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  • Madley

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    Martina Kovacova
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    This document is a musical score titled "Medley Ennio Morricone" composed by Ennio Morricone. It contains excerpts from several of his film compositions over 52 measures, including themes from Cinema Paradiso and the Love Theme. The score utilizes various musical elements such as crescendos, diminuendos, and pedal markings to indicate how the pieces should be played together in a musical medley.

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    This document is a musical score titled "Medley Ennio Morricone" composed by Ennio Morricone. It contains excerpts from several of his film compositions over 52 measures, including themes from Cinema Paradiso and the Love Theme. The score utilizes various musical elements such as crescendos, diminuendos, and pedal markings to indicate how the pieces should be played together in a musical medley.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    4 views3 pages

    Madley

    Uploaded by

    Martina Kovacova
    This document is a musical score titled "Medley Ennio Morricone" composed by Ennio Morricone. It contains excerpts from several of his film compositions over 52 measures, including themes from Cinema Paradiso and the Love Theme. The score utilizes various musical elements such as crescendos, diminuendos, and pedal markings to indicate how the pieces should be played together in a musical medley.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Medley Ennio Morricone

      =78         
                
    Composer: Ennio Morricone

        
    Gabriel's Oboe

                      


         
      
    


             
       
    

               
          
    6

       
              
             

         

                
       
        
    11

         

       
       
    

           

                  
                     
    16

           
             
       
             
     

      

                    
        
     
    21

    
               
          
       
    cresc.
    

    
    

    Ennio Morricone, Smim, A.S.


            
     Nuovo
    
     
     = 67

       
                    
    28 Cinema Paradiso

      
        
           
       

    

       

                 

       
         
    32  

        
         

    Ped. Simile

      
             
                 
        
     


    37

              
         

                  
            

    42

                


       
    dim. Ritornando in tempo.......................................................

       
         
                           
    Love Theme
    5


    47 3
    1 2
    

       


         
      
    

          

    Ped. Simile

      
                        

            
         
    52

               
              
     

    2 Ennio Morricone, Smim, A.S.


                 
           
            
       

     
    58

    

     
          
    


    cresc.

    
      
        
    Espressione

       

                    
          

        
    63

        
               
     

    Ennio Morricone, Smim, A.S. 3

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