La La Land - Another Day Of Sun Chords by Misc ULTIMATE

GUITAR
COM
Soundtrack
[Intro] [Chorus]
Ab Bb Cm7 Gm7 Ab Bb
Ab Bb Ebmaj7 Gm7 Behind these hills I'm reaching for
Cm7
[Verse 1] the heights
Fm7 Bb7 Fm7 Bb7
I think about that day I left him And chasing all the lights that
at a Greyhound station Ebmaj7
Ebmaj7 C7 shine
West of Santa Fé, we were seventeen Cm7 Bb
Fm7 And when they let you down (it's
but he was sweet and it was true, another day of sun)
Bb7 Ebmaj7 Cm7 Bb
still I did what I had to do You'll get up off the ground (it's
Cm7 another day of sun)
'Cuz I just knew Cm7 Bb
Fm7 Bb7 As morning rolls around and it's
Summer Sunday nights we'd sink into Ebmaj7 G7
our seats another day of sun
Ebmaj7
Right as they dimmed out all the [Verse 2]
lights Fm7
C7 I hear them everyday
The Technicolor world made out of Bb7
Fm7 The rhythms in the canyons that
music and machine Ebmaj7
Bb7 Ebmaj7 will never fade away
It called me to be on that screen C7
Cm7 C7 The ballads in the ballrooms left
And live inside each scene Fm7
by those who came before
[Pre-chorus] Bb7 Ebmaj7
Ab They say we got to want it more so
Without a nickel to my name Cm7 C7
Bb I bang on every door
Hopped a bus, here I came
Cm7 [Pre-chorus]
Could be brave or just insane Ab
Gm7 And even when the answer's no
We'll have to see Bb
Ab Or when my money's running low
'Cuz maybe in that sleepy town Cm7
Bb The disc and mic and neon glow are
He'll sit one day, the lights are Gm7
down all I need
Eb Ab
He'll see my face and think of how And some day as I sing the song
G7 Bb
he used to know me A small-town kid will come along

Page 1/2
Ebmaj7 G7
That'll be the thing to push him on
and he'll go

[Chorus]
Ab Bb
Behind these hills I'm reaching for
Cm7
the heights
Fm7 Bb7
And chasing all the lights that
Ebmaj7
shine
Cm7 Bb
And when they let you down (it's
another day of sun)
Cm7 Bb
You'll get up off the ground (it's
another day of sun)
Cm7 Bb
As morning rolls around and it's
Ebmaj7 G7
another day of sun

[Instrumental]
Ab Bb Cm7 Gm7
Ab Bb Ebmaj7 Gm7 (2x)

[Bridge]
Cm7 Bb
When they let you down
Cm7 Bb7
The morning rolls around

[Outro]
A B
It's another day of sun
C#m B
It's another day of sun
A B
It's another day of sun
C#m B
It's another day of sun
A B
Just another day of sun
C#m B
It's another day of sun
A B
The day has just begun...
A B C#m A
It's another day of sun
G#m A B C#m G#7
E
It's another day of sun

Page 2/2
 J.H. Hopkins We three kings of Orient are J.H. Hopkins

S3 æ æ æ æ æ æ
A 8 åå åå åå å L åå åå
S åå åå åå å
ê ê ê ê ê ê
1. We three kings of O - ri - ent are; bear - ing
2. Born a king on Beth - le - hem plain, gold I
3. Frank - in - cense to of - fer have I; in - cense
4. Myrrh is mine; its bit - ter per - fume breathes a
5. Glor - æ
ious now, beæ - hold
æ himæ aæ - rise, King, andæ
ES3 å å å åå å å å åå å å
8 å å å å å å L å å
ê ê ê ê ê ê
S æ æ æ æ æ æ
A åå åå L åå åå åå åå
å S åå åå å
ê ê ê ê ê ê
gifts we tra - verse a - far field and foun - tain,
bring, to crown him a - gain: king for e - ver,
owns a de - i - ty nigh; prayer and prais - ing,
life of ga - ther - ing gloom; sorrow - ing, sigh - ing,
God, and æ saæ æ- criæ - fice! æ
Heav'n sings al - leæ-
å å å å å å å å
ES å åå åå L å å å å
å å å
ê ê ê ê ê ê
S æ æ æ æ æ æ
åå åå å å åå åå åå åå
A å å åå S åå å..
ê ê ê ê ê ê
moor and moun - tain, fol - low - ing yon - der star:
ceas - ing ne - ver, o - ver us all to reign:
all men rais - ing, wor - ship him, God most high:
bleed - ing, dy - ing, sealed in the stone - cold tomb:
lu - ya,æ al - leæ - luæ - yaæ theæ earth reæ - plies:
å å å åå å åå åå åå å å
ES å å å åå..
ê ê ê ê ê å
ê
S æ æ æ æ æ
æ æ
A åå. å åå åå åå å å å åå L åå åå åå å å å åå L
å å å å
ê ê ê ê ê ê
Oæ star ofæ won-der, star ofæ night, star with
æ roy - al beau- tyæ bright,
æ æ
å åå åå åå å å åå åå åå åå å åå å åå
E S åå. åå
å L å L
ê ê ê ê
ê ê
S æ æ æ æ æ
å åå åå å æ æ
A åå åå åå å åå å å åå å å åå å åå..
ê å å
ê ê ê ê ê ê
west - ward
æ æ
lead- ing, still proæ - ceed - ing,
æ guide usæ to thy per - fect
æ light.
å å å å å å æ
E S åå åå å å å åê å å
åå åå å å åå åå å.
ê ê å å.
ê ê ê ê

This edition ℗ Andrew Sims 2014

 O waly, waly
Traditional
Slowly and expressively q = 96
*
[ ]

   
 G G/D D7 p C/D G
    
Em C
    
  
MELODY

1. The wa - ter is wide I can - not get

3. I leaned my back up a - gainst some

*


6

  *  
C/G
    
D/G
    

o’er, and nei - ther have I wings to fly. Give me a
oak think - ing that he was a trus - ty tree; But first he

       
*
G/B Em Bm Em C Dsus4 D C/G G C/G
9 [end]

    
     
boat that will car - ry two, and both shall row, my love and I.
bend - ed, and then he broke; and so did my false love to me.


G
13 mf C/G G

  
           
2. O, down in the mea - dows the o - ther day, A - gath - ’ring
4. A ship there is, and she sails the sea, She’s load - ed

        
C/G Em D/G D7 G/B Em Bm Em C

 

16

          
flowers a - long the way, A - gath -’ring flowers both red and blue, I lit - tle
deep as deep can be, But not so deep as the love I’m in: I know not

 Dsus4 
20 D C/D G Em C

     
    
thought what love can do.
if I sink or swim.

 
G/D
25 pp C/D
   
D7 G C/G

  
          
5. O, love is hand - some and love is fine, and love’s a jew - el when it is


rit.
     
29 D/G G/B Em Bm Em C Dsus4 D C/G

        
    
new, But when it is old it grow - eth cold, and fades a - way like morn - ing

a tempo rit. al fine


33 G C/G G Em C G/D D7 C/G G

       
dew.

Traditional All copyright music in the Sing Up programme is used by permission. The songwriters
and/or copyright holders have been remunerated under due licensing arrangements.

Sing Up Integrated - 13249.327.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
 Vois sur ton chemin
(dal film “Les Choristes”)

2
Christophe Barratier /Bruno Coulais)
4
A

CORO I &b 4 œ œ œ œ ˙ œ œ œ œ œ œ œ œ
2
Vois sur ton che - min Ge - mins ou - bli - és é - ga - rés

4
CORO II &b 4 ∑ ∑

&b œ œ œ œ œ œ œ œ œ œ Ó
5

œ œ œ ˙
#œ
I

Don - ne - leur la main Pour les me - ner Vers d’au - tres len - de - mains

&b ∑ ∑
C
II
œ œ œ œ œ œ œ œ
Don - ne - leur la main Pour les me -
B

&b ∑ j ‰ œ œ j
8

I
œ. œ œ œ œ œ ˙ œ œ. œ œ œœ œ
Sens au cœur de la nuit L’on -de d’es - poir Ar - deur de la

&b œ œ œ œ œ œ œ œ ˙ œ œ ˙ œ œ
˙
˙
II

ner Vers d’au - tres len - de - mains Au cœur de la nuit L’on - de

&b œ ‰ Ó ∑
12

I
œ œ œ #œ ˙
vi - e Sen - tier de gloire

II &b ˙ ˙ œ œ œ œ œ œ œ œ
‰
œ œ œ
œ
œ œ œ
d’es - poir Ar - deur de la vie, de la vie Sen - tier de gloire, Sen - tier de
A

&b œ œ œ œ ˙ œ œ œ œ œ œ œ œ
15

I œ œ œ œ œ œ œ œ
Bon - heurs en - fan - tins Trop vit’ ou - bli - és ef - fa - cés Une lu - mière do - rée bril - le sans

II &b ˙ Ó ∑ ∑
gloire
B

&b œ œ œ œ œ Ó ∑ j
18

I
#œ ˙ œ. œ œ œ œ œ
fin Tout au bout du che - min Sens au cœur de la

&b ∑ ‰
C
œ œ œ
II
œ œ œ œœ œ œ œ œ œ œ œ ˙ ˙
vit’ ou - bli - és ef -fa - cés Une lu - mière do - rée bril - le sans fin Au

© Trascrizione di Antonio Cipriani 2017 - fotocopia permessa per uso didattico

 2 Vois sur ton chemin

&b ˙ ‰ œ œ j œ ‰ Ó
22

I
œ œ. œ œ œœ œ œ œ œ #œ ˙
nuit L’on -de d’es - poir Ar - deur de la vi - e Sen - tier de gloire

II &b œ œ ˙ œ œ
˙ ˙ ˙ œ œ œ œ œ œ œ œ
cœur de la nuit L’on - de d’es - poir Ar - deur de la vie, de la vie

&b ∑ ‰ ‰ ‰ œ‰ ‰ ‰
26

I
œ. œ. œ. b œ. œ. œ. œ. œ. . # œ. œ. œ. œ. œ. œ. œ. œ. œ.
é lé é i lé é é lé i i é lé é lé é i lé é

&b ‰ œ œ œ œ ‰ ‰ ‰ ‰ ‰
D'
II
œ œ œ œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ. œ. œ.
. . . . . . . . . œ. . . . .
Sen - tier de gloire, Sen - tier de gloire é lé é i lé é é lé i i é lé é lé é i lé é

& b ‰ œ. œ. œ. œ œ ‰ œ œ œ ‰ b œ œ œ ‰ œ œ œ. ‰ ‰ ‰œœœ ‰œœœ œ

30

œ œ œ œ w
. . . . . . . . # . . . . . . .. . .. .
œ œ œ
I

i lé é i é é lé é i lé é é lé i i é lé é lé é i lé é i lé é i é lé

& b ‰ œ œ œ #œ œ ‰ ‰ ‰ œ‰ ‰ ‰
œ œ œ
‰
œœœ
.. . œ. œ. œ. œ. œ. œ. œ. œ. . œ. œ. œ. œ. œ. œ. . . . . . . # œ œ w
II

i lé é i é é lé é i lé é é lé i i é lé é lé é i lé é i lé é i é lé

&b ∑
A
œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ
36

I œ œ œ
Vois sur ton che - min Ge - mins ou - bli - és é - ga - rés Don - ne - leur la main Pour les me -

II &b ∑ ∑ ∑ ∑

&b œ œ œ œ œ Ó ∑
40

I
#œ ˙
ner Vers d’au - tres len - de - mains

&b ∑
C
œ œ œ
II
œ œ œ œ œ œ œ œ œ œ œ œ œ
Don - ne - leur la main Pour les me - ner Vers d’au - tres len - de -

& b .. œ . œj œ œ œ œ ˙ ‰ œ œ jœ œ œ œ ‰ ..
43

I
œ œ. œ œ œ œ œ #œ w
Sens au cœur de la nuit L’on -de d’es - poir Ar - deur de la vi - e Sen - tier de gloire

& b .. ˙ œ œ ˙ œ œ ˙ ˙ ˙
..
w
˙
II

mains Au cœur de la nuit L’on - de d’es - poir

© Trascrizione di Antonio Cipriani 2017 - fotocopia permessa per uso didattico

 55
for Simon Lindley and rhe Choir of St. Albans School

16. DONKEY CAROL

\lfords and music by
Allegretto comodo e grazioso (.h : c. rs4l JOHN RUTTER

Versel SOPRANOS
2 TEN.RS
yå]j;;"

L Don key rid

2. Don key watch -
dme)---.
,) ltll
Vw. (2nd

2nd time

the Car - ry Ma
the See the ba

Also available separately (X254) and in an arrangement for S.A. (Tlll)

@'Oxfora University Press 1976

 Rutter: Donkey carol
V.1 TENORS
V.2 SOPRANOS

all with her hea-vy Fol low Jo seph,

. all with his mo-ther Hear the an gels

mf

lead-ing you on your way Un - til you find

sing-ing their song on high: 'No-well, no - well,

:'.-------------i

SOPRANOS anrl TENORS

poco rall. a tempo
ry
somewhere to rest and stay. Don key rid
ca - rol - ling fills the sky. Don key watch

J'
+ f
 the bum-py road, Car - ry Ma ry,
the Je - sus child. See the ba by,

B- itp gesc.

l. all with her hea - vy, all with her all witb her hea- w
2. all with his mo -ther, with his all with his mo-ther

all, aIl with

all, all mo

+'l-

E
D.S. for Verse 2 '" "ild-
 Sweet child o’ mine
Words and Music by W. Axl Rose, Slash,
Izzy Stradlin’, Duff McKagen and Steven Adler
Moderate rock ballad q = 100

   D
Arranged by Claire Richmond
INTRO
mf C
Voice 1              
  mf
Ba ba, ba ba, ba ba, ba ba,

Voice 2     
Dah, dah,

   mf

                   

Voice 3

Ba da dum, ba dadum, ba da dum, ba da dum,

 
5 G D

            

ba ba, ba ba, ba ba, ba ba,

    
 
 
dah, dah.

                     
 ba da dum, ba da dum, ba da dum, ba da dum,

 
9 C

            

ba ba, ba ba, ba ba, ba ba,

  

 

  

  

Dah da, dah da, dah da, dah da,
                 
     
 ba da dum, ba da dum, ba da dum, ba da dum,

 
13 G D

          


ba ba, ba ba, ba ba,

   
    
         
 
 dah                   
dah da, dah da, dah da, ba ba ba ba.


da,
    
 ba da dum, ba da dum, ba da dum, ba dadum, ba ba ba ba.

© 1987 Guns N Roses Music administered by Artemis Muziekuitgeverij B.V. and Black Frog Music
Warner/Chappell Artemis Music Ltd and Universal SRG Music Publishing Ltd
This Arrangement © 2015 Guns N Roses Music and Black Frog Music
All Rights Reserved.
All copyright music is used by permission. The songwriters and/or
copyright holders have been remunerated under due licensing arrangements.

Sing Up Integrated - 13249.1984.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
 2
VERSE 1

 mf
17 D(“4) D C

                   
1. She’s got a smile that it seems to me re - minds me of child - hood

mf
   
             
     
1. She’s got a smile that re - minds me of

   
mf     
            
 1. She’s   
got a smile that re - minds me of

   
G
 
20

                      
me - mo - ries where ev - ’ry - thing was as fresh as the bright blue sky.


           
  
 
      
  
child - hood where ev - ’ry - thing was fresh as the

    
 
         

   
 child - hood

where ev - ’ry - thing

was fresh as

the

    
23 D

          
Now and then when I

   
   
 

  
 
 
  


bright blue, the bright blue sky. Now when I
           
           
 bright 
blue, the bright

blue

sky. Now

when I

  
D(“4) D C
 
26
 
                   
see her face it takes me a - way to that spe - cial place, and if I

   
  
   


  
   


  



      
see her it takes me a - way, if I
       
        
 see  
her it takes me a - way, if I

Sing Up Integrated - 13249.1984.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
  
3
G D
  
29

                
stare too long I’ll prob -’ly break down and cry.


           
    
    
 
  
stare now for too long I’ll prob - ’ly break

    
         
       
 stare now

for too long

I’ll prob -

’ly break

CHORUS 1

 
A‹ G
D

32 f
              
Oh, wo - ah wo - ah, sweet child o’ mine, ba ba,

 f
 

  
    

 
down and cry. Oh, oh, dah da,

  
    
f

        
 down 
and

cry. Oh, oh, ba da dum,

 
A‹
  
36
G
              
ba ba, oh, oh, oh, oh, sweet love of mine.


    
    
        
dah da, oh, oh, oh, oh, sweet love,

    
            

  
ba da dum, oh, oh, oh, oh, sweet love,

  D
39

   



               
mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine.

        
        
 mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine.

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 4

  
VERSE 2

     
 
41 f D(“4) D C

          
 

2. She’s got eyes of the blu - est skies and if they thought of

 f

  
   
  
  
   
    
 
2. She’s got such blue eyes and if they thought

 f              
       
 2. She’s   
got such blue eyes and if they thought

 
44 G

    
                 
rain I’d hate to look in - to those eyes and see


            
     
 
   
  
of rain I won’t look to those eyes and

        
   
         
 of rain

I won’t look

to those eyes

and

      
47 D

               
an ounce of pain. Her hair re - minds me of a


   
   
 

  
 
 
  


see an, an ounce of pain. Her hair re -

      
               
 see 
an, an ounce

of

pain. Her

hair re -

  
50 D(“4) D C

               
   
warm, safe place where as a child I’d hide and


       
            
 
  
- minds me a warm place, a safe place where

    
      
         
 - minds   
me a warm place, a safe place where

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  
5
G D

     
53

        
      
pray for the thun - der and the rain to qui - et - ly pass me by.


           
    
    
 
  

    
I’d pray the thun - der would qui - et - ly
         
       
 I’d
  
pray the thun - der would qui - et - ly

CHORUS 2

  
A‹ G
56 f
            
Oh, wo - ah wo - ah, sweet child o’ mine,

 f
   
  
   
 
pass me by. Oh, oh,

   f

        
 pass 
me

by. Oh, oh,

  
D
A‹ G
  
59

                  
ba ba, ba ba, oh, oh, oh, oh, sweet love of mine.


    
   
          

dah da, dah da, oh, oh, oh, oh, sweet love,

         
            

  
ba da dum, ba da dum, oh, oh, oh, oh, sweet love,

  
63 D

  
      
ff
Ba


               
mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine.

        
        
 mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine mine.

Sing Up Integrated - 13249.1984.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
 Waterloo
Words and Music by Benny Andersson,
Bjorn Ulvaeus and Stig Anderson
Intro
q = 148 qaa z=[qp ]e Verse

# 4
D

MELODY & #4 ∑ ∑ ∑ Ó Œ œ œ
1. My, my!

& # ™™ Ó
# j
5 D E/D A/C© G/B D/A A

Œ œ œ #œj œ j j
œ œ œ œ œ œœ œ œ nœ œ œ œ œ Œ Œ œ œ
(1.) At Wa - ter - loo Na - po - le - on did sur - ren - der. Oh yeah!
(2.) I tried to hold you back, but you were strong - er. Oh yeah!

# j j
9 D E/D A/C© G/B D/A A B‹

&# Ó Œ œ œ #œj œ j
œ œ œ œ œ œ œ œ nœj œ œ
j j
œ œ
j j
œ œ œ œ
j
And I have met my des - ti - ny in quite a sim - ’lar way.
And now it seems my on - ly chance is giv - ing up the fight.

Pre-chorus
# â
13 B‹/A

&# œ
Œ Œ
œ œ œ œ œ œ œ œ œ œ
Ó Œ
œ œ ä
The hi - sto - ry book on the shelf Is al -
And how could I e - ver re - fuse? I feel

E/G© A G D/F© A/E

° ## j
16 MELODY

& œ #œ œ w ˙™ ‰ œ
œ œ œ œ œ
}
- ways re - peat - ing it - self. Wa -
like I win when I lose.

# j
HARMONY

¢ &# œ #œ œ w ˙™ ‰ œ
œ œ œ œ œ
}
- ways re - peat - ing it - self. Wa -
like I win when I lose.

Copyright © 1974 UNIVERSAL/UNION SONGS MUSIKFORLAG AB

Copyright renewed. All rights in the United States and Canada controlled and administered by
UNIVERSAL - SONGS OF POLYGRAM INTERNATIONAL, INC. and EMI GROVE PARK MUSIC, INC. All copyright music is used by permission.
This arrangement © 2023 Universal/Union Songs Musikforlag AB The songwriters and/or copyright holders have been
All rights reserved. Used by permission. remunerated under due licensing arrangements.

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2
Chorus

° ## œ j j
19 D G

& œ œ Œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ Ó Ó Œ ‰ œ
- ter - loo: I was de - feat - ed, you won the war. Wa -

## ‰ œj œ œ œ œ œ œ
¢ & œ œ œ Œ Ó Ó Œ ‰ j
œ œ œ œ œ œ
- ter - loo: I was de - feat - ed, you won the war. Wa -

° ## œ j j
23 A D A

& œ œ Œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ Ó Ó Œ ‰ œ
- ter - loo: pro - mise to love you for e - ver - more. Wa -

## ‰ œj
¢ & œ œ œ
Œ ‰ j
œ œ œ œ œ œ œ œ œ œ œ œ
Ó Ó Œ
- ter - loo: pro - mise to love you for e - ver - more. Wa -

%
° ## œ j j
27 D G

& œ œ Œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ Ó Ó Œ ‰ œ
- ter - loo: could - n’t es - cape if I want - ed to. Wa -

##
¢ & œ œ œ Œ ‰ œj œ œ œ œ œ œ œ Ó Ó Œ ‰ j
œ œ œ œ œ
- ter - loo: could - n’t es - cape if I want - ed to. Wa -

° ## œ j
31 A D

& œ œ Œ ‰ œ œ œ œ œ œ œ œ œ Œ ‰ œ
œ œ œ J
- ter - loo: know - ing my fate is to be with you. Wa -

## j
¢ & Œ ‰ j Œ ‰ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
- ter - loo: know - ing my fate is to be with you. Wa -

Last time to Coda Ø

° ## œ j
34 A D

ä
& œ œ œ œ œ œ œ Œ ‰ œ œ œ œ œ œ œ œ œ Ó
œ œ œ
- Wa - Wa - Wa - Wa - ter - loo: fi - nal - ly fa - cing my Wa - ter - loo.

â
##
¢ & œ Œ ‰ j Ó
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
- Wa - Wa - Wa - Wa - ter - loo: fi - nal - ly fa - cing my Wa - ter - loo.

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 3

1. 2.
Verse Pre-chorus
# ™™ Ó â
38 D D A/C©
∑
ä
ALL

&# ‰ œJ œ Ó
∑ Ó Œ œ œ Œ
œ œ
2. My, my! So how

D. @ al Coda
Pre-chorus
Chorus

° ##
B‹
j
42 MELODY B‹/A E/G© A G F©‹ E‹

& Ó Œ œ #œ œ ˙™ ‰ œ
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
could I e - ver re - fuse? I feel like I win when I lose. Wa -

## ‰ nœj
HARMONY

¢ &
œ œ œ œ œ œ œ œ
Ó Œ
œ œ œ œ œ œ œ
œ #œ œ ˙™
could I e - ver re - fuse? I feel like I win when I lose. Wa -

 Coda
° ## ‰ œj j j
46 A

& œ œ œ œ ‰ œ œ œ œ Œ ‰ œ œ œ œ œ œ œ
œ œ
Ooh, Wa - ter - loo: know - ing my fate is to be

## Ó
¢ & Œ ‰
œ
j
œ œ œ
Œ ‰
œ
j
œ œ œ œ œ œ œ œ
Wa - ter - loo: know - ing my fate is to be

° ## j
49 D A

Œ ‰ œ œ œ œ œ œ œ œ œ Œ ‰ œ
& œ œ œ J
with you. Wa - Wa - Wa - Wa - Wa - ter - loo: fi -

## j
¢ & Œ ‰ œ œ Œ ‰ j
œ œ œ œ œ œ œ œ œ œ œ
with you. Wa - Wa - Wa - Wa - Wa - ter - loo: fi -

° ## œ
52 D

& œ œ œ œ œ Ó ∑
œ œ œ œ œ
- nal - ly fa - cing my Wa - ter - loo.

##
¢ & Ó ∑
œ œ œ œ œ œ œ œ œ œ œ
- nal - ly fa - cing my Wa - ter - loo.

Sing Up Integrated - 13249.2441.20230904 - 1 authorised copy purchased for private use by Ignasi Sole on 04/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
Im Still Standing Chords by Elton John ULTIMATE
GUITAR
COM

[Intro]

Am Dm/A E/A F/A G/A

Am Dm/A E/A F/A G/A

[Verse 1]

A D/A
You could never know what it's like.
E/A A
Your blood like winter freezes just like ice.
Bm7/A D/A E
And there's a cold lonely light that shines from you.
F#m D A Bm/A A
You'll wind up like the wreck you hide behind that mask you use.
A D/A
And did you think this fool could never win?
E/A A
Well look at me, I'm coming back again.
Bm7/A D/A E
I got a taste of love in a simple way.
F#m D A Bm7/A A
And if you need to know while I'm still standing you just fade a - way.

[Chorus]

Am7 Am Em/G
Don't you know I'm still standing better than I ever did.
Dm7 Fmaj7 G
Looking like a true survivor, feeling like a little kid.
Am7 Am Em/G
I'm still standing after all this time.
Dm7 E7
Picking up the pieces of my life without you on my mind.
Am Dm7 Dm7 E7
I'm still standing. Yeah yeah yeah!
Am Dm7 Dm7 E7 F/E G/E
I'm still standing. Yeah yeah yeah!

[Verse 2]

A D/A
Once I never could hope to win.
E/A A
You starting down the road leaving me again.
Bm7/A D/A E
The threats you made were meant to cut me down.
F#m D A Bm7/A A
And if our love was just a circus you'd be a clown by now.
Page 1/2
[Chorus]

Am7 Am Em/G
Don't you know I'm still standing better than I ever did.
Dm7 Fmaj7 G
Looking like a true survivor, feeling like a little kid.
Am7 Am Em/G
I'm still standing after all this time.
Dm7 E7 E7 E7
Picking up the pieces of my life without you on my mind.
Am Dm7 Dm7 E7
I'm still standing. Yeah yeah yeah!
Am Dm7 Dm7 E7 F/E G/E
I'm still standing. Yeah yeah yeah!

[Instrumental]

A D/A E/A A Bm7/A D/A E F#m D A Bm7/A

A

[Chorus/Outro]

Am7 Am Em/G
Don't you know I'm still standing better than I ever did.
Dm7 Fmaj7 G
Looking like a true survivor, feeling like a little kid.
Am7 Am Em/G
I'm still standing after all this time.
Dm7 E7 E7 E7
Picking up the pieces of my life without you on my mind.
Am Dm7 Dm7 E7
I'm still standing. Yeah yeah yeah!
Am Dm7 Dm7 E7
I'm still standing. Yeah yeah yeah!

(repeat and fade to the end)

Page 2/2
 Stand by me
Intro Words and Music by Jerry Leiber,
Mike Stoller and Ben E. King
Relaxed h = 60
C A‹ F G C

MELODY &C ∑ ∑ ∑ ∑ ∑ ∑ ∑

8 Verse A‹
mf

& Ó ‰ œj œ œ œ Œ Œ œ Œ Ó Œ ‰ j
œ œ œ œ œ œ œj
1. When the night has come, And the land is dark,

12 F G C

& œ Œ ‰ œj œ œ œ œ Œ ‰ œj œ œ œ Œ ‰ œj œ Œ Ó Ó ‰ jœ œ
œ œ
And the moon is the on - ly light we'll see. No, I won't

17 A‹ F

& œ Œ ‰ œj œ œ œ ‰ œj œ œ œ œ œ Œ ‰ œj œ Œ ‰ j œ Œ ‰ jœ
3

œ œ œ œ œ œ œ œ
be a - fraid, Oh, I won't be a - fraid, Just as long as you stand,

Chorus
f
j j j j j j
22 G C

& œ Œ ‰ j Œ Œ ‰ œ œœœ œœœ œœœ œœ œ œ ‰œ œœ œ

œ œœ œœ
stand by me. So dar - lin', dar - lin' stand by me, oh,

27 A‹ F G C

œ œj œ ™
& œ œ œ œ œ ‰ œj œ Œ Œ œ j ‰ Ó Œ œ j‰ œ œ j ™
œ œœ œ œœ
stand by me. Oh, stand, Stand by me, stand by me.

Verse
32 A‹
mf

& œj ‰ Œ ‰ œj œ œ œ Œ ‰ œj œ œ œ œ Œ Ó Œ ‰ j œ œ
œ œ
2. If the sky that we look up - on Should tum - ble and

36 F G C

& œ Œ ‰ œj œ œ Œ Œ ‰ œj œ Œ Ó Ó ‰ œj œ œ
œœ œœ œœ œ œ
fall, Or the moun - tain should crum - ble to the sea. I won't cry,

All copyright music is used by permission.

Copyright © 1960 Sony/ATV Songs LLC. Sony/ATV Music Publishing (UK) Ltd The songwriters and/or copyright holders have been
Reproduced by permission. All rights reserved. remunerated under due licensing arrangements.

Sing Up Integrated - 13249.2408.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
 2
41 A‹

& œ Œ ‰ j œ œ œ ‰ œj œ
œ œœœ œ Œ
‰ j Œ ‰ j
3

œ œ œ œ œ œ œœ
I won't cry. No, I won't shed a tear, Just as long

Chorus

‰ œj œ œ œ œ œ œ
45 F G C

& œ Œ ‰ jœ Œ ‰ œj Œ Œ
œ œ œ œ œ œ œ
as you stand, stand by me. And dar - lin', dar - lin',

j j j j j
49 f A‹

& œ œ œ œ œ œ œ ‰ œ œ œ œ œœ œœ ‰ j Œ Œ œ
œ œ œ œ
Stand by me, Oh, stand by me. Oh,

53 F G C

& œj œ ‰ Ó Œ œ œ œj œ ™ œ
j ‰ œ œ j ™
œ œ œ
j ‰ Œ Ó
stand, Stand by me. stand by me.

Instrumental
57 A‹ F G

& ∑ ∑ ∑ ∑ ∑ ∑
63 C A‹

& ∑ ∑ ∑ ∑ ∑ ∑

Chorus

‰ œj œ œ œ œ œ œ ™™ œ œ œ œj œ œj
69 F G C f

& ∑ ∑ Ó Œ
And dar - lin', dar - lin', stand by me,

‰ œj œj œ
j
74 A‹ F

& œ œ œœ œœ ‰ j Œ Œ œ j ‰ Ó
œ œ œ œ œ œ
Oh, stand by me. Oh, stand,

1.

‰ œj œ œ œ œ œ œ œ œ ™™
78 G C

& Œ œ œ œj œ ™ œ
j ‰ œ œ
œ œ
Stand by me, stand by me. When - e - ver you're in trou - ble won't you

2.
81 C

œ œ™
& œj ‰ œ œ
j j ‰ Œ Ó ∑
œ
stand by me.

Sing Up Integrated - 13249.2408.20230906 - 1 authorised copy purchased for private use by Ignasi Sole on 06/09/2023 - Photocopying or digital distribution of any kind without a licence is prohibited.
Flowers Chords by Miley Cyrus ULTIMATE
GUITAR
COM

From the album "Endless Summer

Vacation" (2023) [Post-Chorus]
Youtube link: Dm
https://youtu.be/G7KNmW9a75Y Can love me better, I can love me
Spotify link: better, baby
https://open.spotify.com/track/0yLd G C
NVWF3Srea0uzk55zFn?si=60b29edaced14 Can love me better, I can love me
489 C/B
better, baby

[Intro]
| Cmaj7 | [Verse 2]
Am Dm
Paint my nails, cherry red
[Verse 1] G C Cmaj7
Am Dm Match the roses that you left
We were good, we were gold Am Dm
G C No remorse, no regret
Kind of dream that can't be sold G C Cmaj7
Am Dm I forgive every word you said
We were right 'til we weren't
G C
Built a home and watched it burn [Pre-Chorus]
Am
Ooh, I didn't wanna leave you,
[Pre-Chorus] Dm
Am Dm baby, I didn't wanna fight
Mmm, I didn't wanna leave you, I E7
didn't wanna lie Started to cry but then remembered
E7 I
Started to cry but then remembered,
I
[Chorus]
Am Dm
[Chorus] I can buy myself flowers
Am Dm G C C/B
I can buy myself flowers Write my name in the sand
G C C/B Am Dm
Write my name in the sand Talk to myself for hours
Am Dm G C C/B
Talk to myself for hours Say things you don't understand
G C C/B Am Dm
Say things you don't understand I can take myself dancing, yeah
Am Dm G C C/B
I can take myself dancing And I can hold my own hand
G C C/B F E7
And I can hold my own hand Yeah, I can love me better than you
F E7 Am
Yeah, I can love me better than you can
Am
can
[Post-Chorus]
Page 1/2
 Dm Am Dm
Can love me better, I can love me Can love me better, I can love me
better, baby better, baby
G C G C C/B Am
Can love me better, I can love me Can love me better, I
C/B
better, baby
Am Dm
Can love me better, I can love me
better, baby
G C
Can love me better, I

[Pre-Chorus]
Am Dm
I didn't wanna leave you, baby, I
didn't wanna fight
E7
Started to cry but then remembered
I

[Chorus]
Am Dm
I can buy myself flowers (Uh-uh)
G C C/B
Write my name in the sand
Am Dm
Talk to myself for hours
(Yeah-eah)
G C C/B
Say things you don't understand
Am Dm
I can take myself dancing
(Yeah-eah)
G C C/B
And I can hold my own hand
F E7
Yeah, I can love me better than
F E7
Yeah, I can love me better than you
Am
can

[Outro]
Dm
Can love me better, I can love me
better, baby
G C
Can love me better, I can love me
C/B
better, baby (Baby yeah)

Page 2/2
 Madama Butterfly
"Humming choir" Giacomo Puccini
(1858-1924)

  Moderatamente
      
     
(a bocca chiusa)
mosso  = 100 

  
Soprani

         

(a bocca chiusa)



Tenori

     
                           
                 

            

       
     
             
Piano

7        
S.       

      
       
 


         
T.


 
                                     
        
                    
 
   
      
 
         



Pno.

 

14       
    
 

     
S.

     
   


    
T.

      
                      
                           
                 
   
  
         
    
Pno.


 

20  
S.             

              



T.

  
   
 
 
              
 
 
        
 
    
   
      
             
   
      
 
 
  
         
Pno.

www.cafe-puccini.dk - 2021-03-29
Creative Commons licens BY-NC-ND
 27                3
2 ritenuto

 





S.   
   
           3
ritenuto

 
 

   


T.

 

                
     
                                
  
ritenuto

          
             
 
        

 

  
     
Pno.

     
  
 
 
   

a tempo

34                 
rit............


rall.......................

S.
    a tempo

                
rit............



rall.......................

   


T.

     
      
         
           
 
         
 
    



           
   
               
         
       
Pno.

 



  

41   
      
rall.........................................................................................................

 
S.


        

rall.........................................................................................................

 


 
T.

   
 
                    
                                 
             

           
m.s.
Pno. rall........................................................................................................

 

     
    
rall. molto.............................................................................................................................................
47

  
S.


    
rall. molto..............................................................................................................................................





T.

  
     
       
        
  

    
 
m.s.

     
Pno. rall. molto.............................................................................................................................................

  

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