I'M STILL STANDING

             

  

Written by Elton John and Bernie Taupin

               
Energetic, Swing 8ths

    
    
               


               

            
          
       
5       

   


 
                
               

   
              
              
   
     


9

 
   
              
               

       
          

       
       

          
13

      
       
    
 
 


 
 
     
 
               
                 
        

  

17


                 
3

                
 
       
   
            
                           
21


    
                 
             


           
        

             
          
  
25

       
      
        
  
          
 

   
                   
        

 
  


29

          
               
       
       

                   


  

33

                  
          
6

     

   

       

                              
      
37

              

6 6

   
6 6

       
     
2
 

            
             

 
 

    

40

      
                 
        
       

  

       

                  

                   
    
44

   
                   
    
3

   
6

    
    To Coda
    

       
 
                 

        
1.

 
48

   
                   
3

     
   
     

        

                   
      
52

 
2.

                
           
()     


              
           
55

                 
               
       
3
            
              
      
59

     
            
         
     
  
       

   
    
            

 
63 D.S. al Coda
3

                
   
6

       

     

     

            

                 
      
66 6
3

  
                    
             
   

  
      

             

            
    
70

   
               
         
   


    

   
          
                
73

 
           
         

     
4