Creating Enjoyable

Puzzles for
RolePlaying Games

antasy roleplaying games Few GMs can resist the thought

F are an extension of classic of stumping their players with a

mythology and literature. They brain teaser that rivals the Riddle

present an opportunity to create of the Sphinx. After all, history has

stories like the tales of fantasy and as much a place in high fantasy as

adventure found in Tolkien and the swordplay.

ancient legends. It’s no wonder that

writing Carl Heyl
riddles and puzzles have become a color art Sade
editing James J. Haeck
staple of classic adventure design. layout Eric Life-Putnam

EN World EN5IDER: Puzzling Encounters

 The difference between solving puzzles and
triumphing in combat is one of player skill versus
character ability. Your players don’t have to be
experts at sword fighting for their characters to
cleave a dragon in two. Dice, combat mechanics,
and special powers are able to model heroic battles.
This is probably for the best—it would be difficult
to find players if they had to pass a physical exam
before getting to sit at the table.
However, a character’s ability to think through
puzzles and riddles cannot be satisfyingly modeled
by dice. Puzzles in roleplaying games are typically
solved by players, not characters. A puzzle or riddle
is a metagame challenge that requires a careful
GM and interested players to work. Many players
decide they can’t figure out puzzles before even
trying, and give up immediately.
Good puzzle design challenges these impulses. It
gets players interested in the solution before they
even know they are looking at a puzzle. Presented
in this article are three ways to make players enjoy
solving every challenge you throw at them.
Make Organic Puzzles
When designing adventures, it’s imperative you
create a reason for the puzzle to exist logically in
the environment. Why did the dungeon’s creator
build a door with three concentric puzzle rings,
instead of just rigging another spiked pit trap? A
puzzle which isn’t integrated with its environment
disrupts the flow of gameplay and breaks
immersion. Instead, allow your players to explore
the site in which the puzzle exists, possibly with
the promise of reward already in sight. Let them
discover the room’s secret. The search will pique
the players’ interest long before the words “riddle”
or “puzzle” ever reaches their ears.
For example, instead of a magic mouth guarding
a riddle-locked door, imagine a room with no
The Riddle Door
Michelle (the Game Master): The last skeleton drops
to the floor, destroyed! Nice work. Catching your
breath, you look around the room and see both a
wooden door to the west and an ornate door leading
north.
Eric (the dwarven cleric): I want to check out the
ornate door.
Mikal (the elven thief): Yeah, it’s got to be all fancy for
a reason.
Vanessa (the half-gnome/half-troll barbarian): Sure,
let’s look at the door.
Michelle (the Game Master): You approach the door,
and a mouth magically appears and bellows, “All
those who pass through me must answer now my
riddles three!”
Vanessa (the easily-distracted 27 year old): … Oh.
You know, I think I’m gonna get a drink.
Eric (the frustrated father of two): Yeah, Mikal …
you’re the puzzle aficionado, right? I gotta take a
smoke break, anyway.
Mikal (the suddenly lonely): Um. Okay. So what’s the
riddle?
discernible exit but the door the players entered
through. A statue in the center of the room points
to the brick wall and is holding up three fingers.
This esoteric environment contains an unusual
spectacle that will hopefully encourage your
players to dig deeper. Why is the statue pointing
to a blank wall? Why is it holding up three fingers?
Here’s the solution. If your players search
carefully, whether through skill checks or by
asking you questions, they can reveal that the
large bricks in the wall are stacked to the ceiling
five high. This information is an audio clue; you
have now attached a number to the bricks, just
like a number was attached to the statue’s fingers.
Auditory connection is a useful way to link clues to

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Creating Enjoyable Puzzles for Role-Playing Games | EN World EN5IDER: Puzzling Encounters
each other. The answer to this particular puzzle is
to go to the wall where the statue is pointing and
push on the third row of bricks, revealing the secret
treasure hidden inside the brick wall.
Err on the Easy Side
It’s very easy to make hard puzzles—even unsolvable
ones—because puzzles always seem easy to their
creators. Many GMs, thinking their riddles are too
simple, try to cram in countless complications
and red herrings to conceal the “easy” solutions.
It’s important to remember that the creator of the
puzzle is looking at the answer from the inside out.
Because the GM holds all the cards, they can draw
conclusions from clues the players might never
learn. The players will only get information in
small portions, and they will probably gloss over
vital facts if they’re presented too obliquely.
Even an overly simplistic puzzle can be fun.
Players like to win, and an easy victory can always
be tempered by a diabolically difficult encounter
later on. It’s far better than stopping the game’s
action dead in its tracks.
Preparing clues to help solve your most difficult
puzzles is also worth consideration. It may seem
tempting to have players roll Intelligence checks
to receive these clues, but remember that a failed
check backs you into a corner. You want them to
solve the puzzle, and introducing luck into the
equation probably won’t make your brain teaser
any more enjoyable. Simply providing a clue when
needed, either through the aid of a helpful NPC or
an out-of-character discussion, is almost always a
better alternative.
Don’t Set Your
Solution in Stone
Most GMs feel an urge to give their puzzle only
one “correct” answer, denying any other plausible
answers their players provide. This is possibly due
to embarrassment; they may not want to admit
they hadn’t considered all the possibilities.
Don’t. If the PCs have a spell, class feature, or
magic item that allows them to solve the puzzle in
a way you didn’t predict, just roll with it. Let them
EN World EN5IDER: Puzzling Encounters | Creating Enjoyable Puzzles for Role-Playing Games
succeed and applaud their creativity. This sort of
ingenuity is what sets tabletop games apart from
all other kinds of gaming. Revel in it.
Example Puzzle
Michelle, the example GM presented in the sidebar
on the previous page, unintentionally created a
pretty lackluster experience for her players. The
door outright presented itself as a puzzle. There
was no environment to explore and no promise of
reward or any type of benefit to solving the puzzle
other than to continue exploring. “In order to keep
playing, you must solve my riddle.”
The puzzle presented below follows the three
puzzle-making tips discussed above. Going forward,
the puzzle presented at the beginning of this article
will be referred to as the “riddle door puzzle” and
the following example as the “alphabet puzzle.”
You enter the wizard’s study. At the far end of the room
is a large desk covered in weathered parchment. On
top of the stack of scrolls is a silver hand mirror. To the
left of the mirror is a metal box the size of a treasure
chest, but it lacks hinges or a keyhole. Beside the desk
is a bookshelf with 26 books. Each book has a letter of
the alphabet on the spine, and they are arranged in
reverse alphabetical order, starting with Z at the top
left and ending with A in the bottom right.
The immediate difference between the riddle door
puzzle and the alphabet puzzle is that the alphabet
puzzle does not introduce itself as a puzzle. It may
be somewhat obvious, based on the elements in the
room, but it’s less overt than a talking door. The
PCs are instead presented with an environment
with some interesting elements that should pique
their curiosity.
The alphabet puzzle also includes the promise
of a reward. The players’ only reason to solve
the riddle door puzzle is so their characters can
progress deeper into the dungeon, but the alphabet
puzzle deliberately shows the players the reward,
a metal box “the size of a treasure chest.” If the
promise of treasure doesn’t catch your players’
attention, experiment with other rewards. There
are many ways you can make the reward obvious
in the puzzles that you create.
The papers on the desk are all written in Common,
but they are written backwards. The mirror hints
that the players should read the text in reverse.
You can also create props to make the puzzle more
immersive. For example, a sheet of alchemical
ingredients with all the text reversed might serve
this puzzle. Allowing the players to study a physical
artifact will help visual thinkers wrap their heads
around your puzzle.
At this point, the players will understand they
are solving a puzzle, but hopefully they are curious
enough to keep even the least puzzle-centric
gamers interested. The adventurers now have
backwards notations, as well as a bookshelf with
backward alphabetical books. To put it simply, they
will overthink the puzzle immediately. Let them. If
they come up with a solution more interesting than
yours, all the better.
The “real” solution to the alphabet puzzle is in the
bookshelf, not the papers. If the players investigate
the bookshelf, they find they are unable to move
the books away from the bookshelf—in fact, the
books are part of the bookshelf, carved from the
wood. Touching a book causes the letter on its back
to glow with magic light for 10 seconds. If more
books are touched, the light glows on each book,
and all books remain illuminated until 10 seconds
after the last book was touched.
This presents the mechanic of the alphabet
puzzle: the bookshelf is magical, and the letters
glow and time out when pressed, but they are
linked together. This is demonstrated by the first
letter continuing to glow as others are activated.
The alphabet puzzle is solved by activating the
letters N > E > P > O, which is simply OPEN spelled
backwards. Though this may seem like an easy
password, the point of the puzzle is not to guess
the specific password, but to figure out the trick to
solving it. If your players have figured out the trick,
but are struggling to guess the password, consider
allowing any cogent guesses (like “Y > E > K” or “K
> C > O > L > N > U”) to open the box.
Creating Enjoyable Puzzles for Role-Playing Games | EN World EN5IDER: Puzzling Encounters
Puzzle Resources
GMs who want to create better puzzles have many
resources to draw on, even outside the world of
roleplaying games. Anthologies of puzzles, riddles,
and logic problems can be mined for inspiration,
and many puzzles can be stolen wholesale. Riddles
from fantasy literature and mythology can also be
used, but might be too obvious, since many gamers
started roleplaying because of fantasy books.
Point-and-click adventure games, like Roberta
Williams’ King’s Quest series, have a wealth of
puzzles already designed for gamers. The website
http://www.adventuregamestudio.co.uk/ is an
online collection of fan-created puzzle games,
many of which can be directly imported into your
home campaign.
Final Words
Puzzles can add a lot of fun to your tabletop
sessions and can be one of the most rewarding
things to design when building adventures. It can
also be frustrating to take the time to create puzzles
that your players end up not enjoying. It is a wise
decision to start small, designing a small amount
of puzzles that may seem too easy. This will help
gauge the table’s interest in this sort of addition to
the game.
Ultimately, there will be some groups that simply
don’t enjoy puzzles. Try not to force the issue, it
won’t end well. The game belongs to the whole
table, and it will be more enjoyable for everyone
involved if you facilitate play that interests all of
your players. Just don’t forget to have fun yourself.
Try and find a happy medium between catering to
your players and indulging your own interests. And
be patient—learning how to make a table of gamers
happy might be the toughest puzzle of them all. e
Puzzle Dandolo’s
Cryptic Box
andolo’s Cryptic Box

D is a highly customizable

four-part puzzle which can be

solved as a series of side plots

to an existing campaign or as

an adventure on its own. To

open the box, the PCs must set The ring sections below all have

the correct combination on a the following format: a segment

series of four rings, then press a showing the sequence of symbols,

button to release the locks. Each the translation or meaning of the

ring has a unique set of symbols symbols (for the GM), clues for the PCs

and a unique type of puzzle to (including untranslated segments), an

determine the correct symbol. explanation of the answer to the puzzle,

and notes including where and how

writing Phill Harmon
color art Xanditz adventurers receive the clues as well
editing Mike Myler
layout Eric Life-Putnam as suggestions for how to get them to
Frank Michienzi
the next clue.

EN World EN5IDER: Puzzling Encounters

The Cryptic Box
The contents and size of the box are entirely up to
the GM, but it is recommended the box be easily
portable and thus contain nothing larger than a
pair of magic boots. Some other suggestions for
the box’s contents include a key clue or piece of
information relevant to the party’s larger quest, a
magic item useful or even necessary for continuing
their quest (such as a ring of x-ray vision), or a spell
scroll with a particularly powerful spell.
Origin. Adventurers might find the box amidst
the goods in a shop (with a shopkeeper that has
tried to solve it and is so frustrated they just want
it out of sight), as a reward for a quest, or left in
a remote location apparently abandoned and
forgotten. Regardless of how the PCs come into
possession of the box, any time it changes owners
a programmed illusion spell is triggered (possibly
catching the attention of monsters if the box is
found in a dungeon). The illusion created by this
spell has no visual component. Read the following:
There is a loud brass fanfare, and then a disembodied
voice says, “I, Umberto Dandolo, the greatest puzzle-
maker, have created a quandary to delight and intrigue
the cleverest amongst you. Four locks with four keys—
but you will not find the answers easily. No cheaters
either! Whether brute force or magical, attempts to
open my box without the keys will irreparably damage
its contents. Repeated incorrect tries will similarly
destroy your prize. Here is your first clue:
“As I was going to the castle,
“I met a noble with seven vassals,
“Each vassal had seven packs,
“Each pack had seven sacks,
“Each sack had seven blocks of sealing wax,
“Wax, sacks, packs, and vassals,
“How many were there going to the castle?”
If the players attempt to circumvent the puzzles
by either forcing the box open or trying random
combinations instead of solving the puzzles, warn
them, and then destroy whatever is in the box.
The intent is not to punish mistakes, but rather to
incentivize the players to complete the puzzles.
Dandolo’s Cryptic Box | EN World EN5IDER: Puzzling Encounters
Ring 1
| | | | | | | | |
4 8 1 7 5 9 3 6 2
Clues
See the read-aloud section above.
Answer
This is a rewrite of an ancient but simple riddle.
The mention of the nobles and vassals and so on is
just a distraction—only the speaker is going to the
castle, so the answer is “one.” The only other trivia
necessary to solve this ring is knowledge of Roman
numerals.
GM Notes
On setting the ring to the correct answer, another
programmed illusion is triggered. This is a string of
numbers (see Clues for Ring 2) and a voice. Read
the following:
“And now it’s time to learn some history—research me
and you will see the answer to the next key.”
The next clue is found by researching Umberto
Dandolo. If the PCs do not catch on from the
programmed illusion alone, have an NPC they run
across recognize the box as one of Dandolo’s
puzzles and suggest learning more about him.
The GM should place a library with a collection of
historical texts somewhere within the setting to
facilitate the party’s research, specifically including
an encyclopedia that has an entry for Dandolo.
Clever adventurers may try all the settings on the
next ring to trigger another programmed illusion
and give them the correct answer, but there are no
more programmed illusions triggered by conditions
of the box itself after the clue below.
Ring 2
Clues
1. A programmed illusion that recites, “3–3, 5–7,
14–3, 3–8, 10–1, 7–6.”
2. Encyclopedia article (see Handout 2).
Answer
This is a riddle hidden within a book cipher.
Each pair of numbers in the programmed illusion
corresponds to a line and a word in that line of the
encyclopedia article (Handout 2). Strung together
these words make the riddle, “Eye (I) run but
have no legs,” to which the answer is “water.” The
encyclopedia article has the additional clue of the
first word being underlined, which should help
point the PCs in the direction of deciphering the
code. For adventurers that are still having trouble,
the GM can point out that the underline and
numbers were clearly written sometime after the
book was published.
GM Notes
The symbols on this ring are Norse runes. Many
fantasy games and settings use Norse runes as
Dwarvish script, so any adventurer who can read
Dwarvish script automatically knows the meaning
of each rune. Optionally, the GM could decide these
are instead the writing of a warrior or nomad tribe
and give the party the additional task of finding
someone to translate the runes.
The encyclopedia article should point the PCs
in the direction of the Enigmatist Society for the
next clue. GMs can place the society’s headquarters
wherever is most convenient, whether nearby for
expediency (within the same town) or requiring
a journey that can further the campaign’s plot (a
monastery at the top of a mountain, on a lonely
island, in the middle of the desert, and so on).
EN World EN5IDER: Puzzling Encounters | Dandolo’s Cryptic Box
Ring 3
Clues
When the second ring is locked into place, a small
piece of paper magically appears on top of the box
(Handout 3).
Answer
This is a logic grid puzzle. The complete answers
are:
1. Rudil the Ravager is from the Thule and
killed Herensuge the red dragon in the First
Age.
2. Crognon the Conqueror is from Zerzura and
killed Ormr the gold dragon in the Second
Age.
3. Sonja the Slayer is from Mount Malata and
killed Ladon the blue dragon in the Third
Age.
4. Gladys the Gallant is from Tlacopan and
killed Longwei the silver dragon in the Final
Age.
Herensuge the red dragon was slain in the First Age,
and red dragons breathe fire, so the correct symbol
on the ring is the alchemical symbol for fire. The
GM can easily change the names of the heroes,
mythical lands, and dragons in the puzzle to match
those found in their campaign world.
GM Notes
The symbols on this ring are used for alchemy.
Evokers and transmutationists immediately
recognize these symbols but other wizards or
arcane spellcasters can make an Intelligence
(Arcana) check (DC 10 + ½ the party’s average level)
to do so as well.
The Enigmatist Society can be as large or small as
the GM desires. However it should be mysterious
and silent, populated with at least one enigmatist
scholar (use the statistics for a cult fanatic with the 1 2 3 4 5
following spells prepared, swapping its Wisdom 1 S H A D O
and Intelligence scores and using Intelligence as 2 W B E F G
its spellcasting ability: disguise self, illusory script, 3 I J K L M
silent image, invisibility, misty step, and pass without 4 N P Q R T
trace). When they see the box, they speak the clues 5 U V X Y Z
for Ring 3 to the PCs, though they are unwilling to
say anything else and flee if pressed too much or The above pad can then be used to decrypt the last
intimidated. bit of this clue by following the number down then
across (the “fall before run” hint). For example, 12 is
Ring 4 H and 13 is A. When they’re done, the party should
have deduced the following riddle (the answer to
which is “sea,” so “c” is the correct choice on the
locking ring):
| | | | | | | | |
A S T M C E I F G Be a salt and be a seaman,
be a korsair; be a foe,
Clues be the letter that you live on,
The clues for the fourth ring are delivered in the be the grave where sailors go.
same way as the last ring’s clues (a magical piece
of paper and set of tiles with an indented board;
see Handout 4). GM Notes
This is the most complex puzzle, as it requires
Answers multiple steps. The letters are Elvish, so any PC
This is a combination of several different puzzle who can read Elvish immediately recognizes
types. The answer to the first riddle is “shadow.” them. At the GM’s discretion, the many pieces of
With this word in hand, the PCs can follow the this puzzle may instead be spread across different
instructions and set the letters into the grid with locations. The adventurers might find the first
the word “shadow” first, then the remaining letters clue on a scroll signed by Dandolo in one location,
alphabetically (the letter C is missing), to create the tiles as massive stones in a room in a distant
a decryption pad for a Hybrid Polybius Playfair dungeon, and so on. Regardless, upon solving all
cipher. This is the result: four rings and pressing the unlock button, the box
opens with a golden luminance and the whisper of
power coming from within. e

Dandolo’s Cryptic Box | EN World EN5IDER: Puzzling Encounters

Handout 1

Permission is granted to photocopy this page for personal home game use only.

EN World EN5IDER: Puzzling Encounters | Dandolo’s Cryptic Box

Handout 2

Permission is granted to photocopy this page for personal home game use only.

Dandolo’s Cryptic Box | EN World EN5IDER: Puzzling Encounters

Handout 3

Permission is granted to photocopy this page for personal home game use only.

EN World EN5IDER: Puzzling Encounters | Dandolo’s Cryptic Box

Handout 4

Permission is granted to photocopy this page for personal home game use only.

Dandolo’s Cryptic Box | EN World EN5IDER: Puzzling Encounters

 Puzzle Fountain
of Truth
his puzzle mechanism is

T simple in premise but loaded

with possibilities! Set in a stone dais,

this three-tiered marble fountain is

inset with glittering runes around

the rim and is currently bone dry.

Solving it requires getting the water

flowing, but that is easier said than

done. The fountain responds only

to those who pour their heart out

to it—each truth told in its vicinity

is another drop in the proverbial

bucket. Small truths and obvious

facts barely yield a trickle, but

the more adventurers reveal, the

greater the flow becomes. Only writing Elizabeth Orchard

color art Khanh Luong
when all three of its basins are editing Mike Myler
filled to the brim has the Fountain layout Eric Life-Putnam

of Truth truly been solved.

EN World EN5IDER: Puzzling Encounters

What, Where, Why
The Fountain of Truth might be the trick to a
magically sealed door that only opens for those
with an honest heart. Perhaps it’s a test to earn trust
or prove one’s good intent. The puzzle can be set
anywhere that stands between the party and what
they need to do or where they need to go. More
importantly, this obstacle is a useful roleplaying
device for GMs to encourage character development
and even potentially rich conflict between the PCs.
Players have the perfect opportunity to reveal
pieces of their backstory or confess any secrets
they’ve been harboring. Upping the stake with
other dangers or a time limit can also double the
pressure—what would you be willing to blurt out
to save your life?

Investigating the
Fountain
The Fountain of Truth is roughly four to five feet
tall, with a large basin sitting below a smaller one
on a circular stone dais. The spout at the very top is
carved like a blank scroll, with a small hole where
water is meant to spill out. Glittering sapphire
runes are set around the rim of the lower basin,
which can be read by anyone who speaks Celestial.
that the circular shape indicates an act of
I am what you need but rarely what you want. modesty and progress should be observed
A duty to inform often twisted into taunt. there. On a result of 14 or higher, it’s also
Thanks you give to have me long after I am heard. revealed that the blank scroll spout is a holy
Bitter is the medicine of the spoken word. symbol associated with gods of knowledge.
▶▶Making a DC 12 Intelligence (Arcana) check

This puzzle’s solution is simply the truth. Depending suggests that sapphires (like other gems)
on the party’s efforts to investigate the following can be used as spell components or in
clues can be revealed. enchantments.
▶▶Some dried algae at the bottom of each basin ▶▶Stepping within a 15-foot radius of the

and a puddle at the base suggest that the
fountain did run some time ago.
▶▶The fountain emits a magical aura that is
concentrated around both the runes and the
spout.
▶▶Anyone who has spent any time in temples
can make a DC 11 Intelligence (Religion)
check to deduce that the arrangement of the
runes corresponds with prayer shrines, and
fountain causes a creature proficient with a
language to make a DC 15 Charisma saving
throw or be unable to lie until it is no longer
in the area.
The first time the creature says something truthful
while in the area, a bit of water comes out of the
spout. The amount of water depends on what was
said. GMs are encouraged to use their discretion:
more honesty equals more water.

Fountain of Truth | EN World EN5IDER: Puzzling Encounters

GM Notes
The goal for the adventurers is to solve the puzzle,
but the real underlying goal is to get the party to
open up to each other. Stating the obvious over and
over won’t cut it here as the fountain barely gives
a drop in response. The PCs would be stuck there
saying, “the sky is blue” or “I can speak Dwarvish”
for years before the basins are filled.
GMs can consider the following examples when
determining how potent a truth is for the purposes
of the Fountain of Truth, ranked from dull facts to
earth-shattering truth bombs:
1. Childhood Memory (Drop): Family
members, friends, hobbies, hometown.
2. Life Story (Handful): Nothing too eventful
but perhaps never shared with the party
before.
3. Inner Reflection (Thin Trickle): Goals, truer
feelings towards NPCs, wishes.
4. Minor Confession (Medium Flow): A lie
previously told to the party, one’s biggest
regrets or insecurities, truer feelings towards
another PC.
5. Major Confession (Strong Flow): Backstory
revelations, criminal confessions, traumatic
memories.
6. Truth Bomb (Deluge): A dark and tightly kept
secret the character vowed to never reveal
under pain of death, or a truth that will
forever change the world. This immediately
solves the puzzle.
A long-winded story could keep the water flowing as
long as the person speaks, or a quick but impactful
confession could equate to a gallon spurting
forth. GMs should use their knowledge of each
adventurer’s backstory and personality traits to
gauge a truth’s importance— the more tight-lipped,
secretive, or manipulative the PC, the more impact
there is when they finally come clean. Reward
players for how much they’re willing to reveal by
solving the puzzle faster.
Once enough has been said to make the next
roleplaying section of the campaign interesting the
GM can decide that the Fountain of Truth has been
restored and the adventure may continue.
EN World EN5IDER: Puzzling Encounters | Fountain of Truth
Potential Scenarios
It’s best to put the Fountain of Truth after the
campaign has properly begun and the party has
had ample time to become invested in both their
adventurers and the game. Here are a few ideas on
how to implement this puzzle when the time is right.
In general the Fountain of Truth requires a total of
10 points of truth (as per above) to be entirely filled,
though the GM can adjust this number as needed.
Cure for the Worthy
The water from the Fountain of Truth can be the
goal of this side quest, its legend steeped in the
story of a town ravaged by disease or in the midst of
a toxic swamp. Its water was said to be curative, but
it’s long since dried up. Perhaps the party wishes to
save the village, seek their own salvation, or have
a great need to heal someone of a supernatural
illness that has resisted other magical cures.
In this iteration, why the Fountain no longer
flows can depend on the story. It could simply be
that it only works periodically. Perhaps the water
stops flowing shortly after the Fountain is solved,
and a person can only reveal so much before
they can no longer affect it. Or it might be given
symbolic meaning; if the town has grown corrupt,
where lies and secrets now rule the day, maybe
a deity of knowledge has rescinded their divine
gift. It’s only by returning honesty to the land that
the Fountain of Truth could be restored. In this
scenario, the confessions of the party may not be
enough—the corrupt leaders of the town must be
made to confess their schemes to the fountain for
the god to be appeased.
Fire Trap
The adventurers enter a 50-foot-diameter circular
chamber and must cross to the door on the other
side. However, as soon as they near the center, a
ring of fire erupts around the edges of the room,
slowly encroaching towards the center! These
enchanted flames deal 13 (3d8) fire damage on
direct contact, and the sheer heat emanating from
them deals 3 (1d6) fire damage to a creature that
starts its turn within 5 feet.
 This fire pushes the PCs to the safest spot in
the room, where the Fountain of Truth awaits. At
the rate the ring of fire is moving it will reach the
center of the room in 2 minutes (20 rounds). The
enchanted nature of the fire protects it against
normal water and spells such as create or destroy
water—the party’s only chance is to solve the puzzle
by creating a flood of truth!
Water from the Fountain of Truth instantly
extinguishes the flames, whether that be from
spilling over the edge or from the adventurers
simply scooping it up and throwing it down. If the
entire ring of fire is put out, the chamber fills with
pleasant steam that heals any creature standing in
it for 1d10 hit points. The party can then proceed,
their spirits a little lighter.
Reverse Fountain
This one is similar to the fire chamber room, only
now the Fountain of Truth is the danger as well as
the solution! When used in this way, the fountain
works in reverse, and the PCs have been trapped,
the room flooding around them. In this case, the
radius of the Fountain of Truth’s magical effect
Fountain of Truth | EN World EN5IDER: Puzzling Encounters
extends to the entire room, floor to ceiling. As the
chamber slowly fills with water, the adventurers
must speak the truth to get it to stop before they
all drown.
To make matters worse, this water is icy cold.
Once it’s deep enough that the characters can
no longer touch the ground, everyone must roll
initiative. At the end of each of its turns, a creature
in the water must make a Constitution saving throw
(DC 10 + 1 per previous save). On a failed save, the
severe cold causes the creature to begin sinking,
reducing its speed to 0. At the beginning of each of
its turns, a sunken creature can repeat the saving
throw, recovering strength and reducing the DC of
future saving throws against the water by 3.
Confessing the truth counts as a bonus action.
The Fountain of Truth understands speech even
if the person is underwater, which may be handy
for those who try to swim closer to it or who may
want to confess something big so no one else can
clearly hear. When enough truth has been spilled,
the entire Fountain of Truth pivots, opening up the
drain underneath to rapidly and safely empty the
room. e
Puzzle
Interplanar
Delicatessen
A trap and puzzle for
adventurers of 3rd–4th level

his chamber is bereft of

T anything but a table ringed by

chairs and the facsimile of an oven

carved in bas-relief on the wall.

The door leading deeper into the

dungeon has no handles or locks,

only a thin slot. A tap on the oven

bas-relief starts it rumbling, and

the oven door opens up, revealing

something bulbous and wriggling

on a thin metal plate…

writing Andrew Engelbrite

color art Júlio Rocha
editing Mike Myler
layout Eric Life-Putnam

EN World EN5IDER: Puzzling Encounters

Background
The interplanar delicatessen is an unintentional
challenge, an arcane luxury designed to provide the
original owner with a bountiful meal—designed for
a diet quite astray from that of most adventurers.
Exactly what ancient or otherworldly gourmand
owned the delicatessen is up to the GM, though it
should be a culture or species far removed from
the party’s experiences.
Supplemental
Challenge
The Interplanar Delicatessen is designed to be
easily dropped into any adventure or dungeon
delve. It fits best thematically in ruins, temples,
and other ancient structures built by creatures
from strange or far-off places—particularly in
settings where interplanar travel has occurred, or
with beings from other worlds. Simply place the
following room and encounter in the party’s critical
path, forcing the PCs to solve the puzzle to open the
door and continue forward.
Setting the Table
The room containing the Interplanar Delicatessen
can be any size that best suits the layout of
the environs, but it should be large enough to
accommodate a dining table, an entranceway, and
the locked exit. This otherwise austere chamber
seems set for a feast, occupied only by a single long
table with places set and seating for six. The back
wall is dominated by an odd bas-relief engraving
depicting what seems to be a stylistic oven centered
on a metal handle. A door on the back wall has
similar engravings of vague seated figures, but
bears no handle or lock.
Inspecting the room reveals the following:
▶▶While the table is set with silverware and
glasses of water, plates are noticeably absent.
▶▶The silverware is real silver (collectively
worth about 20 gp).
▶▶There are wooden spoons, oddly shaped
silver forks, strange knives, and other curious
implements including long conical spikes
and strange silver balls on sticks.
Interplanar Delicatessen | EN World EN5IDER: Puzzling Encounters
▶▶The table is built into the floor, but the chairs
move easily.
▶▶The figures depicted within the engravings
resemble whatever creatures the GM
has chosen as the original owners of the
delicatessen.
▶▶The handles on both the wall and the door
seem like they would open thin slots each.
▶▶Both of the handles and slots are revealed to
be magical under the observation of detect
magic. The handle on the wall has a strong
conjuration aura, while the handle on the
door has a mild transmutation aura. The
conical spike utensils have auras of minor
conjuration.
▶▶When the handle on the door is opened, it
reveals a 1-inch-high slot angled downward
that seems like it would accommodate a
roughly 8-inch-wide object.
Beating the
Delicatessen
While not designed as a trap exactly, the
delicatessen presents a unique challenge to mortal
palates. The food must be finished and the empty
plates dropped into the slot on the door before the
next course is produced, and all 5 courses must be
finished before the door opens to the lounge area.
▶▶The delicatessen magically scans and
determines the number of diners, making a
dish for each PC.
▶▶If the food on a dish is destroyed in some way
other than consumption, the dish magically
disappears and the delicatessen produces a
replacement accompanied by a loud chime.
▶▶Dishes do not need to be consumed by
the person they were produced for, the
delicatessen only cares that the food is
consumed by something.
▶▶Exactly what counts as consuming the food
is up to the GM’s discretion, and using magic
items such as bags of holding or portable
holes to “consume” the food may be a viable
option.
First Course:
Eyes-Cargo
When the wall handle is first touched, the
Interplanar Delicatessen produces the first course.
At your touch, the wall begins rumbling, and a voice
cheerily recites something in an otherworldly tongue
before coming to an abrupt stop with a tinkling
chime. The slot opens to reveal dishes of what might
be cuisine accompanied by a horrible stench, curled
shells adorning each plate. Every shell contains the
steaming remains of yellow slug-like creatures, each
bearing a single grape-sized eyeball. They seem to be
soaked in a garlic butter sauce and garnished with
radish leaves.
Eating Eyes-Cargo
The smell is eye-watering: a rotten, swampy, almost
peat-like odor with hints of garlic. Creatures that
attempt to consume the strange gastropods must
first make a DC 15 Wisdom saving throw, and
on a failed save back away from the dish and
are frightened of it for the next minute. Actually
consuming the strange gastropods requires a DC
15 Constitution saving throw, and on a failed save a
creature is poisoned for the next hour.
Plugged Noses. Creatures that plug their noses
before attempting to eat the eyes-cargo have
advantage on the Wisdom saving throw. Salt the
Snails. If salt is spread on the eyes-cargo, it shrivels
up to half its size and becomes significantly more
palatable, granting advantage on any saving throws
made to eat it.
Once all the meals have been eaten and the
dishes deposited into the door slot, proceed to the
second course.
EN World EN5IDER: Puzzling Encounters | Interplanar Delicatessen
Translating the Message
The Delicatessen message should be in whatever
language would be appropriate to the creatures in the
adventure, ideally a language that the adventurers
wouldn’t have naturally. Should they manage to
translate the message, it reads as follows:
“Welcome! I see we have <# of adventurers> diners
this evening for a five-course meal. Once finished
with each course, please place your plates in the
receptacle to receive the next course, after which
feel free to retire to the lounge area. Enjoy!”
Second Course:
Flambe
As the second course begins, the sound of scorching
echoes from behind the bas-relief oven.
The wall rumbles, and the slot opens up with another
little chime, filling the room with a dull green light. A
low chartreuse flame sputters off a dark oily pudding
covering the plates—the verdant fire is extremely hot,
but a tad duller than more mundane flames. If this
is food, it was designed for the palates of dragons or
their like.
Eating Flambé
The flambé is very resistant to being extinguished
and is designed to be eaten alight. If smothered
or otherwise quenched, the strange oily pudding
immediately reignites when it contacts air.
A creature that consumes the flambé while it
is alight takes 14 (4d6) fire damage. Besides the
burning, the oily pudding is actually quite palatable,
tasting sweet and savory with subtle notes of
cinnamon and caramel.
Doused Flames. The pudding reignites in contact
with air, but if consumed while submerged in water
or some other liquid the danger is completely
alleviated.
Once all the meals have been eaten and the
dishes deposited into the door slot, proceed to the
third course.
Third Course:
Floating Cubes
As the third course begins, a panoply of inexplicable
and muffled noises are emitted before the next
round of cuisine is served.
The wall rumbles once again, and the slot opens up
with a now-familiar chime. Floating above the plates,
rather than resting upon them, are white cubes that
spin just a few inches above beds of lettuce.
Eating Floating Cubes
The cubes avoid being caught and flash with
multicolored lights when attempts are made to
grab them or skewer them with forks.
Catching a cube requires a DC 20 Dexterity check.
Creatures that fail 3 of these checks in a row gain
a level of exhaustion as they tire themselves out.
Each cube has AC 25 and 1 hit point. When caught
and consumed a cube proves to be surprisingly
bland and tasteless, but with sudden shocks of
intense sourness.
Eating Wands. The conical spike utensils are
designed for use with these cubes. When the utensil
is pointed at a cube, it becomes immobilized and
easy to eat.
Magic Solutions. Magic missiles automatically
strike and immobilize the cubes. A mage hand can
also grab a cube and make it easy to eat.
Once all the meals have been eaten and the
dishes deposited into the door slot, proceed to the
fourth course.
Interplanar Delicatessen | EN World EN5IDER: Puzzling Encounters
Fourth Course:
Crystals
A tremendous and deep cracking heralds the fourth
course.
Rumbling and chiming, the slot opens once again,
this time revealing a beautiful if confusing dish. Each
plate carries a large purple crystal, glowing and
sparking with the energy contained within. Pretty—
enchanting even—but giving no clue how such things
are meant to be consumed.
Eating Crystals
The crystals are not physically eaten, though that
may not stop some adventurers from trying. They
taste of rock and mineral salts, and no amount of
culinary preparation can permeate the stone.
Physically eating a crystal requires a DC 20
Strength check. Creatures that fail 3 of these checks
in a row damage their jaws, becoming unable to
cast spells using verbal components and gaining a
level of exhaustion. The jaw injury remains until
the creature finishes a long rest with no exhaustion
or receives a greater restoration spell.
Creatures that manage to succeed in chewing
up and devouring the crystals must make a DC 18
Constitution saving throw or become poisoned for
the next 24 hours.
Psionic Orbs. The “silver ball on a stick” utensils
are actually psionic resonators; if held close to a
crystal, a resonator transmits the crystal’s energy
directly into the holder’s mind. This process takes a
few moments and produces a feeling of mental and
spiritual calm and invigoration, ending with a mild
sense of fulfillment. After a creature consumes the
energy in this way, the crystal dissolves.
Telepathic Hints. Creatures with psionic powers
or that are capable of telepathy sense a gentle
psionic energy radiating from the crystals, and a
similar energy in the psionic resonator utensils.
Once all the meals have been eaten and the
dishes deposited into the door slot, proceed to the
fifth course.
Fifth Course:
Ooze Surprise
An unusually energetic banging and rattling
precedes the fifth course.

With the same rumble and chime the slot flies open,
and wriggling gelatinous masses pour aggressively
out onto the table! The dangerous display is only
slightly offset by lemon wedges and sprigs of parsley.

Eating Ooze Surprise

Each dish contains a living gray ooze that fights
until killed, though once defeated they still need
to be eaten. A creature that consumes the strangely
seasoned and now lifeless oozes finds them
surprisingly savory, tangy, and reinvigorating and
immediately recovers a level of exhaustion.
Wooden Spoons. The odd wooden spoons at the
place settings are effective instruments against
the oozes, both as improvised weapons that deal
1d6 slashing damage and as utensils once they’re
dispatched.
Once all the meals have been eaten and the dishes
deposited into the door slot, proceed to Concluding
the Meal.
Concluding the Meal
When the final dishes are placed in the slot, the
door immediately opens.
With another cheery chime, the oven slot opens one
more time, revealing one magical red and white
swirled candy for each of you.
When a creature consumes one of these minty
candies, it is cured of the poisoned condition, and
it gains 5 (2d4) temporary hit points.e

EN World EN5IDER: Puzzling Encounters | Interplanar Delicatessen

Tricksy Dangerous
Riddles Scenarios
A dangerous encounter for 4–6

THree adventurers of 5th–9th level

ortresses were built in

F all kinds of ways in the days
of old, but Fort Cragtooth is
particularly strange. Thousands of
years ago a great sorcerer exploded
in a burst of wild magic and in his
place left only an upside-down
castle bridging Cragtooth Ravine.
A millennium passed before the
enigmatic monstrous partners
Bumbus and Hooble discovered
this bizarre overpass and made it
their home. Upkeep soon became
difficult as they were short on
coins, so Bumbus pitched an idea to
make some quick cash using their
writing J. D. Mills
color art Indi Martin love of riddles and pummeling
maps Dyson Logos
editing Mike Myler adventurers—thus the Riddlers of
layout Eric Life-Putnam
Cragtooth Pass were born.

EN World EN5IDER: Puzzling Encounters

Background
The recent talk of the mountain towns is the
discovery of a strange bridge in the shape of a castle
that spans over Cragtooth Ravine—and the cyclops
and troll that fervently guard it, asking travelers
to answer strange questions and riddles before
smashing victims and throwing them into the
ravine. The bridge provides an effective shortcut
through the mountains, and if made safe would
be a great asset as a trade route. The party may
encounter this scenario randomly during travel or
may choose to investigate after hearing about the
danger that lurks there (and potential treasure to
be claimed).
A Monstrous Pair
Bumbus is a troll, and Hooble is a cyclops. The pair
were exiled long ago from their respective clans
because of their relationship, and they have been
trying to find a way to make ends meet ever since.
When the party encounters this dubious duo, they
attempt to toy with the PCs, asking the adventurers
convoluted riddles.
If the PCs correctly answer three consecutive
riddles, Bumbus and Hooble reluctantly allow the
party to pass peacefully, pouting about the loss
of the treasure they carry. The moment the PCs
answer a riddle incorrectly, however, Bumbus and
Hooble attack with extreme fervor and aggression.
The pair have never fought a formidable party of
adventurers, so the ensuing battle is much more
chaotic and hectic than anything that has ever
occurred on the bridge before. After one round of
combat, the fortress and bridge begin to crumble,
creating a deadly hazard the adventurers must
avoid while fighting off the aggressive giants!
Exploring the
Fortress
Especially cunning or stealthy adventurers might
be able to sneak past Bumbus and Hooble to poke
around the interior of Fort Cragtooth. The innards
of the place have mostly been left untouched—its
EN World EN5IDER: Puzzling Encounters | Dangerous Scenarios: Tricksy Riddles Three
Bumbus the Troll
Bumbus is rather slender compared to most trolls. He
is missing an eye and has a nasty scar on his shoulder.
Traits. Bumbus has a screechy, high pitched voice
and smiles widely, constantly rubbing his massive
hands together while conversing with potential prey.
Bond. Bumbus only cares for Hooble, his romantic
partner and greatest friend.
Flaw. Bumbus may give away the answer to a riddle
if he finds it especially “delicious.”
Hooble the Cyclops
Hooble is rather rotund, and most parts of his body are
covered in ungroomed hair (aside from the very top of
his head, which he shaves smooth).
Traits. Hooble speaks in a booming, gravely voice
and licks his lips hungrily when speaking with halflings,
gnomes, or dwarves.
Bond. Hooble is only loyal to Bumbus, his first and
only romantic partner and friend.
Flaw. Hooble is certain that he is the strongest being
in the multiverse.
new residents are too large to access the majority
of the areas, and those who’ve attempted to pilfer
from it have all been tossed to their demise in
the ravine. Any noises from fighting or unstable
structural changes may alert the pair to the party’s
presence.
Arrow Slits. Arrow slits throughout the fortress
can be used to attack creatures on the main bridge.
Firing from these positions grants an attacker
three-quarters cover.
Lighting. Natural light peeks in through the
arrow slits to make the interior of Fort Cragmaw
dimly lit during the day. It is completely dark at
night.
Troublesome Steps. The floors throughout the
fort are unstable. Whenever a loud noise occurs
(such as from a spell like fireball or shatter), there
is a 40% chance the ground beneath the heaviest
creature in the room falls through, dropping it to
a lower level or into the ravine below (see “Falling
Off” in the Combat section).
Fort Cragtooth
3 4a
6
2 1
7
1. Main Bridge
This portion of the fort stretches from one
end of the ravine to the other. An hour before
midnight, Bumbus and Hooble set up blankets
for a quick 2-hour nap, preparing their bedding
near an unlocked secret door that leads to Area 2
(Intelligence [Investigation] DC 14 to find it).
2. Third Floor
The northern stairwell in this dusty corridor leads
down to Area 6, and the southern stairwell leads
up to Area 4.
3. Hidden Landing
Once this chamber was used as a secret wine cellar,
but its contents have gone bad aside from one
bottle of fine red wine worth 15 gp. The stairs lead
up to Area 4.
Dangerous Scenarios: Tricksy Riddles Three | EN World EN5IDER: Puzzling Encounters
4
5
4. Fourth Floor
This floor was once used as a study by a wizard
long ago, but now its only residents are 3 swarms
of insects that attack any creature that passes
through. In the northwestern room (Area 4A), a
scroll of dimension door sits on a rotting desk. The
stairs in the southwest corner lead down to Area 6.
The stairs in the northeast corner lead up to Area 5
and down to Area 3.
5. Fifth Floor
Laying sprawled across the stone floor of this room
is the skeleton of what must have been the ancient
lord of the fort. Clutched in its hand is a rusty
longsword and a pristine crown of mithral and jade
(worth 150 gp). The stairs in the northeast corner
lead down to Area 4.
6. Second Floor
Wandering around from end to end of this corridor
are 2 zombies. They are not hostile and only attack
in defense, instead aggressively offering cups of
thousand-year old mead to any creatures they see,
causing a bit of a ruckus as the rock-hard material
clanks in the tankards. There are no arrow slits in
this area. The northern stairwell leads to Area 2;
the southern stairwell leads to Area 7.
Riddles
Whenever the PCs encounter Bumbus and Hooble,
roll on the table below three times to determine
which riddles they challenge the party with (reroll
any duplicate results). If it isn’t the first time the
adventurers are encountering the pair, they may
well repeat a riddle the PCs have already been asked,
because they aren’t smart enough to remember
which riddles they’ve already presented.

7. Landing Riddles of Cragtooth Pass

This small area acts as a rest for those traveling 1d10 Riddle Answer
between Areas 6 and 8. None of the arrow slits here 1 “I am a stone that flies through A roc
have a view of Bumbus or Hooble. the air but ’as never been
thrown, what am I?”
8. First Floor 2 “What begins in T, ends in T, and A teapot
This watchtower is occupied by a wraith and 2 has T in it?”
specters. The wraith is the vengeful spirit of the 3 “What can you hold in your right Your left hand
original lord of the keep, roused from eternal hand but never in ya’ left?”
slumber when the fort was flung across the 4 “What bites deeper than a wolf, Blades
multiverse. The wraith carries an amulet of health yet ’as no teeth?”
but is unaffected by it due to its undead nature. 5 “What can you catch, but not Diseases
throw?”
6 “I named myself, I’m well A brain
armored, and squid men love to
eat me, what am I?”
7 “What always murmurs but A river
never talks, always runs but
never walks, and has a bed but
never sleeps?”
8 “Why wouldn’t acid burn me if Green dragons
a green dragon used its breath breathe poison
on me?”
9 “What comes and goes and The seashore
always says ‘yes’?”
10 “A stupid adventurer is Room 3, because
condemned to die. They must owlbears that
choose between three doors. haven’t eaten in
One is full of soldiers with three years are
swords, the second one leads dead
into a pit of fire in Hell, and the
third is full of owlbears that
’aven’t eaten in three years.
Which one is safest?”

EN World EN5IDER: Puzzling Encounters | Dangerous Scenarios: Tricksy Riddles Three

Combat
Bumbus engages in melee, prioritizing claw attacks
against the biggest threats and bite attacks on
smaller threats. If an adventurer uses acid or fire
damage, Bumbus cries out to Hooble to come in
closer to kill them. Hooble begins the fight farther
away, hurling rocks at spellcasters and ranged
PCs until he’s called for. If Bumbus or Hooble die
in combat, the survivor becomes enraged. While
enraged, Bumbus or Hooble gains temporary hit
points equal to half his maximum hit points, ends
any conditions currently affecting him, gains
advantage on melee attack rolls, and grants
advantage on melee attacks rolls against him.
Environmental Effects. There has never been a
battle on this fort of this scale before, the giants get
carried away while fighting and the force causes
the fort to crumble during the fight. The following
events happen in order and occur on initiative
count 20 of their respective rounds or when
something immense occurs, such as the wizard
casting fireball, Hooble scoring a critical hit with
his boulder throw, and so on.
Falling Off. When a creature falls off the fort,
it can use its reaction to make a DC 8 Dexterity
saving throw, catching onto the edge on a success.
A creature hanging off the fort can pull itself up
by using a bonus action to make a DC 12 Strength
(Athletics) check. On a failed save, a creature falls
300 feet into the ravine below.
Round 2: Tremors reverberate through the fort,
and the stone audibly cracks. All creatures on the
fort must make a DC 12 Dexterity saving throw or
be knocked prone.
Dangerous Scenarios: Tricksy Riddles Three | EN World EN5IDER: Puzzling Encounters
Round 3: The fort begins to crumble, and 1d6+2
holes that are each 5 feet wide appear in various
areas on the fort. Any Medium or smaller creature
within 5 feet of a hole makes a DC 14 Dexterity
saving throw as the hole opens or it falls through.
If standing above a chamber on a lower floor, a
creature has a 50% chance of nevertheless falling
through into the ravine (as Falling Off).
Round 4: The fort begins to droop into the ravine,
and the holes double in size. Any Large or smaller
creature within 5 feet of a hole falls through.
Round 5: The fort falls into the ravine. All
creatures still on the fort must make a DC 12
Dexterity saving throw to run and jump onto a
nearby ledge. On a failed save, a creature falls 300
feet into the ravine, taking double damage from the
combination of falling and being crushed by tons
of debris.
Conclusion
If one or both of the monsters survive the combat,
they immediately begin to cry over the loss of
their new home (and each other if one of them
died during the fight). They beg for the party’s
forgiveness and in their request for mercy offer
764 gp, a suit of plate armor, a +2 warhammer, and
a potion of greater healing collected from previous,
less fortunate travelers. When the adventurers
complete the encounter, whether a fight occurred
or not, the GM should reward each of them an
additional 500 XP—this is a difficult encounter, and
succeeding in convincing the monstrous pair to
allow passage is no easy feat. e
EN World EN5IDER: Puzzling Encounters | Dangerous Scenarios: Tricksy Riddles Three
Open Game License Version 1.0a
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Open Game License 1.0a | EN World EN5IDER: Puzzling Encounters
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7. Use of Product Identity: You agree not to Use any Product
Identity, including as an indication as to compatibility, except as
expressly licensed in another, independent Agreement with the
owner of each element of that Product Identity. You agree not
to indicate compatibility or co-adaptability with any Trademark
or Registered Trademark in conjunction with a work containing
Open Game Content except as expressly licensed in another,
independent Agreement with the owner of such Trademark or
Registered Trademark. The use of any Product Identity in Open
Game Content does not constitute a challenge to the ownership
of that Product Identity. The owner of any Product Identity used
in Open Game Content shall retain all rights, title and interest in
and to that Product Identity.
8. Identification: If you distribute Open Game Content You
must clearly indicate which portions of the work that you are
distributing are Open Game Content.
9. Updating the License: Wizards or its designated Agents may
publish updated versions of this License. You may use any
authorized version of this License to copy, modify and distribute
any Open Game Content originally distributed under any version
of this License.
10. Copy of this License: You MUST include a copy of this License
with every copy of the Open Game Content You Distribute.
11. Use of Contributor Credits: You may not market or advertise the
Open Game Content using the name of any Contributor unless
You have written permission from the Contributor to do so.
12. Inability to Comply: If it is impossible for You to comply with
any of the terms of this License with respect to some or all
of the Open Game Content due to statute, judicial order, or
governmental regulation then You may not Use any Open Game
Material so affected.
13. Termination: This License will terminate automatically if You
fail to comply with all terms herein and fail to cure such breach
within 30 days of becoming aware of the breach. All sublicenses
shall survive the termination of this License.
14. Reformation: If any provision of this License is held to be
unenforceable, such provision shall be reformed only to the
extent necessary to make it enforceable.
15. COPYRIGHT NOTICE
Open Game License v 1.0a Copyright 2000, Wizards of the Coast,
Inc.
System Reference Document 5.1. Copyright 2016, Wizards of
the Coast, Inc.; Authors Mike Mearls, Jeremy Crawford, Chris
Perkins, Rodney Thompson, Peter Lee, James Wyatt, Robert J.
Schwalb, Bruce R. Cordell, Chris Sims, and Steve Townshend,
based on original material by E. Gary Gygax and Dave Arneson.
ENWorld EN5IDER Copyright 2014–2023, EN Publishing
ENWorld EN5IDER: Puzzling Encounters Copyright 2023, EN
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