PART III

PtrDA T. r.qTT TTIIE'S

- vuLLllJ

?TiE S,ISTAINING PEBAT

The ens*ci,iii,i,g, datper pedal., r.ncreases the tone-sustainlng po$er of the
p{ano and also enrLches -o-t
the ttne qual.lty. I,Ihen depressed
dampers from the strings, leaving them ir** to vlbrare, tt removes all of the
to prolong *he sfter the firrgets have tet-t ttre keys.Thus lt has the po*rer
j's invaluable inscund, itir eharacterlstlc
legato ehord work such as se have in h1mns. por legato pedal-
ing the foot mcves ln contrrcg rnotion to the hands.

rOOr ?ECHNIC
45 srEEs

r#i t j*-r
A- Praec Lris i;€qai slienei'y
.F!ra n-J-1
-:
! --+i-- On ijre notes; release quietly on the rests.
Pedal
Count
B. tift the pedal at the exact soundi_ng point of new ostave.

Hear Our Prayer, 0 Lord

Hear our prayer, O !ord, llear arlr pcalrer, O lprd;

y-.Ua-.!.* -rJ4J-- *-t-y -Jt_? J t ,f-i&* ++J--

 zo "
sYxffiPATED PE,ALTNG

Legato pedal.Lng knoxn as spneo?ated. pedallng because, the descent of

is also
Ehe p;dal o"c',rs in a *eak beat or oJa veak pa-rt of a beat. When
the damper
padai is r:sed to ccnaect chaagL::g herrc*iee, the ap:r!att:**tt* of fhe pedal uust
be simulta$eous uith the da*ttt-ttwWncr* of the. keys 19 order to silence the
grevious chord and avoid blurrLng. So important 1s re{'aase of the pe-daL tUat
TobLee HaEChai, Fasti+€ntly suns up his advice as to pedaling ln
the fellevlng
wordsl
1. UP at the rlght tlme.
2. SufflcientlY uP.
3. SufficlentlY long uPl

CONNBCTING CHORDS

connect the follorEing chords,*ittr the pedal as indicated' lnsisting

on a perf ect. bl,ed'i.ttg-net overlapping<f eliar€ effies'

Hark! Thc Yesper Hyunn Is Stealiag R- ussian MelodY

Thomas Floore arr. bY J. A. Stevenson

( &
the ves-per hyrrn is steal-ing O'er the r*a-ters soft and clear-

€-
* on the a2r
Near-er yei and rrear-ef Paai-ing' Soft it breaka '.ii>