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THE MAGIC SENTENCE: ANALYSING LITERATURE AT LEVELS 1 & 2

WRITER VERB (PHRASE) TECHNIQUE PURPOSE THEME


 The author  Uses  Setting  to show us  The changing roles between father and son
 The director  Chooses  Minor characters  to reinforce  The narrator’s connection with his history and
 Seamus Heaney  Manipulates  Symbols / symbolism  to emphasise land.
 George Orwell  Takes the  Motifs  to illustrate  The ability of writing to explore the past.
 The persona  Employs  Costume  to epitomise  The development of grief.
 The poet  Utilises  High angle shot  to represent  The role of machines in our lives and our
 The narrator  Changes the  Lighting  to develop dependence on them.
 Andy and Lana  Develops the  Extreme close up  to explore  The importance of making the right choices.
Wachowski  Extends the  Foreshadowing  to make us aware of  How people sometimes choose fantasy to avoid
 The Speaker  Blends  Biblical allusion  to deepen our the harshness of reality.
 Haruki Murakami  Intertextual allusion understanding of  The idea of fate and whether or not we decide
 John Marsden  Juxtaposition  to teach us about own future.
 Harper Lee  Narrative viewpoint  to contrast  The importance of belief in ourselves.
 Edgar Allan Poe  Hand-held camera  to make us realise  How reality is found behind apparent reality.
 James Hurst  Non-diegetic music  to make us question  People’s inability to really know each other.
 Silence  to challenge  People’s willingness to follow the crowd.
 Diegetic sound  to highlight  How fear can lead people to be unjust and even
 Onomatopoeia evil.
 Enjambment  How people each have their own struggles in life.
 (extended) metaphor  The power of friendship and communication.
 Alliteration  How words can cross boundaries.
 Rhyme  How knowledge is power and how that power can
 Assonance be abused.
 Sentence structure
 Structure
 Imagery
 Dialogue
 Metaphor
 Simile
 Consonance
 Parallelism

Adapted from: Ian Gilchrist as printed in English in Aotearoa 71 July 2010


THE MAGIC SENTENCE: ANALYSING LITERATURE AT LEVELS 1 & 2

WRITER VERB (PHRASE) TECHNIQUE PURPOSE THEME


 The author  Uses  Setting  to show us  The changing roles between father and son
 The director  Chooses  Minor characters  to reinforce  The narrator’s connection with his history and
 Seamus Heaney  Manipulates  Symbols / symbolism  to emphasise land.
 George Orwell  Takes the  Motifs  to illustrate  The ability of writing to explore the past.
 The persona  Employs  Costume  to epitomise  The development of grief.
 The poet  Utilises  High angle shot  to represent  The role of machines in our lives and our
 The narrator  Changes the  Lighting  to develop dependence on them.
 Andy and Lana  Develops the  Extreme close up  to explore  The importance of making the right choices.
Wachowski  Extends the  Foreshadowing  to make us aware of  How people sometimes choose fantasy to avoid
 The Speaker  Blends  Biblical allusion  to deepen our the harshness of reality.
 Haruki Murakami  Intertextual allusion understanding of  The idea of fate and whether or not we decide
 John Marsden  Juxtaposition  to teach us about own future.
 Harper Lee  Narrative viewpoint  to contrast  The importance of belief in ourselves.
 Edgar Allan Poe  Hand-held camera  to make us realise  How reality is found behind apparent reality.
 James Hurst  Non-diegetic music  to make us question  People’s inability to really know each other.
 Silence  to challenge  People’s willingness to follow the crowd.
 Diegetic sound  to highlight  How fear can lead people to be unjust and even
 Onomatopoeia evil.
 Enjambment  How people each have their own struggles in life.
 (extended) metaphor  The power of friendship and communication.
 Alliteration  How words can cross boundaries.
 Rhyme  How knowledge is power and how that power can
 Assonance be abused.
 Sentence structure
 Structure
 Imagery
 Dialogue
 Metaphor
 Simile
 Consonance
 Parallelism

Adapted from: Ian Gilchrist as printed in English in Aotearoa 71 July 2010

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