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ENGL402 Milton Paradise Lost Book 2
ENGL402 Milton Paradise Lost Book 2
Notes:
Source URL:
http://www.dartmouth.edu/~milton/reading_room/pl/book_2/index.shtml
Saylor URL: http://www.saylor.org/courses/engl402/
Ormus. An island in the Persian Gulf. Ind is short for India, proverbially home to a
splendid court.
by merit rais'd. Contrast to the Messiah's throne of 6.43. Both Satan and the
Messiah are raised by merit. Satan's merit is ironic, however -- he merits
punishment, rather than glory.
success. This refers to the outcome, good or bad. Satan so far has remained
"untaught" by his "success," which is his banishment to Hell. Note the ironic
coupling with "Vain War."
Immortal vigor. Satan and the devils, though damned, remain immortal and
godlike in their power compared to mortals.
vertues. Though irony is intended here, Satan principally means virtue as "The
power or operative influence inherent in a supernatural or divine being" (OED2).
a safe unenvied Throne. Who, we might ask would envy Satan's "throne"? Is
Satan being ironic unwittingly or at his own expense?
Yielded with full consent. Ironic, as Satan has assumed the throne of Hell without
asking or receiving consent.
who here will envy. The angels have fallen because they envied God's power;
Satan is here trying to convince his peers not to envy him.
sentence. Counsel.
unexpert. Inexperienced.
Almighty Engin. Moloch refers to the Son's "fierce Chariot" in 6.829. Satan
himself invents a cannon in 6.484.
forgetful Lake. The "oblivious Pool" of 1.266. Also reminiscent of the River Lethe;
a drink of this river made the spirits of the dead forget their earthly life. In
Dante'sPurgatorio spirits cleanse themselves of guilt, not the memory of their
earthly life (see Inferno 14.136-138 and Purgatorio 28.130).
Th' ascent is easie. Contrast with the sybil's warning to Aeneas about the
descent into hell. (Aeneid 6. 126-129). Also note the contrast to Dante, who
found his ascent difficult (blocked by a leopard, lion and a she-wolf), but his
descent into hell unimpeded. (Inferno 1.)
event. Outcome.
exercise. Torment.
essential. Essence.
proof. Experience.
not Victory is yet Revenge. Even if the devils are not victorious, the attempt to
overthrow God is, in itself, an act of revenge.
Manna. The divine substance that God provided as nourishment to the Israelites
in Exodus 16 (see Exodus 16:31 for the origin of the name).
baser fire. See Deuteronomy 4: 24 and Psalms 104: 4 for the conception of God
as a "consuming fire" and "his angels" as "a flaming fire."
flat. Dull.
Belike. Doubtless.
Chain'd on the burning Lake. This was how Satan and his follwers found
themselves when they first awoke in 1.210.
red right hand. The phrase appears to be a translation of "rubente dextera" from
Horace, Odes 1.2.2-3.
Each on his rock transfixt. Prometheus was chained to a rock for disobedience to
Jove. He was condemned to have his liver eaten each day for having given fire to
man. See Aeschylus's Prometheus Bound.
sees and derides. This echoes Psalm 2: 4: "He that sitteth in the heavens shall
laugh; the Lord shall have them in derision."
temper. Substance.
cloath'd in reasons garb. Milton implies that while Belial's words may sound
reasonable and persuasive, his words are actually hollow, like the speaker.
Chaos. In Milton's cosmology, Chaos and Night reigned over the "eternal
anarchy," the formless void between hell and heaven. See Regina Schwartz's
excellent discussion of Chaos in Remembering and Repeating: Biblical Creation
in Paradise Lost.
Source URL:
http://www.dartmouth.edu/~milton/reading_room/pl/book_2/index.shtml
Saylor URL: http://www.saylor.org/courses/engl402/
Ambrosial Flowers. In the Iliad 4. 3-4, Hebe pours ambrosia for the gods. Thus
ambrosia was thought to be the proper food of gods.
Hard liberty. Milton restates this principle in Samson Agonistes 268-271. In this
context, it echoes the closing words of the invective of the Consul Aemilius
Lepidus against the tyrant Cornelius Sulla in 78 B.C.E.as it is found in Sallust's
version of that Oration to the Roman People (Hughes 238). As a republican
Milton believed deeply in the virtue of seeking "hard liberty" over subjection to a
tyrant, but he equated utter subjection to God with liberty. See PL 12.79-
96 and Paradise Regain'd3.414-426.
Thick clouds and dark. See 2 Chronicles 5: 13, 6:1 and Psalms 18: 11-13.
Art. Three states of 1674 have a lower-case "a" for "art" here: 5, 48, and 54,
according to Fletcher (3.130). The copies I inspected in Rauner Special
Collections at Dartmouth College Library both have an uppercase "A".
were. Flannagan calls this a "genuine textual crux" because 1667 has
"where" and either word "makes sense." 1674 has "were".
Such applause. This is likely an allusion to Virgil's Aeneid 10, where the gods'
response to the violent appeals of Juno sounds like the winds that gradually build
into a storm.
Front. Forehead.
Majestic. Three states of 1674 have a "Majestick" for "Majestic" here: 5, 48, and
54, according to Fletcher (3.132). The copies I inspected in Rauner Special
Collections of Dartmouth College Library both have "Majestic".
off-spring of Heav'n. It is hard not to hear a double sense to this phrase: children
of heaven and exiles from heaven.
stile. Title.
first and last. In Revelation 21: 6, the voice of the Lord says, "I am the Alpha and
the Omega, the beginning and the end." There is some irony in a devil quoting
this scripture in particular.
reluctance. Resistance.
If. 1674 has lower case "i"; 1667 has uppercase. I have restored the uppercase
"I."
Gods. Angels.
endu'd. Endowed.
confusion. Destruction.
Thir frail Original. Adam, the first man. The first edition read "Originals," including
Eve as a "frail" one.
states. Estates.
Source URL:
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Saylor URL: http://www.saylor.org/courses/engl402/
tempt. Attempt.
uncouth. Unknown.
abrupt. Used here as a noun: the gap or schism between Heaven and Hell.
suspence. Doubtful.
long is the way. Reinforcement of line 81: the descent into Hell is easy, but the
ascent from Hell is difficult.
convex of Fire. Convex refers to the area around Hell; "ninefold" refers to the
nine circles of the Styx around the underworld of the Aeneid 6. 570, and "gates of
burning Adamant" recall Virgil's columns surrounding the gates of Tartarus
(Hughes 242). This structure of Hell is also employed by Dante in the Inferno,
where each of the nine circles of Hell hosts different sinners.
moment. Importance.
rais'd. Emboldened.
Source URL:
http://www.dartmouth.edu/~milton/reading_room/pl/book_2/index.shtml
Saylor URL: http://www.saylor.org/courses/engl402/
lantskip. Landscape.
Stygian. Hellish. From the name of the River Styx, Hell's chief river according to
classical legend. See Pausanius's Description of Greece 8.18.3.
peers. Lords.
th' Antagonist. Close to the literal sense of the name, Satan; adversary.
horrent. Bristling
th' Olympian Games or Pythian fields. This alludes to the funeral games at the
tomb of Anchises in Aeneid 5. 776, and the games at the tomb of Patroclus in
the Iliad 23. 800. The Pythian fields were near Delphi, where the Pythian games,
which celebrated the victory of Apollo over the Python, were held. Why would
Milton describe contests like these as fit pastimes for devils?
shun the Goal. That is, avoid touching the course marker as they round the turn
in a chariot race.
Alcides. Hercules.
sing . . ./ Thir own Heroic deeds. That is, some practised the arts of epic song
and celebrated their own fall in heroic verse.
partial. That is, sung in parts, but paranomasia suggests two other senses:
incomplete, and biased.
took with ravishment. The devils' song charms the senses as the cup of Circe
charms her captives to their ruin in A Mask (Schwartz 90).
charms the Sense. In the context of Hell, Satan and the other fallen angels, these
songs must be both false and insincere, as Hell is a place of false praise. This is
of course in contrast to Heaven.
reason'd high. This recalls the castle of Limbo in Dante's Inferno 4.45, where
those who lived before Christianity spend eternity.
bold adventure. Some of the devils opt for adventure and exploration.
pile. Building.
Serbonian bog. Quicksands around Lake Serbonis at the mouth of the Nile.
Damiata. Damietta, a city at the mouth of the Nile, mentioned in
Tasso's Jerusalem Delivered 15. Casius, a mountain in Egypt, figures in
Lucan's Pharsalia book 8; identified as the site of Pompey's tomb in
Tasso's Jerusalem Delivered 15.
frore. Frozen.
Source URL:
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harpy-footed Furies. The harpies, who attacked Aeneas and his men, had the
faces and breasts of young women, the wings and bodies of birds, and talons for
hands (Aeneid 3.211-217). See also Inferno 13. 12.
starve. Die.
infixt, and frozen round. Here, Milton alludes not to the classical Hell of raging
fires, but to Dante's Hell of frozen lakes and beds of ice. See Charon's warning of
"fire and frost" to Hell's newcomers in Inferno 3. 84-89.
Medusa. Gorgon who had snakes for hair and whose appearance turned men
into stones. See Odyssey 11.634.
wight. Body.
Tantalus. Tantalus was condemned in Hell to suffer intense thirst in a pool whose
water rose just below the reach of his lips. See Odyssey 11. 582-592.
for evil only good. That is, evil that can be used to construct good.
Gorgons and Hydra's, and Chimera's. The hydra was a nine-headed dragon, the
chimera breathed fire, and for the gorgons, see line 611 and note. See
also Aeneid 6. 744.
the Trading Flood. The ships imagined here mimic the spice route, from India
south and west around the Cape of Good Hope. Ternate and Tidore are two of
the Spice Islands near New Guinea (Orgel & Goldberg 868).
Cerberian. Like the legendary hell-hound, Cerberus. See Homer's Iliad 8.365.
Scylla. For the story of Scylla's vexation, see Ovid's Metamorphoses 14.
Source URL:
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Saylor URL: http://www.saylor.org/courses/engl402/
The other shape. Death, whom Milton deliberately introduces on line 666. 666 is
the number of the Beast in Revelation 13: 18. The inversion of 666, 999, is the
line chosen in book 9 for the moment of Adam's fall--9.999.
Furies. The Furies, according to classical legend, were born of the drops of blood
that streamed from the testicles of Heaven when his son Cronus cut them in
revenge for being thrust into Hades. Their names are Alecto, Tisiphone, and
Megaera. See Pseudo-Apollodorus' Library 1.1.4. See also
Hesiod's Theogony 156-90, where they are called Erinyes.
Spirits of Heav'n. Satan, though now in Hell, was born in Heaven, unlike Death
who was born in Hell. One might wonder why Milton wants to draw attention to
this distinction, which leads to such nice observations that Death was conceived,
according to this story, in Heaven, and Sin was born in Heaven, not Hell.
two black Clouds. The two black clouds in Boiardo's Orlando Innamorato 1.16
are Orlando and the Tartar king Agricane.
never but once more. When each is met by the triumphant Christ, an even
greater foe.
only Son. This phrase cannot help but strike us as a parody of Christ's relation to
His Father. Indeed, Satan, Sin, and Death unwittingly express an infernal trinity,
in "emulation opposite to heaven." As an anti-trinitarian, perhaps Milton also
means to mock trintarianism as an infernal falsehood.
spares. Forbears.
left side op'ning wide. The left side is the "sinister" side. Also, Eve is created from
one of Adam's left ribs (8. 465).
Out of thy head I sprung. Here, the birth of Sin from Satan echoes the birth of
Athena from the head of Zeus (Hesiod's Theogony 901).
in me thy perfect image viewing. Sin, the first-born of Satan, is the perfect image
of himself as the Son is said to be the perfect image of the Father. Satan's love
for his own image is his love for himself, or narcissism.
Pitch. Height.
own begotten. The phrase echoes (parodically) John 1:14 and John 3:16.
cry'd out Death. Milton's allegory, the only overt allegory in this epic poem,
dramatizes (literalizes?) the metaphors of James 1:15.
Hell trembl'd at the hideous Name. This is an interesting parody on the end
of Inferno 3.132, where the "darkened plain" of Hell trembles after Virgil utters the
name of God and informs Dante that "no good soul" ever travels on Charon's
boat (Inferno 3.129-132.) Here, Hell trembles at the mention of Death.
dalliance. The word is used to describe Adam's sexual practices with Eve
immediately after the fall (9.1016) and also Solomon's less than perfectly licit
"dalliance" with his Egyptian wife (9.443). On the erotic practices of heaven, see
Raphael's account in 8.615-29, where no mention is made of procreation. See
also the narrator's description of copulation (if it is that) in Paradise before the
fall--4.741-62.
pretences. Claims.
one for all/ Myself expose. Satan's self-sacrifice parodies the Son's voluntary
sacrifice in 3.236
unfounded. Bottomless.
vacant room. That is, Satan's and the rebel angels' place.
buxom. Unresisting.
Office. Service.
Thou art my Father, thou my Author. Here, Sin addresses Satan in the same
manner that Dante addresses Virgil in the beginning of the Inferno: "You are my
master and my author" (Inferno 1.85), and "you are my guide, my governor, my
master" (Inferno 2.140).
Gods who live at ease. Compare to Homer's Iliad 6. 138 and Odyssey 4. 805,
where the gods seem to always live at ease. However unattractive a character
Sin is, she, unlike Adam, Eve, and even Satan, remains obedient to the person
she thinks is her Father and creator.
At thy right hand. Here is the ultimate parody: Satan, Sin, and Death as the Holy
Trinity. According to Hughes: "Sin imagines herself enthroned with her father
Satan as the Son is seated at his Father's right hand in 3.62." (252)
impetuous recoile and jarring sound. Contrast to the opening of the gates of
heaven in 7.205-206.
Without dimension. Milton "defines" Chaos by its lack of all forms of dimension,
definition, and boundaries. In book 7, creation is the process of setting
boundaries and dimensions to the "first matter" of Chaos (book 7.166-
67 and 219-233)
Eternal Anarchie. See Ovid's Metamorphoses 1. 5-20 and 14.594 for a similar
conception of Chaos.
hot, cold, moist, and dry. The characteristics of the four humors correspond to
the four basic elements.
Barca. Desert between Egypt and Tunis, or according to Orgel, a city in the
Lybian desert (869).
peal'd. Deafened.
Vannes. Wings.
Syrtis. Shifting sands on the North African coast. See Pliny's Natural History 5.4
for a classical description.
Gryfon. Griffins were the guardians of abundant quantities of gold which the
Arimaspians constantly tried to steal. See Herodotus' History 3.16.
Source URL:
http://www.dartmouth.edu/~milton/reading_room/pl/book_2/index.shtml
Saylor URL: http://www.saylor.org/courses/engl402/
dark Pavilion. The Pavilion of Chaos recalls Spenser's description of the home of
the Fates,
Farre under ground from tract of living went,
Drowne in the bottome of the deepe Abysse,
Where Demogorgon, in dull darknesse pent,
Farre from the view of gods and heavens blis,
The hideous Chaos keepes, . . (Faerie Queene 4.2.47)
It more distinctly recalls Boccaccio's account of the mysterious elder deity
Demogorgon and its vivid illustrations in the many editions of the Genealogy of
the Godsthat represent him with his offspring around him-figures like Rumor and
Discord, Orcus (Hell) and Ades (Hades). Demogorgon's name is said to be a
corruption of Plato's Demiourgos in the Timaeus and to figure in literature for the
first time in Lucan's Pharsalia 6.744, where it is the kind of dreaded name that
Spenser made it when he wrote that at it "Cocytus quakes, and Styx is put to
flight" (Faerie Queene 1.1.37) (Hughes 261)
golden Chain. See Iliad 8. 15-24 for the legend of the golden chain linking the
earth and the heavens.
a broad and beat'n way. See 10.293-305 for a description of Death's construction
of the bridge.
Th'utmost Orbe. The outermost circle of Earth is the orbit of the moon.
pendant world. Not only the earth, but the entire created universe.