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PhallicismCelestialandTerrestrialHeathenandChristian 10523212
PhallicismCelestialandTerrestrialHeathenandChristian 10523212
a nd a se a r a te
p Cha rt f Fa i th Str ea ms
o ,
R IV E R S OF L IFE ;
SO URCES AND STREAMS O F T H E FAITH S O F
MAN IN A L L L AND S .
By MAJ O R- G E ER AL N J . G . R . F O RL O N G ,
A IC E . . . &c .
, 85 0 .
CO N T EN TS V I —I I d t y p g 1 30 II T W hip
OL nt ro u c or a e s, -
; r ee ors
3 - 2; er en an a c ors - 2 ;
Fi W hip pp 3 40 V S W hi p pp 40 5 3 V I
. . . .
,
re ors 23 -
2; un ors 3- 4,
W hip pp 5 5 5 8
. . . .
, ,
A t nce s or ors ,
. 3 -
4 .
C N O N TE V II —V II E ly F it h f W t A i
TS OF OL . i R ldi ar a s o es ern s a, a s n a a
d A y i pp V III F i h f W t Ab igi i E p
. .
an 4 ss r a, 1 -1 1 ; a t s o es ern or nes n ur o e
d Adj C i pp 1 4 IX F Ab i
. .
gi N A A y d Sh i i pp 4 9 62
. .
ne s, on- rya n, r a n, a n em t c, . 1 -
2 .
A N
PP E —I A C l
D ICES d Ch f ll F i h S 7} 2% o ou re art o a a t tream s, 2 x
b
. .
f t f ld d
ee ll oII M p f th W ld
e or k on ro e r ; a o e or as now n a ou t
d C t y B C i g E ly R d F i h
.
, ,
M p f A i t I di B l hi t t A h i g E ly
. .
, .
a o d f nc en n a, an rom a uc s an o na m , s ow n ar
T ib th i S
r d Pl
e s, & IV Sy pti l T bl f G d G d
e r a cre a ces, c no ca a e o o s, o
Id d y F h i h ll F i th h v m
. .
I g p C
,
hart a lone, £2 .
p v v g p g
.
sou rc es of I nd i a n m yt h l gy b h o o ,
ut as d one so b y t h e li h t g of t he ex pl a na t i ons
G EO R G E R ED WA Y , 1 2, Y ORK S T R EET .
FO RL O NG S RIVER S O F L IFE
’
.
gi v en b y li i n v g v
nat i e a u t hori t i es, a nd of t he y et e x i st i n g a nci ent cu stom s of
I ndi a . v
H e h a s i si t ed t he m ost fa m ou s sanct u ari es ot h b of Eu ro p e a nd Asia,
s t u dyi n g a li ke th e ru i ns of J eru sal e m , of p D e l hi,d fR o fP a rnassu s, a n o om e .
B ra h m a ns gi v e of the y b l
s m o s a nd m t y h l gi l
o o d f h i ly
ca f i h re cor s o t e r e ar a t ,
w hi c h no b oo ks cont a i n, i g t s r ea a nd o bv i Th li f h i i
ou s. ly e st o au t or t es not on
for t s of
ef t he b e st - k now n sch olars to pi h b i y hi h v il h
erce t e o sc u r t w c e s t e
p h iv k h y pp d C p
Thi s i s t he m ost com re ens e w or tha t as et a ea re on om ara
ti v R ligi
e I i i di p
e bl t h d b
on . i
t s ly n i s ensa e o t e st u ent , eca u se t not on cont a ns
a ll t h bj t d f b y p
e su i b
e ct s h f rea t e O i t l o a st w r t ers, ut t at o m ore r ecent r en a
sc h l d h d
o ars, a n v h k l dg h ligh f p l i v ig i
s e s o er su c now e e t e t o e rsona n e st a t on .
Th l e d h h d i g l g
e a rn e au tfy il i d i h i d f i
or as ur n a on c ou rse o e ar s u t se w t n e at
g bl dilig h i g l f ili i ff d d hi b y hi d i
a e ence t e s n u ar E gi ac t es a or e m s u t es a s a n n ne er
un d h I di
er G vt e S b li
n f an ly di d b y t h id f
o er nm e nt . ym o sm , o t e n on st u e e a o
p d b k h h
i ct u r e s an di d h p d h ll t d i
oo s, e as st u e on t e s ot , a n a s co ec e an m m ense
m a ss fi f io g i bl
n or m at on not
y h ll gd e ne r a ll a t t a na e, e re a a rr a n e
an d l fi d ihp
c a ssi l e F hi w t p di er fe ct c ear ne ss r om t s e nc y clo ae a he
v l i ff i di C p iv
.
sh ow sh t e e N i
o u t on o a th s o one nt e re s te n om a ra t e
R l gi y b li
.
”
e id i on a n f f dt b i h
a nc ent hi k sI d m o sm ca n a or o e w t ou t t s w or .
-
n es"
( Am e ri ca ) .
U nder t h e t itle of
‘
Ri v ers of L i fe,
’
a v ery r em ar ka bl b
e oo k ha s j u st
H b l g t vi hi h h p d d y bl
.
,
m en, f hsom e li k Y l od C i gh
w d hi gh
om , h i i e u e an u nn n a m , st a n as a u t or t es
on m f O i l
a t t e rs h l gy o F h iz f G l F l gr ent a ar c aeo o r om t e s e o enera or on
’
s
v p i f h th h k ill d bt f
.
d h
olu m es, a n t e ex er enc e o f t e au or, t e w or w no ou orm one o
th e t i p t
m os t ib ti m t h Ev l i
or a nt fh F i h hi h
con r u ons on e o u t on o u m an a t s w c
h asy t pp de a Th h
e are h ll t h gh h h i t ith e au t or s ow s a r ou t at e s no w ou t
a g l gi f li g H i b g t l t d hi
st ron re i ou s ee g i
n e s to e con ra u a e on s cou ra e n
b i g i g b f h di g p bli h t pi
.
r n n e or e t
fi f i
e re a y t n u c su c a m a ss o n or m at on on o cs a s e
on ly k f Th
now n t o a h p v i ght ew gi h i g f e au t or m ay ro e r or w ron n t e t ra c n o
d b t h v l
.
w or s, f h id
u thi h h
e t i
a ue o t d t e ea s w c e t ra ces ou n m os cases oes not
d p d i
e en y y p y m l gy f t h i
n an ig ifi
wa u Gl g on et H ld o o or e r s n ca nc e .
”
as ow er a .
Thi i v yi p s s k ia vler f ly 1 3 0 p g
m orta nt w or n tw o o u m es o ne ar 0 a es,
i g l i v ly f T S p Fi S d A hip
,
b i gi l p d dj
,
a ll h ly f i h
t e f h
e ar a f A it E s o t e a or na ra ces o s a, u ro e, an a a cent
i
c ou nt r es, i d d f ll h ld I h
n ee l ly ll h o v m t g th
a t e w or t s ow s c ea r a t e mo e en s, row
d v l i iv l li g i h gh
, .
,
an f
e o u t on o — Aun i ersa re ou s t ou t .
”
T he m er c a n.
G EO R G E R ED WA Y , 1 2, YORK ST R EE T .
p
Sur ely i t i s m ore hiloso hi cal t o t a k e i n t he p w hole oflife, in v
e ery
p i bl
oss e form , t h a n t o sh u t you rself u p i n one doct ri ne, w hi ch, w hile
y ou fondl y drea m y ou ha v e cr ea t e d i t , a nd t ha t i t i s ca p bl
a e of self
p
e x i st e nce , i s de e ndent for i t s v b g
ery ei n on t ha t hu m an li fe from
w h i ch v
you ha e fl ed, and w hi ch you de s i se Thi s i s t he w hole secret p
g p v
.
w hi ch w er e e ol ed vv i n t he i r gi
r el i on. Thi s i s t h e w orsh i p of P ria p u s,
at, h ow e v v p
er olu t u ou s or se nsu al, for a ll t hi n g s a re b ut v a ri e d m ani
fest a ti ons of li fe ; of life, ru ddy, d eli c iou s, full of fru it s, b as kin gi n
bd
. . . .
t hi a ns x ii . 3 .
P H A L L IC IS M
C E L E S T IA L AND T E R R E S T R IA L
IT S I
C O N N EX O N W I TH T HE RO S IC U CI
R AN S AN D T HE
G N O ST IC S AN D IT S FO U N D A TI O N
IN B U D D H SM I
WITH A N ESSA ?
”
ON MTSTIC A N A TOM T
/
BY
T
I ll NN L
“
w r noa or ru n nos xca uc m x s , ETC . ETC.
L O ND O N
G IL O R G E RUD WA Y
Y O R K S T R EE T C O V EN T G A R D EN
MDCCCL XXX IV .
CO NT EN T S
PA G E
IN T R O D U CT IO N
C H APTER 1 .
—Definit i ons a nd D ist i nct i ons lea di n g pt u o th e v eri t i es o f
Phalli ci sm
C H AP TER II —Tb e Hi story oft h e P h a li c l “
Sy b l S
m o tru ct u res ,
”
t h ei r
g g V g
.
c r u ci a n or hri st i an re nde ri n s
C H AP T ER VI — C Ri te s a nd i
e rem on es o f th I ndi e an Phal i c l Wo1 ship a nd
g l gi i g
.
,
pl
.
F
.
”
of T he a ll
C H A P T ER X -
Pria i c p Il l u st ra t i ons
C I Cb
.
p
Ph i loso hy a s t o t h e O c cu lt i nt erch a n e of N a t u re a nd of Ma i c g g
C C
H AP T ER X II— onside ra t i ons on t h e My st i c Ana t om y of t h e Rosi
p
.
C B li f
.
C I g
.
W ri t i n s of t he H indu s
CH AP TER XV I .
-
g
An O ri i nal Essay
”
on Myst ic Anat om y , a nd t he Mast e 1
Passion, or The Act
AP P EN D X I .
P hysiolo ic al ont ests —The P elas i —The Rou nd Tow ers of rela nd
Adora t i on of t h e V v ul a
L in g am G od s i n G re a t B ri t a i n
Contents .
Phalli c Worshi p a m on g th e Ga u ls
P ha lli c I dola tr y o f th J
e ew s
G nost i c Rit es
b
Sy m ol W orsh i p
b
The Sym ol of t he Ser ent p
The Rat ionale of G e nera t i on—The Sac r i fi c e of Vi g r t Cn
i ni y— o secrat e d
W om e n— B ri dal De v ot i ons
g
Th e Reli i ou s R it es of Anci ent Rom e
Sa c re d C olou rs —B ells 1 n Anci ent W orshi p —The C oc k as a n b
Em le m
I ND EX
c onne ct ed w i t h t he Biih M
r t s u seu m , a nd w i ll b e issu ed, w i th lett er p r ess
p
d escr i t i ons, i n a v
con eni ent form , for p r esenta t i on to su b ib
s cr er s.
Those pp
ho m ay ca re for t his su le m ent w ill lea se not ify t hei r w i shes t o
w p
th e pb p
u li sh e r, i n ord er that a co y m ay b e forw a rd ed, for w hi ch t here i s no
ch ar g v
e w h a t e e r ; b u t i n no case w i ll t h e i llu st ra t ions b e su li ed t hrou h pp g
a g ent s, or oth er w ise t han on di rect a ppli ca t i on to T H E P UB ISL H ER .
IN T R O D U C T IO N .
e v e r, t o uchi ng or se e m i ng t o b e e v e n a w ar e of t he Spirit
, ,
b
Int r odu cti on .
EMB O D ED I IN N A MES
AN CI
T o a c ert ai n e x t e nt
EN T .
”
T o D R A W A SI D E T H E V E1 L O F T H E S A I T IC I SI S
”
in h eavy ,
”
D R U ID s a no th e r i m p ort ant qu a rt o of G odfr e y Higgi ns
, ,
“
a ntiqu a ri an Pha llic b ook T H E R O U N D TO W ER S O F,
”
I R EL A N D writt e n by a v ery acc o mpli sh e d sch ol ar H enry
, ,
c lu sio ns in r e g ard t o t he R O U N D T O W ER S e nc ou nt e r e d ,
( w e m a
y a v e r ) o n a cc ou nt o f
,
th e ir di f
fi cult e v a di ng a nd ,
u nd e r the sa m e h e ad a s D r I nm a n s A N CI EN T F A I T H S .
” ’
.
T he y e x pl ai n id ol atry .
-
, ,
to be ex p ect ed . Ef
fort s
di si nt erm ent of the con
a t t he
i nt e nd e d t o b e denie d e ve n in t he m e nt al i nt er e st of t he
w
qu e ri st s th e m sel ve s— h av e b e e n v ai n b ec au se th e y h av e ,
x ii Int r oducti on
.
k e e n e no ugh t o fi n d o u t fo r th e m se lv e s — b e i ng not
a d e qu a t e ly gift e d .
”
o f o pi ni on,
a p e r su a si on which
-
did not e scap e t he
p e ne tra ti on of Sir G eorg e Corne w all L ewi s nor d oe s it ,
myth ol ogy has now b e c om e such an imp ort ant t opic tha t
,
t he sa m e .
t he d a t e of t he “
I ndi an R e ligi ons ; or R e sult s of ,
di sti ngui sh e d and e nthu si astic and p a tri otic auth oriti e s
th an a pr e vi ou s G ov e rnor G e ne r a] t he E arl of Ell e n
-
,
t o t he g e ne r al u nfortu na t e p olicy Of t he mi st ak es of .
( o f a ll p eo pl e in t he W o rld ) a n
“
I ndi a n M i ssi on a ry ”
a s ,
o n c onsid e r a ti on di sc ov e r e d t o t he g e ne r a l a m a z e m e nt
, , ,
e ith e r c o m p e ll e d or h a v e e l e ct e d t o m o v e i n t h e fac e o f i t .
”
(
“
H ave
y ou not h ea rd s a y s Mr ,
Willi am M o rri s.
,
fe w m e n h e e d it N ex t m o st m e n c ont e m n it L astly
.
,
.
,
”
a ll m e n a cc e pt it A nd t he c au se is w on I )
.
xv i Introducti on .
Mr G e rald Massey
. N atural G enesi s and
,
in his “
”
Typ ol ogy of Primitiv e Cu st om s has drawn his id eas ,
j
u p on v e ry imp ort ant mythic sub e ct s fr om a r e m ot e sourc e
'
.
se c ond h and -
H e has g a i ne d his noti ons from t he
.
“
I ndi an R e ligi ons ; or T he R e sult s of t he My st eri ou s
,
”
Budd hi sm and t he Curi o us Thi ng s of t he Out sid e
,
“
”
W orld r e sp e ctiv e ly publi sh e d so l ong ago and m or e
, ,
”
p articul arly fr om the R osicruci ans in it s fir st e diti on , ,
publi sh e d early in ( 8 70 .
a nd t he b o o k is f ar t oo e x p e nsiv e f or g e ne r al a cc e pt anc e
i t s di f
fu siv e ne ss and it l ab our s u nd e r the si ngul ar d e m e rit
,
a re t he p a r e nt s o f succ e ssful di sc o v e ry .
(
ne ss a nd th e r e for e truth ) c omm e nc es and w h e r e pl a i n ,
o bt a i ne d t o w a rd s t he fl oo d o f light (withi n t he pr op e r
”
a na t omy as b eari ng up on r e ligi on a nd t he
“
,
why s and ,
”
t he “
wh e r e for e s of t he ne c e ssarily occult e x i st enc e
o f th e se curi ou s subj e ct s h av e b e en car e fu lly g one
,
i nt o .
t o e nt e r l a rg e ly i nt o a n e x a m i na ti on of t he r e ligi ou s id ea s
a nd sy st e m s which h a v e pr e v a il e d In a ll a g e s R eligi on .
se t o u t ,
see ki ng ne w pl ac e s of se ttl em ent and m or e
c onv eni ent and i nviti ng h om e s But lik e m ost of th ose
.
,
e x pl a i ne d i s only ju st b e gi nni ng
,
T he pr obl em i nst ea d
.
,
a , ,
x Int r oducti on .
so— i nd e c e nt .
for m an .
in ,
it hav e r efined and m e t a morph osed and spr ead and
, , ,
”
m arch of t he c ent ur i es tiring ou t Tim e as it r e a lly ,
t he W e st T he mi nd of m a n ha s m ov e d forth fr om t he
.
of a pr e vi ou s ne w e ra t o t he w orld or t o a ne w diS e n , p
sa ti on fr o m t he M ou nt a i n o f t he A rk or t he Cr adl e o f
, ,
f — / — e st wh e r e t he
h r
o n t he s o e o f the a r t h e
f a r t J ost W ,
xx ii Int r odu ct ion .
”
tir e d civilis ati ons se e m r ou si ng up as for a new di spl ay
—h aving m ad e t he whol e circl e of the earth — t he r e st
l e ss d e monstr ativ e c ommu niti e s with th eir i nv enti ons and
,
o ct a v o a ll th a t ca n b e k no w n
, ( or a t l e ast a ll th a t is
, ,
o f t he d octri ne s of t he B U D D H I ST S G N O ST Ic s and , ,
W e h av e g one ov e r t he wh ol e gr ou nd w ith c ar e t o
di sti ngui sh W e h av e fill e d up with d e t ail s oft he pri m i
.
a s t h e Ob e li sk Pill ar a nd Pyr a m id
, ,
W e h av e tra c e d .
is v e ry soon d e t e ct e d .
a t t he right sourc e s f ,
or t he prop e r u nd e r st andi ng of th e se
a nd hi st or of t he hum an r a c e T he w e ll k no wn w or k
y
-
.
by study .
wh e th e r r e ligi on it se lf is tru e W e b e li e v e th a t i t
.
a nd c o m m u nic a t e d ,
l e ft a s a l eg acy as it w e r e by t he
-
, ,
o d tim e s t o t h
l e l at e r tim e s — a ll thi s which o f c our se
, , , ,
Int r odu cti on . x x vn
cl a im e r .
t ion.
H A R G R A V E J EN N I N G S .
CH A PTER I .
DE FI N I T I O N S A N D D I ST I N C T I O N S L EAD I N G UP TO THE
V ER I T I ES O F P H A L L I C I SM .
t he op e ra ti on of t he se x es in ch o ic e a nd se l e cti on ; and
,
“
th e m se lv e s ; t o imply th a t thi s thi ng N atur a l Se l e c ,
” ”
ti on or t he survival of t he fitt e st is acti ng w ithi n the ,
”
d ati on r e sult s t o say tha t N a tur al S e l e cti on is D eity
,
al w a y s c ont e nd e d t he w r ong
,
wa
y O nc e
g r ant t he .
p ria t ing an
y p articul ar gr ou nd or fou nd ati on t o c o mm e nc e
B
2 Pb a lli cism .
“ ”
truth or i nd e e d any truth
,
Truth b e i ng your truth .
,
’
or m t ruth or an m an s truth Wh e r e can w e find
y ,y .
t he st and ard ?
of th e br o th e r s Ch a mb e r s ; w e do no t k no w wh e th e r a n
y
d oubt of t he sou nd ne ss ofth e ir phil osophy e v e r occurr e d
t o th e m . Th ey e vid ently th ought th ey w e r e c arryi ng o ff
t he phil oso phic al c ol our s in triumph a ft e r t he skirmi sh , ,
ne v e r p e ne tr a t e d t o t he c onvicti o n of th e se se lf sa t isfie d -
ef fe cti ng th e ir r e tr ea t u nd e r t he c ov e r of a wittici sm .
o f t he r e fi ne d ch ar a ct e r— na tur e h a vi ng d e ni e d th e m t he
e t ca nno t b e sa id t o b e li e v e Th u s m e n h a v e fa ith in
y .
ti on A nd th e y h av e b e li e f in wh at th e y can ne v e r k now
.
,
t h a t is ,
in t he spiritu a l w orld a nd in t he d octri ne o f
,
”
Fir e and t he m agic a l rit es and formul ae ari si ng ou t of
it all t he my stic ana ly si s a nd anat om y of N atur e r est
,
w ho w e r e t he h e ir s oft he fir st k nowl e dg e or r e v e l a ti on .
6 Pb a lli cisnz .
o f it s e x i st e nc e th a t is t o sa soon a ft e r t he Fl ood ) th at
( y , ,
Tb i r d/ y
,
in se tti ng forth th a t t he anci e nt e migr a ti ons with
t he mi nd s of m e n .
In answ e r t o t he fir st of th e se i nqui ri es as t o wh a t w a s,
“ ”
Ch ald aean To w er the pri ncipl e s of tru e M asonry
,
and fu rni sh e d a pr e t e x t f
8 Pb a lli cisnt .
wa t s h ci
an e n t w r hip h
o ft e L i n o n — a w or ship which
e o s g i
“ ”
m agnific ent m onst e r U pright d efi ant as it w er e or
, , , ,
“ ”
digiou s T ow e r or ob e li se ( or ob e li sk t he
, ,
k and the ,
”
c b e i ng i nt erch ange abl e) known fr om the d e scripti on,
D i sp e r si on as t he T ow e r of B ab e l B ab or B abbl e
, , ,
.
st andi ng e a ch oth e r s m e a ni ng
’
r end eri ng soci e ty or a
, ,
“ ”
c ontr adicti on in t e rm s wh e n w e estim at e natur e a s all
,
supr e m e ; e sp e ci ally in t he t ot a l ab se nc e of an pr oo f a t
, y ,
’
any t i m e or at a n e ri od o f t he w orld s hi st ory as
, y p ,
Pb a llic Symb ol St r u ct u res
-
.
9
or P H A L L U S
”
of B ab e l ,
o f wh o s e no t ori ou s e x i st e nc e
,
”
Ph a lli or Fir e Towe r s r a i se d in adh er enc e t o and in
,
~ -
, ,
si ans ,
P a r se e s or Fir e wor shipp e r s T o Mr O B rie n s
,
-
. .
’ ’
e r e ct e d in t h e figur e of it s r e pr e se nt a tiv e t he Li ng am ; th a t ,
ob se rv e s
( vol ii
, . .
,
c o lum ns w e r e e r e ct e d p e rh ap s ,
“
In th a t day sh all th er e b e an a lt ar t o J eh ov ah in the
mid st of t he l and of Egypt and a p illa r at t he b ord e r
,
T R IA N G L E O r CONE
,
and with r e sp e ct t o t he my st e ri e s
:
t he To w e r of B ab e l se e m t o h av e b ee n i nt e nd e d a s
,
no thi ng m or e th an im ag e s of sh ow s how
of obj e ct s imply a d i f
,
fe r ent sig nific anc e In r e a lity t he .
,
“ ”
ch ar act eri stic w hich t he archit e ct s c all t he orbicul ar
curv e are t he sa m e as t he broad pyramid only sli m
, ,
p ur ifi e d ad e qu at e ly t o will it so .
sy m b o l s ,
wh e th er t he pill ar t ow er or pyramid W e , , .
— ”
but one thi ng the Fir e ap oth eosi se d as c e l e sti al and, ,
”
‘
H ag e r M onum e nt of Y u
,
“
In b oth Amer i ca s w e
.
’
,
of t he Gr e a t Ch olul a t o h a v e b e e n twic e a s br oa d a s th a t
“
In t he M ex ic an C od e x B orgianu s say s Humb oldt , ,
t h e god of fire
”
.W e m ay no t e that the tri angl e w a s
i ndi sput ably a sacr e d e mbl e m fr om all antiquity a s ,
Pb a llic Symb ol Str u ct u res
- .
5
I
, ,
t he i nv a si on of t he Egypti an Shi sh ak u nd e r R eh ob oa m , ,
y , ,
of G o d is fully e x pr e sse d in Ki n s 1 x iv
7 8 a nd
, g 9 , ,
.
, , , ,
2 6 a l so Ki n s 2 iii 2 8cc
xv .
, 3 0
3 4 ;
, , g 3 , , .
, , , .
t he Fl ood,
that th ese sam e symb o lic a l edific es c am e t o b e
e r e ct e d in c omm em ora ti on o f t he grand schi sm atic divi
,
si on .
iv 5.
,
But wh en thi s u nanimity w as m anife st e d only
,
t he prim e v a l acc ou nt .
o th e r c ou ntry.
C
1 8 Pb a lli cism .
”
t he se rp e nt s h ea d In t hat sense a t l east it is na tur a l
’
'
3" T he w ord na e d, k ”
c onsi de re d radically, c om e s, w e t hin , from k
t he G k re e w ord Ni k e — m e ani n “ ”
g v
ict ory, i n one se nse as t he.
vi c t or
y of t he Evil G e niu s, and also
“
vi c t or
y
”
i n t he se nse ofp ow e r
—C h p
.
( G enesis a . ii i .
, v. T he w hole of G e ne sis is b
c a alist ic, and
g g
.
ore of t he
t he re f fulle st forc e, t hou h it s purp ose and it s m eanin s are
im pe ne t ra ly b v
co ered o er w i t v h m ystery .
Pb a lli c Symb oISi r a cl u r es -
. I
9
, ,
”
which would impugn t he e t e rna l sup er natur al charm
t he l e g e nd ofwhich lay i ne x tric ably in t he C ab al a and
which di spl ay w ould c ompromi se nay oblit er at e it s pur , ,
ou r ow n b e i ng .
Sh am e ,
human sh am e is t aught and a cquir e d it
, ,
A nd it i s d oubtful wh e th e r i nd ee d t o t he natur al m an
, , ,
it mu st b e .
If it b e t hou gh b t a ou t at all, in l
re at ion t o t he v
indi idu al w it h
t he vd “
lo
i i p ly m g i i
e one
”
li s s m fp a c n ex ce s s, or a st at e o i
ass onat e
d li i
e i hi h h
r um , bj n w d
c t f h
e o l ec t t ransce n s out o t e nat ura . H e nc e
P l i l v d l v f h hi g h
at on c o e , an
y bo e T oh f t h i e est , ma e t rue . ere ore t s
sort fl v io fi d d pi i l
o e s so reb i lne b dily
an s r tu a as t o e s n ess, o c ont a c t
b i g imp ibl fi S h id
e n oss e o h f g i g
t. h g uc d k e as as t e ore o n are t e rou n w or
f h p ib ili y f p f d f
’
an d h ti dé e r a son tr e o m i i
t e oss t o er e ct onast c sm ; an o
h d
nu n oo h m i or t fp pe l i gi i y d f h
a nt e nance o li e r e tu a v r nt ; an o t e re a sa
i
t on o fh lfd v t d m pli g p
at se -
h fl h
e ot e hi h i h g l i
t ra n u on t e es , w c s t e or ous
di i iv m k f h S i
st nct e M y
ar o d H mi
t e m l nd f m l
a nt s, art rs, an er t s, a e a e a e,
u se of a p ara d ox ic al fig u r e ;
) for m an fa ll s t o pi e c e s
t he i nc e ssant w ar b e c au se he is e nd ow e d— h ow e v er in
, ,
“ ”
sc arc e ly e v e n t he
, c ogit o e rg o su m id entity H e has
, , .
ou t o ffe ar sc arc e ly ou t of l ov e of it
, .
Cla sses f
o tb c Pb a lli 2
.
3
CH A PTER III .
T H E ST O R Y O F T H E CL A SSES O F T H E P H AL L I .
fore submi ssiv e and e nnobli ng But all are alik e Ph allic
,
.
,
ab stra cti on C yb e l e I
, deas Ma ter I si ac c ontroll e r of t he
, ,
t he sk y.
st oo d .A s t he Gr e e k s wro t e Pa la i for Pé li th e y r e nd e r e d ,
,
.
2 6 P b a llicism .
vol iii
( ’
. p 35 8.
) th
, at.t he P andit s insi st th a t the w ord s
Sp e a ki ng of t he gr e at id o l ) ernath is no o th e r th an
( J g
a , ,
”
“
l ord of t he b oat w e sh all p erc e iv e at onc e t he drift
,
e x p o u nd e d .
“
which say s Wilford
, is now pr e v al ent in I ndi a a nd
, ,
”
which w as g enerally di ffu se d ov er anci ent Europ e It .
i “ Osir is a
nd Isis, t he Is
’
w a r a a nd I si
’
oft he Hi dn us .
2 8 Pb a llicism .
gu ard for sil enc e ) which giv e s t o Man my stic ally and
” ‘
, ,
’
Myc enae on which na me H enry O B rien has c omm ent e d
, ,
w a s di sp ossesse d l 1 0 4 B C
,
on t he r e turn of t he H e r a
, . .
,
t he Gr e e k s u se d t o e x pr e ss by x or Sp ani sh i ota t he ,
na m e of t he su rf “
I c annot h elp su sp e cti ng say s
'
.
,
'
t o t he r e scu e
“
H ar o H ar o
, ,
i nv oki ng he lp or a ,
obt a i n .
“
R esea r cb es ) th at D iodoru s Sicu lu s say s
,
the p ost e rity ,
si on ,
both of which are e mi ne ntly Phallic and full of ,
t e ct u ra l form w a s th a t sa cr e d t o t he fe mi ni ne my stici sm .
D
34 Pb a llicism.
I mage ,
FirelW at er ; t he U pright Li ne and t he Lat e ra l
L i ne t og e th e r c onstituti ng t he Cross and , ( f
arth e r
) t h e
o f a ll i s fir st ? or which ca n b e fir st in dignity wh e n w e ,
of c e rt ai n id e a s th a t ml ht b e ra i se d in r e l ati on t o th e m
g ,
t he subj e ct ,
wou ld h av e le d u s u nd e sirably far But .
find o ur se l ve s as it w er e arriv e d a t t he sh or e s of an
, ,
w e had a lm ost s aid irr ati ona l c onj e ctur e v agu e surmis e
, , ,
a b out u s i n our ow n day w ith solid fou nd ati ons a ctu a lly
,
’
A nd G odfr ey Higgi ns e ncycl o p ae dic work s may b e con
side r e d as se ri ou sly com prom i sm n a as d estructiv e of
g y , ,
t i on ne c e ssarily wr a pt up in m y st e ri es
,
W e m ai nt ai n t he .
mira cl e The pri ncipl e for which w e c ont end thr oughout
.
a ll o u r st a t e m e nt s a nd a rgum e nt s i s th at the id e as o f
3 8 Pb a lli cism .
”
R e ligi ons ; or R e sult s oft he My st e ri ou s Buddhi sm on t he ,
“
L ondon A siat ic Soc ie t y . T he su bj e c t of Ram a, or B oodh,
a nd t he B u ddhists , or B hu ddist s, is v
so e n e lo e d p in b
o sc u rit y, b ut st ill
o fsu ch de e p i nte re st , t hat it is l
w e l w ort hy t he at t e nt ion of t he le arne d
an d c u riou s ; for it is a re g
li ion t hat has p
s rea d far and w ide ; of w hich
Fo in Chi na w as t he c hie f; and w hich i t is
cg i d in t b i s sa id is r e o n se
cou nt r
y , at St oneb enge .
’
T he W onde rs of lora ; or T he Narrat i e E v
o fa J ou rney i n I ndia . B y J O HN B SEEL Y , a t ain B N I L ondon
. C p . . .
1 8 2 5. Se e l
a so G dfrey
o H iggi ns
’
A nacalyp sis, ”“
C e lt ic D ruids, & c ”
.
Cla sses f
o
'
tb e Pb a lli .
39
first the s afely m ovi ng w ould b e r esp ect abl e anti quari an
,
-
,
-
of t he
’
Fri ar s Thi s upright d ark st one which , ,
“ ”
gig antic Tr ili tb oi c oll e ctiv e l y c all e d St oneh e ng e
, ,
T he “
F riar s
y y
’
y H v i i
e e l, alw a s a nx i ou sl show n t o e v er s t or
an d pl ex S h g i
ore r at d k f l bl g v id ly
t one e n e , s a ar orm e ss, o on st one , e e nt
p l d m h i dv f h g
,
i din i
re c t ih b
c onne x on w t d ut ace uc n a anc e o , t e ra n
d f b
,
i i l f
e x t e r or c r c e o I i h ki d f st one s. t s t e sa m e n o st o ne , an o a ou t
th e m ig ifi
sa e h fm
s n C b K b K bl
c a nc e , C b as t e a ou s a e e a, or aa a ;
fG d —
,
H
,
”
or B h l B h ]
et - c at e lp i f d i
or ou se o o or cent ra -
o nt or a orat on
p il g i
, ,
f h H dg i
or t e a h d M
s, or hi h i ir ll
m s to t e sa c re e c c a, -
w c s
,
as s we
k now n, t he J e rusale m
”'
oft he Mahom m e dans .
4 0 Pb a llicism .
”
rat ive st one or upright
,
is no Fri ar s H e el
,
a s it i s
’
,
od or g odd e ss f or th e r e 1 8 no se x in th e se r esp e ct s ; it
g ,
d
o f it s m e tr op olit an and c o rp or a t e a mi ni str at or s has e v e r
CH A PTER IV .
C EL E ST I AL , O R T HEO SO P H I CA L D O CT R N E I O F T H E U N SEX UA L ,
TR AN S CEN D E N T A L P H AL L I CI SM .
p 1 ; Mus , . .
H e ad a nd it is r em ark abl e th at t he r e m ai ns of a
simil ar circl e of St one s in B oeoti a had t he sa m e nam e in
R u db eck At la nt
[ O l
. pt iii
.
,
c 1 p 2
5 . and pt i i
.
,
.
, ,
, . .
,
p 3 3
.
4 fig
,
A
. and p
,
and a Simil ar m od e of
.
a s e x pr e sse d on he r c oi ns .
maa st Ev a ng P r cep iv
. . c 5 ; L afi ta u Mceurs t i
.
, .
, .
, , . .
,
E us ta t b i n Homer p
[ . or t he l e tt e r D elta
, .
[ S ui da s
]
a ll of which occur v e ry fr e qu e ntly up on c oi ns and oth e r
b e ing m ad e of t he tr ee and t he
fruit b e i ng c arri e d with
,
“
8 m] H enc e al so ar ose t he It ali an ex pr e ssi on fa r la
, ,
-
”
i which w as d one by putti ng t he thumb b e tw e en t h e
j ca
,
y u li et A ct I SC
,
I
] .A n
,
oth e r old writ e r w ho pr ob ably
. .
,
“
u nd er st ood It al ian c all s the l att e r givi ng t he fico and
, ,
b e e m pl oy e d a s a sil e nt r e pr oa ch of e f fe m i na cy .
a n a mul e t by t he w om e n o f It a ly a pp ear s t o h av e b e e n ,
,
c vii
. s . The cr oss in thi s form is som e tim es
, .
t he bl ood of t he victim s
[ ef
Scb ez L a
ppa ni c c x g , . .
,
”
“
rosary in c onnex i on with th e se ultra r emot e m att e r s
,
-
,
w e can p e rc e iv e t he r ep li ca ti on— if w e m a m ak e u se of
y
s uch a w o rd — of t he R osicruci an a d e pt s t o th e se f ar of f -
”
R osary as a form is pr e ci se ly t he sam e symb ol although
, , ,
w ho w a s t he sa m e g odd ess as t he V e nu s o ft he Gr e e k s ,
so f ar as r e l a t e s t o t he Gr e e k s ; for th e r e w e r e a th ou sand
p 8
. I t is not lik e ly th at the t e mpl e which th e y serv e d
Sh ould b e t he only pl a c e e x e mpt fr o m b e i ng t he sc e ne o f
and ,
if fe m al es e duc at e d in t he pr ofe ssi on o f th e ir
,
”
Egypti ans c all d by a na m e tha t signifi e d night
e “
m en .
( Hesi od H enc e Night is c all e d
. Epy .
d b l t by t h a nci e nt p oe ts ; and t o
ev c
pp ) g o
ow ,o o r ene v o,
en e ,
ac e of t he su n w a s a ccou nt e d
( th ough Still m or e in t he f )
a h e i nou s o f fenc e ( H esiod Epy . Thi s m a se e m
y . .
,
Hist l x x x i x c 9 & c
,
. Mosb eim & c ) W e do
.
, .
,
.
,
.
,
E 2 65 & c
.
, ,
r 2
3 0 & C
.
) .
, .
Tr a nscendenta l Pb a l/i ci sm .
49
”
of hum an life in t he Scriptur e s a nd g ath e r a cc ou nt s ofit
,
CH A PTER V .
TH E MY ST ER I E S O F T H E P H A L L U S. IT S I D EAL I SED G N O ST I C,
I I
R O S CR U C AN, OR CH R I ST I A N R EN D ER N G S. I
w a s u su a lly r e pr e se nt e d in Egypt as w e ll as in Gr e e c e , ,
”
or gr o u nd pri ncipl e of Bud dhi sm
“
annihil a ti on is not, ,
i t c
e x s e n e, th at all form s ph ases or formul ari e s o f
, ,
of wh a t e v e r ch ara ct e r t he m o v e m e nt op e ra ti ng m a b e
y .
st a t e d
.
Si c lib i )
.
, . A n a tt e mpt see m s t o h a v e b e en m a d e in
.
,
t o t he b ar e b a ck s of t he l a di e s— w b ippi ng t b em i n fa ct , .
x se ct is cu t ie nda
“
J u ssae su a t e rg a m a rit a
e pe llib u s e pe r
“
C ae sar t o his wife C alphu rnia St and you dire ctly in ,
”
A nt oniu s w ay wh e n he d oth ru n his c our se
’
Se e .
’
Sh a k e sp e a r e s yu li us Caesa r in the sc ene wh e r e t he R om an ,
w e r e a l so h e ld sacr e d a s sy m b ol s of t he p assiv e g e ne r a
,
na an
vi V enu s or the G e niu s of the Fat efu l Fri day
,
”
,
”
a da of d ay s in t he l e ft h and e d sup e rstiti ons o f a ll
-
y
c o u ntri es .
”
L oggi ng R ocks and P e nd er or P endr e St ones (N or
-
,
-
d en s Cor nw a ll p
’
a s th e y w e r e a nci e ntly
, . Livi ng
” ”
S t one s and St one s of G od (Pseudo Sa ncb on Fr agm
,
“ -
. .
”
c orru pti on oft he script ur a l nam e B e th e l
“
In truth it , .
,
is t he sam e thi ng .
o r a cul ar st one s or sp ea ki ng Id ol s (f
,
or such a ll th e se
m it ie s of E u r op e and t he e a st e rn e x tr e miti e s of A si a ; in
B rit a i n not ably at St one h e ng e which i s a t e mpl e o f th e se
, ,
l/Iyster i es o
I f [ b e P/
J a llus .
55
— ”
t o b e fou nd st one l e tt e r s
( or t abul at es i nscrib ed
, )
sc a tt e r e d br oadc ast o f t he o rigi nal fa ith— t he signal s and
,
m ethean fire .
5 6 Pb a lli ci sm .
CH A PTER VI .
I
R T ES A N D C ER EMO N I E S O F TH E I N D I AN P H AL L C I W O R SH I P ,
A N D IT S C O NN EX I O N W I TH G EN E RAL R EL I GI O U S MEAN I N G S .
t o pr ostitut e th e m se lv e s in t h e c ourt s of t he t e m pl e s t o
, ,
a ll c om e r s a nd thu s r a i se fu nd s f
,
or t he e nrich m ent o f t he
p osse ssi on .
k ept b ack .
e st e e m s it a p e culi ar privil e g e t o b e c om e R a db a D ea on
or sa cr e d fi tr ee t he l e a f of which is in t he sh ap e of a
g
-
,
h e ar t and much r ese mbl e s the c onv enti onal form of the
,
oni t o which it is c om p ar e d
y , .
T '
‘
ihe P ow e r th at ov e rturns all things and that o ve rl eap s ,
'
a ll b ou nd s .
’
( Plu t a r cb de Isi de et Osi r i de xxx vi
, ) , .
e r e ct e d.
( Ana nda Ta nt r a m ) A ll t he f
. orms of Sa cti
of t he w or ship of P o w e r ( G N O ST ICI SM
) which com ,
u a r t er l R ev iew ( pp h f ll wi g p g
Q y 1
5.
9 t ,e o o n a s sa e
th ese subj e ct s .
se cr e t t o all in t he St a t e of fl e sh f
,
or Man c annot su st a i n ,
”
t he
“
di scl osur e of G od and liv e , U nd e r all thi s .
,
Spr i ng .
o f v e ne r a ti on in t he my st e ri es of El e u si s D emos t b enes
( .
w ho c a m e t o a d or e t he Vu lv a a s t o m a k e th e m b e li e v e
,
O pi ni on o f th ose w ho c ompil e d t he P u r a na s Ph al lu s w as ,
60 P b a llicism .
such id e a a s m a b e c o ll e ct e d fr om wh at i s sa id r e g a rdi ng
,y
”
t he di ffe r e nt e arth s which form e d t he b ody of A d am .
w ho h av e b e en a d or e d a s Sa ct i .
( Vi de Ri
g Ved am . bk ii c viii
. se cti ons 1
, 3 1 4 zud
. .
, . .
, , ,
Nayi ka s .
O ne is th er e for e le d t o b e li e v e th a t t he a d or a ti on of
Sa ct i w a s a pr omi nent featur e in t he A ssyri an w or ship .
CH A PTER V II .
H E BR E W P H AL L I C I S M .
Or igi nes Heb ra i cce much curi ou s i nform ati on will b e fou nd
”
r eg ardi ng t he Idol at ry oft he H ebr ew s which not only
“
,
of it A t p ag e 2 3 v ol iii t he m ost
“
.
, . w e r ea d tha t
.
,
w a s h e ld in gr e a t v e ne r a ti on in l a t e r tim e s by t he J e w s
”
a nd r e m ov e d t o J e ru sa l e m Th e y w e r e accu st om e d t o
.
” ” “
a no i nt thi s st one ,
a nd fr o m t he word B eth e l t he ,
t h e Pi lla r o f :i
”
Phallu s a mong som e of the p ag an p eopl e s For say s .
,
Heb rew Pb a lli cism . 65
( a t l east a s t he J e w s thi nk
) fir st w or shipp e d thi s v e ry
”
o th e r s &c ,
It is t o littl e purp ose th at w e are r e mi nd e d
.
th a t t he J e ws w er e forbidd e n by th e ir law t o m ak e “
”
u nt o th e m se lv es an
y gr a v e n im ag e for as L e wi s sh ow s
, ,
‘
wh osoe v e r l ook s up on it sh all liv e th e y fanci e d th e y
,
’
“
D r J ack son ob se rv e s
. th a t t he pi ou s H e z eki ah w as
,
”
G old en C alf (which w as no t a G o ld en C alf at all
“
,
signific a nc e ) w e m ay r e c a ll t o t h e r e ad e r s a tt e nti on t he
’
,
fir st th a t th e y w or shipp e d t he im ag e of a D o ve ; t he
,
o th e r th a t th e y p a id divi ne a d o ra ti on t o c e rt ai n T e r a phim s
”
or id o l g o d s th at w e r e hid u nd e r t he m ou nt a i n
a d o r e d B a al Ph e g or ( B aa l Phe or)
-
t he Pri apu s of t he
-
,
”
Gre e k s and Romans It w as he say s
.
“
pri ncip ally , ,
w or shipp d by w m — c olent i b us ma x i me
f emi ni s B a a l
‘
e o e n c
P b egor, ob b
o scceni magni t u di nem quem nos P ri apu m p
os
s a mus a pp ella r e.
’
“
T he d orati on o b se rv e s M a imonid e s t he m ost
a , ,
f
v ener i s b e or e i t Ch e m osh ( pr ob ably t he sam e a s B aa l
.
J-
H V-
H -
( t he H b e i ng m e r e l y a n a spir a t e a nd t he
pr ay e d in t he A rk b e for e t he B ody of A d am ‘
i e , . .
“
gr e a t pr ocre at or of t he hu m an r ac e It m ay p ossibly .
”
se e m str a ng e he say s,
“
th a t thi s ori son sh ould b e d aily
,
”
sa id b e for e t he b ody o f A d am
“
but it is a m ost con
,
of I ndi a .
”
L am e ch i nt o the h and s o fN oah A ga i n The middle
.
,
of t he A rk w as the pl a c e o f pr ay e r and m a d e h o ly by ,
t he pr e se nc e ofA da m s b o dy
[ nd
’ “
Ib id p
. A .
,
.
so so on as e v er t he da b e g a n t o br e a k N oah st o o d up
y
”
t oward s t he b ody ofA d a m & c & c and pray e d
, .
, .
, .
y , on t e
—
Y oni t he sacr e d
”
N am e of t he holy of h oli es
“ ”
or b oa t a s r e pr e se nt e d in t he A rk of t he Eg pti ans
, y .
CH APTER VIII .
THE P Y RA MI DS ,
AN D TH E PH AL L I C MO N U MEN TS OF
THE P EO P L E S O F AN IIQU IT Y
'‘
.
“
i nh abit an i sl and b eyond G aul in which A p oll o is w or
,
AY KH IEN ET H E
‘
or
,
as c ontract e d AYKHTENH E which ,
, . .
, .
,
a t M e ga ra in A ttic a w e r e r e pr e se nt ed by st ones of t he
,
a pp l
ea e d to — l sa o r D i sa — i s r e pr esent e d by a pyramid
,
sa cr e d id o l t oo o f t he Hi nd oo s in t he gr e a t t e mpl e of
, ,
ost a s Hi stor
’
t he pri e st A c o tb e I d es p
( .
y f n i , .
”—
d e no ti ng t he Fir e t he aspiri ng fire ag a i nst t he i n
, ,
”
cry in t he profu ndity of t he u niv er sal still ne ss is the
, ,
74 Pb a lli cism .
Plu ta r cb de Is et Ost r )
. . T he no ti on of such a ne c e ssary
.
and B arb ar i an
( D e Is . et Osi r p 6
3 9 ; H
. ipp ocra t .
,
. .
”
A -
l a sn i
, .
,
Fir e w as h e ld t o b e the Effici e nt Pri n
”
ci le o f b o th P ow e r s ; th a t is t he Light of Fir e w as
p ,
”
Gr eek s r egard e d thi s D ark G eniu s as a b e i ng as sacr e d
”
in his ow n w ay as t he “
G eniu s of the Light e qu ally ,
th e m t o t he fact th a t i n t b e a b st r a ct in nature th er e is
, , ,
”
e mbl e m of t he p ow e r th a t w as e x e rci se d by t he Fir e ,
Su n A p oll o or Ph oe bu s
,
Ev e ry Ob e li sk w as a t ypical
.
r epr e sent a tiv e in st one ofa ray or b eam oft he far darti ng -
,
”
t abl e s oft he Spiritu ali st s Th e se id eas ofthe v alu e se t
.
oscill a ti on ,
w as p ossibl e t o th ese stup endou s giddy ,
”
a s t he
“
o rigi na l purp ose L og an or R ocki ng Stones ,
-
.
( M a cr ob S
. a t vii
,
. c x ) .
,
T .h e . a nci ent Egypti ans or a t ,
”
m or e pr op e rly c all e d the Egypti an ord er so far at
“
,
re nd e r e d e l e g ant .
or a t l e a st b e gu n, b e for e t he H om e ric or e v e n Tr oj an ,
” “ ”
th at o f the l at er al ( a r ea ark lik e
“
arch aic m e ani ng
,
-
, ,
—
A ll o r t o sp e a k m asonic a lly t he “
Gr eat A rchit ect of ,
”
t he Ki ng (of Ki ng s) or t he
“
t he U niv er se ,
Gr ea t ,
z ont al or flu e nt b ase li ne u nc e il e d -
op e n t o ,
” “ ”
“
Gr eat D e e p t he Se c ond P e r son in the U niv e rse
, ,
t he
“
S e c ond Pe r son of the Chri sti an in t he
my stic sense t he Chr i st ( X) or the Virgi n M ary
, ,
of t he symb ol s o f t he se c o nd gr ea t p ow e r of t he R osi
t he Gr e a t D e e p o r t he VVa t ersfi
‘ 6
,
from t he W at e rs
”
of t he Mosaic t he oso p hica l g
c osm o on — t he
y
b ”
A yss, t he m at t er ou t of w hich all t hi n s w e re m ade , an g d w ithou t
e r sonag e is o ft he o th e r se x A nd in pl a t e L of v ol i
p . . . .
, ,
b olical sa cr e d h e a d c ov eri ng s
,
T he fur Pi leur Pileon
- .
, ,
t he p re se rv at io n o f t he e x am p l o f h u m a nit
y t h ro g h
e Noah— t he Ra v e n u
t he y g
ou n e r so ns
’
m art le t i n he raldry) , t he w hite , re - soarin g g l
an ew i nged -
gv
,
sp irit of re c onc iliat ion, a nd of t he se c ond disp e nsa t ion, and o f for i e
” —
Se cond for i n t he sp irit u al ac ce p t anc e of t he idea ofD e at h t he re ,
, , .
a s i t w e r e fr om her r e l a tiv e s f
, or t he purp ose of m arri age ;
”
h enc e t he pr e t end e d ru nni ng away with t he Brid e
“
,
”
with t he m asqu er adi ng ex hibiti on of the vi ol ent h and ,
on t he p a rt of t he Brid e gr oo m t o se iz e he r a m ong st , ,
m arr i g
a ev ; er
y ort u nat e l
f y v
alle i at e d i n m ode rn t im es, ot herw ise w e
shou ld find v v er
y few
( e e n d e ot e d f
) v
rie nd s d isp ose d t o a c c e p t su ch
se riou s d
an mf bl u nc o ort a e p
re s ons b
i ilit ie s . T he “ B e st - M an
”
w as
d li v
”
h
d ay, b y oat , t o e e r t e h B e t rot he d O ne , or t he B ride , p
s ot ess l
and saf e , i nt o t he h ands of t he B ride room , his g lie g e- p rinc ipal ”
on
b e c om e sac re d l
and so e m n, w he re w hat w as t o b e done w as t o b e done i n
”
t he sym ol ke y) , he h ad , sw ord i n hand, t o m aint ai n t he door or
doors a gi
a nst all com ers ; vit ally g
a ainst t hose w ho m i ht g at t e m pt
Mea ni ng of i b e s Ob elisks . 83
, ,
re sc ue . T he se nt r
y
’
s du t y w as t o k ee p t his w at c h u nt i l daydaw n,
w he n his p art icular vi se r c e w as su pp ose d t o b e p
su e rse de d or a c com
plishe d It w as . d f iv d y
e e ns e ut o f t his ki nd w hi ch w as g b im a ine d to e
t he ori in of “
g p l dg i g f
e n ,
”
or saf
et
y at c on v iv i l ai g Th m eet n s. e
gl
si n u ar w at c h of h B id g
t e
“
r e room s
’ “
B est - M an
”
w as held i n fu ll
l
so e m n tiy u nt i l t he se nt ine l w as re lie e d at v “
c oc k -
c row ,
”
w he n his
o blig i at o ns w e re t e rm i nat e d . A ny at t e m pts at d ist u r b ance
( f
or t he
g
w om e n, am on st t he anc ie nt s, u se d t o ma k e a show of ru shin g t o t he
w ant e d t o b k i —f
re a n or su c h t hin s g hv a e oc c u rre d —w ere to be reso
”
lut e ly w it hst ood w hilst t he se nt ry re m ai ne d t he c u st odian oft he k ey,
and he w as c om e lle d t o p ho d hisl p ost , an d, i f ne ce ssary, to s a
y l hi s
a ssai ant, el v
gh h h ld b hi
e n alt hou b h Ad l i e s ou e s ow n rot e r. n a so n
l hi f ll j ifi i ( b y l
,
thi iy h
s e x t re m tld b h ld h , e w ou e e arm ess, s u u st c at o n aw
b h D iv i d h ) b i g h f h h B id l C h b
ot ne an u m an e n t e ac t t at t e r a - am er w as a
h l y pl d b h g dm ”
o i m y i lly
ace , as l d d t w as st c a se a e an sac re , ot as re ar s en
and pi i s d h h
r ts b d v an h i k f hi lif
t at k p e w as ou n e e n at t e r s o s e, t o ee
g d v i i h d di h g f hi high hiv l i f i W
,
uar o er t, n t e ue sc ar e o t s c a r c u nc t on. e
h ll m m y i l d i g
e re re c a 30 v i h e i f h F st ca o n s, e en n t e c e re m on e s o t e re e
m i h p p
asons, h t b v fh i
e blim f i h l d l dg
ro e r O se r anc e s o t e r su e o rm s n t e se a e o e.
Pb a llza rnz
'
84 .
of t he R o m an e quity A s a si ng u l ar di f
. fe r e nc e in t he ,
n o ti o n pr e v a il e d a l so a m o
,
ng t h e I sr a
,
e lit e s — wit ne ss t he
”
l am ent for Tam maz or T ham m az t he H ebr e w Phce b u s , ,
“
b e for e t he L ord Thi s is one o fthe most tragic al and
t ouchi ng st ori e s in t he O ld T est am ent narrativ e t o the ,
ma le d e light .
reculcfe j urgu oi
’
no: j ourr ,
v ol. iii .
,
c ha p . i , B rux e lle s, 1 8 6 x
. .
86 Pb a lli ci sm .
“ ”
curi u ly o e x pr e ss t he id e a) t o e limi na t e t he od
( so o s t g ,
‘
thrown aw ayfi e
h icall h e ld t o b e a ph e no m e non ju st as w om an is
p y ,
”
a ri se s t he i nh e r e nt sa cr e d ness of t he hum an A ct all
“
“ Le Vl O l de s vi g é
e r e s c hr t i e nne s n ét ait donc dans l origine qu u n
’ ’ ’
CH A PTER IX .
T H E P H AL L I, AND TH E I
O P H O L O G CA L I PR AP C I I MO N U MEN T S,
T YP I CAL on
“
TH E F AL L .
”
( A nt/ vol
,
lib iv Epigr I 2 PlJ u r nut de Na t Deor )
. .
, . . . .
se e m t o b e o f t he Ve nu s A rchiti s or Primitiv e V e nu s ; ,
o f wh om th e r e w as a st a tu e o f w ood a t D e l os supp o se d ,
still su st a i ne d by t he i nv e rt e d ob e li sk t he e m anati on of
,
u nd e r m or e e l e g ant fo rm s ; a cc ou nt e d f or a s u su a l by
a ppl e,
t he h onorary r e w ard s in t he Olympic I sthmi an , ,
p os ia c
,
lib
. vii
. i pr
,
obl A . n d as thi s n o ti on w as e x
t he p a st ?
” " “
ay s P ay ne K night a nd which are w orn by t he
6
e s
gg , ,
”
D i oscuri ( Di oscu r i t he se cr e t d ark or u nk now n g od s)
-
, , ,
“
a s b e fo r e ob se rv e d surm ou nt e d with a st e ri sk s signify
, ,
a l so A cb ill Ta t I p b a nd 1 0 c it
sa o
.
gg 1 2
.
7 3 ) . A n
, d . . .
m orni ng and e v e ni ng st ar s ,
”
co v e r and is t he origi n of t he u nit e d ki ng pri e stly
,
“ -
e ncircl e d
”
crown with t he bulg e d sali ent cap— cl ov e n in
, ,
“ ” ”
B oth d e structi on and cr eati on w er e acc ordi ng t o ,
”
lu t ion a nd r enov ati on t o which a ll sublu nary b odi e s ,
x
= =
Py a K night e vidently di d not k now t hat this m yt hic cap or
ne ,
c ov er f — “ ”
or t he he ad c alle d i n m odern t im e s t he
,
C ap of L ib e rty ,
and w hich is alw ays re ,d m e ans t he Sac rific ial Rit e of Ci rcu m c s on. i i
W he nce t his Cap,
”
he b v
o se r es, b e c am e a dist inct ion of ran k , as it
w as am on g t he Scyt hians Scy tb ia ns of r a né ,
( m it ocpopt xoi , L u cia n
’
.
or a s m ol of f
y b
re e dom a nd e m anc ip at ion, as i t w as am on
’
t he g
G re e k s a nd Rom ans, is not e asil
y a sc e rt aine d ( S ee Tib H am st er/ru in , . .
“ ”
t he Rou nd Tabl e and c onc entra ti ng ar ou nd t he id eas
,
” ”
of t h e Re d Cross and the ,
R ose s .
0
Fr om th e se id eas of t he m agic and the sacr e d ne ss of
c ol our s p articul arly in the auguri al and h e ra ldic sense it
, ,
or e arli e st o f t he G od s or fa th e r of Jupit e r or as he
, ,
ti ans ,
and a so t he
l high pri e st of the J ews hu ng the se ,
b e ll s
,
a s sa cr e d e mbl e m s t o th e ir sac erd ot a l garm ent s
,
b e at up on th e se m e t allic di sc s or dr um s on the d ea th of , ,
“ I t i s sa id ” say s t he G old en L eg e nd by W nk n
, y y
Tb c Pb a lli .
99
~
,
’
t h a yr e dou b t e m och e wh e n th e y h e r e t he b e ll es ronge n
t h e p e rv a d e r of t he sk y O
( pr b H ym n V). . . .
Briti sh Mu seum .
1 oo Pb a llicism .
In one i nst anc e amid st the anci ent Phallic obj e ct s Pan
, ,
e nd si nc e G od had giv e n it
,
T he r e fl e ctiv e mi nd l ook
.
,
, , .
t he m od e rn day wh en sci e nc e se e m s t o h av e e x pl ai ne d
,
a ll th a t i s t he w orld .
(
a n e x pr e ssi on and t he thi ng it se lf which i s simp ly in all
,
with t he title of V EN ER ES ET P R I A PI
“
Th ese ge m s .
p
Pr ia ic Illustr a ti ons . 1o
3
stump ,
b e ar s t he sa m e li ne am ent s t he sam e orbicul ar ,
Pri apu s or P an—with his h orns and his hir sut e accom
anim e nt s with t he r eeds a nd t he cymb al s a nd t he
p , , ,
”
r e pr e senta ti ons in V e ner e s e t Pri api are t oo fr e e
“
a wa y a ft e r a n e x a mi na ti on o f th e se m a st e rpi e c e s o f anci e nt
a rt is t he fa l se one th a t t he p e opl e t o wh om th e y w e r e
,
e nd si nc e G od had giv en it
,
T he r e fl e ctiv e m i nd l ook
.
,
i g
n i nw a rd,
s r e c og n i se d t h e G o d s— and all t he p ow e r s
, , .
T he o e bj ct s o f thi s gr an d di spl a y— t o sp e ak in t he
a b str a ct — r e m a i ne d t he gr e at pu z z l e W e thi nk in
.
all th a t i s t he w orld .
(
a n e x pr e ssi on and t he thi ng it se lf which i s simply in all
,
sight t o g a th e r up t he m e ani ng s
,
T o pr ov e all thi s it
.
,
with t he titl e of V EN ER ES ET P R I A PI
“
Th ese ge m s
.
0 4 . P/
J a lli clsm
‘
w ho k ne w natur e w e ll w as t he fir st t o b e c onvi nc e d th at
,
o rd e r e d sh ould b e c e l e br at e d in t he sight of t he wh o l e ,
st a t e o f nudity Wi th ou r m od e rn id e as thi s w ou ld
.
,
T he for e g oi ng ob se rv a ti ons m ay b e re fe rr e d m or e
p ar t icul arly t o the c oll e cti on of e ngr av e d g e m s illu st rat ,
at:
Vener es ,
i ab ser v a nt ur in g emmis a ntigu zs, L u gd B at av orum n d
'
ut . .
o
Eg b
.
v
c a r ille , b u t , w e t hin k
he w as far t oo se riou s an au t hor t o e x p re ss
g
,
him se lf, d o, w it h t he
‘
as he see m s to li ht ne ss of t he w rit er of t he
p reface a nd not e s t o t his v olum e .
p
P r i a i c Illust ra ti ons . 10
5
“ ”
a nd skill in d e sig ni ng and e ngr a vi ng My r e al O pi ni on
.
,
“
say s t he a uth or o f t he pr e fa c e t o t he v o lum e is th a t ,
ex cellence ,
had t he au d acity ( or m aj e stic c oura g e ?) t o
comp ose b ook s and t o pr ovid e illu strati ons up on t he
,
gl ory of it .
th er hi t ri hi t thi o f N e r o) w as orna m e nt e d
( o s o ans n s
ag es ,
in t he h and s of t he a d e pt s th at whi ch w as de ,
“
c ontradi sti ncti on t o th a t which w as styl e d the world o f
” “ ”
m an and his surr oundi ng s or the Microc osm ,
A ll .
Cub i cu la l
p i
u r fa ria m dis p ari ta t a b elli s, ac si
gi lli s
pr e sent s t o he r .
a pu s a s t he od of t he
( t oo obvi ou sly f or d e scripti on
) Pri g
g ard ens .
od in
c onnex i on with t he forty ni ne d aught er s of
g
-
“
Figure VI r e pr esent s a di a l ogu e b etw e e n a v e ry
.
”
m agnific ent Pri apu s and a m an w ho put s his e ar t o it ,
’
ofB acchu s which a llud e s t o H or ac e s v er se Si ne Cerer e et
, ,
O p e ra ti ons o ught t o b e se cr e t .
with XX V .
t he t e rmi na l of t he god ( w ho is r e pr e se nt e d u nd e r t he
wr e ath s as on a festiv al
,
.
”
c all e d Te rm e s or t he T e rmi nal s or t he fix e d
, , With .
”
ano th e r th e y w e r e c all e d the varyi ng Franc e furni sh e s .
o
p
1 12 Pb a llicism .
fe e t of t he g oat pl ac ed in t he fi e ld s or e r e ct in t he mid st
,
o f J A D u lau re
. . A t p ag e 4 1 7 of t he se cond v olum e
.
d e s t omb ea u x pres de N ol a ; e t l on sa it qu e le s t om
,
’
’
O n r e ncontr e dit il d ans le s m onum e nt s u ne mul
, ,
‘
,
p
P r i a i c Illust r a ti ons . 1 1
3
t it u de de P r ia ées ; p
trouve m e m e d ans le s li e u x
on e n
, ,
f
O fira ndes d e t out e e sp ec e qui r app e ll e nt le cult e du di e u ,
’
d e L a m psaqu e .
a ppliqué e s a l u sa g e d e la r e ligi on
’
.
, ,
“ ’ ’
S i l on s é t onnait m oi ns de c e qu e la r eligi on des
1 I4 Plya llicisrn .
q
,
”
m ost is g ene rally wr ong not only up on th ese t opic s but , ,
”
T he “
R C sought r e so lut e ly t o st and al oof from all
. .
e m br ac e s of w om en A nd ye t t he obj e ct ofth e ir a d or a
.
”
ti on w as t he Rose th e nc e one of th e ir nam e s and t he
,
— ”
o ne h alf of th e ir di sti ngui shi ng titl e t he Rose, with
“
—
foll ow with t he id e as of th a t fl ow e r the Q1 e en O f “ ”
”
t he G ard en m ost gl ori ou s wh en r enew e d and r e c a ll e d
, ,
” ”
t o life in t he sh ow e r The Br oth e r s of the R C
“
. .
, .
a s J a c ob B e hm en
na il s
( m e t aph oric ally and my stic a lly ,
” ”
sa y s
, struck thr ough b o th w orld s of t h e vi sibl e and
”
t he up on t he a ccurse d Tr e e 1
“
surr e nd e r s w h e n th e r e i s no e sc a p e f or it — r e sig ni ng
t he se rf w ho w ork e d f
,
or his ow n su st ai nm e nt pr o t e ct e d ,
i s a ft e r a ll u nnatur al
, , .
”*
t he an ci ents ,
t he v e ry nam e of h arl ot w as a s b tract e dly
Mr Myles Mc sw
.
y i n a le t t e r t o the aut hor dat e d A p ril 4t h,
e e ne
b
,
for t he U za, ’
V e nu s t he
‘
W om an I su m it t he t erm V e nus
’ ‘ ’
. b
ts de n ve d from t he C h ld i a a c Be noth ( W om e n) ’
. The G kre e s chan e gd
t he B to V and the t erm inal
‘
ot h
’
to os,
’
he nce V en os
,
’
or, a s w e
or, as the G k r ee s c al l he r, ‘
I sis .
’
Ve n u s, we k now , had t w o c ha
ract e rs. Th e re g h F l i h ld
w ere t w o w ays of regardi n t e
‘
e ma e
’
n t e o
w or ld d hi di i
an i t i is i d h st gh t h h l my h l gy
nc t on s m a nt a ne t r ou e w o e t o o
gh h h l f h my h
,
l gyo h hi
or t
y f e h C f
st or O ly m p od f t eh d i g f
ou rt o h us an o t e o n s o t e
gd fh Rm h b
,
o s o t he d p d o d l ans, d ( w f o a o te
) an a t e re not or t e et ter
th ligi
e re id d h
ou s p mi ly b if l f bl f h G k
eas an t e su ere ne nt e au t u a es o t e re e s.
V e nu s,
’
I i or h W s s, h
’
G dd
or t e f ll h i
om an, or t
’
e o e ss
’
o a t e anc e nt
lig i h ( d i p l d 2) h g h h i h
’
h
’
re ons, s one
y or
y s a e t rou t e m t s n t w o c arac t e rs
—b d d a
g and d h oo h ; an i ly i h gi g
t e se c arac t e rs w e re cont nu ous nt e rc an n ,
o r, i h d h y
n ot e r w or s, t e
( y i ll y f ) id i
w ere l T hm st ca ,
o cou rse , ent ca . ere
w as t h h e cV ast e i g h p i
e nu s, or u s n h i ph ot d er e x re ss ons, t e t r um ant , sacre
Vi gi q d d h
,
‘
r h n, h
’
d h w h
o s are i i f h t e c ara c t e r st c s o t e u nc on ue re an t e
i v i ibl D i
n nc e h h ana, w i h kd o, w d h f en i
se e n n er na e ne ss, an t ere ore n
h er p f i i d
ro anat on, w as d p g i h h ffi f
c te as a sa cre ersona e w t t e o ce o
l au nchi g h m g i p
n t l y by h p
e a f
c fi i g ih h
e na t t e ow er o t rans x n w t t e c urse ,
w hi h c d ihil i
t e rror an
( M ) Danni i fl i a t on A as h an ana n c t s on c t z on, w o
w as, i q
n c onse ue nce, t orn t o pi by h v gi g d i h e ce s t e a en n e m ons n t e
s h p a fhi
e o h d Th
s ow n h V — if h i d
ou n s. fV e c i ast e e nu s t e ea o e nu s s
e v h f h i y— h V U i
er t at o c ast t h V
w as t e f h ‘
e nu s ran a,
’
or t e e nus o t e
stars, or fh v o Th V P dm
e a e n. h h l e I m
e nu s an e os
’
w as t e ar ot . a
f lly
u vi d
c on l f h
nc e fl
as a re su t o id i f ll h
t e m ost c are u c ons e rat on o a t ese
ly ( d ig dly) v di g
,
p p ly
ur ose f d d i
c on u se an nc e ssant h es ne e a n m att ers, t at
f hi A b i d U d iv d H pp
’ ’
rom t s ra c w orh y za l
wei d er e t e w or
‘
u sse as a e
lv
,
to l di a h les w h o hi
et t h f l di p
e m se d
es ou t t o hip re or w o ee s ose t o w ors
t hi V s P d i hi
e nu s a n e m osp i l —v y n t p bl d b
e r ow n a rt c u ar er a cce ta e, ou t
l — ess H
m a nne r . d h (
e nce B i l y)
ou r w or hi d w ore
’
se e a e re
f p i i Th i H b Sh k
’
d hi
’
w om e n or rost t u t o n. i e w or re n e re w s a er.
’
W k G d K h g bl l Sh gg
’
h ‘ ’
e now t e i an h are nt erc an ea e e t t ers, e nce a e r.
’
Wh h et h er i id t e se ly c o ncid l i i
e nc e s are o n
y ac c e nt a or not t s not v er
e as
y d l
to b v hl h f i v y i
e c are , ut
,
ne ert d i
e ess, t m e ac t s er c u r ou s an t see s
p v g dd l h hy
,
to ro e a oo l ly ea p d t at t e h h so c ose c orre s on t o e ac ot e r.
”
Tr a nscendenta l Idea s f
o tb e Rosi cr ucia ns .
a nd d e fia nc e ( a s it w e r e in t he nobl e se nse ) o f t he in , ,
ne c e ssity w a s h onour e d by t he St a t e
,
and w a s su r ,
” —
cat e t h e N e th e r R e gi ons— k nowi ng of d ol e k now ,
” ”
ing of Fir e “
k nowi ng of t he pu ni shm e nt s for t he
“
,
”
Pr e sumpti on which is hi nt e d in t he C ab al a a s t he
, , ,
”
c au se of h avi ng e mpti e d H e av en of O ne Thir d of it s
”
I nhabit ant s c onse q u ently r eal i si ng the S e cond F all
,
“
,
“
F a ll of Man ne c e ssit ati ng r eligi on bri ngi ng a bout
”
, , ,
”
thr ough t he D ivi ne B enig nity the offe r e d R e d ee m e r , ,
Th b ld pl i h d f h
ose w e re i nde e d l o ex orers nt o t e w on e rs o t e nat u ra
w orld S l . d fi h v p p i i
a t an m S l li k
re bla e ro e rt e s n co m on . a t, e a su t e
fl id p
u all h i
e ne t rat e sp ibl d p ht hi h i d
at s corru
y t e an se arat es t at w c s e ca
hil i q i k
,
i g
n df l
an ou h,
hi h i
w d Fi d
st t
y h
u c e ns t at w c s sou n . re est ro s t at
w hi h i p i h b l
c d h
s by bli h h i p i h bl i i p
er s a e, an t e re e st a s es t e m er s a e n ts u rest
p f i d l d
e r e ct on, a n d b eaif l f m sfb i g Th
t o ne w a n m ore e au t u or s o e n us
b h ff k i d f s i N Ev y e l d i h
.
ot e e ct a n o t ran rm at on. ow er on ,
ou r or sa t
b y hi b i g i v l
,
.
l d ih fi
’
sh ll b
a e sa t e w t ily l d i h h fi
re , s e n n o unt ar sa t e w t t e re
1 z2 Pb a lli cism .
”
up on t he imp or t ant p ar t which t he Id ea of the “
”
“
M agd a l en pl ay s in t he r e sult s and in t he phil osophic a l
c onclu si ons of the whol e rou nd of the u niv er sal The o
sophy . I t li es per du sid e by sid e with the sacr e d i
“ ”
e x t e nsi on are tru e enough alth ough truly so only in “
,
”
th e ir ow n world which is t he w orld of t he myst eri es
, ,
”
u se a p a r a d ox is no tr uth at all T he id e a of t he .
o f c onde m ni n g j dgu m e nt ( H eb . x .
7, x ii
2 . as t he v ict im s on t he
l
a t ar w e re l d
sa t e w it h salt
( Lv e it i i 1 3 ,. Ez k e . x l iii . 2 4 . See
L g)
.
an e .
1 2 4 P b a llicism .
t he g od s th a t p e rmit i t,
-
th ose v ery god s h e r e assum e d
,
th er e e sc ap es in d eath
.
Mystic Ana tomy of Rosicr u cia n Pb i losoplyer s .
CH A PTER X II .
I
C O N S D ER A T O N S I ON TH E MY S T I C A NAT O M Y O F TH E
I
R O S CR U C A N I I
P H L O S O P H ER S .
of t he Sh e ph e rd b o
y D a vid th e y are h ar m l e ss t o a ll t he
-
,
“ ”
th ose Sp otl ess as childr en In a se nse p artly (wh en
.
,
t o th e ir purity in m agic p ow e r
,
Th e y acquir e d b e auty .
a cquir e d wh en th e y w er e a cc e pt e d t he my st e ri ou s d oubl e
, ,
” ”
“
Selo aggi o th a t c astl e d p ea k amid st t he e ncircli ng
“
,
o f t h e br o th e r s th e m se lv e s T he k night is r e pr e se nt e d a s
.
”
ri si ng from his kne es th e r e in t he Chap el oft he G raé l ,
w ere b ou nd
v v
ne e r t o re e al t he ir real c h aract er, and t o forsa k e a ll t he i r hu m an
gg
e n a e m e nt s a nd e nt an gl e m e nt s at t he fi rst re c a ll t o t he ir se cre t b
ha ita
t ion or c ast le . T he c ou nc il of t he K ig hn t s or B rothe rs of t he H ly o
G rail, or G racl,
'
m yste ri ou s and t he sa c re d, t he
“
g art e r
”
of t he M N bl h O d
ost o e t e r er
of t he G ar te r
’
-
t he fi rst of chi alry— is v g
not a ll b art e r
”
at a ut
K
,
” ”
t he Ga r der , or ee p e r, t he sac re de st a nd holie st gu ardian o f the
p
su e rnat ural c hast it
y of none ot he r t ha n t he m ost l
e x a t ed fe m inine
pe rson a lit y ( o f co urse i n t he b
a st ra c t a nd m i racu lou s se nse
) t he
y v er
g i dl b
,
, , ,
ing t o achi e v e b y th e ir e f
,
fort s in thi s w orld and in th e ir
a ct s of r escu e and of b e ne fic e nce th e ir pr esu m e d a ng e l
,
.
,
it
1
3 0 Pb a lli ci sm .
T he i de as of t he a nc ie nt s as t o t he c harac te r an d t he p ow er of
m u sic w ere v er
y re m ar a k bl e. T he m u sic of t he s phere s w as t he g rand
P b
.
sac ri fi ce d, or Ru ine d ”
Side . It m ou rns for it s O ri inal L ost g P ara
g k
,
lee s and se t t lin s of Nat u re , or t he sha dow s and dar p lac es of Nat u re
for t he ba ss is as ne c e ssa r
y to em p hasise and t o bi gr n ou t and su pp ort
t he g
li ht e r, or m ot i vdS e ide of m usic, as t he shadow s are indisp e nsa le b
t o su pp ly t he life a nd re a lit
y to o bj i h e cts n t e rea l w orld. It is onl
y t he
p
re s onsi e v sou l of m an t ha t i s m o v d by e m u sic . T he low e r ani m als
f
m eans o m i i g ih
com h h u n c at n fl g g B
w t e ac ot e r, or som e sort o an u a e ut
hi g ( h v ib f
.
th l e i l
ow e r an ll pp d h ma s are a st o e s ort a t som e t n w at e er t e, or
i i t lly
s t ot ak by )un hi h now n h h f
f f m an f , w c st at e as t e e e c t as o a sort o
li i d dm te h d h
ream f h y k p g
t o t e m , an l h gh h yt e re o re t e ma e no ro re ss, a t ou t e
h v a i pi i lp
e c e rt a n s pi g d m
r t ua d li h ki d
e rc e t o ns re at e r an ore e c at e t an m an n
H v ly m i i
.
Th h l e w ld i k
o e w or i li s t a e n as a m u s ca nst ru m e nt . ea e n us c s
p d d f
ro u cem l di p
ro m l i p e op h p h f h
ou s su e rnat ura m ac t u on t e at s o t e
pl hi h
ane t s, w d h d c S i g by h
st an , v l fh
as c or s or t r n s, t e cross-t ra e o t e su n,
i h
n t lip i f e ec t c, d f mrom st ar f m plt o st a r, a n ro not e t o not e , or ro ane t
to pl E hly i i i
anet . artp i lly i i i mus f h m
c s m c rosc o ca an m t at on o t e sa e,
an d li fh v
a re Th R i
c o i gh h ll
ea e n. i e os cru c ans t au t t at a nat u re s
1
3 2 Ploa lli cism
.
ne v e r e ndi ng circl e
-
. C ivili sa ti ons u se and fall c ontra dict
,
w orld .
Rosi cr u cia n P r o
fu ndit ies .
1
33
CH APTER X III .
I I
R O S CR U C A N PRO F I I
U N D T ES.
“
life ,
Th e se p ositi ons are obvi ou s wh en thu s ,
In o th e r w ord s it is c onclud e d th at a s m an is t he
, , thing
”
se e n
,
t he i ndividu a l c anno t e v e r go ou t of him se lf to ,
” ”
se e him se lf . The judg e d a t t he b ar c annot c ease his
“
”
b e c om e som e thi ng oth e r th an him se lf and t o judg e of
wh a t he is him se lf
,
.
1
34 .
e v e n o u t o f t he e x i st e nt p ow e r s o f N atur e .
”
“
imp o ssibl e t o the p ow e r s of G od A lmighty ; for t he
”
w ord p ossibl e only appli e s t o m an s ( fal se) noti ons of ’
an
y l ong e r m ai nt ai n it se lf i n th e m It i s not t he m an
.
,
i ci on of t he ex i st e nc e o f th e se Str ang e b e i ng s as r e a l
p
m en for no m an in t he old tim e any m or e th an in t he ,
e ri od ne ar e r t o t he pr e se nt or in t he pr ese nt ti m e s can
p , ,
b e r s of t h e R“
are no m or e t o b e divulg e d th an
.
,
if i nt e lligibl e of th e ir e v e r b e i ng b e li e v e d p ossibl e
, .
” “ ”
Out sid e and I nsid e wh e n th e y c ontra dict e a ch
, ,
o th e r
, ca n a ssur e dly ne v e r b e c o m e id entic al e x c e pt in ,
”
m e nt s of thi s world s natur e which in r e ality b egi ns
’
, , ,
t o r e ne w wh e n it se e m s t o c e a se ; but th a t it is r e c ov e r
,
t he m a gic ,
and o f t he a d e qu a t e practic e of t he tru e
A lch e mi st s ; i nt e nt up on th e ir O bj e ct and t ak e n up ou t ,
w ho r a th e r p r a ed dow n i nt o t he v e ry d e pth s o f th e ir
y ,
”
in th e ir sense of humbl e ne ss and “
p ov erty of spirit t o
, ,
” —
Cr oss a t onc e the t ali sm an through h eav e n and t he ,
1 40 Pb a lli cism .
” — ”
a sh e s t he appl e s of So d o m i nst e ad ofthe ap pl es of
,
o r Fir st R e b e l b e it r e m e mb e r e d
,
Thi s cl ass ofwi se m e n
.
,
”
Th ey sought no alli anc e with Tra it ors ag a i nst H eav e n .
h
as es rdi nary life Th e y w e r e tru e t o th eir nam e s
of o .
”
o ft he Broth er s ofthe Re d Cr oss They w er e gl orifi e d
.
TH E G N O ST I C S AN D TH E R I F
B EL I E S.
in c e rt a i n ap ol og e tic Sh ap e s or som e fr ee sh ap e
, .
a nd one which m a
y for r ea s ons u nfath omabl e in t he
,
na tu ra li sm ( th at is
“
N atur e m ad e by som e oth er thi ng
,
”
th an it se lf ) is u ndoubt e dly tru e a lth ough in t he natur e ,
”
of thi ng s . Thi s phra se t he w orld o f thi ng s com
, ,
l i
pri se s al th at m ea t in t he world of t he thi ngs of
s n “
,
t h e se nses
”
. A ll a re
“
id e a s
”
i n fa ct — which is concep
,
se lv e s ,
or th ought or pictur e
, or wh at e v e r it b e — o r
,
c ont act with r e al thi ngs Thi s noti on has b een succ e ss
.
1 44 Pb a lli cism
but only an ill advi se d self di stru stful h eavy illit e rat e
-
,
-
, , ,
is fr om t he b ea d or t he b ea r t 9 W e thi nk e ntir e ly t he
,
.
” ”
l att e r in as far as L ov e is gr e at er th an Wi sd om
.
“ “
, ,
“
L ov e ov er W i sd om and in t he w e ll k now n truth
” ”
,
-
“
a nd l o v e c ombi ne d and i nt erfu sed b e c om e Imm ort a l
, ,
”
Pity and th e re for e t he m ea ns o f saving it ; i nd e ed thi s
, ,
”
“
Imm ort al Pity a l one sav e s t he w orld Th er e for e — in t he .
“ ”
Thi s m e ans t he Pr o piti a ti on or t he sacrific e o f t h e ,
a nd a ll th a t w e can k now o f o ur se lv e s ,
o f h op e — of ,
1 46 P b a l/
i ci sm .
p enal for som e origi nal imm ort al sin of the r e al natur e
, , ,
in Sh ari ng t o sav e ,
Th a t t he guilt and F all of ou r Fir st
.
m e ans of r eachi ng ’
Chri st s immort al sadness at t he
.
T he my stic vi ew s pr op ou nd e d by J a c ob B oehm in
r e gard t o the Chri sti an sch em e gr e a tly r ese mbl e d the
pr o fou ndly m et aphy sica l far O ff ( stigm ati se d as vi si onary)
,
-
ti o n all — th at i s a lt og e th e r fr om t he i nt eri or vi si on
y ,
or if th e y di f
,
fe r ed di f fer e d only in d e gr e e
, .
c om e t he cl o ser in u ne x p e ct e d ju x t ap ositi on e v e n t w o ,
bi ogr aphic al id ent ific ati on w e offer the foll owi ng s olu ,
p 1 0 9 et sup ra
.
, .
My te e de la Na t ur e,
'
c e cr i ts, s u r les s r s
cc
q ui l
’
a v a it
f ai t su r nom mer P E R SC R U T A T O R ’
( le
Cb er cb eur ) .
yea n Pi t s et
y g
a c u es B ob a r d, d
’
a p r es
y ea n
DE MIR A B IL IB U S EL EMEN T O R U M ; DE MA G I A C ER E
MO N IA L I ; DE MY ST E R IIS S EC R ET O R U M ET CO R
”
R EC T O R IU M h ese studi e s and su b
A L C H Y MIfE. A ll t
or Fl ood b e c a m e ju stly fa m ou s
, It is i m p ossibl e t o t e ll .
o r w as no t a n a nc e st or o f t he se c ond
, .
i“
Tb c G nost ics Cla ss ic an d M di e e va l, b y t he Re v C . W . Ki g n .
L
.
o ndon : 1 865 .
p rej udiced bj
,
a cqu a i nt e d S om e m od e r n writ e r s h av e t ak en up t he
.
a nd ac a de m ic p
st a nd oint . In a w or d, t he Re v C . W . Ki g hn an dl e s
g bj
.
g
.
,
b k g
,
k g
now led e of w ha t is m e ant b y t he se , i n re alit y, w ondrou s t o e ns— t he k
o nl
y re vl
e at on i oft he se cre t ide as o f t he se st ran el
y p rof
o u nd t hi n e rs g k .
1
5 2 Pb a l/
icism .
in fa ct th a t all w ho e nt e rt a i n a di f
,
fe r e nt opi ni on t o t hose
opi ni ons t o which th e y th e m se lv es pr ofe ss t o h a v e a tt ai ne d
are full
-
of c onclu si ons d e riv e d from prejudic e and
”
i ncr e dulity simil ar t o t he Scriptura l h ard ne ss of h e art
,
“
, ,
t he r e v er se S om e e v en a t fir st c onsid erati on of th e m
.
, ,
Tb c G nost i cs a nd t b ei r B elie
f s . 1
53
“ ” ”
k nowi ng and p erh a p s k nowi ng t oo much bri ngi ng
, ,
a bl e ch ar act e r s and gr e a t m e n .
or pu ni sh m e nt f or so m e na m e l e ss si ns in som e oth e r pl a c e
“ ”
p erh ap s the l ast r ally (so t o u se the word ) of t h e
,
o v e r e l ab or a t e d a nd e x tr a v a g ant
-
a nd d eb ase d hyp e r
”
civili sati on o f thi s D i sp e nsa ti on culmi nati ng O ppre s ,
a j ok e — t he qu a i nt p eo pl e se e m in t he e t e rnal it e r a ti on
,
wor ship and de ificat ion ofthe hum an ap oth e osi sed sex u al , ,
” ”
m agic a l m e ans and i nstru m e nt s (m a d e im ag e s and
“ “
, ,
a s a ll t he ob e li sk s in Egypt and e l se wh e r e a s t he Gr e a t ,
t e ct u ral r ou nd s ; nay t o su m up t he wh ol e p a r ad e of
,
”
e x e mpl ar s fr om t he origi na l B ab e l t o t he l ast church
“
,
”
t he p a tri arch J a c ob t ook a nd se t on e nd a s his pill ar
st one or m otiv e m ark
, or a lt a r of a ck nowl e dgm e nt t o
-
,
1 60 Pb a lli cism .
a nd e m bl e m s .
Tb e Gn ost i cs a nd t b ei r B eliefs . 1 61
s ch e m e ,
of which m an c ould surmi se ne ith er t he par
o f d e gr e e s e v e n up t o t he High e st .
M
1 62 Pb a lli cism .
se a son t o a p enit e nt fr a m e of mi nd
,
H e r e h ow e v er
.
, ,
t he gr e a t e r D ivi nit ie s
” w ho v ouch safe d t he “
Se nsibl e
,
” ”
Ex i st e nc e Thi s Sensibl e Ex i st enc e i s t o b e a cc e pt e d
.
“
b eing e t-
h — o f all the t h e ol ogi e s ,
t aki ng it s st and (for e arth and for e arthly c ompr eh e nsi on) ,
We m ust e l im in
a t e al l ideas o f i nde ce nc y in re g Ph lli
ar d t o t he a c
”
d oubl e m eani ng t ok ens and i nsignia h az ard ed in c oi ns
-
,
pl a c e a s a R e d ee m er se nt fr o m G od w e mu st acqui esc e ,
i n t he O pi ni on o fM osh e im th a t M e nand e r no m or e th an
, ,
t he fir st c e ntury .
d e ac ons a prose lyt e ofA nti och The gr oss lic e nti ou sne ss
,
.
of t he J e wi sh p e opl e w a s a B e i ng e nd ow e d with t he
,
of J ose ph a nd M ary
; and d e sc e ndi ng in the form of a
,
W e p r oc e e d cc ou nt giv en by B asilides of t he
t o t he a
”
chang e d i nt o t he r e dne ss oft he fi e rc e fir e s of the p enal
H e ll — or pl ac e of d ol e and d oom Th e se id e as— b e it .
“ ”
b e i ng m ark e d or attir ed as t he h erald s c all it with
, ,
t he “
h or ns ; and the G nostic s in a c ert ai n sense and , ,
th a t it w as t he l ow e r ord e r of a ng e l s w ho built th e ir
h eav e n up on the c onfine s of m att e r and that th ey s oon ,
his turbul e nc e and ove rthrow his e mpir e that the Supr e m e
, ,
r oane d u nd e r his
( in c omp assi on f or m anki nd which g ,
’
Ir e nae u s B asilide s d eni e d the r eality of Chri st s b ody
, ,
His mor a l t ene t s not only p ermitt e d sensu ality and crim e ,
B eli efs . 1 73
t he A lph a and O m e g a .
to th e se d a rk myth s t h e S o v e r e ig n D i sp oser of A ll
Thi ng s or t he Supr e m e r e t ai ne d in His ow n h and s
,
“
,
”
t h e l ord sh i p o r t he s
,
up e ri ority o f t h e
“
King of Ki ng s ,
al l m a n ki nd w ould h a v e b e e n wi s e an d ju st or thi s st a t e ,
“ ” —
T he A dv e r sary h ow e v e r or in fact D IFFER EN C E
,
“ ”
, ,
” ”
T w o inst e ad of O ne
.
h app ened t o assert his p ow e r
-
.
“
T h e w orld o r
“
T ,
h e W o rd w as m ad e fl esh and ha d
, ,
CH A PTER XV .
TH E I N D I AN R EL IGI O N S — A N N O TA T I O N S
. ON TH E S A CR ED
W R ITI N G S O F TH E H I N D U S.
t e rnit y o ft he Re d Cr oss .
N
1
7 8 Pb a llicism .
P b a llus or a s th e y t e rm e d it t he L I N G A
, ,
Thi s e mbl e m
,
.
“ ”
thi ng th a t has life Thi s is t he d e ifi e d attracti on or
.
,
”
“
m agica l comi ng t og e th er of the R osicrucians and t he
, ,
”
d e ifi e d gr avity of t he st ati stic al or r eali si ng philoso
“
phe rs .
” ” ”
“
Tr i m u r t i “ “
m eans thr e e form e d or The Thr e e
-
,
.
’
Mu r ti is t o b e t ak en as signifyi ng al so an image or lik e
ness Our vit al soul s are accordi ng t o t he V e d ant a no
.
,
’
v ol iii .
) .
It c
is ry h owe v e r t o ob serv e h er e th at Pro
ne e ssa , ,
”
h ap s t he m ost anci ent O bj e ct of h om ag e ad opt e d in I ndi a ,
s ub se u ent l t o i b e r i t ua l o
“
a dd s th a t it b e c a m e p opul a r q y f
t b e Vedb a s which w as chi e fly if not wh olly a ddr e sse d t o
, , ,
th e El e m ent s and p a r t i cu la r ly t o F
”
,
ire How far t he .
as
In t ru t h a nd in b
t he a st ra c t se nse , p re cisely t he sam e t hing
it is
Phallic W orship is F ire Worship
,
onl
y p re se nt e d in anothe r form .
-
Hi d g
.
1 P u r a na s
”
, t he m o de rn Sc ri t u res p of t he n u s, as d ist in ih d
u s e
1 W i lson on Hi d n u se c t s ( A s R es .
,
. v ol. x v n.
)
Tb e Indi a n Religions . l 8I
"
In B e ng al t he L i nga nfi Te mpl e s are c omm only er ect e d
in a rang e of six e ight or tw e lv e on each sid e of a , , ,
sur m ou nt e d by a p r a mi da l cent r e t he a r ea of e a ch i s
y ,
in t he middl e .
j
’
symb ol e q u e e vi e ns d indi u er e ll e pr e nd le nom de
q .
,
T he L in g a m , ’
or L ingha m ( w i t h t he as
pira te H) ,
is v
e e r w he re
y
t he p r ot u ber a nt .
1 G hau t ,
' “a
hi h g place a pp l ie d to p ass su ch as t he L aulpe t
a ,
P v y t o t he t ab l e
,
. u s
t his de sc ri p t io n o n t he b ank s of t he G a ng e s w he re t he b nk s a e t oo a r
As R s v ol x v ii pp 2 0 8 2 0 9 and 2 1 0
. e .
, . .
,
.
, ,
.
I8 2 Pb a lli ci sm .
et Ma b a de -
va
( le p e mp s a pr es le u r
grand di e u)
t ,
eu de
m ari ag e su r l infl u ence de s se x e s d ans la producti on de s
,
’
q ,
a v e c e u x e t le s v ai nquir e nt
,
Ma b a dev a a ll ait d ans sa .
-
V e yssiére la Cr oz e re se m b le nt au ch and e li e r a se pt
,
T he o fef ri ngs
pr e se nt e d a t t he thr e sh old B e na r e s
are .
a lr ea dy is a Li ng a ; a nd m o st O f t he chi e f O bj e ct s of pil
,
”
she h old s a ma la or r osar y of one hu ndr e d and e ight
, ,
t he j a r i or sp out e d v e sse l f
, or lu str a l w a t e r ; t he dipp a
, ,
, , ,
o bj e ct of which is tw o fo ld fir st t o w a k e up t he a tt e n
,
c ou ntri es .
“
id entic al and the M ou nt a i n o f M e ru is t er m e d the N a v e l
,
”
o f t h e E arth M e ru is supp ose d t o b e the c e ntr e of
.
t he u niv e r se a nd is sa id t o b e o a ns high
, yj ,
br oad at t he t op a t t he b o tt o m
,
It is Ci rcul ar .
,
e a rth w as in t he sh a p e o f a c one
( A s R es,
thi s . .
,
P f h i h bit t f C yl (j
’
‘
p ga r w ett e
( a w a t i ) o t e n a an s o e on oi n
su rr ou nd e d by t he o c e an T he se c o nd and m or e m od e r n
.
,
sup e ri or h e mi sph e r e .
yt m
s s e ,
t he wh ol e ea rth fl oa t s up on t he wat e r s lik e a
b oa t .
”
L ord t he origi na l c ontriv e r of t he
,
b oat sh ap e d -
if
T he t hre e w ords Amb a , N a bbi , Argb a
a nd see m t o ha v e c au se d
g reat u sio n a m on
c onf g t he G re e k m yt holo ist s, g w ho e e n asc ri e v b to
fi rst as a m e re em bl m H
e h y p
. e nc e t e re re se nt e d it i n t he form of a
t he c irc u m ere nc e , wf h b ki
h y pl
e red h t e ac e t e oc ean. — Aga tb em , oo .
ib
p ll l g m q
.
,
c. i O h
. d t e rs e scr h h
ed t e e art as a s u are or ara e o ra an
vl
,
G re e c e pp d li w as su h i i h D lp hi i h
ose to e on t e su m m t , w t e n t e na e or
v 33 T h
,
lp
c e nt ra f h h l — P i d Py b 6 E ip [
art o t e w o e. n t . . ur . 0fl .
, 2 e
d v vl fh
. .
ly C h i i
,
J e w s, an h e i i d h en t h e e ar r st a ns, ns st e t at t e t ru e na e o t e
h
e art J l
w as d h Mh m d M
er usa em T h A gh i
,
an t e o a me ans, ecca . e r a s
a
yp
t f h Adbe o S i P t f C
e pi d d
er a - a ct , or ow e r o onc e t on, e x e rt e an
i ifi d b y h L i g
v v e Ph ll t d h e i h h h ip A g
n a or a u s, one a n t e sam e w t t e s r o,
w hi h c b il di g
w as O ph by J
u d P ll
t, a c cor d d n to r e u s, u no a n a as a n a c c or
b y P ll d A g
,
i g
n A p ll i
to o h i
on u s, fJ a as an r os, at s
t e nst a nc e o uno.
one O fhis h ead s cut off by Siv a and his p uj a or wor shi p
, , ,
w as a b o li sh e d
.
CH APTER X VI .
MY ST I C A N AT O M Y ,
AN D T H E MA ST ER I
P A S S ON O R T H E A CT .
o ft he O ri e nt a l c ou ntri es .
T he wh o l e sy st e m and t he vi e w of t he a ct b oth ,
90 Pb a lli ci snz .
na ti ng G o d m ad e t he cr e a ti on of t he W orld p o ssibl e
“ ”
p e r si st ently prot e sti ng ba ss with out which c ontr ast ,
i nt e nd e d c e l e sti a l h om e
,
.
, ,
”
T he u ni on of th e se T w o h alf se x es is t he est abli sh -
” “ ”
T he ord e r s i ncr e a se a nd
“
multiply are ord e r s t o
b e t a k e n a s id entica l a lth o ugh in fact th e y are dir e ctly
, , ,
It is fr om th e se c onj oi nt r ea sons th at i it s my st e ry ,
n
,
y e t str ang e t o sa
, y in t he phil osophic and th e r e for e t he
, ,
1n 1 t
\
.
Th e r e for e for
th e se r e asons which are i ndi sput abl e
, ,
th e r e is t he gr eat e r ne c e ssity th at ou t of m an s t e ’
a s w e ll a s t he p o ssibility of h orr or a nd t e rr or It is a .
“
Cursed now is t he gr ou nd for thy sake ”
W ho
sh all sa v e him thi s rui n o f rui ns thi s Man ou t
,
“
, ,
o f t he t e rr or of t he a by ss i nt o which he ha s fall e n
thr ough t he tr eason of his fir st prog e nit or yi e ldi ng ,
0
1
94 Pb a lli cism .
, a
sh a m e s— ov e rp ow e ri ng i ne r ad ic a bl e sh a m e s , .
ra c t e risin a s a ki nd of t he wr ea ki ng o f a fe e li ng si m il ar t o
g ,
”
“
r ag e h o w e v er ab surd t he e x pr e ssi on m ay se em up on thi s
, ,
for t he fe ar of her
”
W e h av e Scriptur e w arrant for .
”
command e d t o cove r th e ir h ead s in that O b scur e t e x t
and in th a t str ang e d e t e rr e nt w a rni ng f fe ar of the
“
or ,
”
ang e l s Th er e is a v ast am ou nt of m agic my stici sm
.
sat
y rs and t he s
yl v ans, an d p
t he re re se nt at i es a nd t he v ca ric at u re s of
t hat playful F at he r ”
and
“
M
ot he r
”
of Nat u re ” — a nim at e and
k —
”
f
“
an d “
A te a nd dran , and rose u p to l
p y
a . As t o t his
play
w hat i t w as— a nd w hat w as i ts u ni e rsa v l c harac t e r — and t hat it w as, in
fact , a g rand , i nde c e nt gi —
or e a ll k ee n- si gh t e d ant i u ari ans and q B i le b
ex plore rs a nd ex plainers (all , o f c ou rse , ex ce pt t he ri gidly ort hodox )
are now fu lly a g re e d . T his “ ”
god, t o go bf
e ore t he m , t he g ra nd
t alism an to i ncit e t he m to vi c t or
y, w as d b
u n ou t e dly t he P h ll
a u s,
k
G re e ) is i n t he hand of all t he i nnu m e ra le u res, la ishe d w ith an b fig v
v p
o e r ow e ri ngly ma j est i c, e nf
orc in g re it e rat on o n e
i v yfl er f
at su r ace, and
u p on e v e
y r c olu m n and g
m i ht y frie
i t ma
y z e a ll v h ild
o er t e w e rness
,
as
l
b e c al e d, of t he sand e ngulp he d st ruct u re s and m yriad m onu m e nt s of
-
a ncie nt yp t — Eg
u nread o r w holl
( y m i )
sread as t his w onde rfii l s m ol
y b
has hithe rt o b e e n. It has b ee n i g nore d, or t u rne d a w ay from ( p er h p a s
a s t he w ork o f a M ak e r a nd as t he pr e se nt ati on o f he r
,
w e k nob
“
non a h Id e a] a p eril ou s pr e se ntm e nt fr o m
, ,
"
”
no t wh e nc e d esig ned b e g ott e n or gift ed " She is an
, , ,
“ ”
w a i st d ow nw ard s is sacr e d B e auty ,
wr e aki ng a nd
.
“ w
re cki ng”
t he d es iri ng o n e up o n i t — b eau ty w h e th e r ,
an a b a nd onm e nt f ar e x c e e di n
g th e ir a tt ach m e nt t o m e n .
thi s asse rti on are su ffici e ntly abu ndant The most m ast e r .
he r fe e t w as that fi e ry a nd ye t m ost t e nd e r l ov e — t he
,
sa i d — e nt e rt a i ne d by t he Imp e ri al s ov e r e ig n o f Ru ssi a ,
“ ”
r ath e r m ay w e not c al l it b oth in one and one in
, ,
”
b oth b e i ng di sti ngui sh e d a s L a piu fu t at rice ne l
,
—which is sa id t o h av e b e en e nt e rt ai ne d by thi s t re
m e nd ons woman— as m ercil e ss i n he r cru e lti e s as in he r
lu st s for a littl e slip of a m an ( much m or e lik e a w om an
,
”
fair fa c e d L ansk oi as Byr on c all s him C ath eri ne is said
-
,
.
m om ent fr om the r egr e t and afli ict ion which p osse sse d
h er for t he l oss of her ( a t o nc e) t oy and fav ourit e Thi s .
tyl
is t he e fl e m inat e s e of m an which som e sa
y
— a nd w e
”
L ord Byr on assert s in his D on J u an that thi s is t he
, ,
”
ki nd of m al e fe mal e se mbl anc e which is v ery d ang e
“ -
P/
J a lli a m z
'
2 .
Th at fond, P p
a risian as e ct w hic h u p se t old T ro
y,
A nd fou nde d D oc t ors
’
C om m ons.
”
”
a nd
“
i ncid ent al only (le t it b e r e mar k e d) t o m an s fir st ’
j y
o , b a ckw ard But th
. a t which m e e t s a nd c onflict s is t he
’
but it is so only cc ordi ng t o t he ordi nary w orld s m e thod
a ,
—
u ni nt e lligibl e joy a wr e aki ng a s i nt o a h ea v e n of “
,
”
sense ,
a s it se e m s o f which m e t a ph oric ally and id e a lly
, , ,
not e t a ct e d in t he w o rld n t c m p
y or o
y e t
, o e t o a ss
int ellige ncie s which a t onc e can l ook b oth b ackw ard and
“
near e st e v en a s t he
,
v ery nex t h our t o any giv en ,
m om ent .
th at is .
d erid e d .
”
( u ntil t h e
“
N e w J e r u sa l e m ) w a r is w ag e d t he
“
ange lic ,
” ”
w ar. i h
It s t e Child Chiv alry oth e r wi se t he I nno ,
“
”
c e nc e and t he P ow e r which is t o c onqu er Child
, .
20 8 .
and t he pr p
o e r i t
ne rpr t r
e e s o f a ll such — that sword of
Sai nt Mich ael or of t he Ch a mpi on of H eav e n or sw ord, ,
“
T h Sw d f S l m n t h K ing f I l Th E ‘ ’ ‘
e or o o o o , e o srae ,
or e u
chante r.
’
It is e x ce e din gly i v c u r ou s how t hese m yst eri ou s ideas ha e
f d h i
ou n lifi
t e r ex em
p f h l d ih
c at on n t
y i
i h f
h i i ig i e orm s o e ra r , w c ,
n t s or n,
w as a sacre d i sc ence. ld y d i p T h gh hf g v
rou e ra r an ts ow e rs o ran e o e r
s y m b li m o h is h -
p fw f h ci k i d — h
are
y i f
e r e ct oli g i t e r n t e m st e r es o re on
w ere p m lg d T h i ifi d il f h ld y b id b i g
ro u at e . e sc e nt c et a s o e ra r , es es e n
e mi ly p i
ne nt q f ll f p p
ct u res ue , are d f y b li l i h u o ur ose an o s m o ca r c ne ss.
h Ki g f I
”
F m hi m y h f h
ro t s t d fS l m
o t e sw or l d o o o on, t e n o srae ,
an
h W iz d f h A h g l S i Mi h l ( h ”
t e h
ar G l di
; or t e a us o t e rc an e a nt c ae t e
Tyl f H v —k L dg
” “ ” ” ”
d h
er anS i l t e e nt ne h o ea en t a e n as t e o e,
i n th M e i ) d h pi
ason c se nse i g p , h g l di
an t e d e rc n s e ar, or t e a u s or sw or
o fS i G g d i mi l
a nt e or e , an p i d p ph i
ts ff i rac u ou s o e rat on an ro et c e e ct n
iki g h gh f h h D g — h gh h ”
h
t e st r n t rou fh o t e t roa t o t e ra on,
’
t rou t e se
st ran eg ly b p hy i l
a st ru se , i i
m eta h G i id s ca f h not ons, ar se s t e nost c ea o t e
“
d i
se con f fG d
nt e r i h hi
e re nce o h gh hi hi f
o
”
w t s c reat 1 on, t rou s c e
d l e c arant , mb as i ico — S i Mi h l
at ant m d i h hi
m n st e r, a nt c ae
“ ar e w t s
v ig
,
”
t h d u n e r, h i w p d ( f
o s h Ap
re lyp )
re se nt e re e r to t e oc a se as t ra e rs n
ld v i ib l d i v i ib l g d f hi g
“ w or ”
t h e s s I e an n
y s
y e. n re ar o t s re at m st er
i g i i h l f f h I p i l di d m f h v
ar se s t o re co n t on t e c e t
”
o t e m er a a e o t e so e
ig Ov g ifi ly j ll d “c e t ”
re f R
ns o i h
u ss a. l f i h er t e r se s t e ma n c e nt ew e e
ig l f d m p i — h C T h E mp
”
s na o re e t on t f R i i h
e ross. e e ror o u ss a s t e
Cz C ar, C —h i h C
sa r, or aesar K i t Kmat
(h s, t e e sar, or a se r, or sar t e
l C dK
e t t e rs an v ib l ) h E p ( h are c o n e rt f e -
t e m eror t e su c ce ssor o
i ) f h E I m p i l E gl f R
,
C onst ant ne ho h t e a st , b w en t e er a a e o om e e c am e
d bl h d d Th C E p b h fh E d f
”
ou e - ea e . e aesar o r m e ror, ot o t e ast a n o
h W
t e i l
e st , i h
s a so, d iv d f n t e h O i l i hse nse s er e rom t e r e nt a s, n t e
I hm li i h
s ae t sL fH dd , or
“
p i e t f -
pl i
an e f
”
a c ce ta t on -
or an ex anat on o
w hi h c f h
re e r t o p f hi b kot er Th R i
art s o i t s oo ,
or t o
“
e os c ru c ans,
”
d E di i 8 79 — h H U zz H zz “ ” ”
S e con L d t on, on on, I t e ou ssa, a, u a,
U ss, H”
or ( i h l u ss i g) h M gi l S
w t a se x e ss m e an n , or t e a ca on, or
C hild f h W ”
o ht e h i g i ( di g i ) f h
om an, e w o, n u se or s u se o t e
Pi r i
nc e, h h ig h h d
s t t et fS p
at t e R g li y r il hi t an
”
o u re m e e a t , u nt s
fC
”
i
e ne m e s a re d hi f ma l e il h l f h d d id
s oot st oo o r u nt t e e t- an e s e o re a
i v q ih d g d Th E p f G y i
,
i
t on s an u s e or t e - arran e . e m eror o e rm an s, a t
thi p i d h
s er o ,
dC t e se con E p — h i h E p fh e sa r or m e ror t at s, t e m e ror o t e
W — h l gi i
e st t e e f Ch l
t m at e g h gh i i di
su c c e ssor o ar e m a ne , t ou t s a s
My ti c r Ana t omy . 20 9
g E mp g
,
he ralds, w he t he r it shou ld b e i ht y t he
r l e ror of G e rm an
y, p
s ru n
from t he B o Ru ssi,-
”
or Po Ru ssi,
”
-
o r h
t e “ P ru ss a n i
”
(B a nd P
a l so
,
le t i t b e rem a r e kd are v bl l
con e rt i e e t t ers i n t he dia l e cts
) . T he
b ig i lly T
,
s
ylla le B0 ,
”
or
“
P0 ,
”
is or na au ri ne —t he sam e is to be
re m a r e d o k f t he pre syllab le D —i h
o
”
n t e nam e of t he c ou nt r ,
y Bo
h e m ia, g
all t his i nt i m at i n t he T i m y hi m gi ear ly B v i o ne or a ur ne , t c, a c
d fh
e sce nt o N h t B vi e se
( T i ) b b ort ern h d Th o ne or au r ne ar arous or e s. e
su pp f h R y l P
ort e rs o i t e h pp
o a f h russ a n arm s, no w t e su ort e rs o t e arm s
o f h tI p i l G m
e m E pi er a B b i er S lv g an m re ,
”
are ar ar ans, a a e or
S v g Sylv b ”
a a e O
m e n, ( U i a ns,f h rsons h f or rs ne s, or o t e e ars, t e re ore
rou gh g h) e nou f h d b v i b ll b i g h
m en o t e w oo s, or o ne s, u s, oast n t e
—f q b ly i h
,
”
h orns, i G re h ld y
ue nt n Th
e rm a n e ra r ,
not a n t e c re st s. e
“ ”
c re st m f co es b irom b i C
cr crt a , c If h r ert 1 cr rr , c r rr
,
or HR1 ST . t e
ill g i
,
re ad k f
er ma h I p i l G m
es re e re nc e t o t h e m er a er a n c row n e w a a n
g i h y hi l f d l
re c o n se t e m i i di
t c i i h
c e t,
”
m i l an a so see ts n c at ons nt e ar or a
e nsig f h A
n o i tE p i hi h i O i / h g d i
e u st r a n m re , w c s sst f r sc J ,
c an e nt o
A i h
u st e r sc A i d
or hi h p l i
u rt r an, i d d an h w c osse sses c a m s, n ee to t e
E E p i hi h l i y
,
h B yz
ast e rn, o r t i e ant ne d i di p m re , w c c a ms et st an n s ut e
b h
et w e e n t E p fR i h E p e m fG
e ror o
y d h u ss a , t e m e ror o e rm a n an t e
E p Th Ki g ( h E mp
,
Pp i h p h i dig ifi d
,
o e s t e su d i
rem e p ) fR
crow ne o ne n t s n e re s e c t o om e
— il a t t e i — i p p l h Cm
now non e x st e nt y h z i f s ro e r t e sar
,
or t e su e ra n o
th Re E pi h H ly R
om an m E m pi d h h E p
re t e o o m an re ; an as su c t e m e ror
E p N p l h T hi d ( hi
,
N p l
a h Fi
o e on t d l h
e rst , a n a so t e m e ror a o e on t e r s
l i i h F hd b l hi k hi p dy) gh
’
u nc e s m t at or, or, as t e re nc ou t e ss t n now s aro sou t
k h hi — h K i g f h R fP i
, ,
t o m a e e ac s son Th i l t e n o t e o m a ns. e t t e o r nc e
o f h G ll
t e IV ll a W l
e s, or d h f h D lp hi
a e s, or D p hi a e s, a n t at o t e o n, or au n,
th i l f h ld
e t t e o t f h Ki g f F
e e i i il
est son o hi t e n o ra nce , s s m ar t o t s.
2 1o Pb a /
li cirm .
s tudi ou s
( w ho mu st th e r e for e b e an i nqui sitiv e
, , ) r e ad e r
”
or
“
d oubl e conqu eri ng t he D r a g on in Egypt and in
, ,
o r S e b a or Sh eb a ( som e e x a m i ne r s o f t he m yth s c a ll he r
,
” ”
t he
Q u e e n Sh eb a or Th e b a o r T e b a or t he
, ,
“
A rk, ,
e pit om i se d or i m p e r so na t e d in t he fe m i ni ne for m — e v en
,
”
K i ng S ol o m on s Qi e en o f Sh e b a ) thi s S a i nt Michae l
’
-
a r ou nd a nd c onstituti ng t he m e a ni ng s o f t h e H oly G ra é l
, .
T he H o ly G ra cl is t he p ar e nt and pr oduc e r of a nd i n i t s
’
a str ol ogic a l
( cl e arly m agic
) di sc e nd ow e d
,
with s up e r
natur a l gift s g ai ne d fr om H e a v e n thr ough t he pr ay e r s a nd
,
t h e P a tr oness o f t he S a cr e d Ord e r of t he G a rt e r ,
”
K e e p er or G ard e r she b e i ng t he ( b e e n of H e av e n
, ,
”
and t he I m m acul a t e M oth e r of J esu s Chri st Lord and
“
” ”
“ “
S avi our b e for e wh om e v e ry kne e shall b ow In .
.
” —
i c c
n no e n e so p ow e rful th a t thi s G od fille d i nno c e nc e -
” ”
t he S e r a phi m
( k now m ost t he Ch e
,
rubim “ l o v e m o st )
c an sh a tt e r t he w orld articul a t e d— so t o u se t he w ord
(
i n t h e m agic o f Lucife r but c ond e m ned in opp ositi on t o
, ) ,
Son o f t he Mor ni ng
” ”
ing St ar the
,
t he v e ry high e st -
”
titl e ou t ofh eaven for in h ea v e n it c annot b e but ou t
“
, ,
—
him by his grand ch aract eri stic t he i nvi ncibl e Virgi n “
a t t he sa m e tim e a rm e d in t he d enyi ng m a il o f t he
,
“
G nostic r e fu sal t o Thi s is anoth er myth a ,
“ ”
myth withi n myth s a t t he sam e ti m e th at it i s a
,
”
stup e nd ou s
“
m y st e ry of my st e ri e s b e c au se it is so ,
“
A p oc alyp se U nre v e al abl e a s t he R e ve l ati on
. .
o f t he Pl at oni st s It is pr e ci se ly t he r e v e r se o f th ose
.
-
l
T he m e t ap hysica fou ndat ions of B u ddhism a nd G nost ic ism are
t he sam e .
2 1 4 P/
J a lli ci s m .
r esp ect s which m ay sp oil all his d educti ons and con
,
much .
b e sa id t o b e Me n F orward -
Men m ay b e said t o b e
.
W om en Backward -
”
T o c om pr e h e nd all thi s it i s
.
T he p rescript ion t o K i g D v id h
n a , t e fa v ou rit e of H v ea e n,
”
b e it
a nd st ric k en i n years,
”
w as t he at t e ndanc e and m i nist rat ion of a m aid .
c o e re d hi m w it h l
c ot hes, bu t he gat no he at . 2 W here fore his
.
v
se r ant s sa id u nt o him , L et the re b sou ght f
or me
y L ord t he K ing a
y ou n g vi gi r n, and le t he r st a nd bf e ore t he K i ng ,
an d le t he r c he rish
of I srael, and f
g
K in 4 A nd t he dam se l w as e ry fair, and c he rish e d t he K in , and v g
h Ki g k
. .
O u r au t hor has g iv A bi h g
en s a ,
t he v er
y ai r dam se l s adu m
f
’
b rat ion,
m ost cu riou sl
y
T hi g K i g D v id b i g v
.
an d li ff
re h i fi i i
e f ld g i
or t e v i gi F v i g i
n rm t e s o o h a e s a r n. or r ns a re t e
g p i
re at est t e m v y llyt at ons, h f l fi er inat u ra to t e au t o ncont ne nc e .
f i g h f i fh T
,
N if h Si ow t e n o eat n t fK l dg fG de ru t o t e re e o now e e o oo
d Ev il h S ip lK l dg f W ( i h p i i f
’
an w e re t e cr t ura now e e o a o m an as s t e o n on o
som e l d )
e arne p l V i g i i
m en y y li k l b h
a s ot e ss
y v y h i g ir
p nt ma e e t e er t n n ro
i g h Ev il D y fM hi h h b g ili g fW b y h D v il
,
t ra c t n t at a o an, w c t e e u n o om an t e e ,
an d h d i
e r se b y h Ev il O u c t on fi b gh p h h ppy M t e ne , rst rou t u on t e u n a an.
O d i if r a Fi P m t, h d our h A pp l (
rst are nt s a not e at t e
‘
e
’
as m ost
D iv i ll
nes a h y lly did) M ow t eigh h v b re a iv d i h
, an m t a e e e n c onc e e w t out
i
S n, a n d W ig h h v b o m angh f h i h m t a e hi roud ll t ort w t ou t sorrow t s an a
ot h A
er big ct s lly p f e d
n di g
nat u ra h W ill f hie r orm e ac c o r n to t e o s
g
,
C h S
re a t or, as d ih
t e i b
un h b y h F ll W ill
oe s rou n w t ou t S n, ut t at , t e a
d Pl f d ligh h b m i fl
,
an d p i l ly hi f
e a su re , a n art c u ar t s onn o e t, as e co e s nu
an d i
at ro c ous d L h g an bi d d
u st i asi g v row n e x or t ant an om nat n o er
e v y hi g i h ld W h p h p hi
er t n n t e w or .l i i —b f en er a s t s nat u ra nst nc t e ore
th e F ll ap ’
i - w as a lp p u re ,iy f h S
nnoc e nt , nat u ra ro e ns t as or t e t ars t o
Ev i N v y y p d by h
,
k p hi
ee t e r c ou rses. en n at u re , e er wa co rru t e t e se
p ii d
os t o n a n fM h v h ld d phy i lly i p bl
c o nt act o an, ow e er t us o an s ca nca a e,
i lf
e x e rt s g i lly d ymp h i lly p d b y h b di g
t se m a ne t ca an s at et c a ,
s u rre t e a ou n n
My ti c s Ana t omy . 2 1
7
fanc ies v v d i m g i iv W m l i i g i h f b l
of in e nt i e an a nat e o an, ux ur at n n t e ee e
o bj h ly id lly g dg i g ly d v i ly ff d d
e ct t u s on ac c e nt a ru n an en ou s a or e ,
e x e rt s
g i i v i ibl p i di i d i b i ( m
, ,
i lfb y i
t se ts ma c n s e ex a ns o n, ra at on, an nc u at on wo an
b ig h
e com n i ft e h l i b
m an
’
f lly
n orc e k d) d h e re , et t e care u re m ar e an t en
h
s e so a c t s, w t ih h v ig f ht at dly i h ou r i i se ntf o rt out w ar n er nst nc t o
d l ig h (
e iv d b y N
t c ont r
) i e k i g p d d
at u re l i
,
p ly n se e n t o re ro u c e a n to m u t ,
t h h
at i di pp i
e r o w n e x c t e m e nt i f h at p by sa o nt m e nt re n orc es er ow e r
i p l yi g
m i h n i toff y t t N e a r oh dy d h ur .i ow t e re m e an t e re st orat on t o
h lh ea t d g h f h g d M i hi v iv ifyi g i g l dmi i
an st re n t o t e a e an n t s n ,
s n u ar a ns
i
t rat on o f h hl t p hy i i ( m ) h p
e m at c e ss ib hs c an dy wo an ,
w o rescr es t e re m e ,
i f d i
s ou n h f h nt h V i gi
e a ct p d h v ig
t at t e dly i r n ex an s t at ou r ou t w ar n
m h i l ( h g if i g N v g
,
h eri i nst nc t ec f an c a
) f
t e i h t o c u nn n at u re or prese r n er
d yi g p i l gi g i i ll d hi h p i g f m h ’
e ca n h s e c e s, er on n , as t s ca e w c s r n s ro er
g iv h l k
,
H p i g ll h d f h i y Th h m
,
’
w or ld . e re s r n s a t e en o u m an t . us t e wo an s
p ow e rs an d i i fi d h i nc t e m e nt s p d f y n dly t hi he r e sca e an sa e t ou t w ar , w c
s h e ld
w ou h i otm d
e r w se
p di g
c onsu h e an u se u a ccor n to er nat ure ,
D iv i
,
i nw ardly i p i n h l i
roc re at on, i fh by h
t e na t u ra nt e nt on o er er ne
A h ut A d
or. h h n hi on tO ld D e d A h
ot hi
e r, t O ld s u st an s e s,
’
t s
‘
M an hi ,
’
i t s p ih
a nc e nt g l f p i y b y hi
‘
st u m w t not a ree n ea u on t,
’
ma s
b i f ll f pi i d v i li y h v p k f i i k i dl d
,
c onc u ne , u o s r t s an ta t , a e s ar s o rean m at on n e
i hi (
n m li i i )
a ne w e k p h b liv h f
x r s
u te , so as t o ee t e em e rs a e, t at , or w a nt
o f h f l flif
t e ue obl b k i h g d m g i l fl
e , are not a e to re a ou t nt o t e ra n a ca a
o fL h v g d illi g i i i l h g h i ffi i
u st , ow e er ea e r an w n n nt e nt on, a t ou nsu c e nt t o
k g
ta e d
re e
p d (h
n w oo g
or fp
ow d ) fer d t B e w ro n sort o ow er o w oo ut
m b li g dl b fli k i g
.
i f h O ld M
t e Vi l F l h
an s
’
ta am e t u s t re n an am ent , c er n
v
, ,
so t o sa
y h i lf ho erl d p dm se y i s oup i y i roc ee to tr t o an m at e ost e r t n
v i l — p d d b y h D v il— h
, ,
o e r- st mu us i
tem te to ly
e st ru c t o n t e e e m ust on
ex p hi e ct p dy E i is o w n s ee d i d f q i i g lif
x t nc t on, a n nst e a o re - ac u r n ne w e
i gh Th h v b if l d p
,
h e di
m u st e ou t r t h . us t e w om a n, ow e er e au t u an te m t
i g n , b
m u st d hime d ( id d b y h
sacre to g l h ill h lp, an a e t e an e s, w o w e
hi i h im nf l d s re usa i ) h ani l l f h — Tb C
c o nt ne nce e w orsw ear er.
” “
c ure
o
f Old Ag d P i
e an
f T b By h g r eser v a t on o M h i i or/l . t at re at at e m at c a n
an d P hy i i R g s c an, B E d i d b y Ri h d B
o er a con. ML te c ar row ne . .
C ll M d L d L d P i d b y Th m F l h S P l
,
’
o . e . on . on on, r nt e o as es e r t. au s
Ch
,
u rc h
y d,
ar 1 68 3 .
2 1 8 P/
J a llicis m .
a u de o fhe r ur i ty .
d
An ye t — to se tg ai nst thi s— p erp etu al m aidhood or
a ,
of h e r b e a uty Th
. e s e f a ct s a n d th eo ri e s— and m or e
not i nt e nd e d f
,
or p e r sona l rigid h oli ne ss f or t he putti ng ,
a sid e a nd d e ni al with t he t e rr or s
,
b oth t o w om an and ,
st a nd s N a tur e .
M s Q i kly
r . u c g
Say— w hat t hin i— w hat t hi n ? g
g
.
”
in t h e D e vil s arm oury of t e mpt a ti ons as it ha s e v e r
’
,
a nd t h e e ag e r symp a thi es of m an h av e b e e n e v e r a bl e t o
i s) thi s fir st id e a in t he e arli e st a ge a nd gr a sp at t he
, , ,
”
u na tta i nabl e is a t t he sam e tim e m an s l ast sna tch in
, , ,
’
,
a e a t t he ultim a t e d e p art e d
g , j y(
o wh e n p o w e r ha s g one ,
”
w a s a sublim e r e ligi ou s rit e in t he old cl assic tim es as ,
Mystic A na tomy . 2 2 1
”
i s m agic a l
“
,
whil e t he m an s form is m e ch anic al A ll
’
.
t h e O ri e nt al s a s is w e ll k now n h old t he id ea o f w om an
, ,
’
gr a tific ati on the Ori ent al r e duc e s wom an s form t o it s
e arli e st nak e d ne ss th er e for e t o it s m agic th er e for e t o i t s
, ,
a nd c u
o n tri es— as w e k no w i t d o e s i ndividu a l s— v e ry
“
di ffe r e ntly But a m ong st t he Ori ent al s wh er e l ov e
. ,
” ”
r ag e is v e ry oft en t he gr e at e st of r age s the c ool “
,
i nquir e r and the c orr e ctly c omp ari ng and w e ighi ng phil o
soph e r will soon p e rc e iv e ho w t he gr e a t est of d ang e r
m n o
a f t h e E a st tr e a t s h is lu st fo r thi s b e a uty — for ,
p h anou s or op aqu e dr aw e r s or tr o u se r s in t he H ar e m s .
”
c oar se im ag e d e v our s wom en in thi s w ay e a ti ng
2 24 P/
J a ili cism .
“
r e ligi ou sly in fr e e i ng th e m from t he a nim a l ri ng s and
”
purg at ori es hi nd eri ng th e m in th e ir forward progr e ss of
,
'
e x a lt a ti on o u t o f t he c ond e m na ti on which t o th e se Sp e e n
a ppli e d t o t he l ow e r o rd e r s o f cr e at u r e s— not th at t he
g od s
Fa rth e r th an thi s— in r e g ard o fou r ow n c ountry By .
;
, ,
Q
2 2 6 P lJ a /
li cism .
in t he sa ck and di sm i sse s th e m i nt o th at
, out sid e of
”
life as w e m a in o u r ignor anc e of it in thi s ou r r e al
, y , , , ,
”
Re d e e m e r ofM anki nd thr ough ( o f cour se t he Virgi n ) ,
“ ”
M ary t he M oth er
, It is a str ang e thi ng th at none
.
,
S ci e ntific m e n c a n m o
,
v e a g a i n s t thi s C E R T A I N T Y A n d .
t he irr i
es s tibl e m r
o a l i s c a uti on a n d se lf d oubt — -
wh er e i n
w e fe e l di sp ose d t o a cc e pt e v e rythi ng and d e ny nothi ng .
id
T he e a of a e a se r li d G o d — ap art fr o m t he e x a lt a ti o n of
w e b e gi n t o thi nk o th e rwi se w e fa ll i nt o t he tr a p se t by
t he d e vil and v ee r a b o ut p e rc
,
e ivi n g th a t G o d— ifw e
,
e m ph asi si ng a cti on a s se e n
,
in chiv alry and knight
e rr a ntry which a re e sp e ci a lly i nsti nct s o f t he Cr oss
,
It .
”
bri ngi ng o ft he Virg i n M ary and t he M agd al en t o t he
fr ont th at r ai se d w o m an th a t e l e v a t e d her ou t of t he
,
o u t o f t he di sabiliti e s o f w o m e n i nt o t he Spl e nd o ur s of
w e c a ll sb a me in r e g ar d t o p articul a r p a rt s o fo u r p e r sons
, ,
ficie nt ly t o t ak e i nd e p end e nt vi e w s
“
from t he out sid e , ,
”
o f th e ir form a nd m ak e u p ( a s i t w er e) and w ond e r -
,
a t t he u se s a nd t he di sgr a c e in t h e e x e rci se of c e rt a i n o f
, ,
of
“
sacrifice
”—
but at onc e e x pl a i ns and ju st ifie s— e v e n
e nj o i ns a nd ord e r s it —a t a ll e v e nt s in a ll i nst anc e s of
,
sp e ci a l se lf d e v o ti on t o t he se rvic e o f G od A lmighty
- -
diansh ip a nd a t t he sa m e tim e t he ex er ci se of t he m ys
, , ,
” ”
G od or o f t he
“
,
H oly Gh ost is d eni e d t o t he L a ity ,
e v e n t o t he c e l ebr ant s .
2 2
3 .
fe ll ow ship “
ou t o f
”
n a tur e a n d “
in
”
n a tur e — a nd ,
e v e nt s i s t he b est h eav e n
,
T he Brid e has alwa y s b e e n .
f
f f —
of and of t he p ssibl
( o e pr o e r o
) i ns t an t r escu e e v en
o v e r h a sty tru st
-
and ig no r a nt a nd i nconsid e r at e se lf
,
4‘
M r. L g on
’
s
“
B by
a lonian Ma rriag e Mark e t ( sold ”
in 1 88 2 to
t he H ll y I i i f o ow a nst t u t o n or 6 , 3c o gi u ne as ) w as a su rdl b y nam e d,
i g h
se e h n bj h d t at t e su ec t a not hin g w hat e v er to do w it h g
m arria e.
P b b ly h i
ro a i d t e ar st ocrat c an ot he r c row ds w ho fille d h
t e R y l o a
A d ca
y d g z d
em i h an a e w t c u riosit
y u pon t his p ict ure w ou ld h v a e
b h kd hd i b d
ee n s oc e a t ee n e scrib e d un er d i ts ri ght nam e . W he n
Mystic Ana t omy . 2
33
st ric t l
y t ru e i ll h p na t e art i c u a rs as l en e ro ot u s.
L es B b yl i
y a D l on e ns, l i b i
”
h sa s u au re ,
“ out u ne o en ont e u se
t ou t efm é d e l p y
me, n bligé e fi d ans i d
e a s, e st o e , u ne ~
o s ans sa v e , e se
re nd re pl d V é au tem p y live a m é e g Pl i nu s, ou r s
’
re r u t ran e r. u s e u rs
d ll d é d ig d vi fd v l a
’
d
’
e nt r e e s, a nant e se o r c on on u es a e c es au t re s, c au se e
l g il q l i pi l f p d v pl
’
or u e ue i heu r ns re nt l eu rs r c e sse s, se ont ort er e a nt e t em e
d d
a ns h v L a ll i
es c ars c ou i e rt s.
y d ie ll e e s se t e nne nt ass se s, a ant e rr re e es
g d b d d m iq q i l pg é
,
un ran nom re e o m i l
e st ues u e s ont a c c om a n es ; a s e
pl p d éy d l p ie d dé p d d pl
’
u art e s au t re s s ass e nt a ns a ce e t e rre e n ant e u t em e
d Vé e v d fi ll
nu s, a ec u ne cou ronne d l e L e ce e a u t ou r e a t te . e s u ne s
arriv l e nt , i O v i
e s au t re s se re t re nt . p d llé ép é n o t e n t ou t t e m s es a es s ar e s
p d
ar d g
es c o r d L é
a es g te n
p e d u s. ll é es t ra n e rs se rom ne nt a ns c e s a es
,
et c h i i l f
o s sse nt q i l pl i es l pl Q d
em me s f u eur a se nt e us. u an u ne e mm e
a p i pl r s li ll
ac e pe n ce h z ll q eu , e q lq e ne e ut re t ou rne r c e e e ue ue ue
é g li i j éd l g
t ra n e r ne u l g
a t et i e
’
ar e nt su r es e nou x , e t
’
n a t e u c om m e rc e
a v ll h d li
ec e e é Il f q l g
o rs u eu l i j
sac r d
. au t ue
’ '
e t ran er, e n u e t a nt e
l g l M l ’
l i di J i d e i O l A y i
’ ’
‘
e nt , se : nv o u e a e se tta r es ss r e ns
ar u
q y .
d o nne nta Vé l d My li ( L lq
nu s diq
e nom
q i e l t ta . ue ue mo ue ue so t a
som m e , il ép p i d f l l i l def d
n
’
rouv e ra o nt g e re u s : a o e en ; c ar c e t ar e nt
d vi é E ll i l p i q i l i j e d l g il
’
e e nt sa c r . e su t e l i re m e r u u te e ar e nt ; et ne u
p i d p p E fi q d ll
’
i d
’
e st e rm s e re ou sse r e rso nne . n n, u an e e s e st ac t t ee e
q u
ce q ll d v i a l d
ue e e b d
a t a a g ll
e e se en s a
’
an o nnant
'
u n e t ran e r, e e re t ou rne
l q lq q l i d il
,
h z Ap e
’ ’
c ll
e e e. r s c e a, ue
p ue so m m e u on u onne , n e st as
p ib l d l é d i
oss e eC ll q i a s p g u re . ill el g e es u o nt e n art a e u ne t a e
'
e a nt e e t
d l b
e aé f p l g éj d l pl i l l id
e au t ne ont as u n on s ou r a ns e t em e ; ma s es a es
y d v
re st e nt g p q ll
a a nt a e , p v i fi a l l i arce Il y
u e
’
es me eu e nt sat s a re a o .
en e a
q i y d
m me i u q —H d e m e u re nt C li t ro s o u u at re a ns.
”
er o ot e , o,
c ha p . c x ci x .
2
34 Pb a lli cism .
in m agic aw e — is ne v e r t o b e r e m ov e d — b e
”—
“
v e il
c au se a cc ordi ng t o t he myth ol ogi st s t he c onse qu enc es
, ,
b a r b a ta ”
or ,
“
y , ,
t he g odd e ss b e c om e s t he od a nd the
g od t he g odd e ss
g , ,
“ ”—
as sp o ilt w ork which m ar sh a lli ng of proofs (as w e
r e p e a t ) is irr e si stibl e and triu m ph ant in any c ourt of t he
w orld a nd has a lw ay s so b e e n— in any c ourt and b e fore
, ,
t he Church t o m ak e i t h oly ne v e r b e i ng sa ti sfi e d
,
or ,
”
M anki nd for the fat e d i nh e rit or s of that fearful fi e ld of ,
t he Cur se .
“
pra cti se d T he S oh ar iii 1 0 4 a b d ecl ar e s th a t A t
.
,
.
, , , ,
o u r h e a d s a n im ag e r e se mbli ng a hum an fa c e A nd it i s .
is no t se nt by G od and d oe s no t d e sc e nd and h ov er ov e r
,
ou r h e a d s th er e ca n b e no c onc e pti on ; f
,
or it is writt e n
,
”
A nd G od cr e at e d m an in his o w n i m a g e ( G e n i . .
Thi s im ag e r e c e iv es u s w h en w e e nt er t he worl d i t ,
se cr e t wi sd om b e c au se it w a s only h a nd e d d ow n by tr a diti on
,
E z e ki e l — v i z t he fa c e o f m an o f t he li on t he ox and
, , , ,
a n ob e li sk fr om t he m ou nt a i ns o f A rm e ni a and e r e ct e d
Sp e a ki ng o f t he di f fe r e nt ki nd s o f e arth of which t he
b ody ofA d am w a s form e d th e y say th a t the earth which ,
Resea r cb es v ol iv pp 3 6 7
,
. .
, .
H A
’
r é ee de d
fi r ens Cu lt es
'
( D u la u re i s,
toi r e b g ) .
R
2 4 2 pp
A endi x .
th a t it w as pl ac e d in t he w a ll ou t of c ont em pt on t he
, ,
in My sor e and a l so i T
n h n a na — M oor Hi ndu Pa nt b eon
,
e
g .
, .
i n a st at e of nudity it fo ll ow s th a t sh ould th e y fa il t o
c ontrol th e ir th ought s and sh ould e x cit e d imagi nati on
,
Voyage a u x Indes i 3 1 I ) ,
.
, .
PH Y SIO L O GI CAL CO N T E ST S —T H E P EL A S G I — TH E R O UN D
T O W ER S OF I R EL A N D — A D O R A T I O N O F TH E V V UL A.
cr e a t e d a multitud e of human b ei ng s w ho a d or e d t he
fe m al e p ow e r only and w e r e all w ell sh ap ed with Swe e t
,
-
,
A pp endi x . 2 45
'
b e t w e e n t he t w o nations a nd t he L ingajas w e r e d e fe at ed
,
t he t w o sy st e m s t e ll u s in th e ir a ll eg oric al styl e th a t
, , ,
b e t w e e n th e m ; h e nc e t he na v e l of Vi sh nu by which th ey ,
fl ow er s a nd w at er is p our e d on t he Li ng a T he rim
, .
”
r e pr e sent s the Yoni (Wilford O n the Sa cr ed Isles i n t b e ,
A l m one r s w ho fl e e i ng fr o m Ir an t he anci e nt na m e o f
, , ,
a fa r S om e ti m e s al so th e y a pp e ar c onstruct ed of an
.
a row o f a p e rtur e s t ow a rd s t he t o ju st u nd e r t he
p p ro ,
( O B .
f Ir ela nd , ,
61, 5 1 1
“
W h en c
id e a obt ai ne d th a t ou r w o rld w as
on e the
t he m o th e r so it w a s supp o se d th a t e m e rg e nc e fr om a
,
w ho a lw ay s b e st ow e d t he a pp e ll ati on o f d e vil s on t he
sea r cloes v ol vi
, . p .
, .
D r I nm a n say s th at in som e pl ac e s it w a s
”
pyramid . .
”
cl e ft s in t he e arth a s at D e lphi So a cc ordi ng t o M aj or
, .
,
chadne zz ar o n t he pl a i n o f D ur a in t he pr ovi nc e o f ,
( R i
'
ver s c
y gL
‘
e ii
‘
,
.
,
2 5 0 pp
A endi x .
L I N GAM G O D S IN G R EA T B R I TA I N .
’
h av e b e en h oodwi nk e d by t he u nju stifiabl e t erm crosse s
appli e d t o t he anci e nt symb o l s which w e r e alw ay s in t he
,
t he vi si on of e v e ry Li ng a m d e v ot e e T he m util a ti on .
t he Y oni t he p ol e of t he Li ng am
, .
“
In S outh e r n E ngl and t w o nam e s occur in l a t e r d ay s ,
of Tumb as
’
c av e s or a rk s wi e ldi ng a rod or Tri S ool
, ,
-
.
a re e v e r t he sa m e A t P e nz anc e on Mid su m m e r
.
,
on t a ll p ol e s in t he m ark e t pl a c e on t he pi e r a nd in -
,
r a ti ng A ngy e an _
,
( I sht ar l I sht ar and a t l e ngth
‘
— Ri v ers
till w e ari ne ss di ssolv u i es t he n on .
( qf L f,
i e
i 45 6 ) '
)
“
In t he churchy ard of t he vill ag e o f Ru dst one in t he ,
e l se wh e r e say s
“
Throughout a ll t he world the first obj e ct
,
pl a c e d in t he gr ou nd as an e mbl e m of t he ge ne r ativ e or
”
pr ocr eativ e p owe r s of N atur e Celti c D r u i ds .
,
w ax ,
r e pr ese nti ng t he w e ak or afflict e d m e mb e r s A t .
w om e n fl ock e d t o t he abb e y t o i m pl or e t he sa i nt s ’
,
Appendi x . 2
57
w as t o b e se e n in t he w a ll of a h ou se a t B ourg e s with
, ,
e v e r su f
,
fi ci e nt with fa ith t o e f
,
fe ct mir acl es N ear Br e st
,
.
T he l oc a l v ot ari e s scr ap e d o f
f t he e nd of thi s m irac u l ou s
a nd ne v e r fa ili ng e a nd th ese scr a pi ng s m i x e d w ith
p g
-
, ,
,
5 8 ‘
A pp ndi x
e .
’
a lway s in a st at e ofpromi nenc e b e fitti ng t he sai nt s p e culi ar
r e put ati on and alth ough an archbi sh op in thi s i nst anc e tri e d
,
( D , ,
.
, , .
i n Pr ov e nc e w a s a n ex v ot o o f
,
fe r e d t o t h e d e ity pr e sidi ng
-
o v e r t he th e rm a l w a t e r s b ya gr a t e ful or e x p e ct ant p a ti e nt
,
.
my st e ri e s of C olyth h av e b e e n di sc ov er e d In the
, .
se e m s t o h av e b e e n u se d f or sa cr e d purp ose s is an ,
h e r a rm s a nd l e g s whil st ano th e r Sh ow s a d e al e r in ph al li ,
R i vers o
f
f fl j e i 2 ,
1
3.
,
H E B R EW B AA L -
P EG O R .
”
c or am ill o foram en podicis e t st ercu s offereb ant B ey e r .
” ”
hy m en and B aal P eor a s My L ord t he O p e ner
,
“
,
B
H E R EW P H AL L I CI SM .
”
w as r e g ard e d a s t h e livi ng sy m b o l o f G od A se rp e nt .
T he e x act sh ap e and m a k e o f t h e i m ag e se t up by
A a r on t o b e w o r shipp e d in t he w ild er ne ss has b e e n
gr e atly squ abbl e d ov e r by orth od o x a nd u nor th od ox ’
.
a nd e v e n if it w e r e pr ob abl e th a t t he I sr a e li t e s a s ha s ,
Ki g — th t f h 1 8 c a ll e d a Mi hlit
( 1 n s x v 1
3) . a o t e ( b e e n p
z e t h or in t he l angu ag e of t he Vulg a t e a
,
Simul acrum ,
”
Pri api . In th ose oscill a ti ons i nt o id ol atry of which th e y ,
O f t h e Gr o v e T he Eph od lik e t he A rk is a fe mi ni ne
.
, ,
e nm ity a nd di f
,
fe r e nt cult s pr e v a ili ng a lt e rna t e ly or e x i st
ing c o e v ally Our i nsp e cti on of and i nv e stig ati ons
.
’
M ost High and Lord o f all H oly Fir e s and th at the
,
‘ ’
,
2 64 A pp endi x .
a nd it s fruit r e se m bl e a t e sticl e in sh ap e ; t he fl ow e r of
G N O ST C I I
R TE S
a ll ow h e r se lf t o b e c om e pr e g na nt t he e ld e r s c au se d ab or
,
sayi ng ,
W e h av e not b e e n d e c e iv e d by t he Ru le r of
‘
o f ou r br oth e r
’
slidi ng In illu str ati on of t he
.
“
T he N e za ire s or N a za ra ins form a sp e ci al se ct in Syri a ,
a riti V
( M o a e vol ii
yg,
p , . .
,
.
S Y MB O L W O R S H IP .
W e c om e now p ea k
wh at w e m ay d e signa t e
to S of
“
m an ,
I had l earne d th a t t he Gr e e k l e tt e r D EL T A is
e x pr e ssiv e o f the fe m a l e o rg an b o th i n sh ap e and id e a , .
“
In studyi ng t he m e ani ng o f t he FI SH as an e mbl e m
sacr e d t o I sht ar and V e nu s w e fir st notic e it s e x t raordina )
m f
f
;
,
W e ne t e th a t t he fish se l e ct e d is O
t h e t a il r e mi nd s him of wh a t h e k no w s a s la fou r cb et t e .
T he h ea d of t h e m i ni st e r is sur m ou nt e d by it s h ead ,
t o w e a r t he wh ol e a ni m al t he h e a d w a s u se d t o typify
,
t h e h e a d — (I nm an Anci ent Fa i t b s i
.
, II 1 2 ,
.
, ,
“
T he sh a p e of t he P O M EG R A N A T E r ese m bl e s th at of
t h e gr a vid ut eru s in t he fe m a l e a nd t he a bu nd anc e o f
,
h onour — (I nm an Ancient Fa i tb s
.
,
6 1 1— 1 2 ,
.
“
T he FIG T R EE is r e p e at e dly j o i ne d with t he vi ne by
-
t he l ea v e s o f thi s tr e e th a t a pr ons w e r e m ad e t o c ov e r
as w e ll k no w n as i t s c omm e rci a l v a lu e W e ca n .
t o sit u nd e r t he vi ne a nd fi tr w a s a n e x pr e ssi on
‘ ’
ee
g
-
I m an Anci ent F a i tb s i 26
( n , 5 , .
,
“
W h e n Sp e aki ng of t he SO c all e d A ssyri an gr ov e I -
,
”
r epr ese nt e d by th at e mbl e m w as typical of the t est e s
, ,
Fa i t b s ii 4 9 —
,
0 49
.
,
a nd th e ir r oo t s cl o se ly r e se m bl e t he scr ot u m o r t h e t w o
A nci ent Fa i t b s i 8 ii
( 33 ,
2 50
.
, ,
.
,
t o t he ac t of V e nu s it w a s h e ld th at t he m e m b e r of hi s
,
o f P a n F a u ns S a tyr s & c
, , rur a l d e iti e s wh ose figures a t
, .
,
t h e sam e ti m e r e pr e se nt e d t he sh ap e of t he goa t a nd t he
ng fr om Mr M C la t ch e s Cb i na Rev ea led th a t
t i ‘ ’
y .
,
“
t he old ph allic g od s r e pr ese nt e d u nd er t w o e vid e nt
,
l
v i r i e, and t he Khw -
a n or Y in, t h e p u dendum m u li eb r e,
”
or Y oni he a dd s th a t Y ang the agit at or or wh ip is
,
“
, ,
”
i ner t i ce .
”
Sp e ci e s .
“
I am i ncli ne d t o b eli e v e he add s th at the , ,
, .
, .
,
t he m a l e so th a t wh e n she h e a r s t he b e ll owi ng of t he
,
lik e a cow . D e Na t u r A nn ua l” x . .
TH E SY MB O L O F TH E S E R P EN T .
h ead are r epr e sent ati ons of t he m yth ol ogical four e qui
, ,
“
brui se thy h e el sh o uld b e Gl ori am fasci ni congre ssio
,
“
W e m ay r ath er ascrib e t he i ntroducti on of ophi ol a try
i nt o Chr1 st 1an se ct s as t he m o v e m ent of a v ery c onsid e r
a bl e and i nt e ll e ctu al b ody which r ose i nt o gr ea t imp ort
a rk a nd e ntici ng t he se rp e nt t o c o m e ou t by bit s o f
br e ad th e n he w as a v erit abl e B e th el a nd B e th l eh e m
,
- -
,
d ay s by si m il ar hy m ns and my st e ri e s t o Pyth on A
, .
— ”
o f br e a d a simil ar id ea t he e ntici ng of t he Spirit .
“
It w ould se em tha t t he C aduc e u s of M ercury th a t ,
q if e i ,
.
,
TH E I
R A T O N AL E OF G EN ER AT I O N .
— TH E SA CR I FI CE OF
VI R GI N I T Y .
— CO N SECR AT ED W O MEN .
— B R I D AL DE V I
O T O N S.
( A nt i ui ties v ol v
q D e Pu e rp e ri o
,
.
) m.e nti ons S atur nu s u t
,
re e re nt
g a d foe tu s c onc e pti i ncr e m e nt a m V it u nu s u t ,
Ci ui ta t e D ei lib vi
f
ca
p 9, ) c ompl
. e t e s t he c a t al ogu e
., .
,
, g
a ddi ng a m o n st oth e r s J u a t inu s w ho bri ng s t he sp ou se s
g , ,
w om a n .
,
“
s ali ent p orti on St A ugu sti ne say s on thi s subj ect A
. .
,
,
.
,
”
c e ive d t h e fir st sacrific e of th e ir m od esty e F a lsd R eli
( D
on P o ssibly t he j e al ou sy o f t he R om an brid e gr oom s
g i e) .
d e v oti on furth er .
“
D o not you yourse lv e s l ead y our
wives t o T u t inu s and t o d e str oy a ll eg e d ench antm ent s
, , ,
T he cu st o m is i nd e e d far fr om ob sol e t e
, ,
“
M any a .
”
day say s G e ne r a l F orl ong
,
“
h av e I St ood a t e arly d awn
,
a t t he d oor of my t e nt pitch e d in a sa cr e d gr ov e a nd
, ,
t w o i ndic a t e t he m a l e a nd fe m al e a nd a m e dic a l fr i e nd
,
se nt e d by th a t e m bl e m w as typic al o f t he t e sti s t h e ,
of feri ng s the la d of
,
fe ri ng a pi ne c one surrou nd e d w ith
l eav es and c arryi ng on his h ea d a b asket in which t w o
,
”
fe m al e I nm an A nci ent Fa i t hs ii
.
( -
’ 4 90 , .
,
TH E R EL I GI O U S I
R T E S O F A N C EN T R O ME . I
o f V e nu s Eryci na wh e r e th e y pl a c e d it in t he b osom of
,
t he g odd e ss A c or ne li an
. with a r e pr e se nt ati on
of thi s c e r e mony up on it has b e e n e ngr av e d in t he Cult e
,
a pp e a r t o b e p oi nti ng ou t t o t he Ph allu s t he pl ac e it is
T he my st e ri e s of B a cchu s w e r e c e l e br at e d a t Rom e in
t h e t e m pl e of th a t god and in t he sa cr e d w ood ne ar t he
d aytim e A w om an of C a mp ani a
. na m e d Paccu lla ,
Se e p ag e 8, Fi g X X V A py of t his w ill
'
10 . . co
ge m be
g iv e n am on g ou r illu st rat ions .
A pp endi x . 85
o f a ll cl a sses e v e n t he v e ry high e st a nd t h e ir nu m b e r s
, ,
b e c am e so gr e at th at th ey w e r e r e gard e d a s a d a nge r t o
t he St a t e ag a i nst w hich th e y are sa id t o h a v e pl ott e d
,
.
ni ch e s cl ose t o t he h oly fl a m e — “
th a t hot air ” “
h oly ,
” ”
spirit or ,
br eath the activ e forc e of the H ebr ew
,
see th a t t he h o ly fl am e ne v e r w e nt ou t but in t he ab ,
wat er of se p ara ti on ( Nu m b e r s x ix In t he R o mi sh .
”
L esli e not e s th at w h at he styl es t he e x clud e d m e mb er
of an I ndi an st one circl e t he situ a ti on ofwhich he lik e ns
,
o v at e fa c e of a tr ee or r o ck ; u nd e r such a tr e e th e r e
“
Pri apu s w as re pr e sent e d with the h ead of Pan or
A pp endi x . 2 89
t he Fau ns—
that is t o say with g oat s h or ns and e ars
,
’
.
ing a nd p ai nt e d re d
, A ll t he figur e s o f P ri apu s
w e r e no t thu s c oarse ly m ad e ; som e w er e wr ough t with
c ar e as w e ll as t he Te r m i formi ng the l ow e r p art Th a t
, .
.
, g ,
.
,
1 69
NoLi ngam wor ship can b e c onduct e d without t he
b e ll ; in u ni on t he Li ng am and b e ll giv e forth life and
sou nd a s S iv a s pri e st s h a v e c onfe ssed t o m e B e ll
’
, .
U
2
9 0 A pp ndi e x.
T he p a ssag e “
M or e ov e r b e c au se t he d aught er s of
, ,
’
a b e li e f th a t wh a t phy si o l ogi st s c a ll t he hym e n m ay ‘
’
h ands over their Rock of A g e s t he Tsur oo Sal em ,
- -
.
so in a w a
y which br ook e d not r e fu sal if th e y w ould ,
Scyth s Su e v e s J e w s Gr ee k s & c
, , ,
T he h or se w as al so
, . ,
qf f L i e i , 3 38 . ii
,
2
7 4 . T
,
h e c onne x i on b e tw e e n
” —
limit e d p ow er s among st the h ens ( I nm an A n cient .
,
Fa i tb s, i , 5 3 6
.
IN D E X .
Anna ca na nnx, 65 Bl ls a nd J g
i n les, t he i r m ea ni n a t g
b
1 e
(
A ra x as o ft he G nost ics) 1 6 7 m a sq u era de s, 9 7
b g
A ish a a nd K i n g
Da id ( not e) , v ,
2 1 6 B e lls i n A nc i e nt Worshi , 2 8
9 p
fl eho s o r O chog, 75 fl
Fi
7 2 1
A da m
Ad v ( t he
t he ,
rst
1
Ma n) ,
1 93 B e s t Ma n a t W e dd i n s, hi s cha ra c te r g
e rsa ry, 74 a nd d u t i es , 8 2
E ons, t h e
g pp , 1 66
C B e t he ] , 6 4
A r i a, H enry orneli u s, 1 0 6 B e t hels, or m a rk s to nes, 1 1 1
Alc he m i st s, som e of t he i dea s of t he , B et hy les, or com m e m ora t i v e stones,
1
33 1 10
B i bl p
1
A m u let s, 43
g
Analo y of t he L a w s of Mu si cal
e, m i sre ad a nd m i sre re sente d,
p
T e m e r am e nt t o t he N a t u ral D i s
38
sona nce of
g
rea t i on, C
”
131
g v
B o c ha r t , 6 5
B ody of Ada m
( a alist ic i dea s reCb
A n el of t h e L ord, i n t he fi u r at i e
gg g
a rdi n g
t h e) , 6 8 , 2 40
st ru
g
le w i t h t he Pa tr i arc h 37 B ow i n g
St ones, 5 4
p
,
B ra nt em e, Me m oi rs of, 1 98
1 87
oft h e H i ndoos,
p p
A ocaly se, 5 8, 2 0 9
1 77 B
B
zg
ra e n Ser e nt , 6
r i h t Esse nce s, 1 0
5 p
p
A oll o a nd Dia na , 7 1 B
7
b
O elisk on t h e Tha m e s
pp
A les of Sodom , 1 40
ri t i sh
b
Em a nk m e nt, 40
Ari stot eli a n Met hod, ar u es from g B z
ron i d Erc ola no, 1 0 0
p g
’
a rt i cu lars t o
Assy r ia n W orshi
ener als 1
63 p , B
B
rot h e rs oft he Red ross , 1 41 C
g
As tr olo y of t he Chald mans, 6
,
B
rot he rs of t he
g
r u s c h, B e , 2 6 1
y
R 1 1 6 .
At horh, 47 B ra h m At m a , 1 7 8
B
-
B G
AAL -PH E O R , or B aal Pheor 6 6, 2 60 B
u dd hi st s a nd t h e Rosar
y 44 45 , ,
B b g
yloni a n Marri a e Mark et
,
L on s ’
g B
u ddh is t i c Se nse, 1 6 4
p
u ll, a t Mem h i s a nd H e li o oli s, 2 p
pi
a - .
73
ct u r e , 2 B
B byl i W f v
y ron, L o rd , q u ot e d, 2 0 1 , 2 0 2
2
3
om en ra n k
on a n
v
a o e ery
d di i
an
b d p i i
i h con
m it t e
t on
to
once
rost tut
n t ei r
on as a re li
li es CA B , Keb , Ke la
CC bb b , or C b aa a, 39
gi b v 4
su a a la , t he , 1 89
a nce, 6
B h l S i pp
o ns o se r a li st s, 1 2 1
a cc i an oc i e t es, su
a na
t h e Rom a ns, 48
ressed b y CC b
a
a a lis t ic P hiloso h e rs p ,
20 5
a i ni t es, 1 76
Ba c ch a na ls a nd B
a cch ant es , 9 7
B g
a con, Ro er ( u ot ed , 2 1 7
)
Ca rpocra t es t he G nost i c 1 7 1 , 1 72
C C, ,
B
q
a coni a n Me t hod, t he hi loso hy of p p a t ha
C y or hi na , 1 5 7
Em re ss a nd he r p
g
t h e schools a r u e s from a rt i c u lars p a t he ri ne, t he ,
g
t o enerals 2 C
a m ou rs, 2 0 1
g a u la Ri t e s ( m y st ic) i n l l i ndoosta u ,
.
B a le sw ara -L i n a , 2 40 62
B a sili de a ns, G nost ics, 1 5 4
B eh m e n, J b
aco , t he rea t m st ic al g C a u se s of t he g
O ri i na l Dis pe rsion,
y
Ma st er, 1 1 6 , 1 46 ; o osi t ion t o, a nd pp CC
6
F
g
di sre ard of, 1 47, 2 1 3
e les t i a l i re , 9 5
e lt i c Dr u id s,
”
q u ot ed, 2
5;
Index
2
94 .
CC v
hi alry, 1 2 9 F l B ty 97
em a e
g F i gl f B l y
ea u , 1
p p
,
m u st of cour se b e h i loso hi ca l Fg T
i 69
Fi W hip C l i l d ti f
- ree, 2
t Fi
ors . a ora
h ri st i a n m a rt yrs, 2 2 5 h t l e e em en
Cb Cp F i W h ip T 5 , r e,
o ra di a ello, 4 1 i l d ti errest r a on
CC t Fi
re - ors . a ora
om m on Se nse, 1 43 f h l
t e e e m en ,
onch a V b
eneris, t he e m lem of t h e Fi h y h
o
, m
5
re,
d i h th
t s connect e w t 68 e, 2
Fl g ll i th L p l t R
.
s
orneliu s A ri a, 2 2 7
C
ross a nd Rose, t h e, 44, 1 1 6
p ” -
A ocaly t i c p
Fl d R b E gli h D m i i ( f
Y
52
oo
k) 4 h C
, o ert , n s o n can o
p
oo , o ,
Cu m u d- a t i or Eu h rat es De vat a s 4
F l g M j G l hi b k
. 1 9
a nd t he L i ngha or Ph allu s, 2 39 or on
Th Ri v
, a or - enera , s oo ,
f L if A ccou nt
I G I
D AN C N Gi rls i n ndi a , 56 f h F i h t
e
f d t 3
t s, r e erre
ers o
”
e : an
6
g F El
o e a o,
k
D ar ness and L i ht , 2 1 2 th
e m ent s, 6
v I — gb
D a id of sr a el danci n efor e t he F C p i hip 9
ou r
om a n ons
e, 1 0
F ly R vi
ree ,
1 1
”
f
’
Ark , 5 6 re em asons Q u ar te r
v I — S p e ew o
D a i d of sra el th e he herd B oy, 1 8 0,
4 q d
u ot e , 5
5 F i H l S h g Ph lli
’
ee a t t one en e, a
p p
1 2
bj
r ar s a c
Da u hi n, t h e, or D el h i n, 2 0 9 e ct , 3 9
g g p i d y Di v i i y t F i gd
o
D elu e, m ore t ha n enou h roof ofi n n t
g dd 4
r a o re a, o or
t he r ecords a nd t radi t i ons of all t h e o ess, 0
nat i ons, 49
g
D em i u r e, t he, 1 73 G B I h A h g l
R EL t an e 1 2
i g
A 3 e rc ,
D onon, 2 73 G ll ( d h y h t m t c oncern n
hi fi g
a us an e s
D e Qu i ncey, Thom as, hi s a ccou nt of t )
pp g F yt h l gi l f bl
s ure , 2 91
I4; 48
g
D eu t a s or An els, 1 8 8 G d f Ag y h 6 t
v
D e i, H indu G od dess, 6 3 G d
ar en o
f Ed
en o h
on
en,
,
t
e, 1 4
K p
ar 9 e, 2 1
Dia na, i n t h e m yst i c i sm of t he G d er, 1 2 8
t h M t N bl O d
ar er or ee
G nosti cs, 1 6 9 G a r t e r, e fth os o e r er o e,
D ist i ncti ons i n Myst ic Ana t om y, 2 1 4 6
v z G l C i lp i
20
D i i ni t és Gé néra t ri c e s c he les ne, 1 1 0
hi p f t h Ph ll
au sa
Anc i ens et le s Modernes, 1 1 2
,
G l d h t W ors
g
au s, a n e o e a u s,
Doct ri ne of Si nat u res, 2 7 2 1 1 1
g
,
g
L o a n or Rock i n Stones, 7 6 g Mu sic i ts p e rnat ural ch aracte r a nd
g C p , su
L ohe n ri n ( th e ham ion) , 1 2 6 pow er, 1 30
L ondon Asia ti c Soci e ty, 3 8 Mu si c a nd w m e i n a nci ent rel i i ous g
L ot u s, t h e, 1 8 5, 2 6 9 cele r at i ons, 45b ‘
v
L o e or W i sdom , w hi ch i s th e reat est , g Myli t t a —a m on the a yloni ans, 46
Myst i c Anatom y, 1 2 5, 1 8 9
g Bb
a nd w hi ch ( i n t he m yst i c, hi dde n
s ense, )
w orld ? 1 45
i s t he rodu cer of t h e p My steri es of e le ra t ion i n t he Te m
p
les oft he a yloni ans, 46
CB bb
L u cr e t i a, phiIOSOphi c i e w ofher fat e,
1 1
v My st e ri e s of Eleu sis, 5 9
My st i cal Dra on, t h e, 1 40 g
7
t he D e i ty i tself e s t he w h ole Bg
Ma hom m edan i ew s
,
w om e n, 2 2 1
Ma i m onides q u oted 6 6 b
N el a m o—L ot u s or Wa t er L ily, 7 6
Ma le a nd em ale F ,
Ma n s rea son of no
’
,
v al u e in g
Ni ht, 48
v
j dgi g g
u se or
n of th e t hin s of God, 1 N i r a na, 5 0 -5 1
45
v
u
g
37
Marria e, 2 3 2 g ,
gv
w hi ch t hey i e t o t h ei r i deas c on
Ma sonr y, 5 9 c er ni n t he i r g ”
N i r w a n, or N i r
Ma st er P a ssion, t h e , 1 8 9 v a na ,
50 , 5 1
”
U zz V 34
1
m e d ans, 3 9
,
g ”
m a i c a nd li s, a ra y of t he su n,
M é m oi r e s u r ZEgyp te, 2 6 3
’
or of li ht , 5 3 g
M e x i c a ns, t h e, w orsh i p of nd of t he b
O elisk of Se m i ra m is, 2 40
a nc i e nt C , a
h i nese, si m ilar, 33 b
O eli sk s a nd Pi lla rs 2 41
Mx
M
i e d N a t u r e , 1 75
p
od er n O i ni on, cla ss o inion, 1 1 5 p
O B ri e n s Rou nd To w ers of r ela nd,
'
’
,
I
M oloch of Sc r i t u r e , 1 79
Mont Salv egge or Sa l a io, 1 2 6
p
v gg
2 41
C
O ld h i na , 1 5 7
O ld Pri m azv a l W orld ru in of t he,
M
,
”
H
’
i nd u Pa nt he on, 2 46 89
p g p p
oor s 1
M osa i c T h eoso h i c al Cosm o on , 7 9
y O h i t es, or Se r ent i ni ans, 1 7 2
M osh e i m q u ot ed , 1 63 O rder of t h e G art e r, 1 2 8
M ou nt M
e ru , 1 8 4 O r i ent al N ot i ons i n regard to t he
M ou nt M
or i a h, t h e c ru of ndia , 6 7 M I fe m ale sex, 2 2 3 ( et seq )
M ou nt of Sa fe t y , o r Sal a t i on, 1 2 6 v g
O ri en, 1 6 2
.
M a nt r a s a nd Sa cr e d Te x t s a m on t he g g
O r i i n of t he L in a, or Phallu s, g
H i ndoos, 6 1
M v
u sc o i t e s, t h e G olden H eif er a ni m al
2 40
O r ig i nes H e b r a i cce , 64
b
sy m ol of t h e s is, or a f em a leI g
O ri i na l Di s ersal of Pr i m i ti p v Na
b
e
sy m ol, 5 3 t ions, 5
M u si c, t h e a i r of Pa ra di se, 1 3 0 O gi e s of B a cch u s,
O p hi
r 45
LIu si c a nd M
e lod , 1 3 0 H ym ns, 9 9
p g g fC
y r c
M u s i c of t h e s h e re s, Rosi cru ci an O u t ra i n onde m ned Women by
v
i e w t h e reof, 1 3 1 t h ei r
o
e x e cu t i one rs, 86
,
Indew .
P ARACEL S US p
O i nions of 1 9 1 Re li ions g Rit es of Anc ie nt Ro m e ,
Pay ne K ni h t, a nd t heg ,
Ca p o f
,
b ”
L i er ty, 94
z v
Re e la t ion noted , 1 6 5
P e n a nce o n Mids u m m e r Ev e, 2 53 v
Ri e rs o f i fe 2 49 2 6 3
"
p p p b g
.
,
Pe r etu al L a m s, k e t u r ni n in 0 33 0 8 . 44. 45
t he i nm ost re c esses of a ll t he Rose, t he , 1 4 1
pga odas i n nd ia, 41 I t he , Qu e e n o f t he G a rd e n, 6
g v
1 1
Pe rsonality oft he Ru li n a nd G o e r n Rose, Inte lllge nc es , 1 0 6
i ng G od, 2 3 6 My st i c 6
C
, 1 1
Pe ta s u s, t he, ofMe rc u ry , 9 3 Rosic ru c ia n ross a nd Ro se , 44
P hallici sm Pha llic St r u c t u re s, 7 R
”
C
B rot he rs o f t he , 2 3 1
p g C g
. . .
P halli c Ex a m le s i n En la nd 2 5 0 R m ea ni n of t he O b lis k
I J
e
. .
.
,
P hallic dola t ry of t he e w s, 2 5 9
Pha lli c Worsh i a m on t he G a u ls, p g R
R
70
. CC Mp "
ys t ic A na to m y 7 3
.
g
F
255 . .
g
2 47
C
— Adora t i on of t he ul a 2 44 v v .
S Ac ns D olou rs 2 8 7
V
J b
Pilla r of a co , 6 4
,
Sa c re d ne ss o f i r i ni ty 2 1 8
fi Vg g ,
J
Pi t y or u st i ce —is t h e fou nda t ion o f
,
Sa c ri c e o f i r i ni ty , 2 80
J
t he World u st i ce or Pi ty 1 45 Sa c t i or Pow e r, 1 8 3
,
S a c t e ya s 5 7
Pla tonists, t he, 1 5 6
P le rom a The L a st L i h t, or u lness g F Sa c t i t he Wo rshi o f 5 7
,
p
v g
, ,
.
of E e ry t hi n Sa c t m i s m a nd G nost i c i sm , 5 9
Plu ta rch, 1 8 7
51 ,
Sa i nt G e o r e a nd t he D ra o n 2 1 0g g
g
,
P om e ra na t e, 2 6 8 Sa i nt G eorge ( Sa i nt Mic ha l o n e a rt h) e
,
38
Porphyru s, 2 73
b
P ossi ili ty ofMira cle i n t he My st e rie s
1
Sa i nt J o h n, t he Di i ne , v 36
gl
1
p fig
. ,
u re s, 1 0 7, e t se q Sa n re a l, t he of c om m en
P r ia i c u z e
p
.
P r i a i c orna m e nt s, 43 t ut o rs ,
g C
1 29
p
P ria u s, i n t h e a nc i e nt roce ssi o ns, p Sa n u i ne ros s t he 1 3 8
Sa t u rn a nd t he colou r u rple 9 6
, ,
p
43
Pr i nce of Wales v ,
Sa io u r o f t he World , ne cessi t y of
,
b
,
20 9
B t h e 1 45
P ri ncess of ra a nt ( Elsa ), 1 2 7
p
P roser i ne, 9 2
,
v
Sc a nd i na ia n Goddess, Isa or Di sa ,
P ry t a naaa of t h e G re ek c i t i e s, t h e 41
p oi nt s w h e re t h e sa c red re s w e r e fi Se c ond G rea t L u m i na ry T he Moon
b p
.
,
u rne d i n t h e Te m les, 4 1
1 90
Se llo n Ed w a rd (q u ot d ) , 1 8 0
P u ra na s, t he, 1 8 0
b
e
,
Se nsi le E is te nce, 1 64 x
QU AR T ER L Y Re ie w v (F gore i n ) ,
Se ns i t w e , o r Sy m a t hisi n Si de o f p g
H u m a n N a t u re , 1 4 ;
q u ot ed , 58
vx
Se e n An e ls t he , 1 74 g
g
Se u a l Me a ni n s o f t he Myt h i nd 1
,
Ra e n of D oo m i n t he De lu g e, c a t e d i n S to ne he n e. 3 9
p
m ea ni n of, 8 0 g Shak es e a re , 2 2 0
S i b y ls o f Et ru ria 2 48
Re al Na t u re o ft h e Si n ofAda m , 5
b
R e e ll i on to N a t u re 1 1 9 g
Si n, a nd t he t hi n signi ed , 1 4 8
g
fi ,
g
g
R eli i on alone li es i n t he e m ot i ons
,
t he hea rt, 1 45
2
9 8 Index .
b pp v
1 0
V AL EN T N AN I I G nost i cs, 1 5 4
g
St onehen e, Phalli c i n i t s desi n a nd g p
V a n H el m ont , O i nions of, 1 9 2
p p 3 8 p
Va ours of t he Ea rt h, 1 70
S h g
t one
ur ose,
Ri v of L ife ”
) V p
e nere s e t Pr i a i ,
”
en ers
VV CV pg p
e, 10 2
y ri s, or A hrodi te, 42
2 54,
St u k eley
2 55 ’
It i nerary, 70
enu s
est al i r i ns, 8 3
b g Vg
s
Vg Vg
i r i n a nd i r i ni ty , 2 1 5
b
Sym ol of t h e Se r e nt, 2 74
b p
p V b
i si le W orld, t h e (did i t s pi g n
g
r
TAL St a ndard, or o ec t of a do
A N,
ra t i on, t h e
”
Cru cifi ed Rose, 1 4 1 W AT Y
T L ER a nd th e sc e ne i n Sm i t h
Ta li sm a ns, Gnost i c, 1 7 1 fi eld , 9 3
Ta u or T ( at t ach e d t o a cir cle, u ni W eat her cock, sa cred t o Gallu s, or
v
e rsal 1 n t h e h ands of t he 1 nnu m er t he Ma i c g
L ook -O u t ,” 7 2
b
a le E y t i a n d ei t i es,gp W i lford, O n Mou nt a u ca su s, 2 49 C
p
as repr e
se nt ed u on t hei r m onu m ent s) , 43 D i ssert a t i on on Sem ir a m is, 2 40 ,
T en Si ns, 2 0 3 g g
O n E y pt a nd the Ni le ( Asia t i c
T e r m i nals, or Mer c u ri es, 1 1 0 R esea rche s) , 2 45
b
b
The es, r u i ns of, 77
p
v
l Vom a n s Sec re t i e ness, 1 99
’
T i e ri u s Em e ror of Rom e, 1 0 5
b ,
Tom of t h e R e deem e r, 1 2 3
l Vom e n of t h e d ol I
The Te m les
. p
of t h e H i nd ii s, 47
Tr a nscend e nt al ideas of t he Rosioru W onde rs of Ellora , b y ohn J B
c i a ns, 1 1 5
Transfi gu re d, t h e, 1 36
Cp
Seely , a t a i n B N I .
38. .
.
g
T ria n le, 2 6 7 Z O D I AC, t he Post dilu ia n, v 20 3
T H E EN D .
Y oa x Sr ns s r, Cov a x r G AR D EN ,
L O NDO N, Sep te m be r, 1 8 84 .
1
41 1 R amsay s flauhli t atioas
’
1 . .
In cr ow n 8 vo, i n Franc /
1 g rey w r app e r, u ni or m w i th
f t he B i b liograph ic :
f
o
A fe w cop i es on L a rg e P ap e r . P r ic e 6d .
The B i b li ography of S w i nb ur ne ;
A B IB L O I GRAP H I CAL L I ST, A RRAN G ED IN Cn a ononoo o L
p
.
O x ford i n 1 8 5 7-5 8 B
esi de s a car e ful e nu m e ra t i on a nd de sc ri t ion o ft he fi rs t
.
p pb
e di t i ons ofall hi s se a ra t ely u li shed ol u m e s a nd
g pp
v
a m hle ts i n e rse a nd
v p rose p p
p
v p ,
b
c ont ri u te d t o a ny j
ou rnal or m ag a i ne z
O nce a - Wee k The Spe c t a tor -
, La ,
R appe l, T he G lasg ow Uni vers i ty Mag a z i ne, The D a i ly Te leg rap h & c
g
.
, ,
w h e t h er c ollec te d or u nc ollecte d A m on ot h e r e nt ri e s W 1 11 b e f ou nd a
b vv pp b v p
.
pp p b b
. .
e x t endi n g y c o e e
v
a lrea dy o er a q u a rte r ofa c e nt u ry .
O nly 2 5 0 c op i e s p r i nte d .
'
A “
Rosrcnoc n B oon .
In de mg 8 0 0 , c lot /
1 . P r i ce £ 1
Ph alli ci sm
C T e rre st ria l, Hea t he n a nd
ele st i a l a nd C
hr i st ia n i ts c o nnec t ion w i t h t he ,
A N EW N O VE L BY A N EW W RITER .
The Va lley of S or ek .
b k
Th e re i s i n t h e oo a hi gh a nd p ure m ora l and a i s ti nc t c onc e p
“
d
g
d
t i o n o fc har act e r
do
Th e dr am a t ic per-som e
. . ar e i n r e al i t y s tr on ly i ndi v i
u al , a nd s ur p ri s e one w i t h t h e i r i n c ons i st e nc i e s j u st as r e al h u m a n
Th e r e is som e t h i n g
pow e rful i n th e w ay i n w hi ch t h e r e a er ’ i s
ei n s
.
b g
d
b
.
s t r on ly a ndg
vd
m ad e t o fe el oth t h e r eali t y a nd t h e u ntr u st w ort hi nes s ofh i s [ t h e h e r o 8 ]
g
r e l i i ous fe r our , a nd t h e charac t e r o f t h e a th e i st ,
e fini t e ly c onc e i v e
rah am , i s no t le ss
d
It i s a w or th a t sh ow s i m a ina t i on k
G
g
k
.
d g
d
a m i ra ly b
vd k d
Th e cha rac t er s ar e cl ear ly e fine , t h e si t ua ti ons are st r on , a nd th e
i nt e r e st e o e b y t h e m i s c on si era le
-A t henc eu m
Th e w om e n i n pa rti cu lar ar e d .
ra w n .
g
H e nr y W e st a t e, t h e h e ro, is a st u y of no sli h t p sy ch ol o i cal
dv
.
s e lf r e st ra i nt of i t s st y le , and a t t h e ra re
g
s t re n th , w hi ch m ar e ery p a e , —I k v
ea u t y a n
n t erar y Wor l g d .
”
“
Phi z ( H a b lo t K ni ght B r o w n e )
A Mm i i l di g S l ti f m hi C p d d N n hi on ot e s on
I
nc u orr es on ence a n
P i ip l W k By F
e o r ; a e ec ro s s
nc G K W h m l i it l u st ra t ons,
g P i f hi z d S v h f ll p g E g vi g
R ED IT T O N . nu
mp
r a or s. . . erou s
”
ri si n ort ra t P an e n ot
f C
n ra n s,
p i d pl p p b id m y p R p d
co a o e er u - a e
nt e on at e i i d an r o u c t ons om c an
O i gi l Sk b lli h h
r a er, es es rocess e o
h h hi h h d et c d it w t a rt i st w a s w ont to em t
h fi
na
di g y d ll l i m p b li h d
r es w c e e c e a se e s e
e x cee n l
h f ro e tt e r s t o is sons, no w or t e rst t e u s e .
o f t h e Me m oi r i s not onl y i nt e re st in g
Th i s e dit i on
su r e t o i m m e i a t e ly
k
d
e c om e sc ar ce b
i n i t se lf, b u t 1 3
Th e fi rs t e i t i on w as e h a u st e In six
w ee s , and th e p r e se n t i ssu e c ont a m s ne w and v al ua l e fam i ly a nd
. d
b
x d
b g
i o ra phi cal m a t te r
”
Pr i ntm g Ti m es .
— .
B y t h e la t e Mr . R . H . H O RN E, Au thor of
“
O rion .
In la rg e cr ow n 8 eo . P r i ce 3 3 . 6d .
Si thr on t he St a r Strick en , .
”
Tra ns a t e d ( A la b er e lcet A l la h) from a n a nci ent Ara i c b Manu scr ip t
U
.
SAL E M B E N I
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MR . RED WA ’
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— .
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B r L EO L IN U S SIL U RIENSIS .
B R B UG r osa A -HAN .
Mi ss B au gh an d b
h as alrea y e st a li sh e h er fam e a s a w ri t e r u on d p
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Th e
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Ph allic Worship .
B y H ODD EB M WESTROPP
. . W ith I llust rat ions .
[ In p rep a ra ti on .
MR . REDWA Y ’
S P U B L IC ATI O NS . 5
Ed i t i on d e lu x e, i n de my 1 8 mo . P ri ce 1 3 .
”
b
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6d .
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ByC H O r
O L O NEL ENRY S . L cor
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,
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/ 1 8 mo
A n edi t i on d e lu x e i n de mg . P r i ce 1 3 .
J oh n L ee ch Arti st ,
a nd Hu m our i st
A B i g p hio ra cal Sk e t ch . By F RED . G KI TI O N
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i sed .
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t ou ch i n g m on o ra p hgw e ll w ort h car e fu l re a i n a n d p r e se rv a t i o n —d
Dai l y g .
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“
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v d
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c ri t i ca l
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w i th
“
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o r t ra i t i n i mp e r i a l 8 m ,
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K Y C C
e w or ra o RU , e
T A ll A R T a m e, b y W E a nno n,
a tory N ot e o H E RA a s
a nd a P re f n AC .
Ub C b
.
I C g
.
”
Au thor of ndi ca t i ons of haracter i n Handw ri t i n .
b
P eopl e w h o w i sh t o e li e e i n P alm i str y , or t h e sci enc e of r ea i n
“
d g
k d
v db d
”
cha rac t er fr om t h e m ar s o f t h e h a n sa y s t h e D a i l y New s , i n an a rt i c l e
de ot e
,
t o th e i s cu ssi on of t hi s t o pi c , Wi ll b e i nt ere st e i n a h a n oo d db k
oft h e su j e c t b y Mi s s B
au ha n, p u li sh e g
b y Mr R e w a y b d . d .
P r i nted on la rge ( ha nd -m a de
) p ap er , w i th Indi a P r oof Illustr a t i ons m ou nted
Fr ontisp ie c e P r i ce £1 1 1 3 6d
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as a nd Ta i h nece . . .
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v
W or k of RI CH AR D PAY NE K NIGH T Edi t ed, w i th Prefa ce and N ot es, b y
J S
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H AR GRAVE ENN IN G , a u t hor of The Rosi cru ci ans .
p r i nte d,
it
fl O nly 1 00 c op i es eac h nnm b er e d .
p a r chm ent -
p ap er cov er P r i ce Is . .
J B
By OH N ATTY , Mem b er of the Y k shire Arch aeolo gi cal a nd
T p g p hi l A
or ,
o o ra ca ssoci a t i on.
“
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e i nner in hi s t ori cal bg
Notes a nd Qu er i es
re se arch e s .
d b
.
b
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gb vd v v g g
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dG d g
fe r s e e ry i nce nt i e t o t h e st u y i n e ery
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la ss, Mu ra l P a i nt i ngs, P ot t e ry , Ch u r c h B F k
P ai nt e
d
ell s , N u m i sm a ti c s ,
L or e , & c , t o ea ch of w hi ch t h e a t t e nt i on of t h e st u e nt i s i r e ct e
.
b
p a m phl et i s t i nt e on a ea u t i fu l m o e rn anti q u e paper, a ppropria te t o d
ol
Th e d d d .
b
t h e su j e ct 0 t h e w or —
B ri gh t on Em m i/nor .
“
Mr a t ty , w h o i s one of t h ose fol s Mr D o son sty les ‘ l eane rs
B k b g
d
. .
g b
p a e s, all t h e a ri ou s o j e c t s w hi ch m a y le i t i m a tely b e c onsid ere t o g d
c om e w i t hi n t h e m om ofant i q u ar i a n st u y . Aca dem y d — .
Mr . HARGRAVE J ENNINGS
’
WORKS .
In cr ow n 8 vo, c lo h
t , 7s 6d. .
E N LAR G ED ED ITIO N .
o o r e
o
M nu m e nt s a nd Talism ans of t he Pri m e v al Phil s p h rs ; w i th u p w a ds Of oo e r
3 00 e gr
n a vi ngs.
In co r wn 8 v o, c lo h t , 53 .
Tab le
e
An x plana t i n o of t he Sym b oli l me i g f t h E gli h Ch ch wi h t
o
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f ld i ng p la t , & c
to et e o o
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co oe ec eto
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t ra t ing and pr oo ti
d u d gr a ly fr m J a b B h m , p rh a p s t h e m s p n
f u nd O f Chri s an th e O SOphi c sp ul a rs .
In co
r wn 8 vo, c lo h t , 63 .
One of t he Thirty ,
A St r e H to
ang is ry , now s t ti e told i h ill
for th e fi r m ; w t t ti
u s ra os
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.
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m ark a b l w rk g v s t h e l g nda ry hi s
of si lv r for w h h J sus Ch r s w a s s ld
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p .
Boo ks fP in t s t o r , e c.
Go dfre y H iggins B ry nt D l H yd e
,
D H i ll
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a , u a u re, a nca rv e, ,
B ehm en Fl dd As hm ol e ,
u ,
.
rGra ti s .
N N
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