Professional Documents
Culture Documents
6 Identifying and Inventorying Intangible Cultural Heritage
6 Identifying and Inventorying Intangible Cultural Heritage
6 Identifying and Inventorying Intangible Cultural Heritage
their environment, their interaction with nature and their history, and
provides them with a sense of identity and continuity, thus promoting
Deportes/GMA PRO
and inventorying Intangible cultural heritage takes many forms. on the obligation to safeguard the intangible
The Convention explains that it may be cultural heritage present on their territories. At
expressed in a number of domains, including an international level, the Convention
Photo © Ahmed Ben Ismaїl
but not limited to: establishes two Lists, the List of Intangible
Cultural Heritage in Need of Urgent
a. Oral traditions and expressions including
Safeguarding and the Representative List of the
language as a vehicle of the intangible
Intangible Cultural Heritage of Humanity. The
cultural heritage;
goal of these Lists is to call attention to those
b. Performing arts; elements of intangible cultural heritage that are
representative of human creativity and cultural
c. Social practices, rituals and festive events;
diversity and especially those in need of urgent
Photo © Mila Santova
Morocco
safeguard such heritage, to ensure respect for it, deals with heritage that communities
L The Bistritsa Babi – Archaic themselves deem important, and strives to
to raise awareness about its importance and to
Polyphony, Dances and
provide for international cooperation and contribute to the promotion of creativity and
Ritual Practices from the
Shoplouk region, assistance in these fields. Countries that ratify diversity, and to the well-being of communities,
Bulgaria the Convention (known as States Parties) take groups, and society at large.
4 . INTANGIBLE CULTURAL HERITAGE
Safeguarding without freezing means a formal or, more often, informal process
To be kept alive, intangible cultural heritage must by which communities acknowledge that specific
be relevant to its community, continuously practices, representations, expressions, knowledge
recreated and transmitted from one generation to and skills and, if appropriate, associated
another. There is a risk that certain elements of instruments, objects, artefacts and cultural spaces,
intangible cultural heritage could die out or form part of their cultural heritage.
disappear without help, but safeguarding does
not mean fixing or freezing intangible cultural Safeguarding measures must always be developed
heritage in some pure or primordial form. and applied with the consent and involvement of
Safeguarding intangible cultural heritage is about the community itself. In certain cases, public
the transferring of knowledge, skills and meaning. intervention to safeguard a community’s heritage
Transmission – or communicating heritage from may be undesirable, since it may distort the value
generation to generation – is emphasized in the such heritage has for its community. Moreover,
Convention rather than the production of safeguarding measures must always respect the
concrete manifestations such as dances, songs, customary practices governing access to specific
musical instruments or crafts. Therefore, to a large aspects of such heritage, for example, sacred
extent, any safeguarding measure refers to intangible cultural heritage manifestations or those
strengthening and reinforcing the diverse and that are considered secret.
varied circumstances, tangible and intangible, that
are necessary for the continuous evolution and Inventories: identifying for safeguarding
interpretation of intangible cultural heritage, as The Convention is a permissive document and
well as for its transmission to future generations. the majority of its articles are worded in non-
prescriptive language, allowing governments to
Safeguarding measures to ensure that intangible implement it flexibly. However, drawing up
cultural heritage can be transmitted from one inventories is one of the specific obligations
generation to another are considerably different outlined in the Convention and in the
from those required for protecting tangible Operational Directives for its implementation.
heritage (natural and cultural). However, some
elements of tangible heritage are often associated Inventories are integral to the safeguarding of
with intangible cultural heritage. That is why the intangible cultural heritage because they can
Convention includes, in its definition of intangible raise awareness about intangible cultural
cultural heritage, the instruments, objects, heritage and its importance for individual and
artefacts and cultural spaces associated with it. collective identities. The process of inventorying
intangible cultural heritage and making those
Does this mean that intangible heritage should inventories accessible to the public can also
always be safeguarded, or be revitalized at any encourage creativity and self-respect in the
cost? As any living body, it follows a life cycle and communities and individuals where expressions
LLL The Cultural Space of
therefore some elements are likely to disappear, and practices of intangible cultural heritage Jemaa el-Fna Square,
after having given birth to new forms of originate. Inventories can also provide a basis for Morocco
expressions. It might be that certain forms of formulating concrete plans to safeguard the
LL The Mystery Play of
intangible cultural heritage, despite their intangible cultural heritage concerned. Elche, Spain
economic value, are no longer considered
L The Cultural Space of the
relevant or meaningful for the community itself. According to Article 11 of the Convention, each
Boysun District, Uzbekistan
As indicated in the Convention, only intangible State Party is required to take the necessary
cultural heritage that is recognized by the measures to ensure the safeguarding of the I Taquile and its Textile Art,
Peru
communities as theirs and that provides them intangible cultural heritage present in its territory
with a sense of identity and continuity is to be and to include communities, groups and relevant
safeguarded. By ‘recognition’, the Convention NGOs in the identification and definition of
IDENTIYING AND INVENTORYING . 5
present in their territory, and shall update them communities and researchers.
regularly (Article 12). While Articles 11 and 12 are
more prescriptive than other Articles in the States are able to choose whether to create a
Convention, they still provide enough flexibility for single, over-arching inventory or a set of smaller,
a State Party to determine how it will prepare its more restricted ones. That is why neither the
inventories. States are free to create their inventories Convention nor the Operational Directives ever
in their own fashion. However, intangible heritage speak of ‘a national inventory’: instead, they refer
elements should be well defined in the inventories to ‘one or more inventories’. In this way, States
to help put safeguarding measures into practice. are not forced to include all domains or all
communities within a single system. They may
A State Party is not expected to have already also incorporate existing registries and
Photo © National Commission of Uzbekistan
drawn up one or more inventories before catalogues. A system that includes multiple
ratifying the Convention, although many have inventories may be particularly appealing to
been doing so for many decades. On the federal states where responsibility for culture
contrary, the development and updating of falls outside the remit of the central
inventories is an ongoing process that can never government, allowing sub-national regions or
be finished. It is not necessary to have provinces to create their own inventories.
completed an inventory in order to start
receiving assistance or filing nominations for the Involvement of tradition bearers and
Lists of the Convention. However, the practitioners
Operational Directives for implementing the In spite of the freedom given to States in the
Photo © Instituto Nacional de Cultura / Dante Villafuerte
Convention require that a State Party submitting way they inventory intangible cultural heritage,
a nomination file for inscription on either the the Convention does impose several conditions.
Urgent Safeguarding List or the Representative The most important of these is the one
List must demonstrate that the proposed requiring community involvement.
element is already included in an inventory of the
intangible cultural heritage present in its territory. Since communities are the ones who create
intangible cultural heritage and keep it alive, they
Since there are great differences among States have a privileged place in safeguarding it. The
concerning population, territories and communities that practise intangible cultural
6 . INTANGIBLE CULTURAL HERITAGE
also have traditional forms of documentation existing legislation, institutions and traditional
such as songbooks or sacred texts, weaving safeguarding systems, as well as for identifying
samplers or pattern books, or icons and images best practices and areas for improvement.
that constitute recordings of intangible cultural Such bodies would be in charge of drawing
LLL The Indigenous
heritage expressions and knowledge. Innovative up inventories of intangible cultural heritage,
Festivity dedicated to the
community self-documentation efforts and developing safeguarding policies, developing
Dead, Mexico
programmes to repatriate or disseminate initiatives to raise awareness about the
LL The Lakalaka, Dances
archival documents in order to encourage importance of intangible cultural heritage and
and Sung Speeches of
continued creativity are some of the proven Tonga
encourage public participation in inventorying
safeguarding strategies increasingly being used. and safeguarding it. The administrative body
L The Mystery Play of Elche,
should also, where necessary, develop appropriate
Spain
Also, Article 13 (d) (ii) stresses that States Parties safeguarding measures for inventoried intangible
should always keep in mind customary practices cultural heritage. States Parties may also wish to
related to providing access to intangible establish advisory or consultative bodies that
heritage. In some instances, this may mean that would comprise practitioners and other tradition
certain forms of intangible cultural heritage bearers, researchers, NGOs, civil society, local
should not be inventoried or that some representatives and relevant others, as well as
intangible cultural heritage already included in local support teams including community
inventories should be made public only under representatives, cultural practitioners and others
certain restrictions. Communities may decide, with specific skills and knowledge in training
IDENTIYING AND INVENTORYING . 7
and capacity building. Methods for inventorying I Ensuring the consent of communities when
intangible cultural heritage might be carried involving non-community members;
out in steps and the identification of all relevant
I Respecting customary practices regarding
stakeholders and their involvement in the
access to intangible cultural heritage;
process. Potential consequences of inventorying,
procedures to ensure an ethical relationship I Actively involving local or regional
between stakeholders and customary practices, governments;
governing access to the intangible cultural
I Adopting and following a code of ethics that
heritage also need to be identified.
should take into account the lessons learnt
Community-based documentation The Subanen leaders sought assistance from This ‘self-documentation’ has turned out to be
contributes to the viability of intangible specialized organizations to provide them a successful way to preserve orally transmitted
cultural heritage in the Philippines with the skills to document this indigenous botanical knowledge and to make it available
knowledge themselves, with external for present and future generations,
Between 2003 and 2004 the Subanen experts acting as facilitators. The non-literate contributing to the viability of this part of the
community in Western Mindanao in the but knowledgeable community elders Subanen’s intangible cultural heritage.
Philippines undertook innovative provided the information, and younger
documentation of their indigenous literate community members assumed the
knowledge about the plants found in their role of documenters.
ancestral domain. The plants are valuable to
them for their medicinal, agricultural, The resulting documentation was
economic, and religious uses. packaged into a multimedia format and
other popular educational materials in
Plant diversity in the region is declining due English with Subanen translations. These
Photo © © Vel J. Suminguit
to population pressure and climatic changes. materials were formally registered with the
Elders recognized that as plant diversity government copyright office, in order to
dwindles, knowledge about plants also guarantee the community’s intellectual
declines. They also realized that as the property rights. The community’s education
younger generations are drawn into programme now uses them to teach L A Subanen performing ritual before entering
mainstream society, orally transmitted schoolchildren about their culture; they are new documentation site as a way of asking
indigenous knowledge is no longer passed also used as curriculum material for adults permission from the unseen and informing them
on to the next generation, and could who want to learn to read and write in their that specimen collection is to be carried out for
eventually disappear forever. ancestral language. documentation
8 . INTANGIBLE CULTURAL HERITAGE
be covered, since they refer to the intangible risk of disappearance is used as a criterion for
heritage present in the territory of the State inclusion in the inventory.
Party. Inventories should therefore be as
comprehensive and complete as possible. In order to reach as quickly as possible a certain
Photo © François-Xavier Freland / UNESCO
However, in many cases, this may prove an almost degree of representativeness in the inventories,
impossible task. Inventories can never be States may wish to start drawing up inventories
completed or fully updated because of the by providing relatively brief information. Some
immense scope of the heritage covered by the elements might benefit from greater attention
Convention and the fact that intangible cultural than others, but it is advisable as far as possible
heritage is constantly changing and evolving. to present each element according to the same
template and to refer to detailed information
L The Vimbuza Healing Considering the amount of intangible heritage to available elsewhere rather than include it within
Dance, Malawi be identified and listed, some priorities might the inventory.
I The Carnival of need to be set. In this case, those elements which
Barranquilla, Colombia are recognized by the communities or by their Inventories must be regularly updated, as stated
practitioners as particularly important for their in Article 12 of the Convention. This is vital due
identity or as being particularly representative of to the fact that intangible cultural heritage
Photo © Ministry of Culture, Republic of Colombia
their intangible cultural heritage might be constantly evolves and threats to its viability can
inventoried first. The role of creating inventories emerge very rapidly. Many national inventories
as a safeguarding measure should not be already contain elements that no longer exist
forgotten. Therefore, where possible, the viability while others include information on practices
of inventoried elements should be indicated and that have substantially changed. States Parties
threats to their survival outlined. This is for are obliged to periodically provide relevant
instance the case of inventories in Brazil and information on their inventories, including
Colombia. In Bhutan, Bulgaria and Lithuania the information on the process of regular updating.
10 . INTANGIBLE CULTURAL HERITAGE
The Convention explicitly leaves the choice of present languages as intangible cultural heritage
whether to draft one or several inventories to the in their own right and not just as a ‘vehicle’ of it,
States Parties, but remains silent about parameters and others explicitly mention ‘music and dance’
for defining the scope of each of the inventories in rather than the term ‘performing arts’; still others
the case of a multiplex system. One can think of consider music separately from dance, and so on.
discrete inventories for different domains of
Some inventory systems, like those in Cape Verde, Another major difference between States is that
Mauritius and South Africa, more or less follow the some limit themselves to inventorying
domains laid out in the 2003 Convention. In other indigenous or native intangible cultural heritage
States Parties, there is a great deal of variation: while others – Belgium and the USA, for instance
some, especially in Africa and Latin America, – also take into account the intangible cultural
IDENTIYING AND INVENTORYING . 11
heritage of immigrant communities. Many provided for both of these categories, while in
multicultural States do not restrict themselves to the federal states inventories are being created
the expressions and practices of the most without this weight of documentation.
widespread culture but rather undertake, from
the start, to consider the intangible cultural In most countries there are no legal provisions
The Bulgarian experience in inventory- ethnic and religious background as these through administrative channels and
making two factors often coincided. The main through the network of local chitalishte
criteria for including an element in the (‘culture and community centers’), the
In Bulgaria, at the national level, the Ministry inventory were authenticity, collected data were analyzed by the experts
of Culture (National Folklore Committee) and representativeness, artistic value, vitality, and a first version of the inventory was
the Institute of Folklore of the Bulgarian rootedness in tradition. The selected elaborated and put online for comments.
Academy of Sciences carry the responsibility domains for classifying intangible cultural Upon integration of comments and
for the safeguarding, inventorying and heritage were traditional rites and feasts, additional field research, the final version of
promotion of the intangible cultural heritage. traditional singing and music playing, the inventory was published on paper and
An inventorying project was conducted in traditional dancing and children’s games, on the Internet. Today, the chitalishte
2001 and 2002. The inventory was made on traditional narration, traditional crafts and network, coordinated by the Regional
two levels, national and regional-local traditional production of home-made Cultural Policy Directorate with the Ministry
according to the existing administrative objects or products and traditional of Culture, ensures to a large extent the
divisions, and combined the territorial medicine. A questionnaire established by transmission of knowledge and skills in the
principle with classification according to experts was sent to communities both area of the intangible cultural heritage.
IDENTIYING AND INVENTORYING . 13
The Brazilian experience in inventory- to that heritage. Considering the dynamic The inventory-making methodology
making nature of intangible cultural heritage, comprises three phases: (1) preliminary
the Registry must be periodically collection, (2) identification and
Brazilian experiences in inventory-making go revised, at least once every ten years. documentation, and (3) interpretation.
back to the creation in the 1930s of the The registered properties are declared The inventories carried out by IPHAN
Institute of Historic and Artistic Heritage ‘Brazilian Cultural Heritage’, which entitles emphasize the cultural references of
(IPHAN) and the application of an them to be promoted and to receive indigenous people, Afro-Brazilian citizens
administrative act called Tombamento for the financial support for safeguarding plans. and groups inhabiting protected urban
legal protection of cultural heritage, both Parallel to the Registry, a National nuclei, as well as people living in
movable and immovable. The Tombamento Programme for Intangible Heritage was multicultural urban contexts. There is a
was based on Western notions of established for preserving the country’s special focus on cultural properties at risk.
authenticity, including preservation of ethnic and cultural diversity, which
property as much as possible in its original included the National Inventory of According to IPHAN, an important goal of
form, focusing on objects rather than on Cultural References. For this National inventorying intangible cultural heritage is to
related social processes. When, in the 1970s, Inventory, an inventory-making maintain the country’s cultural diversity in a
the concept of cultural heritage was methodology was prepared by IPHAN context of homogenizing tendencies, and to
broadened to include explicitly intangible aimed at the identification of cultural contribute through the implementation of
assets, it became obvious that living cultural assets, both tangible and intangible. safeguarding mechanisms to social inclusion
assets were to be safeguarded through Intangible cultural assets are divided into and improvement of living conditions of the
specially adapted means, which eventually four categories: ‘Celebrations’, ‘Forms of tradition bearers. Since 2000, IPHAN has
led to the creation by decree of the Registry expression’, ‘Craftsmanship or traditional concluded 48 inventories of cultural
of Intangible Cultural Assets in 2000. knowledge’ and ‘Places or physical spaces’. references throughout the country and other
The local delimitation of inventorying 47 are now in progress. Sixteen cultural assets
Through this Registry intangible cultural activities may correspond to a village, a have been registered since 2002 and eleven
heritage items are documented and district, a zone, an urban sector, a culturally action plans are being implemented in order
publicized, in a way that takes into account differentiated geographic region or a to guarantee their transmission and
the collective and individual rights linked complex of territories. continuity.
Photo © J.K Walusimbi
The Venezuelan experience in inventory- representative character of the tangible and under five categories: los Objetos (objects),
making intangible cultural heritage for the lo Construido (built heritage), la Creación
communities and groups, including the Individual (individual creations), la Tradición
The Ley de Protección y Defensa del Patrimonio listing of individuals with distinctive skills Oral (oral traditions) and las Manifestaciones
Cultural (the Venezuelan Law on the that symbolise a collective identity. Colectivas (collective manifestations).
Protection and Defence of Cultural Heritage)
of 1993 decreed the establishment of an Field work started in 2004 through the An editing and publishing team was in
Instituto del Patrimonio Cultural, IPC (Institute gathering of information, on municipal basis, charge of bringing the information back to a
of Cultural Heritage, www.ipc.gob.ve). One by using pre-existing questionnaires, which brief description of each of the elements for
of the main tasks of this Institute is the resulted to be of limited effectiveness as they practical reasons concerning the publication
inventorying of Venezuelan Cultural Heritage. were neither reflecting the representative of the inventory. The rest of the written and
During a first inventorying exercise, only 610 principle of the exercise, nor including the audiovisual information is included in digital
cultural goods were declared of which 476 right questions for valuing other heritage than form in a central database of IPC, with the
were architectural (colonial). The Institute monuments or sites. New questionnaires purpose to make it accessible via internet
realised then that this did not reflect the were therefore developed with the idea that and other means to the general public. IPC
wealth and variety of the country’s cultural one question would lead to the next, leaving also has the intention to publish a CD with
heritage. The Institute decided therefore in enough flexibility to afterwards compile and the cultural heritage of each of the
2003 to start a new inventory project that edit the information gathered. The Venezuelan administrative regions and a
would aim at reflecting all forms of cultural assessment criterion used for determining the cultural mapping project. The inventory is
heritage of all Venezuelan municipalities. In representative character was the need to seen as a main cultural and educational tool
2005, 68 000 expressions of tangible and prove the evidence of a collective valorisation to be used in development policies.
intangible heritage had been registered, and of the cultural goods to be registered. Lacking
the project was expected to be finalised with this evidence, the elements were rejected. From a legal point of view, the Tribunal
some 110 000 expressions inventoried. Supremo de Justicia (Supreme Court)
The information gathering was organized by decreed that all cultural heritage that has
The new inventory aimed at reflecting those workers in the field of culture, students, been duly registered and published in the
cultural manifestations that are valuable for volunteers and the network of local inventory, is subject of protection by the Law
the communities themselves. By doing so, it teachers, which is one of the most extended on the Protection and Defence of Cultural
rejects the principles previously used of the public networks in the country. The Heritage. When allocating financial
establishment by a specialist of their communities were informed about the resources for safeguarding inventoried
exceptional value, and of the appropriation of scopes and purposes of the project and intangible cultural heritage, priority is given
heritage by society in general through public were told that only the information they to cultural heritage under threat of
policies. The final goal of the new inventory wanted to provide would be published in disappearing. Today, more than 84 000
was instead to register all the activities, mani- the Catálogos del Patrimonio Cultural cultural expressions have been inventoried
festations, products or cultural expressions Venezolano, a series of more than 200 books and more than 160 Catálogos have been
that represent and socially characterize each that presents the results of the inventory in published and are available for free in every
of the Venezuelan communities and groups. 335 municipalities. Cultural heritage was cultural, social and educational institution of
The basic inventorying criterion used was the registered, for each of the municipalities, each municipality.
The spirit of the Convention calls for inven- detail, and the mechanisms of conducting,
tories to be as representative as possible of the maintaining and updating those inventories will
intangible cultural heritage borne by local be determined by each State, ‘in a manner geared
communities and groups who make up the to its own situation’.
national community of the submitting State Party.
Above all, the elements that feature in inventories
of intangible cultural heritage should be selected
on the basis of the primary criterion of whether
they are recognized by one or more communities,
Photo © Jojo Unalivia / UNESCO
Intangible
Cultural
Heritage
Photo © T. Fernández
K The oral heritage and cultural manifestations of the Zápara people, Ecuador and Peru