Professional Documents
Culture Documents
AYDA 2023 Entry-Kit
AYDA 2023 Entry-Kit
Content
Foreword - Architectural Category
AYDA Awards Advisory Panel 2023-2024 - Interior Design Category
Awards And Prizes Submission
- Submission Criteria and Checklist
- Submission Process
CHAPTER 02 - Entry Form
CONVERGE: CHAMPIONING 11 - 20
PURPOSEFUL DESIGN
APPENDIX
What Does Convergence in Design Mean to Us as People? ATTENDING THE DESIGN DISCOVERY 37 - 62
Sub-theme of the Year PROGRAM AT HARVARD UNIVERSITY’S
Breaking Down the Big Idea for Your Design Brief GRADUATE SCHOOL OF DESIGN
Your Design Brief at a Glance
CHAPTER 03
RESOURCES 21 - 24
AYDA Awards
entries from over 1,200 tertiary education institutions
to date across 16 geographical locations globally. Over
the years, AYDA has impacted thousands of young
and talented student designers, presenting them with
various opportunities to engage with renowned speakers
and key figures in the design industry. In addition, the
platform has enabled the participants to gain first-hand
industry knowledge, personalised coaching, mentoring
and skills-building through various workshops by
experienced lecturers and industry professionals. On
top of that, this experience allowed participants to learn
from their fellow peers from within and across borders.
China
Taiwan, China
Iran
Sri Lanka
Malaysia
Indonesia
AYDA’S
PRESENCE
2
Tanya Karim
Founder, Tanya Karim N.R. Khan & Associates
• The world has been through a hard time and it’s a unique experience. Everyone can
easily resonate with these feelings of sorrow and grief cultivating a stronger sense of EMPATHY,
which is essential in design.
• With ongoing social challenges and wide-scale migration of the human population, I hope
we can focus on promoting DIVERSITY through design.
• Architecture and spatial design is about constantly adjusting the parameters of design
and pairing it with technology in order to bring new and innovative solutions to all.
Nina Arce
Principal Architect, Arce-Bailon-Arce Architects
• With the pandemic sweeping across the globe, it has created a strong sense of
AMBIGUITY and UNCERTAINTY, we live in a rather messy world now. Let us ask ourselves,
how do we design with sufficient RESILIENCE to face the worlds’ ongoing problems?
• Everything we design should always put humanity first. It’s also important to learn from
our legacy, roots and culture because a good design is meant for everyone.
• Prioritising nature and society and focus on the interconnectedness of relationships
between us and nature, or what we call “Integral Ecology”
Benjamin Tan
Architectural Director, CPG International
• Living in the age of hyperconnectivity results in the loss of connectivity with people around
us and around the world.
• People are lost in a world constantly bombarded with information and noises. How can we help
develop spaces and communities that care for each other and learn to disconnect and reconnect?
Suhasini Ayer-Guigan
Principal Architect, Auroville Design Consultants
• What left us awake when the pandemic hits is about building systems and contexts
that disregard borders, economic system, culture and ethnicity. There are many global level
challenges like climate change that forces us to collaborate beyond the comfort of our own homes.
• To continuously tackle big issues like climate, economic fragility and disparity between
rich and poor; we need to channel our energy into designing more holistic spaces for everyone.
Jennifer Murray
Co-founder, Evocateurs
• Everything about technology is about efficiency and highest rate output. These
changes lifestyle and society structure in the long run.
• An example is the Singapore Modular Housing which is extremely efficient in providing
a roof over the head of many but heavily lacks the sense of flexibility of spaces, leading
to deficiency in cultural and lifestyle choices that can be made by the residents.
• How can we marry the idea of efficiency and flexibility to help our users drive
better lifestyle options? How do we make these changes within the homes we live in?
Yasemin Arpac
Co-founder, Ofist
• The world is fragmented and disconnected and it is an urgent matter. Spaces we
design must be optimised for holistic well-being which covers our physical, mental and
emotional health.
• How will our designs create maximum connectivity between people and leave a positive
impact on users?
Santi Alaysius
Co-founder, Domisilium & DMDIO
• Mindfulness might sound complicated but it boils down to simply being human.
• Let’s relearn becoming human and ask ourselves important experiences and lessons
that make us humans.
• Going back to basics does not mean we are any less creative, it means we have become
more aware of our well-being and existence.
JUDGE’S PICTURE
DENNIS CHEOK GOY ZHENRU LEONG HON KIT SI JIAN XIN FELICIA TOH MARK ONG MELVIN KENG
Creative Director, Principal Architect, Principal Designer, Principal Designer, Principal Architect Vice President - Head of Principal Architect,
UPSTRS_ Goy Architects Wynk Collaborative Wynk Collaborative Strategic Development Kaizen Architecture
Quarters Architects
RSP Architects Planners &
Engineers (Pte) Ltd
Nippon Paint Colour Award Best Sustainable Design Best Design Impact
Cash prize of USD1,000 Cash prize of USD1,000 Cash prize of USD1,000
**National Gold Winners will represent their countries in the Architectural/ Interior Design category at the AYDA International
Awards*, around the month of June/ July 2024.
*This would highly depend on the status of the pandemic worldwide. If international travels are still not recommended closer to
the date, the organisers may not have a physical event and will hold a virtual or hybrid event.
^This award will be given to the Gold Winner’s institution and lecturer/professor who provides advice and guidance to the winning works.
#
This award will be given to the education institution’s personnel who assists in coordinating and soliciting the highest number of entries
for the submission (minimum number of entry to qualify this category is 10).
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CONVERGE:
Championing
Purposeful Designs
AYDA 2023_Entry Kit_68pp_R3.indd 11 2/3/23 6:06 PM
What Does
Convergence in Design
Mean to Us as People?
Convergence is when a point or line meets and tends to lead to a common result or
conclusion. AYDA Awards would like to help shape a future where designers from
different backgrounds, cultures and regions can learn from each other and deliver the
best possible solution to common and underlying social challenges.
Ever since the Covid-19 pandemic hit us in 2020, should learn to collaborate and converge using the
life has been different. It has been an exceedingly universal design language and our expertise to build
tenuous time for budding designers to make sense of a future for the next generation.
the future of spatial design due to the lasting effects
of the pandemic. The role of a designer of tomorrow is reaching new
heights. As a result, designers have to consider
As the world progressively recovers from the Covid-19 many factors that will determine the longevity and
pandemic, we now realise we live in a world that suitability of their work and how it can help people
is more connected than ever. We have had to learn weather through thick and thin.
how to live as one human race and see similarities
in each other to adapt, survive and thrive under the By embracing the concept of convergence, you are
circumstances of the new normal. to be more open-minded and keener to know the
latest trends and needs in your community and
The world may be huge and have differences in communicate that to the world. You are ultimately
nationality, language, beliefs and culture, but there providing a scalable solution for your peers in regions
has always only been one race, the human race. with similar challenges.
Regardless of colour, ethnicity and culture, designers
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Step #1
DEVELOPING YOUR DESIGN VOICE
IN A WORLD OF NOISES
• How can we learn to develop our own voice while thriving
in social settings where there is a lot of pressure coming from our
mentors, social media and peers.
• How can we balance between what we truly invested in versus what others
expect us to design.
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There is nothing too small or too big in solving social challenges through your
design, listen to your heart and find what you truly believe in.
2
Step Creating an Intention System
“Put forth your intention and turn them into ideas”
By developing and anchoring a clear intention of what you would like to achieve
(e.g. solve housing issues for Gen-Z, help save the forest in your hometown
or create a socially cohesive co-working space) - you can make conscious and
unbiased decisions toward the shared vision and end-goal.
3
Step Identify Commonalities
“See the HUMAN first”.
We may come from different origins and embrace different languages and cultures
but we are humans after all.
We encourage you to see less of “me” and more of “we” when you are designing
spaces. Our needs as humans are similar despite our differences.
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Will your design focus on the ever growing population Will your design transform residential, commercial
in the cities, the ever declining nature and natural or public spaces in order to bring people closer
resources in your part of the world or help people together? Or, will your design provoke emotions and
connect with each other? sentiments towards protecting our culture, heritage
and Mother Nature?
Some critical architectural elements
for you to consider: Some critical interior design elements
for you to consider:
01
integration of technology
Level of innovation
02
Aesthetic qualities in relations to the
social needs and, human interactivity and
04 Energy utilisation
03 Functionality in regards to lasting and
ergonomic designs
Important Note: The aforementioned elements of convergence are examples for your reference, you do not necessarily need to follow the
directions. It is a guidance to help give you a better understanding of convergence and its influence on societal changes.
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Resources
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Conceptualisation Sustainability
Employing critical and mature solutions Adopting a sustainable and greener
through effective design concepts and sensibility to allow design and
communications. architecture to coexist harmoniously
with nature and its surroundings.
Design innovation
Thinking out-of-the-box to implement Place-making
inventive and innovative interventions. Understanding the importance of
interactions between the people as well
as significant cultural contexts.
Critical analysis
Finding strategic ways to resolve issues
critically with traditions, cultures and Forward-thinking
people in mind. Challenging conventional pragmatisms
to re-enact new fundamentals to spatial
appreciation and visual impacts.
Design sensitivity
Designing with an empathetic mindset
through practical, functional and well-
designed considerations.
Repeat
Prototyping and
Empathise Define Ideate Validation
Personas: Create a Identifying: Use affinity Task Flow: Create a task First prototypes are to
provisional persona of a mapping to group the flow mapping the entire gather discussion—
potential user based on pain points into similar journey of a user in your the design may not
online research and your categories on a board design necessarily look anything
understanding of the end Prioritising Pain Points: Ideating the Solution: like the final design
user Prioritise each pain point Begin sketching and Visual styling helps tell a
Job Stories: Explore based on its importance to coming up with several story to users
various contexts in which the user as well as to your potential solutions to Use navigation elements
a user would utilize the design. each of the pain points. as discussion triggers
design and understand Define Problem: Establish Have fun experimenting Prototype validation
their motivation and a clear goal you would with different techniques should be cross-
desired outcome like to solve based on user to achieve the desired functional
Usability Testing: feedback and your project’s outcome. Validate the market
Obtaining as much data desired outcome Validate the design
as possible through Validate willingness to
qualitative and quantitative pay
methods from the
perspective of the end-user
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Preparing
for Your
Submission
Presentation
Guidelines
Important Note: The following
presentation guidelines is a
framework for you to present
with maximised impact. Do
speak to your mentors and
lecturers for more ideas on how
to best position your approaches
and design.
2
Design Perspectives (~8 Minutes)
Many finalists in the past spent too much time on their inspiration and have not allocated
sufficient time to elaborate their design perspectives and its functions
To illustrate/showcase exactly how/what are the design languages/techniques that you
have learned, and you have employed/utilise to achieve the design statements/intentions
that you have chosen
Do take the time in breaking down your complex design perspectives and walk our judges
through. We highly encourage you to prepare zoomed-in perspectives/ images in your
presentation to help judges have a better view of your work
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20%
statements.
Displays effective and extensive research.
Demonstrates the ability to propose relevant and effective solutions
to the design challenge.
Indicates critical thinking and problem-solving skills.
Originality, relevance and impact on users.
Prompters:
15%
layout plan which is sensitive to a specific context. The integration
of appropriate design and planning of individual spaces need to be
tailored to the needs of users, with an emphasis on anthropometric
and ergonomic principles.
Functionality: Design is appropriate for its intended use and will
create a positive change for the community and users.
Design impact: Demonstrates significant impact on contemporary
life and living environment; has strong social values and significance;
actively contributes to the nurturing of the next generation and
advancement of society as a whole.
Practicality: Design is fit to deliver with materials and technology
readily available in the market today.
Prompters:
20%
Showcases the ability to deliver innovative and forward-driven
interventions with the integration of technology.
Prompters:
28
15%
environment in the long-term and its impact. (e.g. Demonstrates
climate and energy responsiveness.)
Displays effective thought process on the use of renewable
resources and life cycle process throughout the development and
maintenance of the design.
Displays long-lasting design and universality.
Prompters:
Aesthetic and Visual Impact Design is aesthetically pleasing and effectively integrates social and
10%
cultural aspects for the users.
Place-making: Creates opportunities for users to interact through the
use of the space.
10%
users.
Showcases brilliant and creative use of colours as part of the
design solution.
Showcases exceptional balance between colours, materials and
aesthetic outputs.
Delivery and Presence Presentation showcases a high level of clarity, creativity and
10%
interactivity.
Presentation is cohesive and demonstrates a high level of
understanding of the design challenges and solutions given are
paired with appropriate visual aids, graphics and/or animations.
Presentation focuses on both your project deliverables and design
philosophy, including the journey and concept.
25%
statements.
Displays effective and extensive research.
Demonstrates the ability to propose relevant and effective solutions
to the design challenge.
Indicates critical thinking and problem-solving skills.
Showcases originality, relevance and potential impact to users.
Reflects human-centered values.
Prompters:
Functionality & Relevance Spatial planning: Appropriate design and planning of individual
10%
spaces as suited to the specific needs of the user, with an emphasis
on anthropometric and ergonomic principles.
Functionality: Design is appropriate for its intended use and has a
positive impact which benefits the community and users holistically.
Displays a high level of integration between aesthetic and
practicality.
Practicality: Design is fit to deliver with materials and technology
readily available in the market today.
30
20%
Showcases the ability to deliver innovative and forward-driven
interventions with the integration of technology.
Prompters:
10%
people and the environment in the long-term and its impact (e.g.
Demonstrates climate and energy responsiveness).
Displays effective thought process on the use of renewable
resources and life cycle process throughout the development and
maintenance of the design.
Displays long-lasting design and universality.
Prompters:
10%
cultural aspects for the users.
Place-making: Creates opportunities for users to interact through the
use of the space.
15%
users.
Showcases brilliant and creative use of colours as part of the design
solution.
Showcases exceptional balance between colours, materials and
aesthetic outputs.
Delivery and Presence Presentation showcases a high level of clarity, creativity and
10%
interactivity.
Presentation is cohesive and demonstrates a high level of
understanding of the design challenges and solutions given are
paired with appropriate visual aids, graphics and/or animations.
Presentation focuses on both your project deliverables and design
philosophy, including the journey and concept.
ARCHITECTURAL CATEGORY
Design Concept Design Innovation Aesthetic and Visual Impact Delivery and Presence
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Submission Process
Online submission
1. Complete the online entry form at www.nipponpaint.com.sg/ayda
2. Submit your entry through the link provided above by indicating the Dropbox/Wetransfer/Google Drive.
Physical submission
1. Complete entry form in Submission, Section (c) and attach the form to the CD/DVD
2. A CD/DVD that contains:
a. A folder named “Presentation Board” which has JPEG files of your presentation boards at 300dpi and named
“Your Name - Board 1.jpeg”, “Your Name - Board 2 .jpg”, “Your Name - Board 3.jpeg”, etc. in portrait orientation
and not landscape orientation.
b. A folder named “Perspectives” with each perspective file in JPEG format, set at 300dpi and named
appropriately (e.g. “Living Room” or “Lobby”).
c. Your design concept statement should not be more than 800 words and saved in a Microsoft Word file
named “Design Concept Statement.docx”.
d. Your recent personal photo in JPEG format at 300dpi with your name as the file name (e.g. “Participant
Name.jpeg”).
e. Mail the entry form and CD/DVD to Shelly Chan, 1, First Lok Yang Road, Jurong, Singapore 629728
Important Note:
Please ensure submitted entries are complete, incomplete entries may not be entertained and accepted.
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NAME
EDUCATIONAL INSTITUTION
COURSE
(Please specify full course name with major and/or minor and year if applicable)
MAILING ADDRESS
CITY/STATE
POSTCODE COUNTRY
E-MAIL ADDRESS
PROJECT TITLE
LECTURER’S NAME
APPLICANT’S SIGNATURE
Disclaimer
I hereby certify that the information above is true and accurate. This work is intended solely for AYDA Awards 2023.
In compliance with the Personal Data Protection Act 2010 (PDPA), your personal data will not be disclosed to third parties except for companies and/
or brands collaborating with the Nippon Paint Singapore Co Pte Ltd. By submitting your data, you agree to have Nippon Paint Singapore Co Pte Ltd to
process your data and access it for future use. You shall not in any way hold Nippon Paint Singapore Co Pte Ltd liable for any breach of its obligations
under the PDPA.
Notes:
The entries for AYDA 2023 must be the participant’s own original work.
Each design submission must meet the submission requirements, presentation criteria and category criteria.
Previous entries that have been awarded the international grand title are ineligible for entry for AYDA 2023.
Submissions that do not comply with the requirements will not be accepted.
36
The Harvard Design Discovery Program is a three-week summer program at Harvard University’s Graduate
School of Design (Harvard GSD), which welcomes people — from recent high school and college graduates
to seasoned professionals —to explore and experience pursuing graduate-level studio-based education in
architecture, landscape architecture, or urban planning and design. The program offers:
A chance to learn first-hand what it is like to pursue an education or career in the architectural and interior
design fields.
A rigorous course of intensive studio work, lectures, workshops, critiques and field trips - sometimes social,
and sometimes solitary.
An immersive culture that is challenging, rewarding and exhilarating.
An opportunity to experience and gain in-depth insight from leaders in the fields of design.
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International applicants are encouraged to apply early and to begin the I-20 application process by early March.
Additional information regarding the I-20 process will be provided upon admission. A brief overview of visa
requirements is outlined below.
40
Canadian applicants
If you will be enrolled in courses as specified above, you are required to request an I-20 certificate. However, you
do not need to obtain an F-1 visa stamp in your passport prior to traveling to the US. Instead, you will present your
I-20 certificate at the port of entry.
A valid score from the Test of English as a Foreign Language (TOEFL) internet-based test
The minimum required TOEFL iBT total score is 92, with the following minimum section requirements: reading,
23; speaking, 23; listening, 23; writing, 23. Please have test results submitted to the Harvard University’s
Graduate School of Design, institution code 3455. For further information about the TOEFL exam, please visit
http://www.ets.org/toefl.
Duolingo test
The minimum required score is 115.
(Please check with Harvard GSD on the latest minimum score requirement prior to application)
Q
I am an international student. Do I need to apply for a visa if I am currently attending a U.S.
A
college or university?
No. However, you must ask your school’s international office for approval to attend our
program in lieu of applying for a new visa.
Q
For international students, is there a minimum TOEFL score that must be achieved?
A Yes. The minimum required TOEFL iBT total score is 92, with the following minimum section
requirements: reading, 23; speaking, 23; listening, 23; writing, 23. The preferred total TOEFL
iBT score is 104 or above, with individual section scores of 26 or above.
(Please check with Harvard GSD on the latest minimum score requirement prior to application)
Q
Can other English proficiency tests be substituted to replace TOEFL?
A Yes, applicants may take the Duolingo test in lieu of the TOEFL. The minimum required score
for Duolingo is 115.
Q
How old do I have to be to apply to Design Discovery?
A Applicants must be at least 18 years of age and must have a high school diploma or the
equivalent. A high level of academic skill is necessary to take full advantage of our rigorous
program.
Q
How do I submit my transcript(s)? Do I need to send an official copy with my application?
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A
Scanned transcripts can be unofficial or official. If we need further information, we may ask
for an official transcript to be sent to our office for review.
Q
I am having technical difficulties with the online application (such as uploading a transcript).
A
What do I do?
You may contact the Design Discovery office at discovery@gsd.harvard.edu.
Q
I don’t have a background in design—can I apply?
Q
Can I apply for more than one concentration at the same time?
A Participants of the program are exposed to all three concentrations through lectures, but
your studio work will focus on only one chosen concentration. Participants have one week to
switch concentrations once the program has begun.
Q
Does the program cover design thinking?
A Yes, it does. The program is as much about the ‘mind-set’ as it is about the ‘toolset’ of
designers. Many of our students have gone on to other disciplines, taking with them what
is now called ‘design thinking’; the processes, mental habits, and methods of research and
collaboration that are second-nature to designers which can be beneficially applied to all
fields and areas of study.
A The admission decision process begins in February and is made on a rolling basis. Applicants
will be notified of final decisions by email. Only completed applications will be reviewed.
Q
Where do most students live? Are there dorms?
A Most participants live on campus in dormitories provided by the Harvard Law School. Others
may live within walking distance of the school.
Q
What kind of computer resources are there?
A Participants are given access to the computer labs in Gund Hall. They also have access to
all programs on the GSD network. We recommend that you bring your own laptop. Wireless
internet is available in Gund Hall as well as in the dormitories.
Q
After completing the program, how do I request a Design Discovery transcript?
A You may request for a Design Discovery transcript by filling out the form on the Evaluation
and Certificate page.
Q
Can I be removed from your program’s mailing list?
A Yes, you may. To remove yourself from the program’s mailing list, email a request to
unsubscribe from our mailing list with your name and address to
discovery@gsd.harvard.edu.
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POLICY ON PERSONAL CONDUCT accurate representation of one’s own work. Students, faculty,
and staff are subject to the policies of Harvard University that
A free environment for academic pursuits requires reasonable govern the conduct of members of the School as articulated in
conduct, both in academic and non-academic affairs, by all the University-wide Statement of Rights and Responsibilities.
members of the school. The faculty may impose discipline View here: provost.harvard.edu/university-wide-statement-
or penalties on individuals for acts that disrupt or endanger rights-and-responsibilities
the university community’s pursuit of teaching, learning, and
research in an atmosphere of free inquiry and personal and Respect for Others and Their Property
psychological security. The faculty may consider sanctions Behavior should be respectful of the rights, privileges, and
whether or not civil or criminal penalties are imposed. Violation sensibilities of other people, whether or not they are members
of specific domains considered here include, but are not limited of the academic community, and their property, whether
to, plagiarism, sexual and racial harassment, the use of physical or not it is university property. Intimidating, threatening, or
violence, and lying to an officer. Procedures for disciplinary hostile behavior toward others is a violation of this policy and
hearings and sanctions are described in the section below titled may subject the offender to school and university sanctions.
Review Process. Likewise, willful destruction, theft and vandalism of the work
or possessions of another student or group of students or of
The Student’s Responsibility any educational resource (including computers and library
Students are bound by those policies of Harvard University and materials) and unauthorized use of property are unacceptable
the Graduate School of Design that govern student conduct. and may also subject the offender to sanctions.
Access to and familiarity with the policies that govern student
conduct are a right and responsibility of every student and Personal Safety
students are expected to be familiar with those policies. Such Willful behavior that endangers the personal safety of others,
a learning environment depends upon considerate behavior whether or not they are members of the GSD, is a violation
toward all members, respect for one another’s privacy, and of school policies and may subject the offender to sanctions.
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POLICY ON ACADEMIC CONDUCT The University does not limit the timeframe for filing a
See separate webpage for academic misconduct policies and complaint, although a complainant is encouraged to file as
procedures. soon as reasonably possible both for effective gathering
Review Process for Violations of the Policies on Student of information, and also to allow time for the Review Board
Conduct and Non-Discrimination to review the case, if necessary, in the likelihood that the
Informal Complaint Process respondent is graduating or is no longer employed by the
University.
Cases of violations of the GSD student conduct policy or
discrimination may be resolved informally. The dean of students Although the initiation of a complaint in cases involving student
will discuss this option with the subject of the possible conduct will be addressed by the Review Board panel, however,
violation, the “complainant.” If the complainant wishes to it may also be suggested or required, depending on the
explore that avenue, this might result in an informal conference circumstances, that the Harvard University Police Department
with the complainant, the student who allegedly violated GSD be notified. In cases that involve a civil suit, the dean of
policy, “the respondent,” and the dean of students. The informal students may decide to proceed with a review independently of
review will normally be completed within 60 days of the initial the suit or may decline to review a case that is considered to be
report of a possible violation to the dean of students. in the purview of the civil courts only.
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