W. A.

Mozart

Concerto No.5 in A major

K.219

Derived from the Joachim Edition

As published by Simrock in 1905

CC-BY-SA Zachary Bian 2019

Revision 1.0.2

Source: https://musescore.com/calculuswhiz/mozart-concerto-in-a-major
2
Notes from the editor:
Tempo markings are only suggestions. For instance, I've read that the Mv. 1's Adagio has been played
as low as 52 and as high as 70. For reference:
- Stern: just above 60,
- Perlmann: just below 60,
- Heifetz: about 65
- Grumiaux: just above 65.
Personally, I like to take it a bit faster (like Grumiaux), but I've even heard an Amazon Music recording
go as low as 54. In short, play what you think feels right. Your teacher may correct you.
I've added several bowings and fingerings as well. I really felt like some of the fingerings just didn't work
in the original Joachim part I found. As for bowings, I thought it would behelpful to have a few more
here and there to aid with practice. I also changed a couple bowings around to what I think works best.
I also opted to get rid of that Ossia line in mv 3. I have never heard anyone play it with grace notes.

Glossary of Uncommonly Used Italian Music Markings:

Allegro Aperto (mv 1) - open allegro (like "open-ended")
Attacca - Begin (from attaccare)
Calando (mv 1) - decreasingly (from calare)
Soavemente (mv 2) - gently, sweetly, delicately
Lusingando (mv 2) - flatteringly (from lusingare)
Amabile (mv 3) - pleasant
 Concerto in A major 3

 
K. 219 W.A. Mozart

 
  
Allegro aperto  = 123-132


I
         
                   
TUTTI.

        



   
 


    



  
    
  
         
       
5

      


 





 
             
9

        


     
 

        

         
          
13

   





                       

   
       
17






  

      
               
21


  

          

            
         
25



 
 

     

        
                   

29

    

               
   

                
       

33

 
 

  
      
        
      
36

       
 
0

           4 2   
  1   
 4   
 attacca

     
Adagio.  = 52-70

    
40
A SOLO4 3 3
1
4
2


 
          1     0           
1 con espressione

   
43 4 0


   
1
 2   2    2     
     

4 Allegro aperto

  
46 B 0
2

2 4   4

      1             


       
 
49

               2  
  
   
      
52
3


                        1  

55 0

    2
                 
        
  
C4

58 TUTTI.

 0 3
   
 
  
SOLO


I

 
61

 
4

  
  3  
    
4 
    1  
1
  1
 

  

64 2

    3   3                


    ma espr.


2
68

    2    2 
   1 2 
brillante

       

2

    
       
TUTTI


 
71

 

         
      2              
      


SOLO


74 2

      
         3             



 

       
0 2
77

  
 4    4
 
     4  


     
           
    
D 4
81 4


 2
 

                  
5

     
85 4 4
4 4 4

     
  0 0          0 0 3        


legg.

  
0 0
3 4 2
89

4 

     2   
 
 

  


  
 

     
       
0
92 1 2 2 4

     


                   
95 2
2

       0  0  4    0  0  4     0  0  4    0  0



 
98 E

 
                         0 3   
 



100 1



                            
espress.

 

3
104 1 0

       2  2 1
                        
  
1 2
1

 
108 1


 1
cresc. brillante

4


      

    
     

   
  
111
TUTTI

    
       




     
            
  
114


 F 4    2
           2    


 ##  
          
 

SOLO



117

2
 2         
 espressivo 

         
  
123 # 0 I TUTTI

 
 0 


   
0
  2    4 
       
6

 
SOLO 2

  
  
126

      4 
 1  

          
 


 2  
2
130

    
       0 3 
cresc.

      
             
4
3 3
135
0

3      
     


             
        
3
137
0 2

 
 legg.


                

 
    
    
139


TUTTI

3
     1       1  3          
 1

142 SOLO

  2
1
 2            
    
 dim.


 

G


3 2
144 0

2 4
 
     4
      1         


       
 
147

                2  1
  
         
     
150 TUTTI

            
   
SOLO

  
     
153

    


                  


  
  1  
157 0


          

                
 
  
H

160 TUTTI


    4  2    
           
7

 
SOLO


I


0

  
163 3

 
4

 
  3  
    
 

    
 

 
1
168 1 1

              2    2  2
    


        1 




3 1 2
3 2 1
171

    
               
 
          

 
TUTTI SOLO

 
174
1 2 1

3 3
      2           
   


   
     
177
1

4 2 3
             
  

 0 4    
    
4
180

4
      
                 
  
          
I

  
183 4 4

3
       
  
  

     


  
  
  
 
 
 



4
4 2
4
187
1

 2           1  4       

        
191

 

2        






         





 1   
        
1
193 2

 



 
        
               
   
197
1


   
 
 4    
            
 
 
 

     
   
  
  
 
8

 
200
K 1 1 4


               
    1   
 


1
202 1

  1     
 0 
espressivo

 
        

205
1

2
    

     1
   0         
      

  
1


1
209
1


       1         2 3   1 3   1   1
      
cresc.


1 1
212


0 4    

brillante

    
                        
214 TUTTI

       2 


    



  
 
     

  

 

SOLO 2

   
 
218 1
Cadenza 2
0







   2 
     
 
    


 
  
      

187

         

  
 
cresc.

   

   
             
  

189

  
      
0 


     

 
 


          
   
        
4

        
191

    

      
 
   
1


 
    1      
   


 

  
 
     

      
193

  
2 4 3

 

 4  4 3  
9

     
 

      
196

    
1 0 1 1

    
 
 0    
 
    
diminuendo


calando

      4   4 3 
   

   



      
198 0


1

 
 0  
 2 4 3




espr.

    
        

           
 
       
   
201

   

 4
4 2

3 4

    


3


cresc.

         
 


             
204

   
largamente

       
  


       0      3 0     
 

   
     
207 0
2
1 2 2


    1    

crescendo e stringendo

                   
  

1

   
209 1
4 0

    4   

    3
       
            0   
4
  
 
   
211

   
0

 
4  
       3 

 2   1
 con fuoco 

 2     

     

4


4
214 3

     
   
 
 

  
      
4

   
   
216

 
0

 


2 0 2    2

       


         


               

  
218


 lungo


crescendo 1 1 1

              
     
rit.

            
       
TUTTI
220


 

  
  
   
      
    



  
 
223


   
10
II
 TUTTI    
       
Adagio.  =72-80

            
   

 
 




 

  
         

    


6

  


   

    
                        
10

 


 
 
  



  
              
  
      
13

 





   

               
   
15


   

                 
               
19

  

 A
            3 


 


 
   
3 II

    
22 SOLO 4

   

      2         
    4        
  dolce 

  


   
0
3
26 3

  
3          2     
  

     
    
 
4
31
2

    1          2    1 
 2            


35

1 0    0 2   3  
                2          

4
38 B I

 soavemente  espressivo I 
  
                                    1   1     2  

11


2 II
43

      3           3     3      3    

    
46

3   3
      1 3      
                   
   
lusingando

    
4 4
49 I C 2

 2 

   2      2   4   2



   

       4 
  

        
53 TUTTI
1




                        
            
 

57

    
 

 
        
60

              
  

  1   
 

     2    2    
 

    
 
 



63 SOLO 3 D

 
     2           2 0
 

      
      

68

  
  1         3 
         2 
espress.

#
 4       
 

71 2

  2 
3       3    1    0
cresc.  

          
   
2
76

 

 

  2 
 

           

 


1

      
TUTTI


82

 dim.
  E  3   
                
   
12

 
3
86 SOLO 4


 
                          2       
  
  


3 II
91 4 2 2
3

  1    
cresc.

   2  
       2         2     

II
96
1

          1   3     1


 2   
        
    
4
99
1 F

  3 1 I2
     0        1  
  
4


0 2
103


    
       2           4     1   1   1    
espress.

   

107


       1    4
                            
 
110 2 2
3

  
 1       G

2

   
 
 III

II


1 3
113 3
2 1

 
             4         
 

 


 


1

  
116




      2 


 

4

  
                    
119 TUTTI





                        
   
123

 
 
 
      04    1

4 13

      

 
0

 
0

 
SOLO Cadenza

      
2

  
 
126 4 0

 
 

     





  1 
     
          
 3  
1 2

  

     
4 4 3
109

  

    1
espr.
poco animato

   1       

                     
            
 
2


112


 




dim.

       
           
2 1 1

        
2 0

   
115


2

     
3
   


0
 
3 

   4   2  
1

    2 
3


    
    
a tempo

    
117 1


0

  
 2
       3
ritard.




   2  2 
espr. lusingando

     3 4 3
           
1


4
119 3 1

  2
accelerando


    
     
        
     
121 4 4 3

   
2 4

  
 
  
  
tranq.


          

  
  
 
 
123 TUTTI
 
 
126


1 3 3 0 4



1 


ritard.

    
      
127

   
  

       4     
                 
III


 

Tempo di Minuetto.  = 120-135

    
Rondo. SOLO
1 0

     
1 amabile


    

     
     

 
7 TUTTI
1


 

       
 


 


  
   
14

    
SOLO

 

A
    

12



2


 
 


 
                

       
 
 


18 0 2 1

 0 2 


  

     0 3  


     
3    2
con grazia

      
II

 
4 2
22
1

1
3    


  
4
   

   
 

          
  
27 0
3

3

                1   3        
   
con grazia

     
4 4
33 2
I

                            C        

         
37 3



                        


 
  
             
 
    
41


0
          0           


 4  
lusingando

   
2 2


44

4
                     4 3  2


      
48 2

3
        
  4       
 3    
  

   3    
  
0
51 D 3
3
3


 graz.

      
        1  
dim.


                   


Cadenza
57
1
E

         
 molto riten.

         


dim. a tempo

         
 
61
0
  1   
 
   
   
15


         
        

 

66 TUTTI

        
  




           
SOLO

       
    
TUTTI


73


2

  
         
 
 

                  
F


78
SOLO IV
4

        

3


       
4


             
83 1 TUTTI

    
1

1
    


       
     
G

SOLO


88


4

3
        0 1


           
      




93
1

4
 H 2     3  3 
  1     1 
     
 
  
 
98
3

            3            4           

   
  


103 2 4 2

                         
   


   
106
3

  



   



Cadenza

   
    
109 riten. 2

              
    
 
         
     
        

 
a tempo

   
dim.

   

I


110
1 0

      
    

       


116 TUTTI
1


    
  
16

 
   

    
  
 

120

 0
         
  

      
124


SOLO0 2

  0
 

   
     
         
        
       
 
4
128
2


1

  
  
          
K Allegro.  = 138-150


132

  
TUTTI

  
SOLO

 
  
0

  
 

        
 
136

      



     
            
          


 
140

 2
0     
0

         
       
144 I

 


           2               

149


 

  
0

 


                 
    
155


 
0

  
                   
 
161

        
    
      
 

   

   
L

 
TUTTI


  
17

 
M

  
          
  
         1              0
  

      
 

         
SOLO

 
185 N


         1 
2

     3
cresc. 

   
 
200 2


 4     
          
        
O
 
203 TUTTI
0 205

 


      


           
  
 
 
SOLO


209 P

  
         

1
 

       


  2 1       
     
1
215 1


4
1 1

4
  

                        


 
   
221
3 3 2 2 1 1

0


   

      




       
 
      

 
226
3 3 2 2 1 1 3 4 1

  0
     


               
    
233

  
      
    
                 

  
239 TUTTI

    
       

   

  
245
 
        0        0
 3    1 3
    
18

 
Q 3


250 SOLO

  
             
3    3    1 3  


       
     
254
3 TUTTI

     cresc.  
1 3

      
 

   
     
SOLO
R

   
260

        

 
  cresc.  cresc.  

             
            
267

      
                
271 IV 4 4
1 1 3 1 2

  
   
ritardando

     
      
 
    
Cadenza


276 1


3 2 3

  2
1
1

3   
 1 1



                    
       

1


1 0 0

2 
4       
 
0   
4 0 4 0

     



 
            0 
3

    
1
0 4 0

  


      2       0   0   0   0  0   0                

 0
4 3 4
0 0 0 0 2 0

1 a tempo 
             
S
                   
0 0
1

           
      
      
 dolce
dimin. e riten.

         

281
0

  
    
 
     
       

 
286 TUTTI



 


          
 
 
19

 
    


T
 


291


SOLO 0 2


  



               

 

  

  
  
  


296 0 2 1

 0 2  

  2         


      4  



  

    
4
300
1

     

      1

      

dolce

       

1
305

3 1  
   

         3



U

  
310 4 1

       3       3    1 1 1      

con grazia

 
3
314

 0 2  4 3  0 0 0
                       

317


        


     
2

  
             
 
            

V 0

  
320 2
4

1       1  
     
  


    
325

3
   2
    


   3 1 
 

 
328


      4     
     4       
 dim. 

  
1
331 0
4

 2      

        3 1 a tempo



                   
   1 1     4
 
 
  
Cadenza


2 4
336 2

dim. ritard.
 2
                         
20

 
337
W
1 0

                
  
dolce

                 

341 TUTTI
1

3 3 3 3 3


3 3 

 
 

  
       

 
345


 
        


       
  


349

   

      

        

354

0
 





                           
SOLO

  
359
2 0 2

 


 


4 
  0
     
         
   
   


363
1