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  • Рапсодія «до світла» міра шентюрк

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    Daria Luzhkova
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    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

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    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    16 views4 pages

    Рапсодія «до світла» міра шентюрк

    Uploaded by

    Daria Luzhkova
    The document appears to be a musical score titled "Rhapsody." It contains musical notation including staffs, measures, time signatures, dynamics, and other musical markings. The score seems to tell a story or depict a journey from darkness to light through the use of changing dynamics, tempos, and other musical elements. It concludes with a slowing of the tempo and fading of the music.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 4

    Рапсодія


       

    "До світла"

        


    Міра Шентюрк

    

                                
    Maestoso

      
        
              

     

     
    agitato cresc.

       


       
         
         
               
       
    4

    
        
          
        


       


      

             
                  
    7 Allegro

         

     
    agitato cresc.


           
                    
    9

         
      


         
       
    
    11

          
        
         
      

                   
    2

            
    13

     
         
     


       

          
                               
    15

          
                

      
    agitato cresc.

       


           
                    
    19

         
      


     
                
           

    21

       
      
         
     


       
         
         
    
    23


     rit.
      
         
          
    dim.

     


     
       
              

             
      
       
    25 a tempo

             
        
             
     espress.

     

     
          
    3

          
                
    27

    
        
      
                   
        


      
             

      
          
     
          
    29

         
        
         
            
    
     




    
      
                

     
    31


          
              
                       
     
       


    
            

                  
      
    34

          
                       
       
     cantabile

      
    cresc.

        


            
     
                    
    41

      
                          
           
    




          
      
              
     
    48 a tempo

            
         
         
         


    espress.

     
    rit.

     
       
    4

              
           

            
    51

            
       
        
                
     


     
        
               
                  
    53

     
     
               
         
      
     
       


    
         

      
            
    55

      

         
               
     
           
     

       
      
    


       
     
      
            
      
    57

     
           
     

      
              
       
       

     

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