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513 Group 4 Group Task
513 Group 4 Group Task
STRATEGIES:
A Compendium of Methodologies for
Teaching English Language
Created by:
Sumaylo, Noemi
Vicho, Melcris Q.
Villar, Rommel M.
Villarazo, April Mae R.
Ybañez, Marnel Leza S.
Ybañez, Restituta G.
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TABLE OF CONTENTS
Title Page
Cover page i
Table of Contents ii
Methodologies and Strategies for Teaching English
Picture Prompt……………………………………………....1-4
Forced Debate……………………………………………….5-7
Devil’s Advocate………………………………………..…..8-10
Socratic Questioning………………………………….….11-13
Gallery Walk………………………………………………14-16
Storytelling………………………………………………...17-19
Authors’ Page……………………………………………..20-24
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BACKGROUND OF PICTURE PROMPT STRATEGY
"A picture paints a thousand words" is a According to Shi, J. (2020) there are two
popular expression that suggests that a picture stages of processing are required to
is one of an effective strategy to communicate understand picture prompts: identifying the
a complex topic or elicit powerful feelings than elements in the image and interpreting the
a lot of text. This expression frequently alludes meaning that each element is intended to
to the ability of pictures or imagery to convey convey. His study cited Hagan (2007) and
ideas, tell a tale, or express feelings in a way Roque (2012) which said that verbal input is
that words alone can find difficult when utilized frequently added to the process of
in song lyrics or other creative works. interpretation in order to: (a) enable a more
specific and concrete understanding by
People have different learning styles and
providing context; (b) facilitate content
preferences. While some people learn best
analysis of images; and (c) stabilize broad
while using visual assistance, others might
interpretations of images by disambiguate
prefer visual or auditory strategies. The
or clarifying their meaning.
learning process can be improved by
acknowledging and incorporating these Using visuals as a teaching strategy in
distinctions. English Language Teaching (ELT) is an
engaging and successful way to get
In English language teaching (ELT), the use of
students interested in learning through
photo prompts is one of a popular and
several senses. Using visual stimuli, such
effective strategy in teaching. Using visual
as pictures, photos, or sketches, to direct
cues like pictures, photos, or illustrations to
and prompt language learning tasks is
promote language acquisition and
known as the prompt picture strategy. This
communication in the classroom is known as
strategy is based on the idea that language
picture prompting.
learners' comprehension, memory, and
Images in language instruction accommodate communication abilities may all be
students' various learning preferences. Visual improved by visual aids.
learners learn from the imagery, auditory
Thus, the prompt picture strategy is a
learners make the connection between spoken
flexible and captivating way to teach
language and the visuals, and kinesthetic
English, offering a comprehensive
learners can act out scenarios based on the
education that combines linguistic
pictures.
proficiency, cultural sensitivity, and critical
The study of Sarmila, S., et. al (2023), found thinking. Teachers can design a dynamic
that it is quite helpful to use the Drawing and successful language learning
Picture Strategy while teaching students to environment that meets the various
describe pictures, especially for those who requirements and proficiency levels of
have never learned English before. It language learners by carefully choosing
considerably raises students' interest in their visual aids.
learning English.
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HOW CAN PICTURE PROMPT HELP ENGLISH
LANGUAGE LEARNERS?
Teachers must take into consideration the cultural significance of the images when
.
utilizing photo prompts to make sure the lessons are relevant and inclusive for a
different school. The efficiency of this teaching method is further increased by giving
students precise directions and assisting them in organized tasks that are connected
to the images.
To make the activity worthwhile and interesting for the students, there are a few
phases involved in putting the image prompt technique into practice in English
language teaching, several steps to ensure that the activity is effective and engaging
for students. 4
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Subject Verb Agreement: Past Tense
Choose an image that is relevant to the topic “Subject Verb
Agreement: Past Tense”. Ensure that the image is clear,
visually appealing, and appropriate for the age and
proficiency level of your students.
5
3
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Introduce the Picture:
Display the picture to the class and provide some context. Briefly ask students to
make observations about the
BACKGROUND OFpicture.
FORCED DEBATE STRATEGY
Generate Predictions and Discussion:
Encourage students to make assumptions on the image's contents or to talk
about what they observe. For the purpose of group discussions and
collaboration, the class will be divided into five groups, encouraging the sharing
"Forced debate" is a strategic approach that involves compelling
of ideas.
individuals or groups to engage in discussions on specific topics or issues, often
Language
against theirOutput and
initial Extend Activities:
preferences or inclinations. This strategy aims to stimulate
criticalon thinking,
Based the picture,challenge preconceived
ask the groups to compose notions, and foster
one paragraph a more
description.
comprehensive
The goal is to useunderstanding of diverse
language in context. perspectives.
Let each The term
group choose "forced" in to
representative this
context
read their does
outputnot
to imply coercion but rather implies a deliberate effort to create an
the class.
environment where individuals are encouraged or even required to participate in
Rubric: Writingdebates.
constructive Activity
Feedback Theand Correction:
strategy is rooted in the belief that confronting contrasting viewpoints
enhances
Provide intellectual
constructive growthonand
feedback promotes
language use, apronunciation,
more informed and and
any nuanced
errors,
perspective. By exposing participants to a range of opinions,
relating to the topic “Subject Verb Agreement: Past Tense”. This step is crucialforced debate
forseeks to break
students down
to learn fromecho
the chambers
activity andand ideological
improve silos, fostering
their language skills. a culture of
openness and intellectual curiosity. This approach is commonly employed in
Lecture Proper/Discussion:
educational settings, organizational development, and public discourse to
1.cultivate
Discuss athe
well-rounded andVerb
topic ““Subject adaptable mindset.
Agreement: Past Tense”.
The the
2. Introduce selection
regular ofanddebate
irregulartopics
verbs.is a pivotal aspect of this strategy,
demanding a careful balance between relevance and intellectual complexity.
3.Facilitators
Practice: Write
playabout your memorable
a crucial experience inaone
role in maintaining hundred words.
respectful and inclusive
atmosphere,
Rubric: Writingensuring
Activitythat participants feel empowered to express their opinions
without fear of reprisal. The goal is not to impose a specific ideology but rather to
Reflect and Review:
orchestrate a dynamic exchange that challenges assumptions, hones
argumentative
After the activity,skills, and contributes
give yourself some timeto atomore nuanced
consider whatintellectual
the pupils landscape.
learnt and
accomplished. Important
In academic linguistic
settings, forced and vocabulary
debate serves aspoints might alsotool
a pedagogical be to
reviewed.
stimulate critical inquiry and equip students with the ability to navigate the
complexities
Variations andofFollow-up:
real-world issues. In organizational contexts, it fosters a culture
of adaptability and innovation by encouraging employees to grapple with diverse
In future classes, think about implementing different iterations of the picture
perspectives. In the broader public sphere, the strategy promotes a more
prompt approach. To reinforce learning, you can complete related activities or
informed and resilient society capable of navigating the complexities of a rapidly
homework afterward. Remember that striking a balance between student
evolving world. Ultimately, forced debate emerges as a catalyst for intellectual
engagement, language practice, and attaining the desired learning outcomes is
growth, pushing individuals beyond their intellectual comfort zones to confront,
essential for a picture prompt activity to be effective. Continually encourage
engage, and evolve.
active participation from your students and modify the task's complexity
6
according to their level of proficiency. 4
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HOW CAN FORCED DEBATE HELP ENGLISH
LANGUAGE LEARNERS?
5
For English language learners (ELLs), forced debate can be a valuable pedagogical
tool with several benefits in language acquisition and proficiency.
Language Exposure and Immersion: Forced debate exposes ELLs to a
rich and diverse range of vocabulary, expressions, and linguistic structures.
Engaging in debates on various topics provides an immersive language
experience, allowing learners to encounter and grapple with language in
context.
Vocabulary Expansion: Debates often revolve around specific topics,
requiring participants to delve into subject-specific vocabulary. This process
enhances ELLs' vocabulary acquisition as they learn and employ
terminology related to the debate topics, broadening their lexical repertoire.
Speaking and Communication Skills: Participating in debates compels
ELLs to articulate their thoughts, ideas, and arguments in English. This
active engagement enhances their speaking and communication skills,
promoting fluency, coherence, and confidence in expressing complex ideas.
Critical Thinking and Analysis: Forced debate necessitates critical
thinking and analysis, encouraging ELLs to evaluate different perspectives,
construct coherent arguments, and respond to counterarguments. This
intellectual engagement not only develops language skills but also enhances
higher-order cognitive abilities.
Cultural and Contextual Understanding: Debates often touch upon
cultural and societal issues, providing ELLs with insights into the cultural
nuances of the English language. This exposure helps learners understand
how language is intricately connected to context, fostering a deeper
appreciation for cultural diversity.
Listening Skills: In addition to speaking, forced debate requires active
listening as participants must comprehend and respond to the arguments
presented by others. This hones ELLs' listening skills, aiding in overall
language comprehension.
Confidence Building: Being compelled to participate in debates, even if
initially challenging, contributes to confidence building among ELLs. The
structured and supportive environment of a debate allows learners to
gradually overcome language barriers and express themselves more
confidently.
Real-World Application: Debates often simulate real-world scenarios
where effective communication is crucial. This practical application of
language skills helps ELLs bridge the gap between classroom learning and
real-life situations. 7
Positive Aspects
• Encourages students to identify their misconceptions or blind spots.
• Aids students in recognizing various points of view.
• Increases students' capacity for debate.
9
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Negative Aspects
• Parents and students might see your devil-may-care attitude as an attempt to
introduce disagreeable viewpoints in the classroom. 8
Application
• When they think there are opportunities to play the devil's advocate and
encourage debate, the instructor can note those moments in their lesson plan.
• The teacher can assign debate scenarios in which one student takes on the role
of the devil's advocate and another, that of the person defending the dominant
viewpoint.
•
The Devil's Advocate teaching method involves having someone adopt a viewpoint that
is contrary to their own. This tactic is meant to provoke critical thinking in pupils and push
them to think from many angles. It can be especially beneficial for English Language
Learners (ELLs) since it gives them a low-pressure setting in which to hone their
language skills and enhance their critical thinking skills.
Students can practice this technique by participating in the game as the devil's advocate,
“I Couldn't Disagree More”, where they must argue against contentious thematic
assertions. Students in the groups have one minute to write a 1-2 sentence response
disputing the teacher's controversial thematic argument, such as "Greed is the root of
evil," after the teacher reads it to them. The first group to provide its counterarguments is
the one who has the turn. The team gets one point for each proposition that has a logical
justification supported by a literary exemplar. The team with the highest number of points
wins!
Student discussions are an additional means of putting this concept into reality. Using
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this strategy, pupils adopt a viewpoint that differs from their own and make every effort to
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weakenNamethe case for it. This supports the growth of pupils' critical thinking skills and their
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viewpoints.
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STEPS IN CARRYING OUT DEVIL’S ADVOCATE AS
APPLIED IN ANY ENGLISH TOPICS
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BACKGROUND OF SOCRATIC QUESTIONING
10
Socratic Questioning is an effective instructional method that promotes critical
thinking, active participation, and profound learning in pupils. The Socratic Questioning,
originated by the Greek philosopher Socrates, is a form of dialogue where the teacher asks
probing questions to the pupils in order to delve into the fundamental ideas that influence
their perspectives and viewpoints. This strategy has been used for many millennia to
promote intellectual development and enable meaningful conversations in different
educational environments.
The Socratic lecturer lacks comprehensive knowledge and is not just evaluating the
students. The interrogation continues without any predetermined objective, allowing for open-
ended exploration. The emphasis lies not on the participants' comments, but rather on the
underlying value system that shapes their beliefs, actions, and judgments. Consequently,
every attempt to question this system and achieve success carries significant consequences,
perhaps requiring individuals to thoroughly analyze and modify their lives.
The teacher presents inquiries that surpass the level of depth and significance that a
beginner in a certain subject would typically generate independently. The teacher establishes
and maintains a cognitively engaging classroom atmosphere while recognizing the
significance of the student within that setting. Within an intellectually permissive, secure, and
rigorous educational setting, students will face challenges while feeling at ease to provide
honest and comprehensive responses in the presence of their classmates.
Core Principles:
• Active Engagement: Students engage actively in the learning process by posing
insightful questions and engaging in discourse.
• Critical Thinking: This approach encourages the use of analytical thinking, logical
reasoning, and the evaluation of underlying assumptions.
• Collaborative Learning: Students participate in interactive discussions with their peers,
exchanging varied viewpoints and collectively building knowledge.
• Self-reflection: By engaging in thought-provoking inquiries, students contemplate their
thoughts, beliefs, and knowledge, fostering personal growth and advancement.
The Socratic Method is a cognitive process that encompasses three distinct stages:
1. Introduce a beginning definition, argument, stance, or topic. An individual
without knowledge on a certain subject is unable to engage in critical thinking
or offer their own viewpoint on that subject. Hence, it is crucial to provide a
succinct yet enlightening introduction and background on the subject matter.
ToName
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HOW CAN GALLERY WALK HELP ENGLISH
LANGUAGE LEARNERS? 14
A Gallery Walk is a useful tool for encouraging students to cooperate, collaborate, and
move purposefully throughout the classroom. It is an adaptable approach that can be used to
create historical context or take the place of a lecture, depending on the needs of various learning
styles. Associating learning with movement is an excellent retrieval strategy, and it gives the
students opportunities to refocus and readjust. Gallery Walk is especially helpful for English
language learners because it gives them the chance to interact more. By encouraging discussion
and sharing of concepts, themes, and characters, it helps the learners improve their speaking and
listening abilities.
Gallery Walk Strategy is a fun and engaging strategy to promote learning and help
English language learners to develop their skills in a supportive and collaborative learning
environment. Including gallery walks in the classroom has several advantages. Increasing student
engagement, or the amount of zeal and interest students exhibit toward their coursework and the
material being presented, is the main objective. Gallery walks can also help with content retention
and foster social and emotional development. Gallery walk is an accurate way to complete
summative assessments as well as formative assessments, which are completed during the learning
process.
A little preparation is needed, but gallery walks in the classroom can frequently provide
enough opportunities for enjoyment and education to last the entire class period.
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GALLERY WALK FLOW 15
Item 1 Item 2
Item 4 Item 3
You can use a gallery walk as a review. Imagine that an English teacher
wishes to go over the qualities of a novel's protagonist and supporting cast. To
review, the teacher hangs a piece of paper at each station in the classroom after
listing all of the major and minor characters on a separate sheet of butcher
paper. The teacher places a question about the personality traits of this
character in the novel beneath the character's name.
Then, the teacher can provide writing instruments or sticky notes to each
student so they can respond to each question in writing. Groups of students are
formed, and each station is given a set amount of time for responses. Every
student either uses a marker to write directly on the butcher paper or writes their
response on a sticky note that they adhere to the paper.
Students should try to think of responses that are different from those of
their classmates as they move from station to station. Each question should be
open-ended or have multiple answers for this type of gallery walk. Finally, the
teacher requests that a representative from each group present a station to the
class.
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BACKGROUND OF STORYTELLING STRATEGY
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The tradition of storytelling predates written language and has evolved over
millennia as a crucial tool of communication, education, and cultural
preservation.
In ancient cultures around the world, stories were orally passed down from
generation to generation. Elders, bards, and storytellers were responsible for
transmitting knowledge, traditions, and moral lessons through spoken narratives.
With the presence of the internet, social media, and multimedia platforms in the
digital age, storytelling has undergone additional evolution. These days, telling
stories is a dynamic, interactive experience in addition to being a traditional story
form.
Storytelling has always been an effective means of forming communities,
passing down knowledge, maintaining customs, and influencing civilizations. It
still plays a crucial role in human creativity and communication today.
The act of writing or narrating a story is called storytelling. Stories are typically
recounted for three reasons: amusement, education, or information.
The human experience is universally enriched by stories. Indeed, it has been
suggested that storytelling evolved shortly after language itself, a theory that is
probably hard to verify.
We do know that stories have been shared throughout history in all societies.
Some of the earliest indications of storytelling can be found in the cave carvings
of Lascaux and Chavaux, France. The illustrations, which date back 30,000
years, depict animals, humans, and other objects. Some appear to be visual
storytelling. It's perhaps likely that the scenes shown on the cave walls were
inspired by an oral storytelling tradition.
Epic poetry, such as like the Sumerian Tale of Gilgamesh and the Greek Iliad,
these stories were first spoken and passed down orally before being recorded in
writing. Comparably, it is highly probable that Aesop, who lived in the sixth
century BCE, if he existed at all, told stories. He and his animal fables were
passed down orally, although later Greek writers referred to them.
There are animal fables that have also been traditionally passed down orally
among other peoples, such as the Choctaw Native Americans. The Choctaw
animal fables serve as teaching tools, much like Aesop's tales. In the past, the
Choctaw people also used oral tradition to transmit religious myths, such as their
creation stories.
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Naturally, stories can now be told verbally, through written or handwritten
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material, as well as through recorded audio and visuals. We are all, and always
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have been, story consumers, regardless of the media.
HOW CAN THE STORYTELLING HELP ENGLISH
LANGUAGE LEARNERS?
17
Similar to how native speakers learned their first language, students can listen to
the sounds and rhythms of English. Pupils who have heard or studied terminology
and idioms frequently are able to identify them and observe them being used.
Children can benefit from frequent storytelling when they are learning new
expressions and phrases with the right emotional resonance. Participatory
storytelling involves asking questions about what is happening to the characters
and what they should do next. It also allows a student to take on the role of that
character and hear or say what they would say in a real-world setting.
A lively, occasionally stylish, and engaging delivery of the language can appeal to
younger learners when it is told aloud to them through storytelling, which also
makes language acquisition more engaging and immersive. Using important
words and phrases when participating can help participants become aware of
rhythm and structure. Play and artistic expression are encouraged here, which
piques interest in additional experiences of this kind. After hearing a good story
read aloud in class, students sometimes want more tales and feel inspired to
write, play in a variety of ways to either draw out or illustrate their own tales.
As from the most introverted to the most engaged students, storytelling appeals to
a wide range of learning styles and personalities and allows everyone to
participate in a way that they enjoy. This might be anything from simply listening to
participating as an actor.
Students who hear stories are also better able to appreciate and recognize natural
sounding idioms and phrases, intonation, and tone of voice, as well as interactions
between native speakers. The option to retell, rephrase, enact, or summarize
what they have heard is provided to older young learners. They can even rewrite
the story or come up with their own as a group or alone.
Moreover, stories provide a bridge between the home and the classroom. The
same books in their native tongue may be available to students at home; they can
read aloud to family members or parents and learn English vocabulary; parents
can read aloud to their children basic stories in English. A lot of the stories in
VOSE also feature talking books, YouTube videos, animated films, or picture
books that you may see after the session.
Learners can naturally absorb grammatical structures and sentence patterns by
being exposed to a variety of narratives. This allows students to internalize
grammar rules without requiring explicit teaching.
However, narratives frequently mirrored ethnic nuances, phrases, and idioms. 19
Learning about a variety of stories helps enhance learners' comprehension of
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STEPS IN CARRYING OUT STORYTELLING AS
APPLIED IN ANY ENGLISH TOPICS
1. Know your audience 18
Includes considering your audience' demographics, hobbies, language
competency, cultural background, and emotional sensitivity. It's all about
personalizing your narrative to capture their attention, resonate with their
preferences and requirements, and align with their experiences. This
understanding enables storytellers to create a more compelling and relatable
experience, building a bond between the narrative and the audience.
2. Make your audience care
Is the skill of crafting a story that moves the audience emotionally and
establishes a sincere bond with them. It entails creating themes, characters, or
circumstances that speak to the listeners' empathy or sense of self. Storytellers
can arouse empathy in their audience, grab their attention, and enhance the
narrative's significance and memorability by appealing to emotions, values, or
common experiences. In order to make sure that the audience pays close
attention to the tale being delivered and is emotionally invested in it, they must
become emotionally involved.
3. Set the Scene
Since our senses are how we perceive the world, you must appeal to their
senses if you want to truly engage your audience. Establish the scene and give
the story's background information to your viewers. In what location did the story
occur? What scent was in the air? Was the scent reminiscent of pine cones near
a forest's edge? or similar to the beach's sea?
4. Be Creative with Chronology
Present events in a chronological order that reflects the passage of time is what
it means to be with chronology. This is a simple, conventional method that lets
the audience follow the plot as it develops because the story is told in a linear
form. This technique is frequently applied to help readers grasp the story by
creating a distinct cause-and-effect relationship between occurrences. It's crucial
to remember that not all stories have a chronological framework; some could use
flashbacks or non-linear timeframes to improve the storytelling.
5. End with a grand finale
There should be a resolution to the story, unless you plan to keep telling it and
are purposefully heightening the tension. Whatever storyline you have developed
ought to be resolved and leave no unanswered doubts. Give your audience
astonishment, similar to what happens when you walk out of a fantastic movie,
and use that sensation to weave magic into your narrative. You can accomplish 20
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AUTHORS’ NOTE
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21
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20
In his tenure at the University of the Visayas-Minglanilla Campus, He was elected President
of his batch and President of the College Supreme Student Council, undefeated for four
(4) academic years to which he was the author of the Supreme Student Council
Constitution and By-Laws. He is also the founder and first president of the UV-Minglanilla
Campus College of Education Organization.
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21
April Mae had demonstrated an early fondness for the performing arts, specifically in the
domain of declamation. She had participated in performances and competitions at
numerous schools and municipalities. Additionally, she cultivated a passion for literature
and composition, which motivated her to participate in the Division School Press
Conference and join the School Publication. Furthermore, this served as her impetus to
delve into the realm of English literature in its entirety. She is presently employed by the
Commission on Higher Education Region VIII in the capacity of Project Technical Staff for
Maritime Education.
Despite having much progress to make, she remains resolute in her pursuit to realize her
ambitions and become an educator endowed with an empathetic disposition and a
pedagogical acumen that can ignite in her pupils.
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22
Managing multiple responsibilities, she is now complying with the academic requirements
for Master of Arts in Education major in English Language Teaching, University of the
Visayas Main Campus.
Outside of work, Marnel enjoys spending time with herself and family, attending weekend
classes, collecting and reading books.
She recently became connected with the Department of Education Cebu Province as a
Senior High School Registrar, and she is currently aiming for a career in teaching.
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23
Restituta G. Ybañez
I earned my highest degree from Cebu Normal University, specializing in English. This
academic foundation has provided me with a solid understanding of teaching.
I am now earning my master’s degree unit at University of the Visayas Main Campus,
obtaining 21 units in Master of Arts in Education- Major in English. Hopefully, I’ll be able
to complete my masters degree soon.
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