Professional Documents
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Moleskine Brand Book
Moleskine Brand Book
BRAND VISION
The Heritage:
The Legendary
Notebook
“The story begins in the mid-90s, last century. We were three friends
with different professional backgrounds and commitments in the
worlds of design, culture and travel. We were on a sailing holiday
together when we first began talking about how a passion for travel
blended with our passion for culture and local history, as well as
discussing the birth of a new type of “creative professional”.
At that time, I was reading Chatwin’s book, The Songlines, dedicated
to Australia, to the nomadism of the Aboriginal people. There was
this long chapter in which Chatwin talks about how he writes
his books in notebooks bought in a famous papeterie in Rue de
l’Ancienne Comedie in Paris which he visited at least twice a year as,
as a person with a refined nature and love of special things, and this
was the only stationers which stocked these notebooks. Which had
been used by the international avant-garde in Paris at the start of
the 1900s, which filled the shelves, and which you can admire today
in the Picasso Museum, in archives, and which can be found on
Hemingway’s shelves in Havana – The moleskine notebooks”.
— Maria Sebregondi
The origins date back to the early 20th Century, in the golden
age of literary modernism when Paris was the mecca for the
avant-garde creative class of the time who would take their notes
on little notebooks while wandering the streets of Paris or sitting
in little cafés.
These little notebooks were mede in Tours and sold in a local pape-
terie in Rue de l’Ancienne Comedie. They held the sketches, notes,
stories and ideas that would one day become famous paintings or
the pages of beloved books.
The late 19th century and early 20th century was a vibrant time for
European culture which had its centre in Paris, the literary and
artistic capital of the Western world, and the beloved destination
for artists, writers, travellers, etc.
— Ernest Hemingway
— Bruce Chatwin
Sepulveda talks about this in his own books, where he says how,
sitting on a barrel at the ends of the world, that he’s writing in
the last moleskine notebooks that Chatwin gave to him. Sepul-
veda himself then goes on to write a book entitled “Moleskine”
that he dedicates to his notebook collection: he too learned from
Chatwin to write everything down in the notebooks that he found
so inspiring.
‘Le vrai moleskine n’est plus’ laments Bruce Chatwin in his legendary
«The Songlines», referring to the beloved little notebook which he
nicknamed «moleskine».
Kengo Kuma
BRAND BOOK 2021 The Brand Today: The Timeless Power of Handwriting 19
Our Mission
BRAND BOOK 2021 The Brand Today: The Timeless Power of Handwriting 20
What is Handwriting to You?
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 21
Our Manifesto
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 22
All the most extraordinary
ideas and discoveries were
born from notes made on a
blank page.
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 23
Notes which changed history and humanity
Through our narratives we want to explore the story and look into the notes which have
defined our history and pushed humanity forward in all disciplines and geographical era.
The explorer Meriwether Lewis Frida Kahlo explores Scientist Enrico Fermi creates
on his travels to categorize fish. postcolonialism in her art. new, systematic ways of thinking.
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 24
The Power
of Hand-
writing
The gesture of hand-writing
is one of the most antique
forms of human civilizations.
It has developed across all
cultures and has united them
in one sacred ritual.
Human civilizations developed
through hand-writing
The human beings started to write some 8000 years ago, in the
form of symbols which developed over the next few thousand
years in various “languages” changing and adapting to new cultu-
res and new technologies in a never-ending evolutionary process.
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 26
What’s the future of handwriting?
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 27
On Handwriting
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 28
On Handwriting
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 29
“Numerous studies have shown that handwriting
notes is simply better for engagement, information
retention, and mental health than is writing on
digital devices.”
— David Sax
The Revenge of Analog:Real Things and Why They Matter
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 30
On Handwriting – Moleskine Narratives
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 31
On Handwriting – Moleskine Narratives
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 32
“Mon propos n’est jamais éducatif ni moral, ni cela
veut être une analyse objective de la société.
Son propos est le processus. L’écriture m’intéresse
parce que c’est un processus. Tu commences une
phrase et...”
— Bili Bidjocka
à propos de Écriture Infinie
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 33
On the
Analog-
Digital
Continuum
Connecting the magic of paper
with the limitless possibilities
of digital tech.
On the analog-digital continuum
Being analog-digital
In our everyday life we move from low-tech to hi-tech every-
day, from analog to digital, from notebook to smartphone, from
scraps of paper to the laptop. Most Moleskine users are highly
digitally inclined, navigating between smartphone and notebo-
ok with considerable ease. They aren’t mutually exclusive, it’s
just that some tasks are better executed on paper, and others
are more efficient on screen.
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 35
On the analog-digital continuum
Benefits of analog
Creating by hand can produce a deeper emotional connection
with our brains. Many people take satisfaction from handwriting,
get pleasure from hand-drawing and enjoy the tactility of paper
pages, a sensory and physical experience that is lost when wor-
king with technology. The blank space of the analog realm allows
us to log off, giving us respite from the rush and haste of digital.
Benefits of digital
Sharing is easy online. Notes and ideas can be saved to the cloud
and accessedthey love.
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 36
On the analog-digital continuum
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 37
Connecting the magic of paper with
the limitless possibilities of digital tech
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 38
The Smart Writing System:
a “daily use service”
BRAND BOOK 2022 The Brand Today: The Timeless Power of Handwriting 39
CHAPTER 3
BOOMARK
COATED COVER
ROUNDED CORNERS
ELASTIC CLOSURE
EXPANDABLE INNER IVORY COLOUR
POCKET INTERIOR
— Bruce Chatwin
Angelina Jolie
Victoria Beckham
Sherlock, 2010
“Here is the Company acknowledging that it doesn’t so much sell “(Moleskine) notebooks tap into personal identity. To carry a
notebooks as it does a sense of identity and culture. But that’s the Moleskine is to declare your values, that you are a person who
essence of luxury brands: they don’t sell physical goods so much as believes in ideas.”
the notions that the goods are supposed to represent.” The Atlantic, April 2016
Quartz, March 2013
“It’s so consistent in its execution that people know it’s a
“Moleskine is not selling a notebook, it’s selling customers on the Moleskine without even seeing the brand name,” says Barbara
identity of being the type of person who uses a Moleskine. (….). Kahn, a professorspecializing in brand loyalty at the University
Trying to copy what Moleskine did in stationery is like trying to of Pennsylvania’s Wharton School. “It’s kind of a status symbol”.
copy what Prada has done with clothes.” MarketPlace, April 2013
Priceonomics March 2013
“Moleskine: The Brand to Give Nomads a Mobile Identity” “They’re such an iconic and unique brand.”
Psfk, Feb 24 2016 Digiday, June 2015
“Moleskine notebooks are demo- “In less than a decade, Moleskine «Moleskine wouldn’t have become “It’s not just an emotional propo-
cratic vessels for self-expression notebooks have been resurrected the Ueberbrand they are without sition for brands to strive to be
(…). (They) provide the modern from the dead and turned into also doing a phenomenal job Lovemarks, but also a financially
nomad with an emotional anchor, the totem of a vibrant global sub- in bringing their story to life, lucrative one. [...] The relationship
a home away from home, while at culture. Much of it is down to the continuously building a new myth». between brand desire and sales and
the same time serving as a device internet.” market growth can also be seen in
of curiosity, discovery and explo- pg 118 Moleskine notebooks and Nutella
ration.” pg 172-179 spread. Both brands have been no-
minated on Lovemarks.com.”
pg 152-164 pg 203
“A ‘design classic’ is an industrially manufactured object with timeless aesthetic value. Introducing the ‘Moleskine by Driade’ Portable Office Collection
It serves as a standard of its kind and, despite the year in which it was designed, is still 2016 Milano Design Week
up to date. The collection presented in these three volumes has been put together by a
group of experts following the above criteria.”
Phaidon Design Classics -
A three-volume set containing the ultimate selection of design classics.
Our Public
CL-$9L7'*N
IG: #Moleskine, 2.3M posts TikTok: #Moleskine, 13M views Tiktok: #Journaling, 307,9M views
Templates and toys are paper tools available for free on my-
Moleskine with different purposes:
• Notebook personalization (by adding a different page layout to
your notebook, or a weekly/monthly planner)
• Enhance the launch of a notebook, especially Limited Editions
(i. e. batman, the beatles or super mario launch)
• Provide a paper ‘gifts’ for special occasion/holidays
BRAND BOOK 2022 Our Public 62
CHAPTER 3
One of Japan’s greatest architets, he has worked with Moleskine Acclaimed American Film Director, his work explores race re-
on various projects. He donated his notebook on the occasion lations, colorism in the black community, the role of media in
of Detour Tokyo, and is now part of the Moleskine Foundation contemporary life and other social issues. He has won numerous
archive. He’s also part of the publishing series «Inspiration and accolades for his work. On the occasion of the launch of a re-
Process in Architecture» and he was also celebrated FOLD on a stored version of his cult movie She’s Gotta Have It, Moleskine
recent story looking into his creative process. created with him a special edition notebook in celebration of
the cult movie and his commitments in social issues.
Is an Italian information designer and internationally renewed An high-profile Chinese artist, writer, curator and all-around
expert on data visualization. Her work is also part of the per- contemporary intellectuals. He’s engaged on a number of cul-
manent collection at the Museum of Modern Art. In 2019, she tural and social endeavor in China and abroad where he’s recko-
became a partner on Pentagram’s New York team. Moleskine gnized as one of the most authorative Chinese thinkers. As a
collaborated with her on the book “Mind, Maps and Infographi- Detour authors, he has donated his notebook where he created
cs” and she was featured in a conversation on FOLD. the artistic and social project of Bishan Commune, which was
then featured in majour museums around the world.
A young American designer, art director and illustrator. Her The most acclaimed contemporary Chinese star-architect, he’s
bold and provocative style wants to address a number of social a longtime Moleskine friend. He has collaborated with Moleski-
and cultural issues of our time. She’s part of Moleskine FOLD ne on a number of project and is one of the most influential
network of cultural leaders who shared her creative journey in brand figure in China.
a conversation with us.
UK Germany
Belgium
Switzlerland
France
USA Italy
Greece
Japan
Egypt Bahrain
Senegal Chad
Ethiopia
Ivory
Coast Cameroon
Uganda Kenya
Mozambique
Angola
Bolivia
Zimbabwe
20
South
35
18
Africa
Partnerships
Countries
Initiatives with Cultural
Reached
Organisations
Unlock creative skills Support spaces where Build a new public awareness
of underserved and immagination and about creativity for
marginalized youth criticality can occur social change
The Moleskine
Alphabet