Level 3.

UNLOCKING MAJOR
KEY HARMONY
 Day 1
Review of Numbers System

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 review of numbers system

Key of C major

C D E F G A B C D E F G A B C

C D E F G A B

E F G A B C D

G A B C D E F

C Dm Em F G Am Bdim

I IIm IIIm IV V VIm VIIdim

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 Key of F major

F G A Bb C D E F G A Bb C D E F

F G A Bb C D E
A Bb C D E F G
C D E F G A Bb

F Gm Am Bb C Dm Edim

I IIm IIIm IV V VIm VIIdim

Key of G major

G A B C D E F# G A B C D E F# G

G A B C D E F#

B C D E F# G A

D E F# G A B C

G Am Bm C D Em F#dim

I IIm IIIm IV V VIm VIIdim

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 Basic guitar chords
In C, F, and G

C major

F major

G major

Try the following in the keys

of C, F and G

I – V – vim – IV

vim – I – V –iim

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 Basic Guitar chords
Variation
C major

F major

G major

Practice saying the chord names

and numbers in order – UP and DOWN

I – IIm – IIIm – IV – V – VIm – VIIdim – I

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 Assignment 1
Original grooves

Create an original groove in each key.

For example:

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 Assignment 2
Numbers to chords

Example 1

Roman Numerals: I IIm V VIm

C major chords: C Dm G Am

F major chords: F Gm C Dm

G major chords: G Am D Em

Example 2

Roman Numerals: IIm V VIIdim I

C major chords: Dm G Bdim C

F major chords: Gm C Edim F

G major chords: Am D F#dim G

Example 3

Roman Numerals: IIIm IV I IIm

C major chords: Em F C Dm

F major chords: Am Bb F Gm

G major chords: Bm C G Am

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 Assignment 3
Chords to numbers (then transpose)

Example 1

C major chords: C Em F G

Roman Numerals: I IIIm IV V

F major chords: F Am Bb C

G major chords: G Bm C D

Example 2

F major chords: F C Dm Gm

Roman Numerals: I V VIm IIm

C major chords: C G Am Dm

G major chords: G D Em Am

Example 3

G major chords: Em G Bm C

Roman Numerals: VIm I IIIm IV

C major chords: Am C Em F

F major chords: Dm F Am Bb

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 Day 2
Scale-Tone 7ths

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 Scale-tone 7ths
Theory

Key of C major

C D E F G A B C D E F G A B C

C D E F G A B

E F G A B C D

G A B C D E F

B C D E F G A

Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7b5

Imaj7 IIm7 IIIm7 IVmaj7 V7 VIm7 VIIm7b5

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 Assignment 1
Original grooves

Create an original groove in each key.

For example:
Major 7th chord

All others are triads

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 Assignment 2
Scale-tone 7ths for F and G (and how to play

them on guitar in drop 2 and drop 3 voicings)

Key of F major

F G A Bb C D E F G A Bb C D E F

F G A Bb C D E
A Bb C D E F G
C D E F G A Bb
E F G A Bb C D

Fmaj7 Gm7 Am7 Bbmaj7 C7 Dm7 Em7b5

Imaj7 IIm7 IIIm7 IVmaj7 V7 VIm7 VIIm7b5

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 Key of G major

G A B C D E F# G A B C D E F# G

G A B C D E F#
B C D E F# G A
D E F# G A B C
F# G A B C D E

Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F#m7b5

Imaj7 IIm7 IIIm7 IVmaj7 V7 VIm7 VIIm7b5

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 Assignment 3
Chords to numbers and numbers to chords

Example 1

G major chords: Bm7 C Em7 G

Roman Numerals: IIIm7 IV VIm7 I

C major chords: Em7 F Am7 C

F major chords: Am7 Bb Dm7 F

Example 2

F major chords: Am7 Gm7 F C7

Roman Numerals: IIIm7 IIm7 I V7

C major chords: Em7 Dm7 C G7

G major chords: Bm7 Am7 G D7

Example 3

Roman Numerals: I IIm7 VIm7 V7

C major chords: C Dm7 Am7 G7

F major chords: F Gm7 Dm7 C7

G major chords: G Am7 Em7 D7

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 Example 4

Roman Numerals: IIIm7 VIm7 IIm7 V7

C major chords: Em7 Am7 Dm7 G7

F major chords: Am7 Dm7 Gm7 C7

G major chords: Bm7 Em7 Am7 D7

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 Day 3
Lead Sheets and Roman Numeral
Analysis

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 Broken bones
Composer: Quentin Angus

Rhythmic style and tempo
Lyrics: Michael Mayo

Chord Symbols

Repeat signs

Rehearsal Mark Melody

Lyrics 1st time

Lyrics 2nd time

Time signature

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Music Theory Bootcamp | LEvel 3
 Roman numeral analysis
Demonstration

Ex 1: C major:

I V VIm IV IIIm IV I V

Ex 2: F major:

I V VIm IV IIIm IV I V

Ex 3: G major:

IIIm IV VIm V I V I

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 Assignment 1
Roman numeral analysis

C major:
Ex 1:

IVmaj7 V VIm V Imaj7 V

Ex 2: G major:

IIIm7 VIm7 IIm V7 I IV V7

Ex 3: F major:

IV VIm V IIIm7 Imaj7 V

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 Assignment 2
Create original progressions

C major (A minor):

IV V VIm IIm

F major:
IV VIm V

IIm I

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 Day 4
Chord Nomenclature and Slash
Chords

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 Chord Nomenclature and slash chords

Chord nomenclature:
Major
C ~ C∆ ~ C6 ~ C69

Suspended
C7(sus4) ~ Csus4

Dominant
C7 ~ C9 ~ C13

Minor
Cm7 ~ C-7

Minor 6th
Cm6 ~ C-6

Minor Major
Cm(maj7) ~ Cm∆ ~ C-∆

Half Diminished
Cø7 ~ Cm7b5

Diminished
Cº7 ~ Cdim7 ~ Cº

Altered Dominant (8 Note)

C7(b9)

Altered Dominant (Whole Tone)

C7(#5)

Altered Dominant (Melodic Minor)

C7(#9 #5)

Alterered Dominant (Suspended) C7(b9sus4)

Slash chords:
Chord Key of D: I/3rd Key of G: V/4th

Key of C: I/3rd
Key of F: V/3rd C/E D/F# D/G
Bass note

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 Assignment 1
Roman numeral analysis

Ex 1: C major:

Imaj7 VIm7 I/3rd IVmaj7 Imaj7

Ex 2: F major:

IVmaj7 V7 VIm7b13 IIIm7 IVmaj7 Imaj7

Ex 3: G major:

IIIm7 IVmaj7#11 VIm7 V7 I6 V7b9 V/4th

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 Assignment 2
Learn 4 slash chords and

try them in chord progressions

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 Assignment 3
Come up with your own slash chords

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 Day 5
Circle of 5ths

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 Circle of 5ths

C
F G
v #
v v
Bb D
#
v a v#
d e
g b
##
Eb v c Minor f# v# A
f c#
bb D# g# # ##
v v#
Ab # ##
E
v # ## #
v# #
v# #
Db B
F#

5ths are clockwise, 4ths are counterclockwis

Stacked 4ths create a dark sound, whereas stacked 5ths create a bright soun
Chord progressions often move in 4ths. For example: G7 [V7] to Cmaj [I
C has no key signature, 4ths add one flat at a time, 5ths add one sharp at a time

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 Assignment 1
Chord progression analysis

“Before You Go” | Lewis Capaldi

(chorus)

Eb major:

I V VIm IV

I V VIm IV V I

“Hey Jude” | The Beatles

(verse)
F major:

I V V7 I

IV I V7 I

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 “At Last” | Etta James

(A section)
F major:

I VIm IIm V7 I VIm IIm V7

I VIm IIm V7 I VI7 bVI7 V7

I VIm IIm V7 I VIm IIm V7

I VIm IIm V7 I IV7 I

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 Assignment 2
Circle of 4ths/5ths worksheets
4ths:
C
F G

Bb D

Eb A

Ab E

Db B
Gb

5ths:
C
F G

Bb D

Eb A

Ab E

Db B
F#
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 Finding 4ths and 5ths on the guitar

5th above from E and A strings 5th below from A and D strings

F F

Bb C C

F G

4th below from D and A strings 4th above from E and A strings

F F

Bb C C

F G

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 Assignment 3
Scale practice in 4ths/5ths

C major scale (2 octaves)

6th String

F major scale (2 octaves)

5th string

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 Day 6
Formula for All 12 Keys

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 Formula for all 12 keys
Added clockwise

around circle of 5ths Sharps:

Fat Cat Gets Drunk At Every Birthday
Order of flats is the reverse
of the order of sharps
Added anti-clockwise

around circle of 5ths Flats:

Be English And Don’t Get Cold Feet

15 different keys: C, G, D, A, E, B, Cb, F#, Gb, C#, Db, Ab, Eb, Bb and F

Really only 12: Keys of B/Cb, F#/Gb and C#/Db are the same, enharmonically

C major
C D E F G A B C

Flats Sharps
Order of flats Order of sharps

F G A Bb C D E F G A B C D E F# G
Bb C D Eb F G A Bb D E F# G A B C# D
Eb F G Ab Bb C D Eb A B C# D E F# G# A
Ab Bb C Db Eb F G Ab E F# G# A B C# D# E
Db Eb F Gb Ab Bb C Db B C# D# E F# G# A# B
Gb Ab Bb Cb Db Eb F Gb F# G# A# B C# D# E# F#
Cb Db Eb Fb Gb Ab Bb Cb C# D# E# F# G# A# B# C#

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 Key signatures

Sharps
Key signature
Fat Cat Gets Drunk At Every Birthday

Time signature

Flats
Be English And Don’t Get Cold Feet

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 ASSIGNMENT 1
Acronym practice

Sharps = Fat Cat Gets Drunk At Every Birthday

Flats = Be English And Don't Get Cold Feet

Sharps = Fat Cat Gets Drunk At Every Birthday

Flats = Be English And Don't Get Cold Feet

Sharps = Fat Cat Gets Drunk At Every Birthday

Flats = Be English And Don't Get Cold Feet

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 Assignment 2
Practice writing notes of all 15 scales

C Major
C D E F G A B C

Sharps
G A B C D E F# G
D E F# G A B C# D
A B C# D E F G# A
E F# G# A B C# D# E
B C# D# E F# G# A# B
F# G# A# B C# D# E# F#
C# D# E# F# G# A# B# C#

Flats
F G A Bb C D E F
Bb C D Eb F G A Bb
Eb F G Ab Bb C D Eb
Ab Bb C Db Eb F G Ab
Db Eb F Gb Ab Bb C Db
Gb Ab Bb Cb Db Eb F Gb
Cb Db Eb Fb Gb Ab Bb Cb

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 Assignment 3
Create a melody in a random key

Example melody in Ab

Example melody an
octave higher

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 Assignment 4
Harmonize that melody

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 Day 7
Numbers to Chords Practice

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 Numbers to Chords Practice (Keys)
Summary of 15 different keys

C major
I IIm IIIm IV V VIm VIIdim
C D E F G A B C
do re mi fa sol la ti

Flats Sharps
F G A Bb C D E F G A B C D E F# G
Bb C D Eb F G A Bb D E F# G A B C# D
Eb F G Ab Bb C D Eb A B C# D E F# G# A
Ab Bb C Db Eb F G Ab E F# G# A B C# D# E
Db Eb F Gb Ab Bb C Db B C# D# E F# G# A# B
Gb Ab Bb Cb Db Eb F Gb F# G# A# B C# D# E# F#
Cb Db Eb Fb Gb Ab Bb Cb C# D# E# F# G# A# B# C#

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 Scale-tone Chords

Scales
C D E F G A B C
G A B C D E F# G
D E F# G A B C# D

Chord Symbols

C Dm Em F G Am Bdim C

G Am Bm C D Em F#dim G

D Em F#m G A Bm C#dim D

Roman Numerals
I IIm IIIm IV V VIm VIIdim I

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 Assignment 1
Writing scale-tone chords of all 15 scales

C Major
C Dm Em F G Am Bdim C

Sharps
G Am Bm C D Em F#dim G
D Em F#m G A Bm C#dim D
A Bm C#m D E F#m G#dim A
E F#m G#m A B C#m D#dim E
B C#m D#m E F# G#m A#dim B
F# G#m A#m B C# D#m E#dim F#
C# D#m E#m F# G# A#m B#dim C#

Flats
F Gm Am Bb C Dm Edim F
Bb Cm Dm Eb F Gm Adim Bb
Eb Fm Gm Ab Bb Cm Ddim Eb
Ab Bbm Cm Db Eb Fm Gdim Ab
Db Ebm Fm Gb Ab Bbm Cdim Db
Gb Abm Bbm Cb Db Ebm Fdim Gb
Cb Dbm Ebm Fb Gb Abm Bbdim Cb

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 ASSIGNMENT 2
Playing scale-tone chords in all 12 keys on guitar
Triads
C major

F major

Bb major

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 7th Chords
C major

F major

Bb major

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 Assignment 3
Numbers to chords practice (15 keys)

Example 1

Roman Numerals: I IV IIIm IIm

C major chords: C F Em Dm

F major chords: F Bb Am Gm

Bb major chords: Bb Eb Dm Cm

Eb major chords: Eb Ab Gm Fm

Ab major chords: Ab Db Cm Bbm

Db major chords: Db Gb Fm Ebm

Gb major chords: Gb Cb Bbm Abm

Cb major chords: Cb Fb Ebm Dbm

G major chords: G C Bm Am

D major chords: D G F#m Em

A major chords: A D C#m Bm

E major chords: E A G#m F#m

B major chords: B E D#m C#m

F# major chords: F# B A#m G#m

C# major chords: C# F# E#m D#m

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 Example 2

Roman Numerals: I IIIm IV VIm

C major chords: C Em F Am

F major chords: F Am Bb Dm

Bb major chords: Bb Dm Eb Gm

Eb major chords: Eb Gm Ab Cm

Ab major chords: Ab Cm Db Fm

Db major chords: Db Fm Gb Bbm

Gb major chords: Gb Bbm Cb Ebm

Cb major chords: Cb Ebm Fb Abm

G major chords: G Bm C Em

D major chords: D F#m G Bm

A major chords: A C#m D F#m

E major chords: E G#m A C#m

B major chords: B D#m E G#m

F# major chords: F# A#m B D#m

C# major chords: C# E#m F# A#m

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 Assignment 4
Coming up with guitar riffs and

playing them through 12 keys

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 Day 8
Chords to Numbers Practice

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 chords to Numbers practice
(12 Keys)

Roman numeral review

Triads:
I IIm IIIm IV V VIm VIIdim

7ths:
Imaj7 IIm7 IIIm7 IVmaj7 V7 VIm7 VIIm7b5

Chords to numbers practice

Example 1
Cm Db Eb Ab
IIIm IV V I

Example 2
Bm Bm G D
IIIm IIIm I V

Example 3
Bbmaj7 Cm7 Gm7 Bbmaj7 Cm7 Dm7 Ebmaj7
Imaj7 IIm7 VIm7 Imaj7 IIm7 IIIm7 IVmaj7

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 Assignment 1
Chords to numbers (then transpose)

Example 1

Eb major chords: Eb Bb Fm Ab

Roman Numerals: I V IIm IV

F major chords: F C Gm Bb

G major chords: G C Am C

Example 2

F# major chords: D#m E#º F# C#

Roman Numerals: VIm VIIdim I V

E major chords: C#m D#dim E B

Gb major chords: Ebm Fdim Gb Db

Example 3

A major chords: Dmaj7 E7 Amaj7 Amaj7

Roman Numerals: IVmaj7 V7 Imaj7 Imaj7

D major chords: Gmaj7 A7 Dmaj7 Dmaj7

Ab major chords: Dbmaj7 Eb7 Abmaj7 Abmaj7

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 Assignment 2
Original riffs

Come up with a guitar rif

Turn it into number
Transpose it to at least 3 keys

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 Day 9
Roman Numeral Analysis

of Song Forms and Lead Sheets

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 EastSide
Benny Blanco, Halsey, & Khalid

A major: VIm V I IV IV V VIm V I IV IV V

VIm V I IV IV V VIm V I IV IV V

Same chord progression Different ending

VIm V I IV IV V VIm V I IV

VIm V I IV IV V VIm V I IV IV V

VIm V I IV IV V VIm V I IV

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 V I IV IV V VIm V I IV IV V

VIm V I IV IV V VIm V I IV IV V

VIm V I IV IV V VIm V I IV IV V

VIm V I IV IV V VIm V I IV IV V

V I IV IV V VIm V I IV

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 Amazing grace
John Newton
C major: I IV I

I IV I

V I

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 Assignment 1
Analyze this SongSquad

“Open Book” | Jamey Arent

G major: IIm IV

I V

VIm IIm

IV I V Vsus V

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 Assignment 2
Analyze your own songs or lead sheets

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 Day 10
Chord Progression Case Studies

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 Chord Progression Case Studies
“I Like Me Better When I’m With You” | Lauv
A major:

I IV VIm IV

“Meant To Be” | Bebe Rexha

Bb major:

I IIm VIm IV I I IIm VIm IV I

“Circles” | Post Malone

C major:

I∆ V/3rd IV∆7#11 IVm

“Don’t Start Now” | Dua Lipa

D major:

VIm I I IIm IIIm IV

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 “Hey Jude” | The Beatles

F major: I V V7 I

IV I V7 I

I7 IV I/3rd IIm I V7 I

I7 IV I/3rd V7 I

I7 V7 V7

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 Assignment 1
Analyze this Songsquad

“Cape Code” | Jamey Arent

G major: V IVadd9 I/3rd

V IVadd9 I/3rd IVadd9 I

IIm Vsus IIm V7

I IV I

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 Assignment 2
Analyze your own songs or lead sheets

“Broken Bones” | Quentin Angus (lyrics by Michael Mayo)

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 Day 11
Chord Progression Case Studies (Part II.)

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 How sweet it is (to Be loved by You)
Edward Holland, Lamont Dozier, and Brian Holland
G major:

IV IIIm IIm V I

IIIm IIm V I

I Vim V IV

I Vim V IV

I IV VIm IV

I IV I I I/b7th I/6th 1/5th

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 You are the best thing
Ray LaMontagne
Bb major:

I V VIm IV I V VIm IV

I V VIm IV V

I III7 VIm I III7/3rd VIm

I III7/3rd VIm I IV V I

VIm IIIm VIm IIIm III7

IV I IV V

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 Assignment 1
Analyze this SongSquad and transpose it to E Major

“Daffodil” | Sam Blakelock

G major:

I V VIm

I V IV

I V VIm

I V IV

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 Daffodil | Sam Blakelock
Transposed to E major

E B C#m

E B A

E B C#m

E B A

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 Assignment 2
Change keys of “How Sweet It Is”

and “You Are The Best Thing”

“How Sweet It Is” | Edward Holland, Lamont Dozier, and Brian Holland

G major:

IV IIm IIm V I

IV IIm IIm V I

[New key]:

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 “You Are The Best Thing” | Ray LaMontagne
[Key]:

I V VIm IV I V VIm IV

I V VIm IV V

[New key]:

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 Day 12
Aurally Recognizing Chords

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 Aurally Recognizing Chords
In the key of C

I IIm IIIm IV V VIm VIIdim

do re mi fa sol la ti

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 Assignment 1
Aurally recognizing chord progressions

C major:

Ex 1: C G F G

I V IV V

Ex 2: Em F G Am

IIIm IV V VIm

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 Assignment 2
“Hallelujah”

C major:

C Am C Am

I VIm I VIm

F G C G

IV V I V

C F G Am F

I IV V VIm IV

G Em Am

V IIIm VIm

F Am

IV VIm

F C G

IV I V

C Am C Am

I VIm I VIm

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 Day 13
Aurally Recognizing Chords (Part II.)

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 Aurally Recognizing Chords
In the keys of F and G

I IIm IIIm IV V VIm VIIdim

do re mi fa sol la ti

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 Assignment 1
Aurally recognizing chord progressions

F Major
Ex 1:
Dm F Gm

VIm I IIm

Ex 2:
F C F Bb F C F

I V I IV I V I

G Major
Ex 1:
G C G Em

I IV I VIm

Ex 2:
G Em Am C

I VIm IIm IV

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 Assignment 2
Transpose “Hallelujah” to F or G

F major:

F Dm F Dm

Bb C F C

F Bb C Dm Bb

C Am Dm

Bb Dm

Bb F C

F Dm F Dm

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 Assignment 2
Transpose “Hallelujah” to F or G

G major:

G Em G Em

C D G D

G C D Em C

D Bm Em

C Em

C G D

G Em G Em

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 Assignment 3
Transcribe the chords to one of your favorite songs

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 Day 14
Summary and SongSquad

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 Recap
The numbers system, changing keys, 7th and
slash chords, roman numeral analysis,

circle of 5ths and aural recognition

Quiz

Can you play a I VI II V in the key of Bb major?

Can you transpose a chord progression into all 12 keys?

Can you write the scale-tone 7th chords for F# major?

Can you write a roman numeral analysis for a simple chord progression?

Can you write the circle of 5ths?

Can you aurally recognize chord progressions?

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 Assignment 1
SongSquad

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 Assignment 2
Write your own SongSquad

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