Προτεινόμενη βιβλιογραφία:

Institutional critique: an anthology of artist's writings, Alexander Alberrο & Blake

Stimson (επιμ), Cambridge, Mass.: MIT press, 2009

Transdisciplinary Digital Art: Sound, Vision and the New Screen: Digital Art Weeks
and Interactive Futures 2006/2007, Randy Adams , Steve Gibson, & Stefan Müller
Arisona (επιμ), Zurich, Switzerland and Victoria, BC, Canada, Selected Papers.
Communications in Computer and Information Science 7. Berlin: Springer, 2008.

Nicolas Bourriaud. Relational Aesthetics. Documents Sur l’art. Dijon: les Presses du
réel, 2002.

White heat cold logic: British computer art 1960-1980. Paul Brown, Charlie Gere,
Nicholas Lambert, & Catherine Mason (επιμ), Leonardo. Cambridge, Mass: MIT
Press, 2008.

Christoph Cox. Sonic Flux: Sound, Art, and Metaphysics. Chicago ; London: The
University of Chicago Press, 2018.

Sean Cubitt. The practice of light: a genealogy of visual technologies from prints to
pixels. Leonardo book series. Cambridge, Massachusetts: The MIT Press, 2014.

Steve Dixon. Digital performance: a history of new media in theater, dance,

performance art, and installation. Leonardo. Cambridge, Mass: MIT Press, 2007.

Vilém Flusser. Towards a Philosophy of Photography. London: Reaktion Books, 2012.

Carolyn Hamilton, Verne Harris, Jane Taylor, Michele Pickover, Graeme Reid, και
Razia Saleh. Refiguring the Archive. Dordrecht: Springer Netherlands, 2002.

Sound. Documents of Contemporary Art. Caleb Kelly (επμ). London : Cambridge,

Mass: Whitechapel Gallery ; MIT Press, 2011.

The Bloomsbury Handbook of Sound Art. Sanne Krogh Groth & Holger Schulze (επιμ).
Bloomsbury Handbooks. New York: Bloomsbury Academic, 2020.

Rosalind Krauss, A voyage on the North Sea: art in the age of the post-medium
condition. 31st of the Walter Neurath memorial lectures. New York, N.Y: Thames &
Hudson, 1999.

Miwon Kwon, One Place After Another, Cambridge and London: MIT Press, 2002

Art and the moving image: a critical reader. Tanya Leighton (επιμ), London : New
York: Tate Pub. : In association with Afterall ; Distributed in the United States and
Canada by Harry N. Abrams, 2008.
The Greenroom: Reconsidering the Documentary and Contemporary Art, 1, Maria
Lind (επιμ), Hessel Museum of Art, and Bard College,. Berlin: Sternberg-Press, 2008.

Art and its institutions: current conflicts, critique and collaborations, Nina Montmann
(επιμ), London: Black Dog, 2006

Curating and the educational turn, Paul O'Neill & Mick Wilson (επιμ) London: Open
Editions : De Appel Arts Centre, 2010.

The New Media Reader, Noah Wardrop-Fruin & Nick Montfort (επιμ), Cambridge,
Massachusetts: The MIT Press, 2003

Από τη μινιμαλιστική στην εννοιολογική τέχνη-μια κριτική ανθολογία, Νίκος

Δασκαλοθανάσης (επιμ), ΑΣΚΤ, 2006

Art in Theory 1900 - 2000: An Anthology of Changing Ideas, Charles Harrison & Paul J. Wood
(επιμ.), Blackwell, 2002

Δωροθέα Κοντελετζίδου, Η Ιδέα ως υλικό, το υλικό ως ιδέα, Οι Έλληνες καλλιτέχνες στο

παρίσι από το 1960 μέχρι το 1980, Επίκεντρο, 2014

Chris Meigh-Andrews, A history of video art, Bloomsbury, 2006

Gene Youngblood, Expanded cinema, E.P. Dutton, 1970

Whitechapel - Documents of Contemporary Art: Sound, Caleb Kelly (επιμ), The MIT Press,
2011

Whitechapel - Documents of Contemporary Art: Participation, Claire Bishop (επιμ), The MIT
Press, 2006

Whitechapel - Documents of Contemporary Art: The Cinematic, David Campany (επιμ), The
MIT Press, 2007