The document lists various literary techniques used by writers and directors to convey themes and purposes in their works. It provides examples of techniques such as setting, minor characters, symbols, motifs, camera shots, music, and poetic devices. The techniques are employed to illustrate themes involving relationships, history, grief, technology, choice, reality, knowledge, and human struggles.
The document lists various literary techniques used by writers and directors to convey themes and purposes in their works. It provides examples of techniques such as setting, minor characters, symbols, motifs, camera shots, music, and poetic devices. The techniques are employed to illustrate themes involving relationships, history, grief, technology, choice, reality, knowledge, and human struggles.
The document lists various literary techniques used by writers and directors to convey themes and purposes in their works. It provides examples of techniques such as setting, minor characters, symbols, motifs, camera shots, music, and poetic devices. The techniques are employed to illustrate themes involving relationships, history, grief, technology, choice, reality, knowledge, and human struggles.
THE MAGIC SENTENCE: ANALYSING LITERATURE AT LEVELS 1 & 2
WRITER VERB (PHRASE) TECHNIQUE PURPOSE THEME
The author Uses Setting to show us The changing roles between father and son The director Chooses Minor characters to reinforce The narrator’s connection with his history and Seamus Heaney Manipulates Symbols / symbolism to emphasise land. George Orwell Takes the Motifs to illustrate The ability of writing to explore the past. The persona Employs Costume to epitomise The development of grief. The poet Utilises High angle shot to represent The role of machines in our lives and our The narrator Changes the Lighting to develop dependence on them. Andy and Lana Develops the Extreme close up to explore The importance of making the right choices. Wachowski Extends the Foreshadowing to make us aware of How people sometimes choose fantasy to avoid The Speaker Blends Biblical allusion to deepen our the harshness of reality. Haruki Murakami Intertextual allusion understanding of The idea of fate and whether or not we decide John Marsden Juxtaposition to teach us about own future. Harper Lee Narrative viewpoint to contrast The importance of belief in ourselves. Edgar Allan Poe Hand-held camera to make us realise How reality is found behind apparent reality. James Hurst Non-diegetic music to make us question People’s inability to really know each other. Silence to challenge People’s willingness to follow the crowd. Diegetic sound to highlight How fear can lead people to be unjust and even Onomatopoeia evil. Enjambment How people each have their own struggles in life. (extended) metaphor The power of friendship and communication. Alliteration How words can cross boundaries. Rhyme How knowledge is power and how that power can Assonance be abused. Sentence structure Structure Imagery Dialogue Metaphor Simile Consonance Parallelism
Adapted from: Ian Gilchrist as printed in English in Aotearoa 71 July 2010
THE MAGIC SENTENCE: ANALYSING LITERATURE AT LEVELS 1 & 2
WRITER VERB (PHRASE) TECHNIQUE PURPOSE THEME
The author Uses Setting to show us The changing roles between father and son The director Chooses Minor characters to reinforce The narrator’s connection with his history and Seamus Heaney Manipulates Symbols / symbolism to emphasise land. George Orwell Takes the Motifs to illustrate The ability of writing to explore the past. The persona Employs Costume to epitomise The development of grief. The poet Utilises High angle shot to represent The role of machines in our lives and our The narrator Changes the Lighting to develop dependence on them. Andy and Lana Develops the Extreme close up to explore The importance of making the right choices. Wachowski Extends the Foreshadowing to make us aware of How people sometimes choose fantasy to avoid The Speaker Blends Biblical allusion to deepen our the harshness of reality. Haruki Murakami Intertextual allusion understanding of The idea of fate and whether or not we decide John Marsden Juxtaposition to teach us about own future. Harper Lee Narrative viewpoint to contrast The importance of belief in ourselves. Edgar Allan Poe Hand-held camera to make us realise How reality is found behind apparent reality. James Hurst Non-diegetic music to make us question People’s inability to really know each other. Silence to challenge People’s willingness to follow the crowd. Diegetic sound to highlight How fear can lead people to be unjust and even Onomatopoeia evil. Enjambment How people each have their own struggles in life. (extended) metaphor The power of friendship and communication. Alliteration How words can cross boundaries. Rhyme How knowledge is power and how that power can Assonance be abused. Sentence structure Structure Imagery Dialogue Metaphor Simile Consonance Parallelism
Adapted from: Ian Gilchrist as printed in English in Aotearoa 71 July 2010
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