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Jose Rizal
Jose Rizal
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José Rizal
Rizal c. 1890s
Calamba, Laguna
El filibusterismo (1891)
(m. 1896)
[6]
Signature
He was executed by the Spanish colonial government for the crime of rebellion after
the Philippine Revolution broke out; it was inspired by his writings. Though he was not
actively involved in its planning or conduct, he ultimately approved of its goals which
eventually resulted in Philippine independence.
Rizal is widely considered one of the greatest heroes of the Philippines and has been
recommended to be so honored by an officially empaneled National Heroes Committee.
However, no law, executive order or proclamation has been enacted or issued officially
proclaiming any Filipino historical figure as a national hero. [9] He wrote the novels Noli
Me Tángere (1887) and El filibusterismo (1891), which together are taken as a national
epic, in addition to numerous poems and essays.[10][11]
Early life
Like many families in the Philippines, the Rizals were of mestizo origin. José's patrilineal
lineage could be traced to Fujian in China through his father's ancestor Lam-co,
a Hokkien Chinese merchant who immigrated to the Philippines in the late 17th
century.[12][13][note 1][14] Lam-co traveled to Manila from Xiamen, China, possibly to avoid the
famine or plague in his home district, and more probably to escape the Manchu invasion
during the transition from Ming to Qing. He decided to stay in the islands as a farmer. In
1697, to escape the bitter anti-Chinese prejudice that existed in the Philippines, he
converted to Catholicism, changed his name to Domingo Mercado and married the
daughter of Chinese friend Augustin Chin-co.
On his mother's side, Rizal's ancestry included Chinese and Tagalog. His mother's
lineage can be traced to the affluent Florentina family of Chinese mestizo families
originating in Baliuag, Bulacan.[15] He also had Spanish ancestry. Regina Ochoa, a
grandmother of his mother, Teodora, had mixed Spanish, Chinese, and Tagalog blood.
His maternal grandfather was a half-Spanish engineer named Lorenzo Alberto
Alonzo.[16] José Rizal's maternal great-great-grandfather, Eugenio Ursua, was of
Japanese ancestry.[17][18]
From an early age, José showed a precocious intellect. He learned the alphabet from
his mother at 3, and could read and write at age 5. [13] Upon enrolling at the Ateneo
Municipal de Manila, he dropped the last three names that made up his full name, on
the advice of his brother, Paciano and the Mercado family, thus rendering his name as
"José Protasio Rizal". Of this, he later wrote: "My family never paid much attention [to
our second surname Rizal], but now I had to use it, thus giving me the appearance of an
illegitimate child!"[19] This was to enable him to travel freely and disassociate him from his
brother, who had gained notoriety with earlier links to Filipino priests Mariano
Gomez, Jose Burgos, and Jacinto Zamora (popularly known as Gomburza), who had
been accused and executed for treason.
José, as "Rizal", soon distinguished himself in poetry writing contests, impressing his
professors with his facility with Castilian and other foreign languages, and later, in
writing essays that were critical of the Spanish historical accounts of the pre-colonial
Philippine societies. By 1891, the year he finished his second novel El filibusterismo, his
second surname had become so well known that, as he writes to another friend, "All my
family now carry the name Rizal instead of Mercado because the name Rizal means
persecution! Good! I too want to join them and be worthy of this family name..." [19]
Education
Upon learning that his mother was going blind, he decided to switch to medicine at
the medical school of Santo Tomas, specializing later in ophthalmology. He received his
four-year practical training in medicine at Ospital de San Juan de Dios in Intramuros. In
his last year at medical school, he received a mark of sobresaliente in courses
of Patologia Medica (Medical Pathology), Patología Quirúrgica (Surgical Pathology) and
Obstretics.
Although known as a bright student, Rizal had some difficulty in some science subjects
in medical school such as Física (Physics) and Patología General (General
Pathology).[22]
Rizal as a student at the University of Santo Tomas
Without his parents' knowledge and consent, but secretly supported by his
brother Paciano, he traveled alone to Madrid in May 1882 and studied medicine at
the Universidad Central de Madrid. There he earned the degree, Licentiate in Medicine.
He also attended medical lectures at the University of Paris and the University of
Heidelberg. In Berlin, he was inducted as a member of the Berlin Ethnological Society
and the Berlin Anthropological Society under the patronage of the
famous pathologist Rudolf Virchow. Following custom, he delivered an address in
German in April 1887 before the Anthropological Society on the orthography and
structure of the Tagalog language. He wrote a poem to the city, "A las flores del
Heidelberg", which was both an evocation and a prayer for the welfare of his native land
and the unification of common values between East and West.
At Heidelberg, the 25-year-old Rizal completed his eye specialization in 1887 under the
renowned professor, Otto Becker. There he used the newly
invented ophthalmoscope (invented by Hermann von Helmholtz) to later operate on his
mother's eye. From Heidelberg, Rizal wrote his parents: "I spend half of the day in the
study of German and the other half, in the diseases of the eye. Twice a week, I go to the
bierbrauerie, or beerhall, to speak German with my student friends." He lived in a
Karlstraße boarding house then moved to Ludwigsplatz. There, he met Reverend Karl
Ullmer and stayed with them in Wilhelmsfeld. There he wrote the last few chapters
of Noli Me Tángere, his first novel, published in Spanish later that year.
Rizal was a polymath, skilled in both science and the arts. He painted, sketched, and
made sculptures and woodcarving. He was a prolific poet, essayist, and novelist whose
most famous works were his two novels, Noli Me Tángere (1887) and its sequel, El
filibusterismo (1891).[note 2] These social commentaries during the Spanish colonial
period of the country formed the nucleus of literature that inspired peaceful reformists
and armed revolutionaries alike.
Rizal's numerous skills and abilities was described by his German friend, Adolf
Bernhard Meyer, as "stupendous."[note 5] Documented studies show Rizal to be
a polymath with the ability to master various skills and subjects. [23][25][26] He was an
ophthalmologist, sculptor, painter, educator, farmer, historian, playwright and journalist.
Besides poetry and creative writing, he dabbled, with varying degrees of expertise, in
architecture, cartography, economics, ethnology, anthropology, sociology, dramatics,
martial arts, fencing and pistol shooting. Skilled in social settings, he became
a Freemason, joining Acacia Lodge No. 9 during his time in Spain; he became a Master
Mason in 1884.[27]
Biographers drew largely from his travel diaries with his comments by a young Asian
encountering the West for the first time (other than in Spanish manifestations in the
Philippines). These diaries included Rizal's later trips, home and back again to Europe
through Japan and the United States,[29] and, finally, through his self-imposed exile in
Hong Kong.
Shortly after he graduated from the Ateneo Municipal de Manila (now Ateneo de Manila
University), Rizal (who was then 16 years old) and a friend, Mariano Katigbak, visited
Rizal's maternal grandmother in Tondo, Manila. Mariano brought along his sister,
Segunda Katigbak, a 14-year-old Batangueña from Lipa, Batangas.
It was the first time Rizal had met her, whom he described as
"rather short, with eyes that were eloquent and ardent at times and languid at others,
rosy-cheeked, with an enchanting and provocative smile that revealed very beautiful
teeth, and the air of a sylph; her entire self diffused a mysterious charm."
His grandmother's guests were mostly college students and they knew that Rizal had
skills in painting. They suggested that Rizal should make a portrait of Segunda. He
complied reluctantly and made a pencil sketch of her. Rizal referred to her as his first
love in his memoir Memorias de un Estudiante de Manila, but Katigbak was already
engaged to Manuel Luz.[30]