Clarinete 1 El Burro Loco

          
          
Banda La Diabla

 
     
 =220

      



  
22

                         
     

29

                    

  
      
36

      

   
46

                         
     

53

       To Coda            
      
         
60

     


 
      
  
D.S. al Coda
83

                          

   
112

                         
      
   
119

     

 
       



128

                          

   
136

Adrian Hernandez R.
            
 
           
143

     

         



163

                         
 
   
175

                             
  
  
182

 
    
  



  

191

2 Adrian Hernandez R.
 Clarinete 2 El Burro Loco

                        
Banda La Diabla

       
  
 =220


                             
     
23

                                 
 
  
31

         
                           
 
38

    
                                   

47

  
                                 
 
55 To Coda

             

          
         
D.S. al Coda
69

                                  
     
107

      
                                

115

     
                          
   
122

                             
      
132

   
                                
  
 
140

Adrian Hernandez R.
         
    

  

      

155

                        
     
172

                                 
       
180

      
          
       
189

2 Adrian Hernandez R.
 Clarinete 3 El Burro Loco

                                               
Banda La Diabla

 =220

  


                                      
      
24

                                              
  
34

                                                 
  
44

To Coda 
                                             
 
53

           
D.S. al Coda   
    

              
  
69

                                    
     
107


                                              
  
116

                                                
   
126

                                             
 
136

            
                     

145

                                                
 
170

Adrian Hernandez R.
                                                
  
179

 

                     

189

2 Adrian Hernandez R.
 Trompeta 1 El Burro Loco
  
            
Banda La Diabla

   

       
 =220 

             
                          
 
23


            
              
33

       To   
            
        
44
Coda

       
                
    
D.S. al Coda

    
73

        

              

92

 
            
                           

104

          
                                        

114

                  
              
125

         
             
 
   
 
 

154

            

  

168

          
                                       

178

Adrian Hernandez R.
       
  
              

189

2 Adrian Hernandez R.
 Trompeta 2 El Burro Loco

               
Banda La Diabla

           
  
 =220


                             
       


13

   
 
                                      
27

        
                              
    
36

                          

48 To Coda

                                            

68

                        

      

81 D.S. al Coda

                                   
  

96

    

                               
107

   
                                     

116

         
                      
 
127

 

                                  
143

Adrian Hernandez R.
                                             
 
159

                           

                  
172

    
                               
      


182

 
     
  
 
192

2 Adrian Hernandez R.
 Trompeta 3 El Burro Loco


Banda La Diabla

                                           
 =220

  

 
                  
                           

 
24

    

                          
        
34

                                          
   
To Coda


44

D.S. al Coda 
                                    

   
 
75

                                
    

94

 
                                  
 
108

    
                            
      
117

         
                               
   
127

                                      
 

157

 

                               
      
 
170

   
    
                           
         
179

Adrian Hernandez R.
    
            
        
189

2 Adrian Hernandez R.
 Trombón 1 El Burro Loco
 
         
Banda La Diabla

             
 =220


            
            

12

         
                               
 
23

                    
      
  
31

    
                  

40

  
                    

55 To Coda

              D.S. al Coda

               

73

          
        

   
85

     
    
         
98

         
                                

109

                 

      
   
117

   
                    

126

Adrian Hernandez R.
    
                  

143

        

             

159

         
                               

170

                                
     

178

              
           

186

2 Adrian Hernandez R.
 Trombón 2 El Burro Loco

        
        
Banda La Diabla


         
 =220


  
               
         
          
 
16

                                               
 
27

                  
                   

36
To Coda

                       
              

69

          D.S. al Coda                    

            

81

                     
                 

94

                                                
 
106

       
                                       
 
116

                       
             

127

                 
             

160

                                                    
  
171

Adrian Hernandez R.
          
                              

181

      
      

192

2 Adrian Hernandez R.
 Trombón 3 El Burro Loco

              
Banda La Diabla

              
      
   
 =220

 

                                              

   
18

                                           
      
28

                 
         
      
38
To Coda

                 
             
     
71

  
                             

    

84 D.S. al Coda

       
                
       

98

                                                
  
110

          
                    
     
120

                  
               

154

 
                                        
    
167

                                           
   
177

Adrian Hernandez R.
               
     
     
188

2 Adrian Hernandez R.
 Saxor 1 El Burro Loco

                              
Banda La Diabla

 
    
 =220

 


 

                                            

       
23

 
                                          
 
30

           
                                  
                       


 
39
To Coda

                 

 
        
                               
   
66
D.S. al Coda

 
 
 
 
 
  
 
 
 
 
  
 
 
 
 
                           

     
111


   
 
 
 
 
   
 
 
 
 
   
 
 
 
 
                         

118

              

                               
   
   
127

                                            

      
172

                                    

             
179

                                     

 
188

Adrian Hernandez R.
 Saxor 2 El Burro Loco
Banda La Diabla

                              

 =220

 

                      

                

   
16

     
    
                                             
26

     
            
                                        
34


                 
             
43

            
            

60 To Coda

   

                         
79 D.S. al Coda

                   

    
98

     
              
                                      
112

      
                                          
120


                            
129

                         
148

Adrian Hernandez R.
                 
                                   
167

     
     
                                      
177

      
    
                                    
                                    
184

2 Adrian Hernandez R.
 Tuba El Burro Loco

           
Banda La Diabla

           
             
 =220


                
             
  

8

   
       
   
                 
21

       
                              
     
 
31

                           
               
42

            
            

54 To Coda

  
                                       
65

  
                                 


  
78 D.S. al Coda

     
                                  
92

      
                 
       
105

        
  
         
 
 
              
 
115

         
                   
         
126

Adrian Hernandez R.
     
   
                
     

138


                                    
   
149

  
      
                           
 
162

       
                         
 
174

      
                            

183

2 Adrian Hernandez R.