Professional Documents
Culture Documents
Context 2
Context 2
Davidian, Teresa. ‘From Crawford to Cage: Parallels and Transformations’. The Musical Quarterly 84,
Hisama, Ellie. ‘The question of climax in Ruth Crawford’s String Quartet, third movement’. In
Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon, 12-
Hisama, Ellie. ‘Inscribing identities in Crawford’s String Quartet, fourth movement’. In Gendering
Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon, 35-59.
Rao, Nancy Yunhwa. ‘Ruth Crawford’s Imprint on Contemporary Composition’. In Ruth Crawford
Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music, 110-147. Edited by
Ray Allen and Ellie M. Hisama. Rochester, NY: University of Rochester Press, 2007.
Tick, Judith. ‘Writing the Music of Ruth Crawford into Mainstream Music History’. In Ruth Crawford
Seeger’s Worlds: Innovation and Tradition in Twentieth-Century American Music, 11-32. Edited by
Ray Allen and Ellie M. Hisama. Rochester, NY: University of Rochester Press, 2007.