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51 DXA AR — Te AR eR a EP RZ BL nw PHB RE: REPRRRARSERTCUREEETZAA ERMEBE: ARAAUHFS AHASARADARRMT-—B BSG RGM: SARPRARHRMEM MELE L ENA SESE AST A UE ATE HE + EER ERATE AY A BS BLE - Md AMR SS PAR MAMIE BAA PREABASD LL ZURARSABEE POSS LAA AAW: EPRERSRABRS REM HIARAKRAER: — OBR AEE SH RHR PRER RARE RSth ABER MOBRRPH— DBA ME ¢ Ri SRNR THES RIERHS? EPR ARSNS £: RERHRE- @ET OS HHH B20 MMR LKTPRHE MERA NAT ERASE * HSRC Abe md Se eT a BT AMAEERER LAN “SER, (the “blank page”) a <° @F Susan Gubar, “ ‘The Blank Page’ and the Issues of Female Creativity.” Critical In- quiry 8 (Winter 1981) « ERPRBERER K3M (1995498) © FRARRLRRAEM ° 52 EARP MAE RT «B31 RRB A (PE SEE? 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Se BS CAMB + MISES OMA D-H BRE) (1958) © © RAN HW BRACE , —k BAR ARLE 2 ee 34 ERP RAR » 3D MMAR: © T-“RKEBRENARA HEARSE RAY > © EASUEPSHNRARRSREMS TRS AR Fy eH ° Nancy Hodes #5 fie REZ MAHER HAR SCE QTR > Bete BMA BA A a ° EARLE > Hodes #8 ' i, si) ARAMA O BA MARA NASH RATER To AR ROSES TE > PLUS ' SRE) PRE AEST A CRA" Be Fas (simulated tanci) + TUSGRIVLAISTEe Tale Be NAMA, > BARE “RPE RRRUNEA TRART RRM Re 38> 12 Hodes Tem LSM HRSA RRNA BA, CHT ABREA: ARRARALEAEORNENE: Kee ERS: MRBARBSARS: BRUMBROSSRA | Fe, WMH S AR BAe RAGS thE SMT + ATLL» Hodes Sia — Mine HATER: EVERERRHEREMAR: RUBE | RHA 38H], (performance-related tanci) + @ jij "FH, ARM > BR RERRWEYT - F4R RREVRRAMNRASCHRAE ABH SB (AGS - +> Marina H. Sung (RFS) RU BRIW > ESM NR al A > BB AS OR EB Et 2 BS BO A) eR He FA Ba a ME A RS EA CA @ Pe ea © Gita AMRITKY (ESTAR) (1927) > ERY (HATER) (1935) > ESA) CHMMESS) (1957) RE MEM MEL AE — REA SR) (1981) RK (FEHB) (1985) - BIRD + AR SCBLARRLAY CREDICRE) (ALR + 1983) 38 4 fA» 283-286» Al Nancy Hodes, “Strumming and Singing the ‘Three Smiles Romance’: A S of the Tanct Text” (ne @AS1G+ StH X + 1990) + Hodes AURAL © APR MAOH, #0 (SSR) - (BYRNE) SRRBE + @ RESHMA, BAT HANBE MORK BA, KR HRRS RRBAMES BRREAS CRBC ERA ENB MABE SERAM: TARR RLMEA + Hodes 2571! Si He Be EEN MARIN A BH RAMI > ® #8 Marina H. Sung (1993), “T'an-tz'u and T’an-tz'u Narratives” » B¢8ST'oung Pao, Vol. LXXIX, 1-22 « ee a FEMA -— ARMA RA RP ERAR ao iki (BET AIG AR Hodes ay = ° RE MRAM RASCH ThE AS EARS ATER HY UBER, SORE EY A > DR Se APRN PSMERS: © HEHE: REBRBRAAH BIER RR RBA MSA RRORSMULE: SUTRARA O TAOS UCRRIARSADAR RZ MNF BS AEH) (8 RAS + Eb > RTE MG aR (ET ee ARAM aR e ACA» EU ASE RE REC TE (ERA SE MS SE OE MA Bt BER CRS, © MR: ME RATER CFEHRRR AER PHM HM AROS LESHRS CRACKERS SECT ME Ri Leip REG RRO RBHE » a HR ROMO REA RADES BEST RRMA AWM AMG: Ait SRAM ORHCSERCAHRSR: TH AST BROT ENR ° B— RET DRE ' BBB TO EB WEW BA, RH MR RRRAPR RATE REDAR MMs, CURE: AT RR LRERRORARAZH RRER CAE) ~ CALA)» CRI) SRRRE MERITS @ R RARGCREREMEABR ER DEZS OR BARR RS file> AGRA DRERURERSREE hRERS LTRS R B® AA BALA HMA ERRR MRE ROMER = RABMRBE (HARB) SHR REREAD fe (CHER) HP SIRS - @ BR SURED AT: RSH tORE (BAD) SCEREtR: RARMEFLSCORSRBHES Sung» 31-2+ AL: A136 AL: R17: AL: H18- eee mk: AL H17- @8easeees 56 SEP BRET 53 SPM RBDBUEA RSME (ZX) FROME RMB: O Alte & SARIS — MRT RSE MAR» AOL TERY © Resin SO fe] > URS RAR SAA ae ABSA PSF MEAS MNER, RRR, BL ARARANOHR H RRR: T 8s ANBRERSER ERAS SHE ime SCH RARE 5G A. OCAIIE) ROAR ER AB HAT MSR ROAR: PARSER: See SROARRH ERG PRAM, > BHD RAB M9 MYR Hodes Arey ° Ba weHy ARR (Ea + TOR ae ARPT ° FRG] / HR /KMKE SiS HARI SRR: EB A EMMA BE LARA AR > OES RS Ae SR 7 RGR a A» SR AND > REG SS AS UR RF A EA + Ee Te ZSBART BES > CL ATLAZE RL A BURT + TEU e565 SEAR SORA SY RREREREPHRAT - © SPRASHRREREA DR LSA Ske SLBA NARRATE A RBA T ZR ATLL RB ine: BRASS A ACMA | of the woman, by the woman, and for the woman, Zi > AiG > RANALTE EGER BIAS » BRAM AES ( BRERA) ARGS ARRAMRA BB, Bid: MR AAA US Bi BR MH S LEMAR ARAB: OR) RRR + MEA ME TAA OD HA CBSH) BACMURPR MISE HERE (CRS) BR i RRR THESE CSS) - BH CEM) PSCSRE MR REM RM @ AMKARERESS LMR TS (ISS) ASE S CRM - NH HSER + @ MIE! (PM RBC) (EM: EAR 1931) » A 309-312- AK ARAR — HMBAMALREHARSR 37 AMR AMAL 9 (TM RMR Ee ETO HB RATES MERLE OR BMERARID: MASTER SESWN ak + ATLL» MEDAN RAUNT one eee 2 Taker SHEER Siee OI + (RRC EES BRB + HEB NBLERE: BR RARE LNOMAES SURRTAERRNA UF MARL RO MNP THE BITIM, (a “gendered” genre) - i RUTHER MA MRCS LOMRARRSRE BALE Bl, SN? SARIN ER + LIL ER Se MAO ER + THER HO ABH (LL ADRS + BULB HRS ROR, NA BS BERRI AAT «9 ER ECE EAU AR AE SAHAMRA HARE RES R + TEER» PEE PREPAC St est (the female form) + 8 Li. mecha: DARE 5 ) ARE ATT EAS SRA SRNR a Re ARGURKENSERE NER: SELMA LRRNTS: RERT JALELAELAFRNRRTE LRERAN RRA AAT HMM NEESER. ERI RRSUIR TT (> ESREBLAARE aE HE SHOMUEIE « SL2EA > oH Elaine Showalter #8425 “gynocriticism™ > @ Sees > DUDE ARE + 1930) » H388- oar Rosalind Miles 4 » The Female Form — Women Writers and the Conquest of the Novel (London; New York: Routledge & Kegan Paul, 1987) + 32+ ® FRM “gynocriticism” » SLAB MAURER ER OLE a BIR » BH Showalter, “Feminist Criticism in the Wilderness,” J&A Critical Inquiry 8 (Winter 1981) ° 58 SARs RAE AC SAAT + HESRERABAER: URUSRNRM: SOMBER PRK SHRARULA RIVES: RANE BREEERHRE, Fe "RHP RAB PRE SRR BUT LE RE Sale PST Pb + AT RRAB ARES RARRBU RARE * Ba TS BS RR LS Dy SB SR + ALE ROE TT RE PRE BPH CER WARRANT RSA Be SEAR D BBY a PP RA AT BS AY CRAG (canon) + O BURL S Biss ASRN KER ARES RHE CH SSSA SA TA > FURR Ts Aik: MRA DB EREEH BREE LORE MRIER RSBORHALE Ri, 1S HRLAR BARBS RATT - BRN Rk ERMBRERbMRLLSRS RUA RMA BIS SR GK CADRES WES, HBA ARR) LR LOCA RM )RARRRRUABRER: HEX Ro ABest BIGHES > TERR + PERAK - MARA AE ZAR S: HEC RYE GHE RAREDRRUERA BIBS BC, eRe: RRR RANE BONAR Ba REA ASKe PRA RAERARAHANRRU? FT REXSHNE! BER EN ELBE RUB ZANE? BRR HSDLE ) RMS EARN > UT RE RRO + DRE RACRES HN PRS E URMDAGR: KES ORK ORNS BE BARES AT RRA ° BR Ro RESO Re AB NRE — BieRE) Bt— AG)» EAR RRA + EE Na ATLA — i Bae — FPS eB ae el Ha] ae» TA a hw Ay AA SREBRRNERERARNRRELR- SRL: BAL RARER ERMELBE CROAR ABRAM TA MRR SH: EPMARKSMRAS SSNS RRRP EDR MHL BARS CRP) (dt: RMR 1993) TEMRAR — GRAB ERSR 39 DRG > o2-HAERHRE DWAR ER SBMA (AR USRWBR: REC BE ME LMBILAT (Sc) TER « ae PRER. WES ER SeLEPUTHA-HRENEEM: BREXERORRONAERS ROBERT BR) VERSE (EAl(P RAN BR: AH SERN IER BER PIB Oli BS ¢ Ba )RELCHRELERASSRA MER MLSS AS BAAWBE eS ARAMA: ASEAN LARN RB DR EMGB RID TR > Tee ES! BEBE He PRR Ay (RPE &) + @ LR 704 R Toyoko Yoshida Chen $} "HM =SA HH 2: O RNARBEN (HEE) ORS BSMAMENAA BK RERARALR EH MAZE, OR: WRENS AMARA: VARA RR ORT RA MERIT THESE RS TES T We ASE» LY SR DRG EK: B— > MARA BAMA LRZES: KREME SRNR FETE Ba PRS o> AB SZ (PRR: EERINAF > PRO’ HES (32) HES — MHA EHSES — NB SR ay » Pee Bs! BE DPA BH (visionary) & te > RAB DRAMER ERE ERR LR + REZERMM CHEE FEM HSZRE heey {SAVE BIA AI LR BUPA RAS RT RE RABE PRERRERMAAARRE BY SAR: RB R— Be @ Columbia U, 197: B) Be RED) BC ys (#2) ® Marina H. Sung, rrative Art of Tsai-sheng-yuan - A Feminist Vision in ‘Traditional Confucian Society” (Ph.D. diss., U. of Wisconsin, 1988). 60 SPCR OTS» 3H HREREACM ARMS BB Maha 7 (A — ee A aT REEMA AANA We ACRRALSRATHASRL SR A WRABRAERWSA HAMA BL. XR, S—-BHeRS RHGAERRRSS > CHP RERECERAHRN RE KMZARLERRWSRRAR MARA WARLNBAM (AR BUA) S046 ae hy RR EAE SE ARGS te a ALE AR te A AE LQERREHA SER EM, SMTA AMEE ARH (CAB) MK KECMAFHRAS HRAHSE ho RABRBRLAS EM, e Hee RATAN RA MAA Se Se AFC EBA EBM ° Fie ay ' Ppa WB fF a CR SARS eH RAF SEHR: RAR TS FR EAI ie AAR TES TE eH > He a AIR ER BO AAA ARE FRRER AMAR — ESRF MARR MARTE RB? SRSRMS LK RELA ? SRARTAU(E SOR 38 (GS AAS — Bi + FR RID OE BART BR CA CK MARLASORS LAST KLARSHRAKARSR HB AO THARALATALOR RMLEXECAONS > MRS @ f/€ Susan Rubin Suleiman, Subversive Intent: Gender, Politics, and the Avant-Garde (Cambridge: Harvard UP, 1990) + 16+ Suleiman BBMES ARE BNSKHKE RRADEMARA)RPSER GENERA RAL HY FRGRES > UHRA ®@ PA (BER FAL ABARAT ER BAF - @ SS0RR7 BARR Se ELL. MU MERC A A Nae: BE WARS EE AKRRE A SERRE —_ AMARA DR PARSE 61 BIH CREEPS) (1957: ABRTAR? EH? ER 1985)» RARABASR TT SHRMAFSHLERE DRAB: RARE RARE RABRSAPH RR TEERAS Lael (PR) RH: HERHKSRELAPREA AEM PNR RANE SAE MOS SRNR ALE -RLS ER: TORRE GRR S OER ER ZRZH: OS TRARE-EZKBAGHNRS : HRIMEREKE - @ ko WALRURT ES ERE BEBRBE SRM STE NE + RARE AY TERE MEAT BH MRAP ERAEHNRS - WARSNBR CRE RE RRAL Fe TMS EVALRRE TREE: AMER FU RMA SHE LRT DR : BREA R Tie BAD ES RS Le A Be OS Th a LC aK @ MERRIE > RK BRP EMH LAIR ZISE (stigmatized) MMM > MAM REBEL» SHREUS RE SRNES: RMA Me AMBER Reo Ri PAA AUP RAMA: CER) ORF ESRRE RO + ALR A AL + ARTUR A> RARER EES © ate FRAN RKRERARASSHIHAK: KRLRASS LLM: ® REBRRE RRNA S RBS REARS + AR CPE mice) (LB: BE 1931) - 312+ 2G RM SME KML) HEIR “BRAR(ERNER: BART HME: CEMA SEE MEA: Bs HMMA SAREE RE GR RUT RR TET @ KDPLS ROME RELAATAM EMT FST ANCHE) (Bak: MABE: 1991) - FRFTee Cathy Silber, “From Daughter to Daughter-in-Law in the Women’s Script of Southern Hunan,” in Christina K. Gilmartin et al. eds., Engendering China: Women, Culture. and the Stare (Cambridge. Mass.: Harvard UP, 1994) > 5 47-68 + @ BH UAB) W589: TER REA BASERRE: KRURKRAAREES © a) ) REN MRE 62 ERDF + 3K LAN RERERSH: SERRAM AER: AA SWKBAZH: RARER CHERRD) -© SRHANRRERRANRE HR REREKEGRELA SASPMEREMS A> O Bie (HE fe) (PSROMAPRRRE AMMHRRERRORBLR: © ehh Pech Sikh th WORTEL GS SE - HBAS T TSA AR CESK)» PBS ME THe REE RD RE EDL: BR > SRR SS ee RS RR EE» RE be AF SRM BRS BS UR RIE NRE Ee PERHRR: BPRMANME > BRR AS WER KATE RRR Am) SEBO: RRM ERERATE RA BRE (PRM Mh RMR a © RAN SRE Mt) HATRHERRASH (ASME (MIE) ZO BAB HAM) » SHER AZORE ° ATLA» HRB aRAS | SOS Ri RSTUREAR I, A BRR: CME RAF + EARTH RAAT ER RE + 7k CAMA ARS LRP AM BS HRSG BA ERT Ril B— AKSBBSA AA SLR + MB KNB ARRUA RRR Bo BARA NRAALS PERE HDR: BEUREHBREE (EGA Bie 6 MOO ZY @ BAMMH AS44> th: RRBRSS SRSA MER ERR EM FILA GARAR RRR AMATI (PRE RAR) : RA RET BRBERA RAAMOMRE* 1 GIG RAM BIR: RARE ERS Rat BAMRZ: RG 1) TRE ESRA: TERRE (BERRA RE RS MAME) » RRR Cae Cat: op BRR 1979) - CHAAR MRKABT: HERR ANRE SARE LAAT ICMR AR © @ SABLE: (MRAFRREME) KARE CORES) CANT: CS GAGE + 1984) + Fi 263-265 @ SAME: (FREY) - 290-200. RSM: (ESCHER) + MHS KS: (Bea RR) > @ RXB: MABE NM: HR BRRESER—S MAMMA AB DEMIR > TROAAR — WRBLMM DRE RED 63 SHUR > RES ERRAND RE A AS SA) MATL KARARRR BETA BRA- SO HL MPRA RRA T MMAR MEE LH: DAR GRAM MAH 0B FY AE ES tk AG DU RAS HERBS RT RE Fy BOSC ERS RAS EB AIG REAR TAs BS REREAN: SRR RAR: HE-RECRLMRARNSH + Ait MRM T Sees + FOR AU ASE > PRR + SHE RE BORLA NERS URAR(NTH: Hith RHR BRAMMER i) MONS: RAMBLE RERWERKA ARMRPABE HERERE RH: © RULER RARR EMM EOE #& "(RTs (masquerading) 2 —— KBR (BH) CROKE i) "lla, -@ PANRRERAANT CRUE RRARSLSS @ BABS (150eMREE) CRF SA) 2) (MER - HS - AS) FMA ASR AME HY BEB SLA LRU a BE RAPRME BLARE PURE TARE: S/RSC BREN: 2 CRRA + (bie Le ‘AREAL: 1992) - {400 TREC Hot SRR ARG KPBS, BET G(R AR Ls BOE + FTA CALI) th RR RBKE SGI 34 TE Ag BY aT ee HE A 1 + A FER Tea G PMAERKEN HREM ‘$A Tianchi Martin-Liao, “Traditional Hand- books of Women’s Education, Women and Literature in China (Bochum: Stu- dienverlag Brockmeyer, 1985)» H 165-189 > > HEM (EMM: Bi ROBE (A) POLIS CHER) » CSM) BYE MMH, EE AMAR, + CALE RH: @ “8H, (masquerade) HSM sc EMS Luce Irigaray HEF REARS R- BRS RRS MRT OL EM (subject) 2 EMM BARBS ERA - ERR SH DRE 64 SEPP GLORIA. » 8 3 HL HTRRWFR- ARNE BARRLFERRENSS UA ME RIERA Se TS © (RRR Rie aT BASS: RTRABR SSRN LARISA: THR BAER ES AENEIEF TBS ARE RR ER AE A PAY A. RE BUR: RA: RAEAEHERMMRY R PRE: PERERA MMNRRREH TS bh BRRMNSAT -BAAEKFSSAN RIB) Ret « FH (PAS PRE DLR ae i RAI ERROR IE GO BRAD + BMRRRWKA FT RARTERZE ME: BOWL RBA RMS REVERS A "THREE LRHRA TARR REMPXREWAR REURMMBE RAERAU EE BRS > @ (RAAB APM SCARE RES ATE RE PE DPRGROR OR HEBNBREK LE: BERR BRA TFS A SARE > EAT D1 a A HEARS Se TE + PDL @ (KRHA) BURR BR+ MN - BRAM ORE Tht SASH, (exposure) MUM A> AMMA MRR Bee PRE Pa CR RUS CAORADOMAM: RFRA PENS RR LE A HERA) ) HERR GRET - REWER: TRESS ES: CRAB T RES OORT TRE PAEBR ZR DRAG > RAED, CEC + PAA) AS PB RES) ~— @ APARARAFRMM PLO REAE: ALHRARSMG > RMSE =] A Susan Mann, “Grooming a Daughter for Marriage,” xi Rubie S. Watson and Patricia Ebrey Eds., Women and Inequality in Chinese Society (Berkeley: U. of California P, 1991) » 32 216+ @ AMSA KSA Ellen Widmer, “Xiaoging’s Literary Legacy and the Place of the Woman Writer in Late Imperial China,” Late Imperial China 13,2 (1992): 111-155 + Widmer ii MER ERE CAT fem LRA eC DyAR HE A - BRR: (ch BisAc Es) (1986[1928]) » H 257-273 » URW (UMS) PRA, REAR (LRA AUG)» HL RATE+ ee FEWER — PRAMAS ERSB 65 RE, FOS ENTR: RRRSHEADRRERT REARS ABBA A (EE — 195 ARS BA SNM ET EAH - REM Sy RRS RMS Te FRIAR - MRAM MARAE SE ARAR SB, (object) #955 » ASRS Brahh) Bw th VAT GE» AMEE + BUG Re ROARS RROR: HBR ASS fH-RBR- SR CERMMRREH LE ATR AE (EBA EMA AHEM , (object of male voyeurism) 32/9 BR > RDB Coa eee : r =ROR eee PLU RA ACES LE eS eB SURE EL REAR BA — HOR: EMRPRN (Pak MBG, HORE AMARA > AU BE Ao SHR SA, SATE TARERNT HE (identity) MES > KRATBSS BHAA | fe BAe, (authorship) AU Mash PASE) SRI RAO Te WM(EERR SEEN MB RUBS i RR, Mahe) HERES RHR STB BHRUMRERS HE: BAM BORA HES MEE BSD MER NS ee RRS Neale WSR: BERETA EN: RNS D REMMI He haR LPR ea ee RB /\ + +A tt REE by, for and of women - fiction) S847 + Tif a0 “misleading” 4 mE-S and Domestic Fietion-A Political History o : @ Hodes» 21+ (domestic Armstrong, Desire : Oxford UP, 1987) « 66 LARP RAR + BRR EH: RB TSE RAPS + @ BRR A BARAKATET LEAS LRA SB MER : RL: RH: MRS: UE REBEL: BUR RMT ERBBER RRA RSE) - MRRSLBR NSS SMa WRIA RI BERR ED: AAT ° TEM Virginia Woolf Aree PAC Se HAST HE SEM CR DBS SRR BLS 8 ATT FF RAVER ALM (PRBRERE LOTMA: ESR WEFRAUFLA-BHD BRRMEA CHEAT ALS - (Pa WEE IRA Re he (R-EZOBE—R > BPEL RAIA) + LRAT ERAS NA ESR ERE EE AURPREED ° RMT LU RUPP REA PRA RAR (an act of self-representation) "TJM (FRB RMS Ml aS RA MEA ARKOTES - BER CRAG A + CAA RS eB (PS EME ? RA Be Rete PAS Sa RL — (HAL (Convention) MLE > TTR ASB BURT — ere — se ORR PE BA RE Eh SCARE IRE "RATE | «SLSR (Pa IY PAA — IS SK HAA ROP EET LAR RS RA AMA BE ESI, - BBIEDSS (ALES BER MBGH) ° ir it: S-HRBY BH, MATANSE + S BARRENS LESS ARCANE > BUM Aa RRA REF th a TE «A @ RARE (AEM) ) PEMA ARRBS @ Woolf, A Room of One's Own (San Diego: HI S (HE) (81NRRARHAT: BRE S-ERAX-2BH SB #N, PRS RSME, UREA, PI, UKAARRKE 54], + HERE), . PRE, RAW, - SRKSOSBTR FTA, + MRO AD, + "EE > Ae, SEH), + MERI BME, ~ gia, - Ao CBE RE + OR RARE, + SIRS, - BAF « Hs2- ARGEAR — BRHAMA LRP RRS 7 (BATE) BRAN RE 1S BRAT ASEAN SRE AYER "EH OER) — BK a RK APRF ERE Ea HER EERARER REM AM AR RES, B-BD +: MRBRANAT: OR HORT » AER Chae8h) HORIBHE > ALL BES, EBS HBSS RE MES, RAGE SANBRRABERURRAS GAR (REO: KRERSHERSST BSN - SIR AAS Ti RARER MSA YPGEE SERPS ORRE TERM: O SEMA (ER > FONE APR Bae Bb TS eR + Ae SPREE A > SEARS RMSE RSBRABTEE & BER, > RAPA + EPR + SRR + DUR IE 2: AREER FS EANLSRASEOREA: RRR R: SR REA: Oo MRBRAR: BLKCRERDERTHANSAATR BR SEA AU MALEAT RM SRILA SH + ZREASRTBO : MRS MESSE AE See AR ASSET RB OR — RFE] T ARR (exhibitionism) 49 WS: SFURESKPRN REN AR TREES RABE RG: SSMS ROARS RRORREE BRAK Af SRSSSRASKAERHLHE (will) RHLERARRBA S@RNEE— KI SESRNHRRBPHARSH TA: ta LA RKPARHEN SAK: THNSEARURESS » @ "REA, MEAT HM, SO Te Reese: ¢ HB OF PRAM LEAH: RSRESER O CHXHSRERD: SSR AES: BEE REPS OFM UR Sa. BM EE ERE GRARBRAROMRLRK: BHR-EM,

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