Why Not?

Anthony Jackson Bass (One More Once)

  
Bass Guitar         
     
6

Bass
           
          
10

Bass
                

  
14

Bass
               
    
17
      3 
Bass                    
20
                
Bass 
      
23
        3
             
Bass
  
  
26
          
Bass                   
30
     
Bass                
35
             
Bass                
  
39
 
Bass
            
  
   
2
43

Bass
       
             
47
 
Bass  
                 
50
                
Bass  
           
54
  
Bass                       

58
      
Bass
           
62
 
Bass
       
       
    
66

Bass
        
        
     
70

Bass
                   
         
74
                           
Bass
       
77

Bass
                    
             
80
      
Bass
                    
 3
84

Bass
                           
      
87

Bass
                    
             
90

Bass
      
                   
93
              
Bass
             
97
    
Bass                  

101
       

Bass      
   
  
105
     
         
Bass       
108

Bass
                   
        
111
   
Bass
               



115

Bass
        
   
               
119
     
   
Bass                  

4
123
     
Bass                
        
126
 
Bass               
       
129

Bass
    
          
      
133
  
Bass                
  
137
           
Bass
        

140

Bass
               
         
143
          
Bass               

       
146
                     
Bass           
 
149
                         
Bass            
152

Bass
          
                    
155
                  
Bass
        
 5
159

Bass
                         
          
162

Bass
          
                    
165

Bass
                
          
168
           
Bass
          
   
170

Bass
              
           
173   
Bass
                           
       
176
       
Bass  
               
   
178
            
Bass
         
   
180

Bass
             
         

183    
Bass
 
                        
      
186

Bass
         
                      
6
190
           
Bass
         
194

Bass
         
      
198

Bass
                     
        
202
      
Bass                    
205

Bass
          
            
208

Bass
            
            