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Alesismidiverbownersmanual Text
Alesismidiverbownersmanual Text
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MIDIVERB often lead to overloading of the internal math processor
with subsequent distortion.
Many sources such as electric guitars and acoustic
Instruction Manual instrumentpickups have insufficientoutput level to ade-
quately drive the Midiverb. In such cases a simple pre-
INSTALLATION; REAR VIEW ampmaybe required. Where possible, a limiting preamp
will level the abrupt transients characteristic of these
instruments, providing control over transient distortion.
OPERATION:
The Midiverb contains 63 preset, user selectable pro-
grams. Programs may be selected by the buttons on the
stepping through the program list, or by MIDI
front panel,
patch change data from any MIDI controlling device.
The Midi verb connects easily between any line-level sig- Defeating the unit and turning off its reverb output is
nal source and any line-level destination such as a PA accomplished by pressing the DEFEAT button once.
mixe r or record ing console M ixi ng dry and reverb signals
.
Pressing this button again will resume reverb operation.
is accom pi ished by use of the mix control at the rear of the From MIDI, any patch change number Irom 64 to 128 will
unit.The dry signal routed through the mix control is main- also force the Midiverb into defeat mode.
lai ned n stereo. If a stereo resu It is desi red and the source
i
The MIDI channel the Midiverb will respond to is set by
is mono, route the mono signal to both inputs. A simple pressing the MIDICHAN button and simultaneously
Y cord will accomplish this and allow the dry signal to stepping the number up or down by the UP/DOWN but-
appear in both channels equally with the reverb in stereo. tons. When displaying the MIDI channel number, the
this is a particularly simple setup when adding display will show a lighted seg ment in the up per left corner
ambience to a drum machine without requiring console of the display.
sends and receives. The only requirement here is that the
signal source have an output level control so that proper THE PROGRAMS:
dri vi ng levels can be set. Prog rams 1 to 50 are reverb algorithms desig ned to cover
When connecting to the sends and receives of a con- a wide range of applications. Programs 51 to 63 are for
sole, rotate the mix control to full reverb (counter-clock- special effects. The reverb programs are defined by
wise from rear); the deepest returns will be available for decay time, size, and spectral emphasis, respectively.
mixing at the board. Large programs tend to have some associated predelay,
The spread of the Midiverb's output stereo image is typical of large spaces. Small programs tend to be more
wide. While effective in opening up a clear mono space in immediate but can sound hard or ri ngy at un natu ral ly long
,
tinuous p rog ram at long (> 1 sec ) decay ti mes This wil
.
. I capable of 3,000,000 memory accesses/operations per
second, a figure higher than most digital reverbs on the
market today. Classic signal processing computer archi-
tectures with this kind of power are very expensive. The
M id verb utilizes a new ki nd of compute r arch itectu re
i
SPECIFICATIONS:
FREQUENCY RESPONSE 30 HZTO10KHZ±2dB
DYNAMIC RANGE 75 dB (TYR REVERB PGMS)
PROGRAMS 63 FIXED PROGRAMS
INPUT LEVEL + 6dBVPEAK, 1 INPUT DRIVEN
dBV PEAK, BOTH DRIVEN
OUTPUT LEVEL +6dBVPEAK
INPUT IMPEDANCE 50 K OHMS
OUTPUT IMPEDANCE 600 OHMS
AUDIO CONNECTORS RCA PHONO JACKS
POWER REQUIREMENTS 16V CENTER TAPPED
TRANSFORMER, 800 mA.
MIDI CONNECTIONS IN&THRU
ALESIS CORPORATION
P.O. BOX 3908* LOS ANGELES, CA 90078
PRINTED IN U.S. A.