Harmony

MelodyandRhythm
Texture
CompositionalDevice

Structure
Rudiments
InstrumentalEffects

1stSubject1stTheme

cutcommontime Duplemetre

Marchlikefeelinpercussion
Timpani

minor MemorableMelodicshape melody5th

higher

staccatowalkingbass
 Syncopation rhythmicinstability

Only1stand4thnotes

MotifReduction

melody i

m
Desi
ending 7thArpeggios
AscendingDim

Heldnotes

Motif in Gmajor

Chromatic Baseline
 Fmajor

Dimtharpeggio4thhigher

mm

off
pedal
Dominant

Eminimperfectcadence

Melody

I
note
middle
lengthened Goingup ma
Melody
pivottobbmajor tocmajor chord
major

Fminorsustainingchords 1stthemereturns crescintohigherpit

 istsubject3rd
Theme
EminormelodyAllwoodwindenterforisttime intoGmajor
Briefly
Gmajor

Higherpitch

Previousbarsfragmented outoftime
Playing
feel
unsettling

melody
Fragmented

feel
unsettling
 1stsubject4th
Theme major
WirhattengebaueteinstattlinesHaus
op

accompaniment

accompaniment

Melody

Timprovone

note
pedal
Becomesdominant
Perfectcadencein Gmajor

Dominant note
pedal
h

Ascend Descend

Acrompaniment q

Lowerstringaccompaniment 1 Ascends
DescendChromaticShape

Addsharmonicinterest
Thirdphraseofsong iselongated

tojoinsscales
Pisco

scales cressintoclimax

DominantPedal

Semiquaverscales t cressbuildingtoclimax
1stThememixedwithbitsof4thTheme
Honima major changeof
time time
sig common
Astendingsemiquaverstale
RhythmicEffect crochetsagainst
syncopated line
bass

4ththemein diminution

crochets

syncopated
bassline

Withaccents staccato
 Returnto Ima
bassline
RhythmicEffect syncopation crotchets

syncopation

halfof4th
second theme

c major

crochetsaccompaniment

andoffbeatarereversedfrombg
instrumentareon
ofviolin
Upperrange

crotchetsaccompaniment
incellotbass
 FirstTheme Gma
Reductionin instruments

1stThemeinbass

1stTheme lyricalversion
Melod
major
defiop

Perfectcadencein major
 Upperwindimitates
Melodi idearepeatedwithvaried upperstringsabeatslater Pitchraised Bmaior
dynamilandpitch

Bma 2ndSubject1stTheme Emajor

cadenie Derlandesvaterlandhalfofthismelody

Pedaloctavedomipterparation
Octave Bst

tonic
Inverted noteabovemelody
pedal higher
octave'itsgesteminor
leaping

below

Descendingbaseline

mannnn

suggestminor
 G
Themein
leapinD dominantofG
Octave

melody

in6th

Recastas3rdinGma

Octave
leaps

Fragmentationofmelody 1

more chromaticism

Accompaniment
 Windsecho4bar with
phrase
rhythm doubledin3rd6th
different

TripletRhythm

repeatedasascendingsequence4bar
Melody phrase

chordofDadominant
off
2ndSubject2nd
Theme Fuchslied

Gmajor toobo
Melodypassed

changeoftimesig

unison 2nd parallel3rd

bassoonimitatesthemescreating Accompaniment

staccatosoffbeatAccompaniment
mmmm

of
inversions themesaccompaniment
ReharmonisationhintingBma

accompaniment

Melodyindescendingsequences Hemiolat Themeinlower

bass

CrossRhythm13against2
Bmajorperfeitladenie

Countermelody

Accompanies countermelody

Theme

of B E
Repeatshape

melodicshapeofBias99
Repeat

Repeatmelodic
shape

RaisesintervaltopedalG

rhythmisedF changedirection
 Invertedinterval InvertedpedalD
respondingstrings

Blog110countermelodyinBiasbecomemelody
imitatescellointervalin

MewatXwithchromatic
note stri
in
octa

DominantPreparation 2ndsubjectReturns
Gmajor

increase
volume

offbeatchords

Extendmelody bringsitdownwards addchromaticnotes

Dmajorchord
Dominantpreparation
forreturnof2ndsubject
 istsubjectist
theme
change oftime sign4changeofkeyicmin
Tuttitexture
m nm

7th
Dim

IdeafromBil 7thArpeggios
Asiending DescendingDim
Dim7threpeated4thhigher
inwindsandstrings
NO2ndTHEME Unlikeexposition
Repeated3notesfragment

Fragmentationof3notemotifin244 245
3rdtheme
Buildsexcitementfor
Inversioninwind risingindynamicandpitch Feeloftempospeedingup

minim nominim gorest

Fragmentation of notesin244245 1

originalmotif

1st 3rd
subject Theme
semitonehigherthanB4s

votedGestopftcreatesmysteriousmood
Mezzo

Fragmentation

sputnandupthenorn
semitone
Hattensitbysemitone lower
createsmutteasouna

Perfectcadence Cadence

inAhmajor inFminor
 1st
subject1sttheme
Blob
equivalentto
4th
omits theme
movement
suggest to
toGma
Bmaichangedirection
D minor

Joincellorbasses

Reorchestration upperstringhaveinterjections
played hornsearlier
by

imperfect Doubles B88

cadenceinGma

Musicbuildswithcress additionofinstruments

notesinviolin
High

minor insteadof major

 minor samemusicrepeated
endingcrochetidea
Desi a semitonehigher
Excitingpassage 1
ideausedextensively
Descendingcrochet
inmetre
Groupingairossbarscreate uncertainty s ometimes
metre
triple
sdescendingnotesuggest

makepassageexciting

Rapidchangingharmonies
Fairlyfull
orchestration s ExtremeUpperRange I shangeof

stajo

Makepassage
exciting
 1stSubject1stThememixedwithbitsof4th
theme
me
way
maj

ÉÉÉÉ

Semiquaverstallin accompaniment

DominantPedal
ReversesorderfromB68
where4ththeme
didnotappearuntil4barsofsemiquaverlater
Repeatsprevious4barsoctavehigher
3rdnote3rd
higher
2ndSubject1stTheme
Cmajor
sameorchestrationasB129

sameoctaveleap

line
Descendingbase

movingfromGmajtoCma
Themeheardintonic
majornow
 chord
broken

play
only half
and
Woodwindplaysfullstatementhereinexposition
Ebmajor
 Imitationof B338 noimitationinexposition
Fragmentation

imitation

line
Plays a longer
 2nd 2nd
subject theme miss of2nd
statement theme
maior
to
Jumps material ofB2
Tripletversionoftheme of
change times

1st of
statement
countermelodyinv

notinviolin

Inverteddominantpedal

countermelody statement

insteadofviolaand
cello

strings inoctaves

musicbuildsto2nd
theme
2ndtheme
similarscoringtoexpobuttrumpet
reinforcemelody

Predominantlyreinforce melodyinsteadofoffbeats
 SODA
basisofcoda
Gaudeamuslgitor form
Endingofmelody Allinstrumentsplaying sigto
changeoftime 4
stay major onbeat ofarrival
sense

Melodyinupperwinds brass

Demisemiquaver scales Syncopation in violins

Tripletsemiquavercrossrhythm
 Melody 1

Percussiontrombonetrumpetsstops

Violinsjoinsmelody 1

bassline
Walking
Melody

Brass
upbeat

Timpupbeat

Percussionsreturn

RecommenceScales
Obscuresbar
linewith2beatpatterninwoodwind strings

2beatpattern luresbar
obs line
 Triple metrereturns
say
Piccolodescendingscales 3TuttimajChords
cadence
plagal
repeated

Ikbeatrest

Triplemetrereturns
Ikbeatrest

3Tutti majchords
Repeatedplagalcadent