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Disturbed Nights
Disturbed Nights
Introduction
Zulfikar Ghose, one of the prolific writers of Pakistan, was born in 1935 in
Sialkot city of Pre-Partition India. In 1947, after the partition of India took
place, Sialkot became part of Pakistan. Ghose’s family settled in Bombay in
1942. So, he lived his early childhood in a city with a Hindu majority. Since the
partition created rift and roughness in the Hindu-Muslim relations, Ghose’s
family felt insecure. The relations between the two communities became so
strained that there were outbursts of violence. These outbursts also resulted
in heavy casualties. Therefore, Ghose’s family moved to England in 1952.
The Loss of India, Ghose’s first collection of poetry came out in 1964. The
poems in this collection exhibit his nostalgia for his place of birth. A feeling of
being ‘other’ in the Western culture remains dominant in his poems. In the
same year, he published a collection of short stories, Statement against
Corpses, in collaboration with B. S. Johnson. In 1965, Ghose compiled his
autobiography entitled Confessions of a Native-Alien. Ghose’s first novel, The
Contradictions, came out in 1966. It presents a contrast between Western and
Eastern lifestyles and attitudes. Jets from Orange is another collection of his
poetry that he published in 1967. In the same year, his novel, Murder of Aziz
Khan, received extraordinary acclaim. The novel portrays a power structure
based on money and authority in Pakistan. The work Ghose is most famous for
is a series of three novels known as the Brazilian Trilogy.
Introduction
Stanza 1
Stanza 2
In this stanza, Ghose continues to think about the possibility of the accident.
He guesses that some young boys in a jeep might have met an accident.
Ghose imagines that the boys must be drinking and listening to loud music in
the jeep. They might have miscalculated a sharp bend in the road and met an
accident. Ghose also tells why he thinks so. He says that there are many
incidents of this kind reported in newspapers. The poet says that he reads
about such accidents every morning while making his tea.
Stanza 3
Soon, however, the poet’s perception begins to change when he listens to the
howl of the dogs in the neighborhood. The sound of the siren now starts
piercing through his ears and he rushes out to see what happened. He finds
the elm tree in front of his door lit up by the headlights of the ambulance.
Soon, the whole front yard is brightened by these headlights as the
ambulance approaches near. The poet covers his eyes as he feels dazzled by
the white headlights and alternating red and blue emergency lights.
Stanza 4
As the ambulance slows down near the poet’s house, he recalls the event
when the ambulance first came there. In front of the poet’s house, there is a
photinia hedge that he trimmed and fertilized. He stood behind this hedge
and witnessed the whole proceeding of the paramedics. He recalls how
paramedics walked into the house like late-night guests for a dinner. The
paramedics spent a long time in the house and the poet kept waiting behind
the hedge.
Stanza 5
Ghose recalls how the front of his house looked on the first disturbed night.
Owing to the constant headlights and flashing emergency lights, it gave the
look of a stage. It seemed that the technicians were testing the lights on the
stage before the beginning of the performance. The poet remembers how a
paramedic came out to wheel a stretcher up the driveway. It reminded the
poet of seeing a UPS technician wheel a package up the same driveway some
time ago.
Stanza 6
The poet comes back to the description of this second disturbed night. He
watches two paramedics go inside another neighbour’s house and then come
back. They repeat the action three times. The paramedics move about with
their heads bowed down. They resemble country tax appraisers who come in
their white utility van to evaluate the property.
Stanza 7
Unlike the previous disturbed night, the paramedics have not come for the
stretcher yet. The lights of the ambulance parked in front of his house trouble
his eyes. He thinks of going inside. But his curiosity keeps him waiting for the
paramedics’ next action. He stands there behind the photinia hedge and feels
how tense the wait can be.
Introduction
Themes
Contemporary Lifestyle
Social Connectivity
world, despite so much hustle and bustle, man is aloof. People have no time to
know about the cares and worries of others around them. The thread of
relations has become very weak and unreliable.
Disturbed Nights ends with Ghose waiting to see the true magnitude of the
issue for which the ambulance has come. The lights of the ambulance are
teasing his eyesight. He feels like going inside his house to relieve his eyesight.
But the anxiety that arouses out of inquisitiveness to know more about the
incident keeps him standing there. Between the lines, Ghose comments on the
pattern of life. Human beings spend their whole life waiting for something to
happen. They want to be clear about the circumstances. But if the wait goes
on for a long time, it causes tension and anxiety.
Disturbed Nights by Zulfikar Ghose consists of seven stanzas of six lines each.
This structure of six lines in a stanza is called a sestain. In Urdu poetry, we use
the term “musaddas” for it. However, in a sonnet, the final part of the poem
consisting of six lines is called a sestet.
Zulfikar Ghose has employed free verse in this poem. It means that the poet
does not observe any strict rhyme scheme and meter in the composition of
this poem. The syntax of the poem is simple. At the same time, there are
reflections about past events and some generalizations. The diction of the
poem is simple with exquisite use of contemporary idiom. The imagery of the
poem is lucid and realistic.
Conclusion