 2: 1 2 P M P a g e 6 U S
B a c k to S c h o o l is s u e . I th o u g h t s h e w o n d e rin g if y o u c o u ld g iv e m e P U B L IS H E D B Y
w a s v e ry s e x y w h e n I s a w h e r in p re - s o m e in fo rm a tio n . In y o u r V o l. 2 2
v io u s is s u e s . It s e e m s lik e y o u d o n ’t N o . 5 is s u e , th e re a re tw o m o d e ls ®
u s u a lly b rin g m o d e ls b a c k fo r a s e c - A v a a n d H e a th e r o n p a g e 3 8 . Is th is a
M IK E F E D E R IC I D ire c to r o f P rin t O p e ra tio n s
o n d g o a ro u n d , b u t I’m g la d y o u d id s c e n e I c a n w a tc h o n v id e o o r th a t
A L E X A N D R A Q U IN O N E S E d ito r
w ith A n a s ta s ia . S h e h a s th e s a m e s ta r h a s ru n in y o u r m a g a z in e ? T h is is
S T E V E S E R O A rt D ire c to r
q u a lity a s g irls lik e A m a i L iu , w h o s u c h a h o t p h o to th a t I w o u ld lo v e to
s e e m in g ly s ta y y o u n g lo o k in g fo re v - s e e m o re . I w a s e s p e c ia lly d ra w n to
e r. Y o u h in te d a t h e r d o in g a n a n a l th is p h o to b e c a u s e I lo v e b o th re d - C IR C U L A T IO N
s c e n e , w h ic h I’m e a g e r to s e e . S h e ’s h e a d s a n d b la c k h a ir. T h e g irls a re B O B C ER M A K
o n e o f th e b e s t te e n m o d e ls o u t th e re a ls o in s o m e w h a t o f a u n iq u e a n d N o rth A m e ric a n C irc u la tio n M a n a g e r
rig h t n o w . I a d o re h e r s w e e t b ra c e - in te re s tin g p o s e . I a p p re c ia te h o w E m a il: B C e rm a k 2 0 0 1@ V e riz o n .n e t
fa c e s m ile . S h e h a s a n a m a z in g b o d y g ra p h ic y o u r m a g a z in e is w ith p le n ty
w h ic h I w o u ld lic k fro m h e a d to to e . o f h a rd c o re p h o to s . T h e s o ftc o re s tu ff
N O R T H A M E R IC A N
A n a s ta s ia ’s p u s s y re m in d s o f m e o f a is o k a y , b u t d o e s n ’t e x c ite m e a s A N D E X P O R T D IS T R IB U T IO N
ju ic y o y s te r th a t I w o u ld s lu rp u p m u c h a s s e e in g p e n e tra tio n o r fa c ia ls . C O M A G M A R K E T IN G G R O U P
u n til e v e ry la s t d ro p w a s g o n e . H e r I lo o k fo rw a rd to h e a rin g y o u r P h o n e : 6 0 9 -5 2 4 -18 0 0 F a x : 6 0 9 -5 2 4 -16 2 9
tig h t a s s h o le d e fin ite ly lo o k s re a d y to re s p o n s e a n d g e ttin g m y h a n d s o n M ATTHEW B A R C HETTO
b e fille d w ith c o c k . I h o p e s h e g e ts a fu tu re is s u e s .– P ., v ia e m a il A c c o u n t E x e c u tiv e
h u g e fa c ia l o r a n a n a l c re a m p ie . I A N N M A R IE B A R R E R A
c a n ’t w a it to s e e th a t la y o u t.– D .M ., D ea r P ., In te rn a tio n a l S a le s
M c R a e , G e o rg ia T h a t scen e is fea tu red in th e m o v ie
A fte r S c h o o l S lu t C lu b 3 a n d in th e
U K C IR C U L A T IO N
D ea r D .M ., m a g a z in es N a u g h ty S c h o o lg irls F a ll
In ca se y o u m issed it, A n a sta sia ’s ’1 7 a n d 1 8 e ig h te e n O c t. ’1 4 . Y o u ca n S E Y M O U R D IS T R IB U T IO N LT D
h a rd co re a n a l p icto ria l w a s in th e V o l. 2 2 o rd er a ll th ese p ro d u cts in o u r o n lin e 2 E a s t P o u ltry A v e n u e
N o . 6 issu e. Y o u ca n o rd er th a t b a ck sto re eb o o b sto re.co m . London
issu e o n p a g e 1 1 . E C 1A 9 P T
L u n a ’s F u ll M o o n P ho ne: 0 2 0 7 4 2 9 4 0 0 0
A n O ld e r S c e n e F o r A D ea r V irg in T errito ry , R O B E R T S M IT H
N ew er R ead er I’ll n e v e r g e t tire d o f s e e in g te e n A cco unt M anager
D ea r V irg in T errito ry , b a b e s ta k e c o c k u p th e ir tig h t, y o u n g R e ta il p ric e : U .S . $ 1 0 .9 9 ; C a n a d a $ 1 1 .9 9 ; U K £ 6 .9 9 ; B o n u s E d itio n : U .S . $ 1 4 .9 9 ;
I’m n e w to y o u r m a g a z in e a n d a s s e s . L u n a w a s re a lly g e ttin g it in C a n a d a $ 1 6 .9 9 . T h is is V o l. 2 3 , N o . 1 (o n -sa le Ja n u a ry 7 , 2 0 2 0 ) © 2 0 1 9 b y T h e
th in k m y lo a d w a s tw ic e th e s iz e o f
th e o n e L u n a g o t. I’d lo v e to g iv e it T H IS IS A D U L T M A T E R IA L
to h e r.– C .C ., H o w e s M ill, M is s o u ri A ll o f th e p e rfo rm e rs /m o d e ls , a n d a ll o f th e c h a ra c te rs th a t
th e y p o rtra y, w e re o v e r 1 8 y e a rs o f a g e a t th e tim e o f th e
p h o to g ra p h y. T h e c o n te n t is in a p p ro p ria te fo r m in o rs , a n d
D ea r C .C ., a p p ro p ria te c a re s h o u ld b e ta k e n to e n s u re th a t it is n o t
v ie w e d b y a n y o n e u n d e r 1 8 y e a rs o f a g e .
If y o u lik ed L u n a ’s p icto ria l, m a k e
6
E T 2 3 0 1. 0 5- 0 8, U K 0 5- 0 8 V T. q x p _ L a y o ut 1 1 0/ 1 5/ 1 9 1: 1 7 P M P a g e 7 U S
7
E T 2 3 0 1. 0 5- 0 8, U K 0 5- 0 8 V T. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 2: 1 2 P M P a g e 8 U S
V o lu m e 2 3 N o . 2 w ill b e o n -s a le
M a rc h 1 0 , 2 0 2 0 .
L o o k fo r it o n n e w s s ta n d s , o rd e r it fro m
e b o o b s to re .c o m o r g e t y o u r s u b s c rip tio n o n p a g e 4 !
e n tra n c e d th e d e e p e r I g o t in to h e r fra m e h e r p u s s y a n d le a d y o u to th e
p ic to ria l a n d th e m o re c lo th e s s h e p ro m is e d la n d b e tw e e n h e r le g s .
to o k o ff. I d o n ’t th in k a n y o f u s re a d - I w o u ld lo v e to fill th a t fu z z y s lo t
16294 e rs c a n re s is t a g re a t fig u re lik e o f h e rs w ith m y ro c k -h a rd m e a t a n d
M a c K e n z ie ’s . S h e lo o k s s o s w e e t a n d g iv e h e r a p ro p e r p o u n d in g . I c a n
in n o c e n t a n d y e t o h , s o d irty w h e n o n ly im a g in e h o w tig h t, w e t a n d
s h e fin g e rs h e r p u s s y a n d s h o w s o ff s w e e t h e r p u s s y is . P le a s e b rin g
h e r a s s h o le . M a c K e n z ie a ls o s e e m s M a c K e n z ie b a c k a n d h a v e h e r s u c k
M a c K e n z ie m a y b e y o u n g ,
b u t s h e k e e p s it o ld s c h o o l
w ith h e r lu s h b u s h .
T h e P o s t O ff ic e f o r w a rd s p e r io d ic a ls
r a t e m a il f o r o n ly 6 0 d a y s , s o w e m u s t
h a v e y o u r n e w a d d re s s w it h in t h re e
w e e k s o f y o u r m o v e to g u a ra n te e th a t
y o u ’ll g e t a ll y o u r is s u e s . W e c a n n o t b e
h e ld re s p o n s ib le f o r n o n -d e liv e r y o f
is s u e s d u e t o y o u r a d d re s s c h a n g e .
v e ry c o n fid e n t, w h ic h is a tu rn -o n . a n d fu c k a h u g e c o c k a n d g e t th a t
N O T I F Y: It’s in th e w a y s h e c a rrie s h e rs e lf, b u t p re tty s m ile o f h e rs c o v e re d in jiz z .
1 8 e ig h t e e n S u b s c r ip t io n s a ls o b e c a u s e s h e ’s b o ld e n o u g h to le t S h e is m y d re a m g irl!– R .M ., v ia e m a il
P .O . B o x 5 5 8 1 5 0 h e r b u s h g ro w in a tim e w h e n m o s t
M ia m i, F L 3 3 2 5 5 U S A g irls o p t to g o b a ld . I w is h m o re g irls D ea r R .M .,
O r F a x : 1 -3 0 5 -6 6 2 -5 9 5 2 th e s e d a y s h a d a b u s h lik e h e rs – it’s U n fo rtu n a tely w e d id n ’t sh o o t
A lw a y s in c lu d e y o u r la te s t p e rfe c t! It’s n o t th e k in d o f b u s h th a t M a cK en z ie in a n y h a rd co re scen es, b u t
1 8 e ig h te e n m a ilin g la b e l. w ill s u ffo c a te y o u if y o u g o d o w n o n w e’v e in clu d ed a b o n u s p h o to o f h er lu s-
h e r, b u t it’s g ro w n o u t e n o u g h to cio u s b u sh fo r y o u . 18
8
E T 2 3 0 1. 0 9, U K 0 9 1 8 ei g ht e e n. c o m. q x p _ L a y o ut 1 1 0/ 8/ 1 9 2: 0 1 P M P a g e 9 U S
W e g e t it. T h e re ’s ju st so m e th in g a b o u t
b e in g a b le to h o ld a m a g a zin e in y o u r
h a n d (w h ile th e o th e r o n e is o n y o u r c o c k .)
B u t if y o u ’re a fa n o f a ll th e tig h t, h o rn y
te e n s in 1 8 e ig h te e n , y o u n e e d to se e
th e m c u m to life o n lin e a t 1 8 e ig h te e n .c o m .
T h e re ’s m o re p h o to s– in c lu d in g o n e s th a t
h a v e n e v e r b e e n in th e m a g a zin e – a n d to n s
o f h o t v id e o s. If y o u ’v e b e e n a fa n fo r a
w h ile , y o u c a n e a sily fin d y o u r fa v o rite
g irls fro m y e a rs p a st in o u r m o d e l d ire c to -
ry. It’s y o u r n u m b e r o n e so u rc e fo r th e
fre sh e st b a re ly le g a l g irls o n th e in te rn e t.
E T 2 3 0 1. 1 0, 1 1, U K 1 0, 1 1 B a c k I s s u e s. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 2 6 A M P a g e 1 0 U S
V O L .2 2 N O .5 V O L .2 2 N O .4 V O L .2 2 N O .3
O u r B a ck to S ch o o l K y le r fin d s o u t th a t a T ig h t b o d ie s, sn u g slits,
issu e co m e s w ith 1 0 cre a m p ie is m o re th a n b ra ce s a n d a re a l v ir-
b o n u s v id e o s– 1 0 0 % a d e sse rt. B lo n d e g in ! L illia n is a n e rd
fre e , n o strin g s a t- S o p h ia g e ts fille d to w h o still h a s h e r
ta ch e d ! T ig h t W in te r th e b rim w ith m a n - ch e rry. V a n n a cu m s o n
d id d le s h e r p u ssy. L u n a m e a t. C u te L a tin a h e r te a ch e r’s co ck . Z o e
g e ts a ss fu ck e d . P lu s E m ily fu ck s a n o ld e r g o e s fo r a d ick rid e .
m o re X X X . E T 2 2 0 5 m an .E T2 2 0 4 P lu s m o re ! E T 2 2 0 3
V O L .2 2 N O .2 V O L .2 2 N O .1 H O L ID A Y ’1 8
A p ril le ts h e r m o m ’s A p ril stick s a g la ss to y It’s a u tu m n a n d th e
b o y frie n d a ss-fu ck h e r. u p h e r b u tt. P a isle y g irls‘ p a n tie s a re d ro p -
L ily g e ts h e r first a n d V ie n n a b o th cu m p in g ju st lik e th e
cre a m p ie . S o p h ia o n o ld e r co ck s. K e lse y ’s le a v e s o u tsid e . Y o u g e t
fla sh e s h e r b ig tits. b o y frie n d stre tch e s h e r b u sty te e n s L e n n a a n d
P lu s th e so d o m ize d tig h t p u ssy. P lu s a R iv e r. L e x i’s cu m -co v -
stu d e n ts o f A n a l E d u - p u ffy -n ip p e d te e n . e re d b ra ce s a n d m o re !
c a tio n . E T 2 2 0 2 ET2201 ET1318
1 8 E IG H T E E N V O L . 2 2 N O . 6
H o rn y, little te e n s k n o w th e y sh o u ld n ’t b e sh o w -
in g y o u th e ir p u ssie s, b u t th e y ca n ’t h e lp it. T h e ir
d e sire to ta k e n a k e d p ics a n d su ck a n d fu ck fo r
th e ca m e ra o u tw e ig h s th e ir fe a r o f b e in g
g ro u n d e d b y m o m a n d d a d . T h a t’s w h y A n a sta -
sia g e ts h e r a ssh o le stu ffe d w ith co ck . It’s w h y
D a n n i fu ck s a n o ld e r m a n a n d M e lo d y e m p tie s a
g u y ’s b a lls o n h e r fa ce . S cre w w h a t g o o d g irls
sh o u ld d o ; th e se te e n s w a n n a cu m ! E T 2 2 0 6
E T 2 3 0 1. 1 0, 1 1, U K 1 0, 1 1 B a c k I s s u e s. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 2 8 A M P a g e 1 1 U S
D E C . ’1 8 O C T . ’1 8 J U N E ’1 8
B e a u tifu l b lo n d e R ile y T in se l to o th e d cu tie O u r fla tte st issu e e v e r!
lo o k s d e licio u s rid in g a A n a sta sia le a rn s n e w T h e F u ck e d F la ttie s
co ck . H a ile y a n d su ck ‘n ’ fu ck sk ills a t sp e cia l fe a tu re s 1 6 o f
C h a stity a re b o th h e r a fte rsch o o l jo b . o u r a ll-tim e g re a te st
b ru n e tte s w h o g e t V e ro n ica g e ts cu m o n tin y -titte d cu tie s g e t-
slo p p y fa cia ls. G in g e r h e r b ra ce s. A le x cre a m s tin g th e ir tig h t p u ssie s
sch o o lg irl A v a fu ck s o n h e r te a ch e r’s co ck . stre tch e d o u t b y co ck .
h e r tu to r. E T 1 2 1 8 ET1018 ET0618
N AU G H TY N AU G H TY N AU G H TY
S C H O O L G IR L S S C H O O L G IR L S S C H O O L G IR L S
Te e n b a b e s g e t G in g e r b a b e A lice g e ts A h itch h ik in g te e n
sch o o le d in se x ! L u ccia h e r n e rd y a ssh o le th re e -w a y. N a u g h ty
fu ck s h e r te a ch e r in fu ck e d . T ig h t-b o d ie d stu d e n t L ily g e ts a fa -
cla ss. C h e e rle a d e r Je n n a scre w s in cla ss. cia l. C a rm e n su ck s a n d
M e g a n g e ts a fa cia l. S a sh a a n d Te ssa h a v e fu ck s tw o co ck s. P lu s a
N e rd y A lin a trie s o u t b ra ce s. B la ire fu ck s te e n a n d M IL F fo u r-
jo ck co ck . S P 3 4 7 th e p rin cip a l. S P 3 4 2 w a y. N S G 2 1 8
N N V O L .2 5 N N V O L .2 5 N E W C U M M E R S
N O .6 N O .5 A n n ik a g e ts h e r b u sh y
Tw e n ty -fo u r se x y g irls- L ittle A li g e ts a slo p p y p u ssy fu ck e d . L o n d o n
n e x t-d o o r. T in y A llie fa cia l. Ta n n e d b a b e fin g e rs h e r ch o co la te
g e ts fille d a n d fro ste d . A b b y sh o w s o ff h e r slit. B lo n d e cu tie Ta y lo r
G in g e r Ja y m e slid e s cra zy -th ick b u sh . T ig h t- g e ts a fa cia l. T in y K y le r
h e r p u ssy u p a n d d o w n b o d ie d D ia n a rid e s a rid e s a fa t d ick . P lu s
a co ck , a n d so d o e s co ck fo r a b ig lo a d . lo ts m o re p u ssy.
cu tie K e n zie . N N 2 5 0 6 N N 2505 SP345
C R E D IT C A R D O R D E R S O N L Y U .S . & C A N A D A 1- 8 0 0 -4 2 1- 0 7 6 0
W O R L D W ID E + 0 1 -3 0 5- 6 6 2 -5 9 5 9 2 4 /7 F A X 1 -3 0 5- 6 6 2 -5 9 5 2 O N L IN E w w w .e B o o b S to re .c o m
M a il to : T h e S C O R E G ro u p , D e p t. E T 2 3 0 1 , P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 -8 1 5 0 U S A
S end m e: ❏ E T2206 ❏ E T2205 ❏ E T2204 ❏ E T2203 ❏ E T2202 ❏ E T2201 ❏ E T1318 ❏ E T1218 ❏ E T1018 ❏ E T0618 ❏ S P 347 ❏ S P 342
❏ N S G 218 ❏ N N 2506 ❏ N N 2505 ❏ S P 345
L is t a lte rn a tiv e s in c a s e c h o ic e s a re s o ld o u t (O ld e r is s u e s a v a ila b le , c a ll fo r in fo ): W E A C C EPT £,C $ A N D €
❑ I A M A S U B S C R IB E R A N D S A V E 1 5 % O N A L L IS S U E S O R D E R E D * C u s to m e r ID #
U .S .: $ 1 5 e a ch , sh ip p in g in clu d e d . A ll o th e r co u n trie s: C $ 1 4 /£ 9 /€ 9 /A $ 1 4 . P O S TA G E & P A C K IN G : C $ 1 6 /£ 1 3 /€ 1 5 /A $ 2 4 fo r o n e m a g a zin e . C $ 9 /£ 8 /€ 9 /A $ 1 4 fo r e a ch a d d itio n a l. In te rn a tio n a l o rd e rs a rrive in 1 0 -1 4 d a ys. 1 5 % d isco u n t is a p p lie d to a n y
C U R R E N T su b scrib e r. M a ke ch e ck o r m o n e y o rd e r p a ya b le to : T h e S C O R E G ro u p . W e a cce p t p a ym e n t in ca sh (£ , € , C $ , A $ , B a n k N o te s o r U S $ B a n k N o te s), A m e rica n E xp re ss tra ve le rs ch e cks d e n o m in a te d in U S fu n d s o r ch e cks fro m a
C a n a d ia n b a n k d e n o m in a te d in U S $ (C a n a d a O n ly). N o co in s. S o rry, n o In te rn a tio n a l p e rs o n a l c h e q u e s . F L re sid e n ts a d d 7 % sa le s ta x. C re d it ca rd o rd e rs w ill b e b ille d in $ a t cu rre n t e xch a n g e ra te . W e n e e d cre d it ca rd a n d m a ilin g a d d re ss if
th e tw o a re d iffe re n t. In te rn a tio n a l o rd e rs a rrive b y P rio rity M a il. C a ll fo r in fo o n ru sh d e live ry. A ll sa le s a re fin a l. A d a m a g e d m a g w ill o n ly b e e xch a n g e d fo r a n o th e r o f th e sa m e issu e if re p o rte d w ith in 3 0 d a ys o f re ce ip t.T h e S C O R E G ro u p ca n n o t b e
h e ld re sp o n sib le fo r C u sto m s se izu re s. B y o rd e rin g , yo u ce rtify th a t yo u a re a t le a st 1 8 ye a rs o ld .
H o rn y s tu d e n ts a re g e ttin g
s c h o o le d in B Js a n d s e x !
K e ls e y K a g e
12
E T 2 3 0 1. 1 2- 1 7, U K 1 2- 1 7 Aft er S c h o ol Sl ut Cl u b 7. q x p _ L a y o ut 1 1 0/ 1 0/ 1 9 1 0: 5 2 A M P a g e 1 3 U S
V io le t R a in
13
E T 2 3 0 1. 1 2- 1 7, U K 1 2- 1 7 Aft er S c h o ol Sl ut Cl u b 7. q x p _ L a y o ut 1 1 1/ 1/ 1 9 1 0: 2 8 A M P a g e 1 4 U S
C a n d y W h it e
C a n d y is y o u r c h e e rle a d e r fa n ta s y c o m e tru e .
S h e ’s h a v in g fu n w ith h e r g u y in th is s c e n e ,
sw a llo w in g h im d e e p a n d g e ttin g o n a ll fo u rs
to le t h im p o u n d h e r tw a t. Z o e ’s b ro th e r’s
frie n d p ic k s h e r u p o ff th e s tre e t a n d g iv e s
h e r a rid e to p o u n d -to w n a n d a m e ssy fa c ia l.
14
E T 2 3 0 1. 1 2- 1 7, U K 1 2- 1 7 Aft er S c h o ol Sl ut Cl u b 7. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 8: 5 1 A M P a g e 1 5 U S
Z o e B lo o m
15
E T 2 3 0 1. 1 2- 1 7, U K 1 2- 1 7 Aft er S c h o ol Sl ut Cl u b 7. q x p _ L a y o ut 1 1 0/ 1 0/ 1 9 1 0: 5 4 A M P a g e 1 6 U S
A n a ’s b ro th e r’s frie n d o v e r-
h e a rs h e r s a y in g s h e th in k s
h e ’s k in d o f c u te . T h a t’s
e n o u g h fo r h e r to s u c k h is
c o c k a n d fu c k h im . S h e
s q u e a ls a n d h e r e y e s ro ll
b a c k a s h e p o u n d s h e r. E lle
s tu ffs h e r b ra , b u t th e o n ly
th in g th a t n e e d s s tu ffi n g is
h e r p u s s y. H e r s tu d y b u d d y
is h a p p y to fi ll a n d d rill h e r
fu z z y p u s s y e v e ry w h ic h
w a y a n d c u m o n h e r h o rn y
fa c e . S o m u c h fo r s tu d y in g !
A na R o se
16
E T 2 3 0 1. 1 2- 1 7, U K 1 2- 1 7 Aft er S c h o ol Sl ut Cl u b 7. q x p _ L a y o ut 1 1 0/ 1 0/ 1 9 1 0: 5 4 A M P a g e 1 7 U S
E lle V o n e v a
O R D ER
NOW
O N PAG E 9 9 !
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 8: 5 7 A M P a g e 1 8
18
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 7/ 1 9 1 1: 0 5 A M P a g e 1 9
M a b e l is y o u r b r a c e -
fa c e d r e a m c u m tr u e .
S h e w a s a s tra ig h t-A s tu d e n t, c h e e rle a d e r
a n d tra c k ru n n e r in h ig h s c h o o l– w h ic h
m e a n s s h e h a s th e b ra in s a n d th e b o d y .
N o w th a t M a b e l h a s g ra d u a te d h ig h
s c h o o l, s h e ’s re a d y fo r th e fu ll c o lle g e
e x p e rie n c e : b is e x u a l e x p e rim e n ts , p u b lic
s e x a n d fu c k in g o ld e r m e n . “ I’v e a lw a y s
h a d c ru s h e s o n o ld e r m e n . I c u rre n tly
h a v e a 5 2 -y e a r-o ld s u g a r d a d d y .”
M a b e l:
B r a c e -F a c e
C u tie
19
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 7/ 1 9 1 1: 0 6 A M P a g e 2 0
20
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 7/ 1 9 1 1: 0 6 A M P a g e 2 1
D o y o u p la y w it h y o u r s e lf ?
“ Y e s ! S o m e tim e s I m a s tu rb a te w h ile I’m d riv in g h o p in g
s o m e o n e w ill s e e m e . O n e tim e a g u y s ta rte d m a s tu rb a tin g
in h is c a r a lo n g w ith m e . W e b o th c a m e to a re d lig h t a n d
m a d e e y e c o n ta c t w ith e a c h o th e r w h ile w e m a s tu rb a te d .”
21
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 7/ 1 9 1 1: 0 6 A M P a g e 2 2
W h a t s a t is f ie s
y o u b e s t w it h
s e x s t u ff ?
“ G e ttin g te a s e d . W h e n a
g irl o r g u y g iv e s m e e x a c tly
w h a t I w a n t fo r a c o u p le o f
s e c o n d s a n d th e n s to p s . It’s
a tu rn o n fo r m e to b e g fo r
m o re . T h e m o re it’s d ra w n
o u t, th e b e tte r it fe e ls w h e n
y o u g e t it. I a ls o lik e w h e n
th e y w in k a t m e o r m o a n
m y n a m e . I lik e g e ttin g m y
e a r s u c k e d .”
22
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 3 4 A M P a g e 2 3
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 8: 5 7 A M P a g e 2 4
24
E T 2 3 0 1. 1 8- 2 5 M a b el _. q x p _ L a y o ut 1 1 0/ 7/ 1 9 1 1: 0 6 A M P a g e 2 5
H E IG H T: 5 ’3 ”
W E IG H T: 1 0 5 lb s .
B R A S IZ E: 3 2 A
B O R N : Ju ly 2 7
L IV E S : H o u s to n ,
Texas
25
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 1 A M P a g e 2 6
R o ry ’s N e w Y e a r’s p a rty w a s th e b ig g e st e v e n t
o f th e y e a r. K rista w a s lo o k in g fo rw a rd to it,
e v e n if h e r d a te w a s h e r b e st frie n d , M a llo ry.
W ith tim e tic k in g d o w n , it w a s lo o k in g lik e
a n o th e r e a rly e n d to h e r N e w Y e a r’s fe stiv itie s.
U n til th e tw o te e n s fo u n d a g u y w ith n o d a te
a n d a b ig d ic k w h o tu rn e d th e m in to …
B y Jo e M o n k s
Illu s tra tio n b y O tis S w e a t
K ris ta lo o k e d a ro u n d , d is a p p o in te d . O v e r b y th e
C h ris tm a s tre e , B ria n a n d T in a w e re s u c k in g fa c e in a
b ig w a y . T h e tre e m ig h t b e d ro p p in g s o m e n e e d le s ,
b u t th a t w a s n ’t s to p p in g h e r m o re a d v e n tu ro u s
frie n d s fro m d ro p p in g th e ir c lo th e s . N in a Ja y ’s to p
h a d d is a p p e a re d , a n d s h e s u re d id n ’t s e e m to h a v e
a n y re s e rv a tio n s a b o u t h e r g u y , D a v e , w e a rin g h is
S H E N E E D S T H E D s h irt. Ju d g in g b y th e w a y h is
h a n d s w e re g lu e d to h e r a s s , it lo o k e d lik e s h e w a s
g o in g to g e t a ll th e D s h e c o u ld h a n d le . C a rm e n a n d
L y le w e re g rin d in g to a p o u n d in g ra v e tu n e , th e
c lo c k tic k in g d o w n to w a rd m id n ig h t. K ris ta k n e w
th a t lo o k o n C a rm e n ’s fa c e . L y le ’s h a rd -o n , d ig g in g
in to h e r c ro tc h , w a s c le a rly th e c u lp rit.
“ W h o d ie d ? ”
K ris ta tu rn e d to s e e M a llo ry , h e r ‘d a te ’, s ip p in g
fro m a p u n c h c u p . K ris tin d id n ’t k n o w w h a t to s a y .
S h e ’d s c o re d a n in v ite to th e b ig g e s t N e w Y e a r ’s
p a rty in to w n , w ith m o s t o f h e r c la s s m a te s a n d h a lf
th e lo c a l c o m m u n ity c o lle g e p re s e n t. T h in g w a s …
n in e ty p e rc e n t o f th o s e in a tte n d a n c e w e re h o o k e d
u p . M a llo ry h a d a g re e d to c o m e ju s t s o K ris ta
w o u ld n ’t h a v e to rin g in th e N e w Y e a r a lo n e .
M a llo ry w a s W ic c a n . S h e d id n ’t c e le b ra te tra d itio n a l
N e w Y e a r ’s . B u t s h e h a d n ’t m in d e d th e fre e fo o d
a n d w o rk in g u p a s w e a t o n th e d a n c e flo o r, n e c e s s i-
ta tin g th e p u n c h b re a k .
“ E h h , ju s t th o u g h t it’d b e d iffe re n t,” K ris ta re p lie d ,
n o t re a lly a n s w e rin g th e q u e s tio n . S h e d id n ’t h a v e to .
M a llo ry s c a n n e d th e ro o m , s a w a ll th e c o u p le s p a ire d
u p . S h e s h ru g g e d .
“ D o n ’t w o rry a b o u t it,” s h e s a id , p u ttin g h e r a rm
a ro u n d K ris ta ’s s h o u ld e rs . “ Ju s t th in k , w e w o n ’t h a v e
to g o h o m e w ith jiz z in o u r h a ir a n d s n e a k in g o u r
p a n tie s in to th e w a s h .”
K ris ta fo rc e d a la u g h . S h e trie d n o t to le t o n , b u t
s h e w o u ld h a v e g iv e n a n y th in g to g o h o m e w ith jiz z
26
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 2 7
27
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 2 8
28
E T 2 3 0 1. 2 9- 3 5 E m m a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 2 5 A M P a g e 2 9
E mm a:
R o c k in ’
th e B o a t
N o t h in ’ lik e t e e n b o o t y o n t h e b a y !
N o g irl c a n re s is t a d a y trip o u t o n a b o a t, a n d E m m a to o k fu ll
a d v a n ta g e o f b e in g o u t o n M ia m i w a te rs a n d u n d e r th e h o t s u n .
M e a n in g s h e g o t c o m p le te ly n a k e d o n th e b o a t s o s h e c o u ld fe e l th e
c o o l b re e z e o n h e r b a re tits a n d fu lly e x p o s e d p u s s y .
E T 2 3 0 1. 2 9- 3 5 E m m a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 2 5 A M P a g e 3 0
D id y o u e n jo y t h e v ie w , E m m a ?
“ Y e s . It w a s s o n ic e ! I’m fro m O re g o n a n d th e b e a c h e s th e re
a re p re tty b u t n o t th e s a m e a s d o w n h e re in M ia m i. It’s u s u a lly
c o ld u p th e re . B u t it w a s s o w a rm h e re th a t I h a d to g e t n a k e d .
A n d o n c e I w a s n a k e d I h a d to ru b m y p u s s y a n d c u m .”
E T 2 3 0 1. 2 9- 3 5 E m m a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 2 6 A M P a g e 3 1
E T 2 3 0 1. 2 9- 3 5 E m m a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 2 6 A M P a g e 3 2
E T 2 3 0 1. 2 9- 3 5 E m m a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 2 6 A M P a g e 3 3
H E IG H T: 5 ’5 ”
W E IG H T: 1 1 5 lb s .
B R A S IZ E: 3 2 A
B O R N : A p r il 7
L IV E S : W ils o n v ille ,
O re g o n
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 4 6 A M P a g e 3 6 U S
L u lu :
P o k e r to
P o u n d in g
A p o o r h a n d le a d s t o a b ig c o c k .
L u lu d o e s n ’t k n o w h o w to p la y p o k e r, b u t th a t w o rk s in h e r fa v o r in
th is c a s e . S h e a n d JM a c a re p la y in g s trip p o k e r, a n d s h e ’d ra th e r s u c k
a n d fu c k th a n p la y c a rd s . L ittle b y little , h e r c lo th e s c o m e o ff a n d h e r
se x y b o d y e m e rg e s. W h e n JM a c ’s c o c k c o m e s o u t, it’s re a lly g a m e tim e !
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 7/ 1 9 2: 3 1 P M P a g e 3 7 U S
37
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 7/ 1 9 2: 3 1 P M P a g e 3 8 U S
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 7/ 1 9 2: 3 1 P M P a g e 3 9 U S
L u lu h it t h e ja c k p o t w it h
t h is g ig a n t ic d o n g !
O n e o f th e b e s t th in g s a b o u t th is s c e n e is h o w b ig
JM a c ’s c o c k lo o k s n e x t to L u lu . It’s lo n g e r th a n
h e r fa c e . W h e n s h e o p e n s h e r le g s to ta k e h is
m e a t, L u lu h a s to in c h h e r p u s s y d o w n h is s h a ft
to a d ju s t to h is g irth . G o o d th in g s h e ’s a s tre tc h e r.
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 4 7 A M P a g e 4 0 U S
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 7/ 1 9 2: 3 2 P M P a g e 4 1 U S
W o u ld y o u p la y
s t r ip p o k e r
a g a in , L u lu ?
“ I’d ra th e r g o s tra ig h t fo r th e
s e x . I d o n ’t c a re a b o u t p o k e r; I
w a n t to g e t to th e s trip p in g
p a rt. If y o u w a n t to p la y a
g a m e , try s e e in g h o w m a n y
tim e s y o u c a n m a k e m e
c u m .” W a tc h th is s c e n e in th e
b o n u s v id e o s th a t c o m e fre e
w ith th is is s u e . S e e p a g e 3 fo r
y o u r e x c lu s iv e c o d e .
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 4: 1 7 P M P a g e 4 2 U S
E T 2 3 0 1. 3 6- 4 3, U K 3 6- 4 3 L ul u. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 9: 4 7 A M P a g e 4 3 U S
H E IG H T: 4 ’1 1 ”
W E IG H T: 9 2 lb s .
B R A S IZ E: 3 2 C
B O R N : Ja n . 1 4
L IV E S : S tillw a te r,
O k la h o m a
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 2 1 A M P a g e 4 4 U S
C h a n e l:
Ti n y &
T e m p tin g
N o o ne can
r e s is t C h a n e l.
N o t e v e n h e r d a d ’s o ld e r
frie n d . A fte r a ll, w h a t c o u ld
b e m o re te m p tin g th a n a n 1 8 -
y e a r-o ld b lo n d e fu c k -b u n n y
w h o ’s h o rn y fo r s o m e o ld e r
co ck ? W h e n C h a n e l sh o w s
in te re s t, w e c a n 't b la m e th is
g u y fo r b re a k in g th e b ro c o d e
a n d fu c k in g h is frie n d ’s
d a u g h te r. W h e n C h a n e l
w a n ts c o c k , s h e g e ts c o c k .
44
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 5 4 A M P a g e 4 5 U S
45
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 5 4 A M P a g e 4 6 U S
46
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 7/ 1 9 4: 0 7 P M P a g e 4 7 U S
S h e lo o k s f r a g ile in
h is r o u g h h a n d s .
D e lic a te a s s h e lo o k s , C h a n e l c a n
h a n d le a p o u n d in g . In th e v id e o ,
th is g u y p ic k s h e r u p a n d m a k e s
h e r rid e h is c o c k in th e a ir. S h e c o n -
tin u e s to rid e h im o n th e c o u c h ,
c le a rly lo v in g e v e ry th ru s t. A fte r
C h a n e l c u m s , s h e a c c e p ts th is o ld e r
m a n ’s jiz z a ll o v e r h e r p re tty fa c e .
Ju s t d o n 't te ll h e r d a d .
47
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 2 2 A M P a g e 4 8 U S
W h a t if y o u r d a d
fo u n d o u t y o u
f u c k e d h is f r ie n d ?
“ I’d p ro b a b ly b e g ro u n d e d fo r life .
B u t I ju s t c a n ’t c o n tro l m y s e lf
a ro u n d th is g u y . A n d w h e n I s a w
h o w h u g e h is c o c k is ? I d id n ’t c a re
w h a t th e c o n s e q u e n c e s w o u ld b e , I
ju s t w a n te d th a t th in g in s id e m e !
It’s o u r d irty , little s e c re t fo r n o w .”
T h is s c e n e is in c lu d e d w ith th e
fre e b o n u s v id e o s in th is is s u e .
S e e p a g e 3 fo r y o u r e x c lu s iv e c o d e .
48
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 7/ 1 9 4: 0 7 P M P a g e 4 9 U S
49
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 5 4 A M P a g e 5 0 U S
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 8: 5 4 A M P a g e 5 1 U S
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 2 3 A M P a g e 5 2 U S
52
E T 2 3 0 1. 4 4- 5 3, U K 4 4- 5 3 C h a n el. q x p _ L a y o ut 1 1 0/ 7/ 1 9 4: 0 8 P M P a g e 5 3 U S
H E IG H T: 5 ’4 ”
W E IG H T: 9 0 lb s .
B R A S IZ E: 3 0 A
B O R N : Ju n e 1 4
L IV E S : L o s A n g e le s ,
C a lifo rn ia
53
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 3 A M P a g e 5 4 U S
M eg an :
F re a k y
F o o ts y
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 3 A M P a g e 5 5 U S
S h e ’s a f o o t s e d u c t r e s s .
M e g a n is re c o rd in g a n a u g h ty v id e o o n h e r p h o n e .
S h e ’s fl a s h in g h e r p a n tie s a n d b ra a n d s tic k in g h e r
to e s in th e c a m e ra w ith o u t a c a re … u n til h e r d a d ’s
frie n d c a tc h e s h e r. “ M y b o y frie n d is k in d a in to fe e t,”
M e g a n s a y s . S o is h e r d a d ’s frie n d , a n d M e g a n is
a b o u t to s h o w h im w h a t s h e c a n d o w ith h e r to o ts ie s .
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 3 A M P a g e 5 6 U S
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 3 A M P a g e 5 7 U S
M e g a n r e a lly
k n o w s h o w to
s o c k it t o y o u .
In th e v id e o fo r th is s c e n e , d a d ’s
frie n d ru b s h e r fe e t a n d c o m -
m e n ts o n h o w c u te h e r s o c k s
a re . S h e ru b s h e r fe e t o n h is c o c k
a n d g e ts a ro u s e d a t h o w b ig
a n d h a rd it is . M e g a n is g o o d
w ith h e r fe e t… b u t s h e ’s e v e n
b e tte r w ith h e r m o u th . S h e g iv e s
h im a s lo p p y , lo u d b lo w jo b a n d
le ts h im fa c e -fu c k h e r u n til s h e ’s
d ro o lin g a ll d o w n h e r c h in .
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 4 A M P a g e 5 8 U S
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 1 4 A M P a g e 5 9 U S
M e g a n is n ’t g o in g t o
w a s h th o s e s o c k s .
T h is g u y s lid e s h is c o c k in to M e g a n ’s
m e a ty p u s s y a n d s h e g o e s to to w n
ru b b in g h e r b ig c lit. S h e h a s a
b o d y s h a k in g o rg a s m a n d s a y s , “ I ju s t
c a m e a ll o v e r y o u r d ic k !” T h e n it’s th e
g u y ’s tu rn , a n d h e s p ra y s h is lo a d a ll
o v e r fe e t. “ I’m g o n n a w e a r th e s e c u m -
s o a k e d s o c k s w h e n I g o o u t!” s h e
s a y s . W a tc h th e b o n u s v id e o th a t
c o m e s fre e w ith th is is s u e . S e e p a g e
3 fo r y o u r e x c lu s iv e c o d e .
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 5 0 A M P a g e 6 0 U S
E T 2 3 0 1. 5 4- 6 1, U K 5 4- 6 1 M e g a n. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 0: 5 0 A M P a g e 6 1 U S
H E IG H T: 5 ’3 ”
W E IG H T: 1 1 5 lb s .
B R A S IZ E: 3 2 A
B O R N : Ju n e 5
L IV E S : L o s A n g e le s ,
C a lifo rn ia
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 6 2 U S
N E W Y E A R ’S E V E
N O IS E M A K E R S
C o n tin u e d fro m p a g e 2 8
K ris ta w a s n ’t g o in g to ta k e v e ry
lo n g a t a ll. S h e ’d b e e n o n th e v e rg e
w h ile frig g in g M a llo ry ’s lo v e b u tto n ,
a n d n o w , w ith M a l’s fa c e b u rie d in
h e r tw a t, th is w a s a n a n y -s e c o n d , n o t
a n y -m in u te p ro p o s itio n .
“ F a s te r, m m m m m , y e a h ,” s h e s a id ,
M a llo ry ta k in g h e r rig h t to th e b rin k .
K r is ta ’s p u s s y , s lo p p y w ith lu b e ,
m a d e a sq u e-rtch s o u n d e v e ry tim e
M a l th ru s t h e r fin g e r in .
“ Y e s ! M a l! N o w !”
K ris ta h o w le d , a n d h e r w a ll-ra t-
tlin g c lim a x c o in c id e d w ith th e d o o r
o p e n in g , a ra th e r s u rp ris e d lo o k in g
c o lle g e g u y g a w k in g a t th e m w h ile
K r is ta g u s h e d a g a in s t M a llo r y ’s
s tic k y c h in .
S h e w a n te d to y a n k h e r p a n ts u p .
T o h id e h e r fa c e a n d d is a p p e a r in to a
h o le in th e g ro u n d . B u t M a llo ry ju s t
g la n c e d o v e r, s h ru g g e d , a n d k e p t
c u n t la p p in g .
T h a t th e g u y w a s s w e e t lo o k in g
d id n ’t h u r t. M a llo r y m o to r b o a te d
16232
K ris ta ’s s lit, v a g s a u c e tric k lin g d o w n
h e r th ig h s . S h e c rie d o u t, d o u b le d
o v e r, a n d w ra p p e d h e r a rm s a ro u n d
M a llo ry ’s h e a d , h ittin g P A U S E o n th e
o ra l a c tio n a s th e o rg a s m a n d h e r c o n -
v u ls io n s s u b s id e d .
“ W h o a . I, u h , s o rry . Ju s t, lo o k in g fo r
th e b a th ro o m .”
H e w a s h o ld in g a w a d o f n a p k in s ,
s h ir t s ta in e d , lik e s o m e o n e h a d
s p ille d th e ir p u n c h o n h im . M a llo ry
lo o k e d a t K ris ta . S h e lo o k e d b a c k .
S ile n tly , th e y re a c h e d a n a g re e m e n t.
O n e o f th e b e n e fits o f b e in g b e s t
frie n d s s in c e g ra m m a r s c h o o l.
“ Y o u s h o u ld ta k e th a t o ff,” K ris ta
s a id , s te p p in g o u t o f h e r je a n s … a n d
p a n tie s , c la d in n o th in g b u t h e r s h irt
a n d so ck s.
“ Y e a h ,” M a llo ry a d d e d , s ta n d in g
u p . “ Y o u d o n ’t w a n t to b e s tu c k in w e t
c lo th e s . N o t u n le s s , y o u k n o w , y o u
m a d e ‘e m th a t w a y .”
T h e ir a d v a n c e s to o k h im c o m p le te -
ly o ff g u a rd . K r is ta th o u g h t th a t
m a y b e h e b e lie v e d th e y w e re le s -
b ia n s . W h o k n e w ? M a y b e n o w th e y
w e re . O r, h a lf w e re . M a l c o u ld te ll h e
w a s a little h e s ita n t. D e fin ite ly
s h o c k e d . S o , s h e h o o k e d h im .
“ H e re . L ik e th is ,” s h e s a id , p e e lin g
o ff h e r to p .
16216
C o n tin u e d o n p a g e 7 0
62
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 6 3 U S
16222
16224
63
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 3: 3 3 P M P a g e 6 4
E lle A le x a n d r a
64
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 3: 3 3 P M P a g e 6 5 U S
A le x T a n n e r
G in g e r b a b e s a re lo v e d fo r th e ir fl a m in g lo c k s a n d e q u a lly
fi e ry p e rs o n a litie s . T h e ir h u n g ry , p in k p u s s ie s c a ll y o u r
c o c k to e n te r th e m . T h e ir fa ir, fre c k le d s k in a n d fa c e s a re
th e p e rfe c t la n d s c a p e to s p ra y y o u r c u m . W h e n th e s e re d -
h e a d s fu c k , th e y d o it w ith g u s to . B e c a u s e th e re ’s n o th in g
v a n illa a b o u t a re d h e a d . H e re ’s a c o lle c tio n o f s o m e o f th e
fi n e s t g in g e r b a b e s to e v e r g ra c e th e p a g e s o f 1 8 eig h teen .
M a n d y H u d so n
65
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 1: 3 0 A M P a g e 6 6 U S
Em m a Red d
A lic e G r e e n
K a s e y C o le
66
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 9: 2 0 A M P a g e 6 7
A lic e is n o t ju s t o n e o f o u r n a u g h tie s t re d -
h e a d s , s h e ’s o n e o f o u r n a u g h tie s t te e n s
e v e r. S h e p a rto o k in a th re e -w a y w ith s e x y
M IL F S a s h a w h e re s h e s u c k e d , fu c k e d a n d
to o k th a t c o c k d e e p in h e r a s s . E m m a is a
lo n g -tim e re a d e r fa v o rite b e c a u s e o f h e r re d
b u s h , w h ic h s h e g o t s tu ffe d in o u r s tu d io .
K a s e y a n d N ik k i a re s le n d e r fl a ttie s w h o
a re e x p e rts a t s p re a d in g th e ir c u n ts . T h e s e
g irls g iv e re d h e a d s a g o o d re p u ta tio n !
N ik k i
67
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 1: 3 1 A M P a g e 6 8
D o lly L it t le A v a S p ar x x x
C la r is e
68
E T 2 3 0 1. 6 4- 6 9 U K 6 5, 6 6 Gi n g er S p e ci al. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 9: 2 0 A M P a g e 6 9
T a lk a b o u t a g ro u p o f lo o k e rs !
D o lly liv e s u p to h e r n a m e .
S h e ’s c u te , tin y a n d s h e ’ll b e
y o u r little fu c k d o ll. A v a lo o k s
s w e e t, b u t s h e d id n a u g h ty
th in g s w ith u s , lik e le z it o u t
a n d h a v e a th re e -w a y in a R e d ly
s c h o o l b a th ro o m . W e lo v e th a t
s h e le ft a trim m e d -d o w n v e r-
s io n o f h e r n a tu ra lly re d
p u b e s . C la ris e is s im p ly s tu n -
n in g . S h e s tro k e d h e r s lit o n -
c a m e ra fo r u s . W e h o p e s h e
ta k e s th e h a rd c o re p lu n g e
s o o n . A n d w e d o n ’t k n o w
w h a t’s m o re lo v e ly : R e d ly ’s
fre s h fa c e o r h e r p in k p u s s y .
69
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 7 0
N E W Y E A R ’S E V E d o n e e v e ry th in g p o s s ib le to m a k e th is th e n g ra b b in g M a llo ry b y th e h a ir a n d
N O IS E M A K E R S a N e w Y e a r ’s s h e w o u ld n e v e r fo rg e t. jiz z -F re n c h in g h e r. T h e c o m p e titio n
C o n tin u e d fro m p a g e 6 2 S h e w a s n ’t a b o u t to le t h e r d o w n . la s te d s e v e ra l m in u te s , b u t lik e a ll
S h e ra n h e r fin g e rtip th ro u g h a g o o d th in g s , h a d to c o m e to a n e n d
b e a d o f s lic k p re -c u m , m a k in g e y e s o o n e r o r la te r.
“ D a m n ,” h e s a id , e y e s w id e . M a l c o n ta c t w ith h im b e fo re s e d u c tiv e ly “ H e y g u y s ? ” D re w g a s p e d , p ra c ti-
w a s w e a rin g a b ra th a t w a s a lm o s t a s p u ttin g h e r fin g e rtip in h e r m o u th . c a lly h y p e rv e n tila tin g .
m ic ro a s h e r s k irt, w h ic h s h e ’d c o n v e - D re w g u lp e d . M a l k n e w im m e d ia te ly w h y h e w a s
n ie n tly k ic k e d a s id e . H e r tits w e re It d id n ’t ta s te b a d . In fa c t, it m a d e in te rru p tin g . K ris ta s im p ly le t h e r g a l
p ra c tic a lly fa llin g o u t o f th e th in g , h e r w a n t to g o in fo r m o re . T h is tim e , p a l ta k e c h a rg e .
u n d e rw ire b e d a m n e d . H e w a s w e a r- th o u g h , s h e w e n t rig h t fo r th e s o u rc e , “ H o p e y o u ’re th irs ty ,” s h e s a id ,
in g D o c k e rs . L ig h t c o lo re d . It m a d e it p u ttin g th e h e a d o f D re w ’s c o c k in h e r h e ftin g D re w ’s b a ll s a c . “ I th in k h e ’s
e a s y to s e e h is e re c tio n , ra g in g a g a in s t m o u th a n d s u c k in g it, th e w a y s h e ’d g o n n a g a g m e .”
h is z ip p e r. p ra c tic e d s o m a n y tim e s a t h o m e o n “ U n g h !” h e g ru n te d .
E y e s b o u n c in g b a c k a n d fo rth , h e If M a llo ry h a d in te n d e d to ta k e
a p p ro a c h e d . K r is ta ’s b a re m u ff. D re w ’s firs t s p u rt d o w n h e r th ro a t,
M a llo ry ’s o v e rs iz e d b o o b s . T h e n u b s th e s lu t-ta lk in g c o s t h e r th e o p p o rtu -
s ta n d in g a t a tte n tio n b e n e a th K ris ta ’s T h e y to o k tu rn s , n ity . A to r re n t o f s e m e n e ru p te d
to p . M a llo ry p u t u p a h a n d . a c ro s s h e r fa c e , m a k in g h e r la u g h a s
“ F ir s t th in g s fir s t,” s h e s a id . D re w ’s a m p le n u t b u t - s h e in c re a s e d th e p a c e o f h e r s tro k in g .
“ W h a t’s y o u r n a m e ? ” “ G e t in h e re !” s h e o rd e re d , p u llin g
“ D re w ,” h e re p lie d , w a ry . K ris ta t e r s p r a y in g a c ro s s K ris ta c lo s e . D re w ’s n e x t b la s t m o s tly
c o u ld te ll h e w a s w o n d e rin g if th e y t h e ir f a c e s , n e c k s , s o m e g o t in h e r m o u th , th o u g h a little b it
w e re g o in g to b a c k o u t. M a llo r y w o u n d u p d rip p in g o ff h e r c h in .
g rin n e d , m a k in g it a n o n -is s u e . e v e n w in d in g u p o n A g a in , th e y to o k tu r n s , D re w ’s
“ G o o d ,” s h e s a id . “ I d o n ’t fu c k a m p le n u t b u tte r s p ra y in g a c ro s s th e ir
s tra n g e rs . B u t, n o w th a t w e k n o w M a llo r y ’s b o o b s . K r is t a fa c e s , n e c k s , s o m e e v e n w in d in g u p
w h o y o u a re ? ” S h e lo o k e d K ris ta ’s o n M a llo ry ’s b o o b s . K ris ta d id n ’t le t
w a y . “ W h a t d o y o u th in k , K ? Y o u d id n ’t le t t h a t g o t o th a t g o to w a s te , th o u g h , s u c k in g
w a n t m e to g e t h is p a n ts o ff a n d s u c k D re w ’s h o t lo a d o ff M a l’s h e a v in g tits ,
h is c o c k firs t, o r y o u w a n t h o n o rs ? ” w a s te , th o u g h . le a v in g n o th in g b e h in d b u t th e fe e l o f
“ I’ll g e t u s s ta rte d ,” K ris ta s a id , h e r h e r ta s te b u d s .
b e lly a b e e h iv e o f n e rv e s , b u t p la y in g D re w s tu m b le d to th e c o u c h , c o l-
it c o o l, lik e s h a re -s u c k in g w a s s o m e - M a l’s b irth d a y g ift. If s h e w a s d o in g la p s in g in to it a n d c a tc h in g h is b re a th .
th in g th e y d id a ll th e tim e . a n y th in g w ro n g , m o u th -v irg in th a t D a m n , th o u g h t K ris ta . E v e n a s h e
D re w re a c h e d fo r h is b u c k le , b u t s h e w a s , D re w c e rta in ly d id n ’t s e e m fla g g e d , D re w ’s c o c k w a s im p re s s iv e .
K ris ta g ra b b e d h o ld o f h is ju n k , g iv - to n o tic e . S h e e v e n g o t a n u n s p o k e n T h a t w a s a ll s h e h a d tim e fo r,
in g it a firm s q u e e z e . A fire s to rm o f v o te o f a p p ro v a l w h e n h e p u t a h a n d th o u g h . In th e m id d le o f s ta rin g a t
e x c ite m e n t ra n u p h e r s p in e . D re w o n th e b a c k o f h e r h e a d a n d s tu ffe d D re w ’s s e m i-e re c t p o le , M a llo r y
h a d it g o in g o n d o w n th e re . S h e a n o th e r c o u p le o f in c h e s to w a rd h e r ro lle d h e r in a c la s s ic W W E ta k e d o w n
c u p p e d h is b a lls , w o n d e rin g – H o w th ro a t. S h e w a s s u rp ris e d s h e c o u ld a n d s tra d d le d h e r fa c e , th e s c e n t o f
th e h e ll w a s s h e g o in g to b e a b le to ta k e a ll o f h is s iz e a b le to o l. d a m p p u s s y w a ftin g in to h e r n o s e .
h a n d le a ll th a t in h e r m o u th ? “ T a g !” M a l s a id , d ro p p in g to h e r “ O n th re e ,” M a l s a id , g rin n in g .
M a llo ry – n o in te n tio n o f k n e e lin g - k n e e s . S h e w a s h u n g ry fo r c o c k n o w . “ F irs t o n e to c u m w a tc h e s w h ile th e
b y id ly – p u t h im u p a g a in s t th e w a ll, K ris ta re lin q u is h e d h e r lip lo c k o n o th e r rid e s o u r n e w fu c k b u d d y .”
m u c h lik e s h e h a d K ris ta , a n d s ta rte d D re w ’s p r ic k , g u id in g it b e tw e e n “ Y o u ’re o n !” K ris ta s a id , a c c e p tin g
h e lp in g h im u n d re s s . D re w w a s te d M a l’s w a itin g lip s . th e c h a lle n g e – b u t fa ilin g to w a it. T h e
n o tim e re tu rn in g th e fa v o r, th e w o e - “ D re w , rig h t? A lm o s t lik e … d ro o l? ” p a ir w e n t a t e a c h o th e r w ith n o h e s i-
fu lly -u n d e re q u ip p e d b ra fly in g o ff D re w s ta re d a s M a l le t a to n g u e fu l ta tio n , M a l g rin d in g h e r p u b e s in to
w ith a s n a p , fre e in g th o s e g o rg e o u s o f s a liv a s p ill fro m h e r m o u th , c o v e r- K ris ta ’s m o u th a s s h e to n g u e -b a n g e d
tits o f h e rs . in g h is e n tire c o c k h e a d . T h e n s h e w a s h e r, d e s p e ra te to re a c h a n o th e r c li-
“ K ris ta ’s d o e s n ’t h a v e to b e th e o n a m is s io n , g ra b b in g o n e o f K ris ta ’s m a x . T h e y a te e a c h o th e r o u t lik e th e y
o n ly b u s y m o u th ,” s h e te a s e d , p u s h - h a n d s to w o rk h is b a lls w h ile s h e w e re o n a b o y frie n d ’s w e b c a m , K ris ta
in g h e r b o o b s to g e th e r, D re w ’s e y e s d o u b le -fis te d h is v e in y s h a ft. p ic tu rin g th e m y s te ry g u y – w h o ju s t
b u lg in g . H e o b lig e d , e n g u lfin g o n e T h e tw o k e p t tra d in g o ff, try in g to h a p p e n e d to lo o k a lo t lik e
s w o lle n p e a k b e fo re m o v in g o n to th e o n e -u p o n e a n o th e r. It w a s frie n d ly D re w – je rk in g o ff, firin g a lo a d o n to
o th e r, g o in g b a c k a n d fo rth a s K ris ta c o m p e titio n , a n d it m a d e th e d irty h is c e ll p h o n e s c re e n a s s h e d re n c h e d
fa c e d -o ff w ith h is m a s s iv e c o c k . M a l ta lk o u tra g e o u s ly filth y . M a llo ry h e r b lo o m e rs .
c a u g h t a g lim p s e o f h e r frie n d ’s ja c k e d h im w h ile ru n n in g h e r to n g u e S h e w a s g o in g to lo s e , s h e c o u ld
p a n ic -s tric k e n fa c e th ro u g h h e r c le a v - d o w n th e e n tire le n g th o f h is d ic k , fin - te ll. M a llo r y ’s to n g u e w a s d o in g
a g e a n d w in k e d . is h in g u p w ith a m o u th fu l o f s c ro tu m . th in g s to h e r p u s s y th a t s h e ’d n e v e r
N o w o r n e v e r, K ris ta th o u g h t, n o t K ris ta a n s w e re d b y d ra g g in g D re w ’s fe lt b e fo re . W ith a w a v e rip p lin g
w a n tin g to fu c k th is u p . M a llo ry h a d c u m -tric k lin g m e a t a c ro s s h e r lip s , C o n tin u e d o n p a g e 8 4
70
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 1 0: 0 1 A M P a g e 7 1
C a rm e n :
F re s h &
C ur v y
T h e g ir l- n e x t - d o o r is a lit t le s lu t !
C a rm e n lo o k s a s w h o le s o m e a n d fre s h a s a p p le p ie . A n d w h e n it c o m e s
to h e r p u s s y , s h e ’s a s fre s h a s th e y c o m e . B u t th e w h o le s o m e p a rt? N o t
s o m u c h . “ I’m n o t a h u g e s lu t, b u t I lik e to h a v e s e x a n d I’m n o t a s h a m e d
to a d m it th a t. I h a v e a fi lth y m in d a n d I c o n s ta n tly th in k a b o u t c o c k .”
71
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 3 7 A M P a g e 7 2
D o yo u have
a n y k in k s o r
f a n t a s ie s ?
“ I d o h a v e th is o n e fa n ta s y
th a t I k e e p c o m in g b a c k to .
I h a v e th is th in g fo r h a v in g
s e x a ro u n d o th e r p e o p le , b u t
th e y d o n ’t k n o w I’m fu c k -
in g . F o r e x a m p le , I’m in a
c lo s e t a t a p a rty a n d th e re
a re p e o p le in th e h a llw a y . O r
in a p u b lic b a th ro o m s ta ll.
O r th e re ’s a p a rty a n d a
b u n c h o f p e o p le c ra s h th e re
a n d I fu c k w h ile th e y s le e p .”
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 3 8 A M P a g e 7 3
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 3 8 A M P a g e 7 4
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 8/ 1 9 9: 3 8 A M P a g e 7 5
H ave yo u ever
d o n e th a t
b e fo r e ?
“ T h e c lo s e s t I’v e c o m e w a s
g e ttin g fi n g e re d a n d s u c k -
in g d ic k in a m o v ie th e a te r.
T h e re w e re p e o p le s ittin g a
c o u p le o f s e a ts a w a y fro m
u s , b u t I d id n ’t c a re . I c a m e
a ll o v e r th e g u y ’s h a n d , a n d
th e n I u n z ip p e d h is p a n ts
a n d to o k h is c o c k o u t. I
le a n e d o v e r a n d s u c k e d
h im o ff u n til h e c a m e in m y
m o u th , a n d I s w a llo w e d .”
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 1: 3 2 A M P a g e 7 6
E T 2 3 0 1. 7 1- 7 7 C ar m e n. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 1 0: 0 1 A M P a g e 7 7
H E IG H T: 5 ’3 ”
W E IG H T: 1 2 2 lb s .
B R A S IZ E: 3 4 B
B O R N: F e b . 2 1
L IV E S : P la in v ille ,
M a s s a c h u s e tts
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1 2: 0 2 P M P a g e 7 8
E lia n a is g r e a t a t f it n e s s a n d f u c k in g .
A s a y o g a te a c h e r, g y m n a s t a n d c h e e rle a d e r, E lia n a is v e ry in to u c h w ith h e r b o d y .
S h e a ls o lik e s it w h e n g u y s a n d g irls a re in to u c h w ith h e r b o d y , to o . “ I ju s t h a d m y
fi rs t fo u r-w a y e x p e rie n c e w ith tw o g u y s a n d a n o th e r g irl. I c a m e s o h a rd ! I w o u ld
lo v e to d o m o re g ro u p s tu ff. I th in k a ll th e s p o rts a n d fi tn e s s I’v e d o n e h a v e m a d e
m e a g re a t s e x a th le te . I c a n g e t in lo ts o f p o s itio n s a n d la s t fo r a lo n g tim e .”
78
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 0: 1 2 A M P a g e 7 9
E lia n a :
F it
P u ss y
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 3 0/ 1 9 1 0: 1 0 A M P a g e 8 0
80
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 0: 1 3 A M P a g e 8 1
Y o u s e e m lik e y o u ’d lik e
h ig h e n e r g y s e x .
“ Y u p ! I’m h ig h e n e rg y a n d v e ry a c tiv e , s o I
lik e s e x to b e th a t w a y to o . I lik e to d o lo ts o f
d iffe re n t p o s itio n s a n d h a v e s e x in d iffe re n t
p la c e s . M y k in k ie s t e n c o u n te r w a s o u t in th e
w o o d s , a n d it in v o lv e d w a te r s p o rts , m u d
a n d m u ltip le lo a d s in m y p u s s y a n d a s s !”
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 0: 1 3 A M P a g e 8 2
H E IG H T: 5 ’4 ”
W E IG H T: 1 0 5 lb s .
B R A S IZ E: 3 4 A
B O R N : Ja n . 2 2
L IV E S : K a la m a z o o ,
M ic h ig a n
82
E T 2 3 0 1. 7 8- 8 3, U K 8 3 Eli a n a. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 0: 1 3 A M P a g e 8 3 U S
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 8 4 U S
N E W Y E A R ’S E V E
N O IS E M A K E R S
C o n tin u e d fro m p a g e 7 0
th ro u g h h e r a n d h e r m u s c le s te n s in g
u p , s h e th re w a H a il M a ry , p u llin g
M a l’s lip s w id e a n d d r iv in g h e r
to n g u e in to h e r c o c k s o c k e t.
T h ru s tin g u p w a rd , c h r is te n in g
M a l’s fa c e w ith g o o , s h e w h im p e re d ,
b a c k b o w in g . T o o la te , s h e th o u g h t,
a s… a s… .
M a l’s g ir l c re a m la th e re d h e r
to n g u e . S h e b u c k e d , h e r h ip s c o n v u ls -
in g o v e r K ris ta ’s fa c e a s h e r v u lv a
c o n tra c te d , h e r la b ia w e n t n u m b , a n d
h e r a s s h o le c le n c h e d s o h a rd it
c o u ld ’v e s n a p p e d a p e n c il.
“ T w o o u t o f th re e !” M a l c rie d , b a re -
ly b re a k in g s trid e a s s h e c o n tin u e d
h e r o ra l a s s a u lt o n K ris ta ’s tw a th o le .
B o th g irls w e re fin g e rin g e a c h o th e r
n o w , th e ir firs t e ffo rt to o c lo s e to c a ll.
T h is o n e , to o , lo o k e d to b e g o in g
d o w n to th e w ire .
S T E P 1 L o g - in to y o u r R o k u a c c o u n t a n d a d d th e p r iv a te c h a n n e l S C O R E T V . “ O h d e a r fu c k !” M a llo ry h o w le d ,
S T E P 2 O n y o u r R o k u , p la y th e c h a n n e l a n d fo llo w th e in s tr u c tio n s o n th e s c r e e n .
S T E P 3 S it b a c k , r e la x & e n jo y s c e n e s fr o m 1 8 e ig h te e n o n y o u r H D T V . K r is ta ’s m o u n d s p e w in g a s s h e
in h a le d M a llo ry ’s s y ru p .
V I S I T S C O R E t v .T V T O D A Y ! “ H o w a b o u t I ju s t p ic k ? ” D re w
a s k e d , g e ttin g in b e h in d M a llo ry , ta k -
in g h o ld o f h e r h ip s , a n d p a c k in g h e r
s n a tc h fu ll.
F ro m h e r v a n ta g e p o in t, K r is ta
w a tc h e d , a m a z e d , a s D re w b u rie d
w h a t h a d to b e e ig h t in c h e s in to M a l’s
g a s h , d ro p le ts o f o o z e la n d in g o n h e r
fa c e e v e ry tim e h e w ith d re w fro m h e r.
N o re a s o n to ju s t la y h e re , K ris ta
d e c id e d , fo n d lin g D re w ’s n u ts a n d
w o rk in g a h a n d in b e tw e e n M a l’s
th ig h s . It w a s a tig h t fit, b u t th e e ffo rt
p a id o ff, a s h e r fin g e rs fo u n d M a l’s
s w e e t s p o t. A m a z in g w h a t a little c lit-
ty s q u e e z in g c o u ld d o to a g irl g e ttin g
it d o g g ie -s ty le .
“ D o th a t a g a in !” M a l b e g g e d , b e n d -
in g d o w n s o s h e c o u ld re s u m e h e r
s lit-s lu rp in g d u tie s . C le a rly , th e w e t
s p o t o n th e c a rp e t c o u ld s ta n d to g ro w
a little b ig g e r.
D re w , m e a n w h ile , g ra b b e d h o ld o f
M a llo r y ’s b a re ly -le g a l c a n s a n d
p la y e d w ith th e m w h ile p o u n d in g h e r
fro m b e h in d . T h e trio w e re s ta rtin g to
• Fre e p re v ie w s o f o u r m o v ie s ! lo o k lik e a s a n d w ic h w ith M a l a s th e
• S e e y o u r m o v ie s rig h t n o w w ith o u r “D o w n lo a d & B u rn ” o p tio n . m e a t in th e m id d le . A t o n e p o in t, M a l
N o w a itin g fo r th e m to c o m e in th e m a il! h a d to re s t h e r fo re h e a d o n K ris ta ’s
• P u rc h a s e in d iv id u a l s c e n e s fo r a fra c tio n o f th e c o s t o f fu ll m o v ie s ! c la m m y th ig h , g a s p in g a s h e trig g e re d
a fe ro c io u s c u m . W h e n s h e fin a lly
• P u rc h a s e b a c k is s u e s . D o w n lo a d th e d ig ita l e d itio n s n o w fo r im m e d ia te v ie w in g !
s to p p e d h o w lin g , s h e p u lle d a w a y
• E n jo y o u r te e n , a m a te u r, m a tu re a n d b ig -b o o b m o v ie s ! fro m h im , s tra n d s o f g irl o il d a n g lin g
fro m h is to o l a n d o n to K ris ta ’s fa c e
84
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 8 5 U S
a n d h u n g ry to n g u e . b a d . A ll o f h im , th e w a y M a llo ry h a d s lo t. S h e g la n c e d b a c k , s la p p in g a t
“ H -h e r tu rn ,” s h e in s tru c te d , s h ift- ta k e n it. D re w ’s h a n d . K ris ta g u e s s e d h e ’d
in g p o s itio n s . N o w , s h e w a s s tra d - “ N o w !” s h e b lu rte d . “ G iv e it to m e , fo u n d s o m e p la c e e ls e to s tic k a fin g e r.
d lin g K ris ta ’s h ip s , h e r p u s s y ju ic e s D re w . F u c k m e !” M a l le a n e d b a c k , s h o u ld e rs a g a in s t
le a k in g o n to h e r b e lly . D re w s p re a d S h e c ro s s e d h e r a n k le s b e h in d h is D re w ’s c h e s t, s h u d d e rin g . K ris ta w a s
K ris ta ’s le g s , w ra p p in g th e m a ro u n d b a c k , p u llin g h im d e e p e r. H e d id th e o n th e v e rg e o f th e b ig g e s t c lim a x
h is w a is t. K ris ta fe lt te rrifie d . M a llo ry re s t, s la m m in g in to h e r, K ris ta ’s e y e s s h e ’d e v e r h a d – fa r, fa r b ig g e r th a n
to o k h e r h a n d s a n d s la p p e d th e m o n ro llin g b a c k lik e s h e w a s h a v in g a e v e n h e r firs t. M a llo ry p u t h e r fu c k -
h e r tits .
“ R e la x ,” s h e w h is p e re d . “ Y o u a re
g o n n a lo v e it.” S h e c ro s s e d h e r a n k le s b e h in d h is b a c k , p u llin g h im
S o lo n g , v irg in ity , K ris ta th o u g h t, d e e p e r. H e d id t h e re s t , s la m m in g in t o h e r, K r is t a ’s
D re w ’s tip p a rtin g h e r p in k . S h e h a d
n o re g re ts , s h e ’d b e e n lo o k in g fo r a
e y e s ro llin g b a c k lik e s h e w a s h a v in g a s e iz u re .
w a y to lo s e h e r v irg in ity s in c e th e
s ta rt o f th e s e m e s te r, a n d th e s u rp ris e s e iz u re . H e r h a n d s c la m p e d d o w n o n fin g e r in to D re w ’s m o u th , a n d K ris ta
p a r ty M a l h a d th ro w n h e r. B u t, M a llo ry ’s k n o c k e rs , h e r h a rd n ip s a b s o lu te ly lo s t it.
d e s p ite th e b o y s a n d th e h o o k -u p s p re s s in g in to K ris ta ’s p a lm s . “ O h , o h -o h -o h -o h h h h h h h !” s h e
M a llo ry h a d trie d to fo s te r, th e o n ly S h e b u c k e d , b u t M a llo ry ’s w e ig h t m o a n e d , c irc u its s h o rtin g o u t in h e r
a c tio n K ris ta h a d g o tte n h a d c o m e h e ld h e r d o w n , a s D re w ra v a g e d h e r, b ra in . T h is tim e s h e d id b u c k , h e r c u m
a fte r g e ttin g h o m e th e n e x t d a y , a n d s h re d d in g h e r c h e rry a n d m a k in g h e r s o in te n s e it lifte d M a l rig h t o ff th e
p u ttin g M a llo ry ’s p re s e n t to th e te s t. fe e l lik e s h e w a s fa llin g th ro u g h th e c a rp e t. K ris ta le t g o o f M a l’s b o o b s ,
F iv e tim e s . N o w , th o u g h , a s D re w flo o r. It w a s lik e th e d ro p o n a ro lle r th e g irl’s n ip p le s s o ta u t th e y w e re
s lip p e d a n o th e r in c h in to h e r g a p , s h e c o a s te r, o n ly th is tim e , it d id n ’t s to p . p ra c tic a lly p u rp le .
c o u ld h a rd ly b e lie v e it. K ris ta ’s tu m m y tin g le d , h e r m o s q u ito D re w c a m e o n s tro n g , fo ld in g h e r
“ D a m n , y o u ’re tig h t!” h e s a id , b ite s s w o lle n , M a llo ry c irc lin g th e m o v e r, m a k in g a M a llo ry s a n d w ic h a s
s lo w ly w o r k in g h is w a y d e e p e r. w ith th e p a d s o f h e r th u m b s . h e d rille d K ris ta ’s c u n t lik e h e w a s
K ris ta k n e w it w a s n e rv e s . S h e w a s “ T o ld y a ,” s h e m o u th e d , fo c u s in g ru n n in g m in in g e q u ip m e n t. T o h e r, it
try in g , p ra y in g s h e w o u ld n ’t lo c k u p . h e r a tte n tio n o n K ris ta ’s rig h t n ip fe lt lik e h e w a s .
S h e w a n te d D re w , w a n te d h im re a lly w h ile in s e rtin g a fin g e r in h e r o w n “ I’m , I’m g o n n a c u m a g a in ,” K ris ta
16220
85
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 8 6 U S
s q u e a k e d , h a rd ly a n y v o ic e le ft.
M a llo ry ’s h o t b re a th fa n n e d h e r fa c e .
S h e k is s e d h e r d e e p ly .
“ Y o u c a n g o tw ic e ,” s h e g ig g le d . “ I
d o n ’t m in d .”
D re w g o t h e r o ff, a n d th e n , h is o w n
p a c e q u ic k e n in g , s h e h a d a th ird
b e fo re h e fin a lly s ta rte d to e a s e u p .
“ T im e fo r th e c o u n td o w n ,” h e
w a rn e d , w ith d ra w in g s lo w ly , h a v in g
tro u b le p u llin g o u t o f K ris ta ’s tig h t
n e s t. W h e n h e d id , th o u g h , b o th g irls
w e re re a d y .
T h o u g h h e ’d jiz z e d o n c e , D re w h a d
p le n ty fo r s e c o n d s , g u s h in g a c ro s s th e
g irls ’ fa c e s w ith a riv e r o f h o t, w h ite
c u m . B y th e tim e h e fin is h e d ja c k in g
h is w a d o n to th e m , th e tw o lo o k e d
lik e a p a n o f p a n c a k e b a tte r h a d
b lo w n u p in H o m e E c .
•O •O •O •O •O •O •O •O •O •O •
D re w d ro v e th e m h o m e , M a llo r y
h o p p in g o u t a t K r is ta ’s . T h e y
s w a p p e d n u m b e rs w ith h im , m o u rn -
fu lly w a tc h in g h im d riv e a w a y b e fo re
h e a d in g in s id e . If K ris ta ’s p a re n ts
w e re n ’t h o m e , th e y w o u ld ’v e to ta lly
in v ite d h im in s id e fo r ro u n d tw o .
S p e a k in g o f ro u n d tw o …
16230
It w a s d a rk in th e fo y e r, b o th g irls
g ig g lin g o v e r h o w th e e v e n in g h a d
tu r n e d o u t. In th e d a r k n e s s , M a l
p u lle d K ris ta in to a n e m b ra c e a n d
th e y k is s e d , s till ta s tin g lik e D re w ’s
b a ll b u tte r. K ris ta le d h e r d o w n s ta irs ,
in to th e p itc h -b la c k b a s e m e n t, ju s t a s
b o th th e ir p h o n e s w e n t o ff.
H a d a g rea t tim e w ith y o u g u y s to n ite.
P a rty n x t w k n d a t m y d o rm . W ill y o u
co m e? – D
T h e y re a c h e d th e la u n d ry ro o m
a n d K r is ta h ig h -fiv e d h e r, b e fo re
a n s w e rin g fo r th e m b o th .
Y o u m ea n cu m . A n d y es, w e’ll b e th ere!
S h e o p e n e d th e w a s h e r d o o r, a n d
b e g a n w o rk in g d o w n M a llo ry ’s s k irt.
“ W h a t a re y o u d o in g ? ” s h e s a id ,
th o u g h c e rta in ly n o t p u ttin g u p m u c h
o f a fig h t.
“ S n e a k in g o u r p a n tie s in to th e
w a s h ,” K ris ta e x p la in e d , s trip p in g .
“ W h a t a b o u t th e jiz z in o u r h a ir? ”
M a l c h u c k le d , th e p a ir s w a p p in g
a n o th e r k is s .
“ T h a t’s w h a t th e s h o w e r d o w n
h e re ’s fo r, s illy ,” s h e a n s w e re d , th e
tw o le a v in g a tra il o f c lo th e s a ll th e
w a y to th e b a th ro o m .
A n d b o y , d id th e h o t w a te r fe e l
g o o d ru n n in g d o w n b o th o f th e ir
in te rtw in e d b o d ie s . 18
16270
86
E T 2 3 0 1. 2 6- 2 8, 6 2, 6 3, 7 0, 8 6- 8 7, U K 6 2, 6 3, 8 4- 8 7 Fi cti o n. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 9: 2 2 A M P a g e 8 7 U S
16218
16228
87
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 1 1/ 1 9 4: 4 0 P M P a g e 8 8
A llie :
F la t
Fu cker
88
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 1 A M P a g e 8 9 U S
A h a r d - o n is a ll t h e p r o o f s h e n e e d s .
A llie is u n d e rs ta n d a b ly e m b a rra s s e d w h e n s h e g e ts c a u g h t s tu ffi n g
h e r b ra . T h is g u y re a s s u re s h e r w ith c o m p lim e n ts a n d h is s tiff c o c k .
H e m a k e s h is w a y d o w n to h e r c h e s t a n d h is m o u th e n g u lfs h e r tit.
T h e s a m e th in g g o e s fo r h e r p u s s y – h is lip s c o m p le te ly c o v e r h e rs .
89
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 2 A M P a g e 9 0 U S
90
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 2 A M P a g e 9 1 U S
A llie ’s f e e lin g g o o d n o w !
A llie tre a ts h im to a p a s s io n a te b lo w jo b . S h e lo o k s
s o s w e e t lo o k in g u p w ith h e r b lu e e y e s , b lo n d e c u rls
fra m in g h e r fa c e a n d a m o u th fu l o f m a n -m e a t. A llie
h o p s o n to p fo r a rid e , th e ir s k in s la p p in g to g e th e r
a s s h e p o u n d s h e r p u s s y u p a n d d o w n h is c o c k .
91
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 2 A M P a g e 9 2 U S
92
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 2 3/ 1 9 1: 2 6 P M P a g e 9 3 U S
D o y o u fe e l
m o r e c o n f id e n t
a b o u t y o u r t it s ?
“ Y e s . A g u y w o u ld n ’t fu c k m e
s o h a rd o r g iv e m e s u c h a b ig
lo a d if h e d id n ’t lik e m y b o d y .
W h ile w e w e re fu c k in g , h e
w a s g ra b b in g a n d s u c k in g m y
tits . I fe lt lik e h e w a s g o in g to
p u ll m y tits o ff m y rib s a n d
s p lit m y p u s s y in h a lf!” W a tc h
th e fre e b o n u s s c e n e in c lu d e d
w ith th is is s u e . S e e p a g e 3 fo r
y o u r e x c lu s iv e c o d e .
93
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 3 A M P a g e 9 4 U S
94
E T 2 3 0 1. 8 8- 9 5, U K 8 9- 9 5 Alli e. q x p _ L a y o ut 1 1 0/ 8/ 1 9 1 1: 2 3 A M P a g e 9 5 U S
H E IG H T: 5 ’2 ”
W E IG H T: 8 5 lb s .
B R A S IZ E: 3 2 A
B O R N: F e b . 1 0
L IV E S : D e tro it,
M ic h ig a n
95
E T 2 3 0 1. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 1 0/ 2 3/ 1 9 1: 5 8 P M P a g e 9 6 U S
B U Y 3,GET TH E
4TH FR EE.
D V D S & B L U- R A Y S .
F R E E IT E M M U S T B E O F E Q U A L O R
L E S S E R V A L U E T O L E A S T E X P E N S IV E IT E M .
E x p ire s A p ril 7 , 2 0 2 0
N EW 444
A FTER SC H O O L SLU T C LU B 7
W h ile o th e r g irls a re o ff a t d ra m a c lu b N U T -F A C E D
o r m a th le a g u e , th e s ix te e n s in th is TEEN S
flick a re h a v in g a m u c h b e tte r tim e T e e n c u tie s sw a llo w a n d fu ck c o ck s s o
s u ck in g a n d fu ck in g b ig c o ck s. A s ia n th e y c a n g e t h u g e fa c ia ls . M o s t o f th e
g irls a re s k in n y fla ttie s . S o p h ia L u x a n d
E lle g e ts h e r fu z z y p u s s y s tu ffe d . F e b e M a rie a re c u rv y a n d b u s ty. B u t
C h e e rle a d e rs V io le t a n d C a n d y g ive th e y a ll h a ve p re tty fa c e s th a t e n d u p
th re e c h e e rs fo r c u m . Z o e , K e ls e y a n d d rip p in g w ith jiz z .
A n a s k ip h o m e w o rk fo r s e x . M o m m y 1 2 0 M in . X X X R a te d (B lu -ra y o r D V D )
a n d D a d d y d o n ’t k n o w w h a t th e ir little
g irls d o w h e n s c h o o l g e ts o u t, b u t
w h a t th e y d o n ’t k n o w w o n ’t h u rt ’e m !
1 2 3 M in . X X X R a te d (D V D o n ly )
H O N EY
C U N N IE S 5
T h e re ’s n o p u ssy fre sh e r th a n th a t o f a te e n
g irl. A s m u ch a s yo u lo ve p u ssy, th e g irls in
th is flick lo ve sh o w in g yo u th e ir h o n e y cu n -
B E S T S E L L E R S 4444
n ie s e ve n m o re . Tw e n ty-fo u r b a b e s cu m -
m in g ju st fo r yo u ! P u ssie s so u p -clo se a n d
T O P 3 M O V IE S O F T H E M O N T H p e rso n a l, yo u ca n a lm o st ta ste th e m !
3 5 8 M in . X R a te d (D V D o n ly )
FLA T & FU C K ED
B E S T F U C K IN ’ F U C K IN ’ P R IV A T E S C H O O L A N A L E D IT IO N
F R IE N D S N ERD S 3 SLU TS 3 F o r y e a rs , th e F la t & F u cke d s e rie s h a s
W h e n th e s e b e s t frie n d s s a y th e y ’re T h e y ’re n e rd s . T h e y s tu d y h a rd , b u t T ig h t. S c h o o lg irl. T w a ts . T h a t’s w h a t it’s g ive n y o u tin y -titte d te e n s in X X X a c tio n .
c lo s e , th e y m e a n re a lly c lo s e . W h e n th e y fu c k e v e n h a rd e r...b e c a u s e g o o d a ll a b o u t in th e th ird e d itio n o f th is N o w w e ’ve c o m p ile d th e b e s t a n a l s c e n e s
th e y s a y th e y s h a re e v e ry th in g , th e y g irls n e e d d ic k , to o . S o th e s e h o t b e s t-s e llin g s e rie s . S ix te e n te e n g irls a n d p u t th e m in to o n e h o t, a s s -s tre tc h in g
m e a n e v e ry th in g … e s p e c ia lly c o c k . b ra c e -fa c e te e n s a n d fla ttie s p u t d o w n (s o m e o f th e m d o n ’t e v e n h a v e h a ir o n c o lle c tio n . A fte r g e ttin g b u tt-fu c k e d , th e s e
L o a d e d w ith G G B a n d G G B B a c tio n . th e ir b o o k s a n d ta k e o ff th e ir g e e k y th e ir p u s s ie s ) ta k e o ff th e ir ta rta n c u tie s g e t c o ve re d w ith c u m !
O h , y e a h … th e y lo v e to s h a re c u m , to o . g la s s e s to s u c k , fu c k a n d c u m . s k irts a n d d id d le th e ir c lits . 1 4 5 M in . X X X R a te d (D V D o n ly )
1 4 2 M in . X X X R a te d (D V D o n ly ) 1 4 4 M in . X X X R a te d (B lu -ra y o r D V D ) 2 5 8 M in . X R a te d (D V D o n ly )
U .S . a n d C a n a d a : C a ll 1-8 0 0 -4 2 1-0 76 0
E T 2 3 0 1. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 1 0/ 8/ 1 9 4: 1 2 P M P a g e 9 7 U S
A M A I J IZ Z E D FLA T &
L IU TEEN S 5 FU C K ED 11
E ve ryo n e ’s fa vo rite T h e y ’re y o u n g a n d S ix te e n s a re p ro u d o f
te e n A s ia n in a m o v ie e a g e r to p le a s e . S ix th e ir fla t c h e s ts. T h e ir
d e d ic a te d ju s t to h e r! te e n g irls w a n t y o u to m o s q u ito b ite s g e t
A m a iw a s a shy p o u n d th e ir v ic e -tig h t th e m b ig , h a rd c o ck s
b ra c e -fa c e s h o o tin g p u s s ie s u n til y o u r w h ic h th e y s u ck a n d
fo r th e firs t tim e , a n d b a lls a re c o a te d in fu ck w ith e n th u s ia s m .
w e tu rn e d h e r in to a th e ir g irl c u m . A n d A n a s ta s ia rid e s like a
s lu t w h o lo ve s to s u ck , w h a t th e y w a n t m o s t c o w g irl a n d g e ts h e r
fu ck a n d c u m . S ix o f a ll is a fa t lo a d o f b u tth o le fin g e re d .
s c e n e s o f ra w fu ck in g jiz z o n th e ir fa c e s a t H a n n a h H a y s le ts h e r
w ith g u y s w h o a re th e e n d . W e g ive ‘e m p ia n o in s tru c to r s p lit
tw ic e h e r s ize a n d w h a t th e y w a n t. N o h e r m e a ty p u s s y lip s
g ive h e r b ig fa c ia ls. c u m d o d g e rs h e re ! w ith h is c o ck .
1 1 2 M in . X X X R a te d 1 3 9 M in . X X X R a te d 1 3 3 M in . X X X R a te d
(D V D o n ly ) (B lu -ra y o r D V D ) (B lu -ra y o r D V D )
CU M O N M Y T IG H T & Y O U N G &
BRA CES STR ETC H ED 2 B U STY
N in e te e n s h a ve ju st N o th in g fe e ls b e tte r E ig h t te e n b a b e s
g o tte n th e ir b ra ce s, b u t th a n a tig h t te e n h a ve o u tg ro w n th e ir
th a t d o e sn ’t sto p th e m p u s s y. Y o u g e t to to p s , s o th e y ta k e
fro m su ckin g co ck! e n jo y h e r s n u g tu n - ‘e m o ff a n d le t th e ir
A fte r th e y g ive B Js, n e l s q u e e z in g yo u r b ig b o o b s h a n g ! T h e y
th e y h o p o n to p fo r a d ick , a n d th e tig h t a ls o fu c k c o c k s , a n d
w e t rid e . N o m a tte r te e n fe e ls e ve ry in c h th e ir tits b o u n c e a s
w h e re o r h o w th e y o f c o ck m e a t in s id e th e y rid e . W ith m e g a -
fu ck, e a ch g irl g e ts a h e r. A lth o u g h th e s e titte r C h ris ty M a rk s
lo a d o f se e d o n h e r s ix c u tie s g e t a n d p re g g o M is s y
tin se l te e th . T h e y lo ve s tre tc h e d , th e ir M a e . P lu s a b o n u s
su ckin g cu m o u t o f p u s s ie s s h rin k b a ck tu g jo b s c e n e w ith
th e ir b ra ce s! to s iz e a fte rw a rd s . A le x is A d a m s .
1 4 6 M in . X X X R a te d 1 2 7 M in . X X X R a te d 1 4 4 M in . X X X R a te d
(B lu -ra y o r D V D ) (B lu -ra y o r D V D ) (D V D o n ly )
T ig h t s tu d e n ts a n d g irls -n e x t-d o o r X X X p o s e d !
A FTER A FTER A FTER
SCH O O L SCH O O L SCH O O L
SLU T C LU B 6 SLU T C LU B 5 SLU T C LU B 4
In n o c e n t s c h o o lg irls K a rly’s b ra ce fa ce sm ile S tu d e n ts like E lla a n d
d re a m a b o u t s e x a ll is a s sw e e t a s h e r little T rin ity fu ck in d e te n -
d a y. S o w h e n th e p u ssy. F la t L ily g e ts h e r tio n b e c a u s e th e y ’re
s c h o o l b e ll rin g s , th e y b o tto m sp a n ke d a n d a lre a d y n a u g h ty g irls
g ive u p th e ir h u n g ry h e r cu n n y fu cke d . a n y w a y. R e d h e a d e d
m o u th s a n d tig h t te e n N e rd s L e xy a n d L in d a g e ts fu cke d b y
p u s s ie s to w e ll-h u n g M e lissa g e t co ve re d in h e r te a c h e r in fro n t o f
tu to rs , te a c h e rs a n d cu m . A n d L ily a n d K ylie a ll o f h e r c la s s m a te s .
c la s s m a te s . T h e y g e t a re d icke d d e lin q u e n ts. C a s s id y, N a ta lie a n d
fu c k e d h a rd a n d L o ts o f slu tty stu d e n ts J e n n ife r a re a ll n e rd s
le a rn h o w to ta k e b ig w ith tin y tits, sh a ve d w h o c ra ve , a n d g e t,
lo a d s o n th e ir fa c e s ! slits a n d p e rky a sse s! b ig lo a d s o f c u m .
1 3 3 M in . X X X R a te d 1 3 3 M in . X X X R a te d 1 2 3 M in . X X X R a te d
(B lu -ra y o r D V D ) (B lu -ra y o r D V D ) (B lu -ra y o r D V D )
A ll d is c s a re R e g io n -F re e
E T 2 3 0 1. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 1 0/ 3 0/ 1 9 1 0: 2 1 A M P a g e 9 8 U S
P IC K IN ’ U P A N A L B IK IN I
L A T IN A E D U C A T IO N T E E N IE S
PU SSY T e e n b a b e s a re n a t- A t th e p o o l, th e b e a c h
W h o e ve r s a id th a t u ra lly c u rio u s w h e n it a n d in th e h o t tu b ,
L a tin a g irls w e re c o m e s to s e x . T h e y th e s e n e w ly le g a l h o t-
sw e e t a n d in n o c e n t lo ve g e ttin g th e ir tie s h a ve s e x a n d fu n
d id n ’t k n o w w h a t th e y tig h t p u s s ie s s tu ffe d u n d e r th e s u n . J e n n a
w e re ta lk in g a b o u t. w ith c o ck , b u t w h a t g e ts ja m m e d b y th e
T h e s e five c h ic a s a b o u t th e ir e ve n p o o l a tte n d a n t. A
n e e d to g e t w h e re tig h te r a s s h o le s ? S ix sw im in s tru c to r fu ck s
th e y ’re g o in g fa s t, little h o ttie s fin d o u t A im e e ’s re d b u s h .
a n d th e y ’ll d o a n y - w h a t it’s like to g e t a P re c io u s lo s e s h e r
th in g fo r a rid e , e ve n c o ck u p th e ir b u tts . p in k b ik in i s o h e r p in k
if it m e a n s s u c k in ’ T u rn s o u t, it’s p re tty p u ssy ca n g e t p o u n d -
a n d fu c k in ’ s tra n g e rs . fu ck in ’ a w e s o m e ! e d . P lu s m o re X X X !
1 0 4 M in . X X X R a te d 1 4 1 M in . X X X R a te d 9 0 M in . X X X R a te d
(D V D o n ly ) (D V D o n ly ) (D V D o n ly )
10 0 % T IG H T T E E N S G U A R A N T E E D !
IT T Y B IT T Y C O C K S TA R C R E A M P IE
S L IT T IE S G R O U P IE S C U T IE P IE S 3
F ive te e n s slid e th e ir T h e y ’ll d o a n y th in g to T h ey kn o w m o m a n d
slits o n fa t co cks! H o t g e t b a ck s ta g e to m e e t d a d w ill th ro w a fit if
b lo n d e Je ssica D o ltin th e ir ro ck h e ro ! T h e y th e y g e t p re g n a n t, b u t
fu cks a n o ld e r m a n b y fla s h th e ir tittie s d u r- th e s e g irls a re n ’t w o r-
th e p o o l. S yn d i F o x is in g th e c o n c e rt. T h e n rie d . A ll th e y k n o w is
a b ig -n ip p e d slu t w ith o n e a fte r a n o th e r, th a t th e y ’re fu ck in g
b ra ce s w h o scre w s th e s e g ro u p ie g irls d o b ig d ick s, a n d th e y
o n th e co u ch . H a ile e y w h a te ve r it ta ke s to w a n t c u m in s id e th e ir
Ja m e s a n d C h ristin e w in fa vo r w ith th e ir p u s s ie s. A n d th e y ’re
M ich a e ls b o ld ly rid e fa vo rite ro cke r. A lic ia g o n n a p u s h it o u t s o
d icks in th e b a ck- a n d A s h le y e ve n d o u - yo u c a n s e e !
ya rd s. A n g e lica ’s a b le -te a m h im a n d g e t A n a s ta s ia e ve n g e ts
cu m -slu rp in ’ n e ig h b o r. le w d a n d le z z ie ! a n a n a l c re a m p ie .
8 8 M in . X X X R a te d 1 2 0 M in . X X X R a te d 1 1 6 M in . X X X R a te d
(D V D o n ly ) (D V D o n ly ) (B lu -ra y o r D V D )
Y O U N G & C O TTO N BO N ED A T
A S S -F U C K E D T A IL H O M E
A s if th e ir p u s s ie s N o th in g ’s h o tte r th a n a W h o c a re s a b o u t a
w e re n ’t tig h t e n o u g h fre s h -fa c e d te e n w h o is b ro ke n d is h w a s h e r o r
to m a k e a g u y b u s t a s o tu rn e d o n th a t s h e b u s te d la u n d ry
n u t in s e c o n d s , n o w s o a k s h e r c o tto n m a c h in e ? N o t th e s e
th e s e s ix te e n s a re p a n tie s w ith h e r s tick y five s lu tty c h ick s. T h e ir
o ffe rin g u p th e ir v is e - g irl-g o o . T h e y lo o k m o is t s lits a re w h a t
tig h t b u tth o le s h u n g in n o c e n t, b u t w h e n th e y w a n t fixe d , a n d
s tu d s . T h e ir d a d d ie s th e ir p a n tie s c o m e o ff, th e y ’re w illin g to try
w o u ld g ro u n d th e m th e s e s ix tig h t, c o ck - e ve ry to o l p o s s ib le to
fo r life , b u t th e y k n o w c u rio u s sw e e tie s fu ck m a ke s u re th e jo b is
it’s w o rth it fo r th e like p ro s. It’s e ve ry d o n e rig h t. T h e y lo ve
w ild e s t, n a s tie s t s e x g u y ’s fa n ta s y to n a il to g e t b o n e d a t h o m e
th e y ’ve e ve r h a d . th a t C o tto n Ta il! by h a n d ym e n .
1 2 8 M in . X X X R a te d 1 2 0 M in . X X X R a te d 1 1 0 M in . X X X R a te d
(D V D o n ly ) (D V D o n ly ) (D V D o n ly )
E T 2 3 0 1. 9 6- 9 9, U K 9 6- 9 9 M o vi e Cl u b. q x p _ 3 c ol u m n t e m pl at e ( n e w). q x d 1 0/ 8/ 1 9 4: 1 3 P M P a g e 9 9 U S
TEEN S N EX T PU SSY e B o o b S to re .c o m
D O O R SH O W 2
E ve r fa n ta s ize a b o u t N o g u y s in th e w a y ;
th e c u te g irl-n e x t- o n ly tig h t, h o rn y
d o o r? If o n ly s h e p u s s ie s, s p re a d a n d
w o u ld c o m e o ve r to c u m m in g ju s t fo r yo u .
yo u r p la c e a n d le t yo u T h e s e 1 6 s e x y g irls -
c u m a ll o ve r h e r. W e ll, n e x t-d o o r a re g e ttin g
yo u r w a it is o ve r. n a ke d a n d fin g e rin g
Yo u
T h e s e five h o rn y th e ir s lits o u td o o rs, in
te e n s s u ck , a n d rid e b e d ro o m s a n d a n y -
th e e n tire n e ig h b o r- w h e re th e y c a n .
h o o d . W ith a ra re
a p p e a ra n c e b y
C a sa d a C h a se .
M e lo d y W y ld e a n d
S ire n V ic tre s s b o th
s q u irt w h e n th e y c u m !
c o u ld b e
1 2 0 M in . X X X R a te d
(D V D o n ly )
1 8 8 M in . X R a te d
(D V D o n ly ) w a tc h in g
FLA T &
• O rd e rs s h ip in d is c re e t p a c k a g in g w ith tra c k in g . th e s e m o v ie s
FU C K ED 12
Ju s t b e c a u s e th e s e
yo u n g h o ttie s h a ve
• W e s h ip to P.O . B o x e s . D e liv e ry is g u a ra n te e d .
• O u r m a ilin g lis t is n e v e r s h a re d . R IG H T N O W !
n o th in g b u t n ip p le u p • Y o u r p e rs o n a l in fo rm a tio n is 10 0 % s e c u re .
to p d o e s n ’t m e a n
th e y d o n ’t k n o w h o w
to s u ck a n d fu ck , a n d
A p p r o x im a t e C u r r e n c y C o n v e r s io n R a t e s FA S T & S E C U R E
th e y ’re h e re to p ro ve
$ 1 9 .9 5
$ 2 9 .9 5
C $ 2 6 .9 5
C $ 3 9 .9 5
£ 1 5 .9 5
£ 2 3 .9 5
g 1 8 .9 5
g 2 7 .9 5
m o v ie s tre a m in g
it. S ix b a b e s w h o a re
b a re ly le g a l s h o w $ 3 4 .9 5 C $ 4 6 .9 5 £ 2 7 .9 5 g 3 1 .9 5
th a t th e y h a ve p e r-
fe c tly fin e m o u th s fo r
$ 3 9 .9 5 C $ 5 3 .9 5 £ 3 1 .9 5 g 3 6 .9 5 C h e a p e r N o s h ip p in g c o s ts !
s u ck in g a n d p u s s ie s
fo r fu ck in g .
$ 4 4 .9 5
$ 5 9 .9 5
C $ 5 9 .9 5
C $ 7 9 .9 5
£ 3 6 .9 5
£ 4 8 .9 5
g 4 0 .9 5
g 5 4 .9 5
Q u ic k e r In s ta n t a c c e s s !
1 3 8 M in . X X X R a te d
(D V D o n ly ) $ 6 9 .9 5 C $ 9 2 .9 5 £ 5 6 .9 5 g 6 3 .9 5 B e tte r H ig h e s t re s o lu tio n s !
IN T E R N E T O R D E R S e b o o b s to re .c o m U .S . & C A N A D A 1 -8 0 0 -4 2 1 -0 7 6 0 IN T E R N A T IO N A L + 1 -3 0 5 -6 6 2 -5 9 5 9
F A X 3 0 5 -6 6 2 -5 9 5 2 W E S H IP IN 2 4 H O U R S ! P L E A S E R E M E M B E R T O IN C L U D E S & H
M a il to : T h e S C O R E G ro u p , D e p t. E T 2 3 0 1 , P .O . B o x 5 5 8 1 5 0 , M ia m i, F L 3 3 2 5 5 -8 1 5 0 U S A
❏ A F T E R S C H O O L S L U T C L U B 7 (D V D ) P IX 1 1 4 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ A F T E R S C H O O L S L U T C L U B 2 (D V D ) P IX 5 4 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ B E S T F U C K IN ’ F R IE N D S (D V D ) P IX 1 1 0 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5 ❏ A F T E R S C H O O L S L U T C L U B (D V D ) P IX 5 0 8 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ F U C K IN ’ N E R D S 3 (D V D ) P IX 1 0 8 8 D $ 2 9 .9 5 . . . . . . . . . . .❏ (B L U -R A Y ) P IX 1 0 8 8 B $ 3 4 .9 5 ❏ C O T T O N T A IL 3 (D V D ) V D 4 7 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ P R IV A T E S C H O O L S L U T S 3 (D V D ) V D 4 8 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ H U S S Y H IG H (D V D ) P IX 3 0 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ N U T-F A C E D T E E N S (D V D ) P IX 1 0 8 0 D $ 2 9 .9 5 . . . . . . . . . . .❏ (B L U -R A Y ) P IX 1 0 8 0 B $ 3 4 .9 5 ❏ F L E X I F U C K S (D V D ) P IX 3 0 1 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ H O N E Y C U N N IE S 5 (D V D ) V D 4 5 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ P IC K IN ’ U P L A T IN A P U S S Y (D V D ) P IX 4 0 5 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ F L A T & F U C K E D A N A L E D IT IO N (D V D ) P IX 1 0 7 7 D . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ A N A L E D U C A T IO N (D V D ) P IX 1 0 7 4 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ A M A I L IU (D V D ) P IX 1 0 4 4 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5 ❏ B IK IN I T E E N IE S (D V D ) P IX 3 1 7 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ J IZ Z E D T E E N S 5 (D V D ) P IX 9 3 9 D $ 2 9 .9 5 . . . . . . . . . . . . . . .❏ (B L U -R A Y ) P IX 9 3 9 B $ 3 4 .9 5 ❏ IT T Y B IT T Y S L IT T IE S (D V D ) P IX 3 9 5 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ F L A T & F U C K E D 1 1 (D V D ) P IX 9 7 6 D $ 2 9 .9 5 . . . . . . . . . . . .❏ (B L U -R A Y ) P IX 9 7 6 B $ 3 4 .9 5 ❏ C O C K S T A R G R O U P IE S (D V D ) P IX 2 7 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ C U M O N M Y B R A C E S (D V D ) P IX 9 1 4 D $ 2 9 .9 5 . . . . . . . . . .❏ (B L U -R A Y ) P IX 9 1 4 B $ 3 4 .9 5 ❏ C R E A M P IE C U T IE P IE S 3 (D V D ) P IX 1 0 9 5 D $ 2 9 .9 5 . . . . .❏ (B L U -R A Y ) P IX 1 0 9 5 B $ 3 4 .9 5
❏ T IG H T & S T R E T C H E D 2 (D V D ) P IX 8 3 0 D $ 2 9 .9 5 . . . . . . . . .❏ (B L U -R A Y ) P IX 8 3 0 B $ 3 4 .9 5 ❏ Y O U N G & A S S -F U C K E D (D V D ) P IX 1 1 0 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ Y O U N G & B U S T Y (D V D ) P IX 1 0 4 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ C O T T O N T A IL (D V D ) P IX 3 6 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . $ 1 9 .9 5
❏ A F T E R S C H O O L S L U T C L U B 6 (D V D ) P IX 8 9 4 D $ 2 9 .9 5 . .❏ (B L U -R A Y ) P IX 8 9 4 B $ 3 4 .9 5 ❏ B O N E D A T H O M E (D V D ) P IX 4 1 3 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 1 9 .9 5
❏ A F T E R S C H O O L S L U T C L U B 5 (D V D ) P IX 8 0 0 D $ 2 9 .9 5 . .❏ (B L U -R A Y ) P IX 8 0 0 B $ 3 4 .9 5 ❏ T E E N S N E X T D O O R (D V D ) P IX 3 5 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ A F T E R S C H O O L S L U T C L U B 4 (D V D ) P IX 7 3 0 D $ 2 9 .9 5 . .❏ (B L U -R A Y ) P IX 7 3 0 B $ 3 4 .9 5 ❏ P U S S Y S H O W 2 (D V D ) V D 3 6 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5
❏ A F T E R S C H O O L S L U T C L U B 3 (D V D ) P IX 6 4 0 D . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 2 9 .9 5 ❏ F L A T & F U C K E D 1 2 (D V D ) P IX 1 1 1 2 D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .$ 3 9 .9 5
B U Y 3 ,G E T T H E 4 T H F R E E . D V D S A N D B L U - R A Y S . F R E E IT E M M U S T B E E Q U A L O R L E S S E R V A L U E T O L E A S T E X P E N S IV E IT E M .
S h ip p in g & H a n d lin g : U .S . P rio rity: $ 4 p e r M o vie – m in im u m 2 . D e live ry w ith in 2 -3 d a ys. O ve rn ig h t: $ 5 2 fo r u p to 1 0 M o vie s. D e live ry n e xt b u sin e ss d a y. In te rn a tio n a l F irst C la ss: C $ 2 6 /£ 2 2 /€ 2 5 fo r 1 to 5 M o vie s. C $ 4 0 /£ 3 4 /€ 3 9 fo r
6 to 7 M o vie s. D e live ry w ith in 1 0 -1 4 d a ys. In te rn a tio n a l P rio rity: C $ 4 1 fo r 1 to 2 M o vie s. C $ 6 4 fo r 3 to 1 0 M o vie s. D e live ry w ith in 5 -7 b u sin e ss d a ys. F e d E x In te rn a tio n a l: £ 5 1 /€ 5 8 fo r 1 to 1 0 M o vie s. D e live ry in 3 -5 b u sin e ss d a ys.
o S u b scrib e rs g e t a 1 5 % d isco u n t o n m o vie p u rch a se s. C a n n o t b e co m b in e d w ith “B u y 3 , G e t 4 th F re e ” o ffe r. C u sto m e r ID # O n ly U .S . su b scrib e rs g e t fre e sh ip p in g o n vid e o o rd e rs. W e a cce p t p a ym e n t in
ca sh (£ , € , C $ o r U S $ b a n kn o te s), A m e rica n E xp re ss Tra ve le rs ch e cks d e n o m in a te d in U S fu n d s o r ch e cks fro m a C a n a d ia n b a n k d e n o m in a te d in U S $ (C a n a d a O n ly.) N o C o in s. S o rry, n o In te rn a tio n a l p e rs o n a l c h e c k s .
M a ke ch e ck/m o n e y o rd e r p a ya b le to T h e S C O R E G ro u p . F lo rid a re sid e n ts a d d 7 % sa le s ta x. C re d it ca rd tra n sa ctio n s a re b ille d in $ a t cu rre n t e xch a n g e ra te .Y o u m u st p ro vid e cre d it ca rd a n d m a ilin g a d d re sse s if th e tw o a re d if-
fe re n t. U .S . o rd e rs sh ip via P rio rity m a il o r F e d E x. R u sh d e live ry a va ila b le : ca ll fo r d e ta ils. V id e o sa le s a re fin a l. D a m a g e d d iscs w ill o n ly b e re p la ce d w ith a n o th e r o f th e sa m e title if re p o rte d w ith in 3 0 d a ys o f re ce ip t. T h e S C O R E
G ro u p ca n n o t b e h e ld re sp o n sib le fo r C u sto m s se izu re s. B y o rd e rin g , yo u ce rtify th a t yo u a re a t le a st 1 8 ye a rs o ld .
T HE
S C O R E
G R O UP ®
V o l. 2 3
N o.1
T IG H T
T EEN
S L IT S
S P L IT
O P EN
FR E E B O N U S X X X V ID E O S IN S ID E
1 0 F U L L- L E N G T H H D S C E N E S
•
FR EE
3 + h o u r s o f s o lo & X X X
• N o c r e d it c a r d n e e d e d
A C C ES S • N o p e r s o n a l in f o r e q u ir e d
•
CODE •
D
D
o w n lo a d o r s t r e a m s c e n e s
ig it a l e d it io n in c lu d e d