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Phenomena - Agential Realism
Phenomena - Agential Realism
Sofie Sauzet
13 MARCH 2018
"A phenomenon is a specific intra-action of an 'object'; and the 'measuring agencies'; the
object and the measuring agencies emerge from, rather than precede, the intra-action that
produces them." (Barad, 2007, p. 128).
The central idea is that "the thing" "we" research, is enacted in entanglement
with "the way" we research it. This is an onto-epistemological offset:
"Practices of knowing and being are not isolable; they are mutually implicated. We don't
obtain knowledge by standing outside the world; we know because we are of the world. We
are part of the world in its differential becoming. The separation of epistemology from ontology
is a reverberation of a metaphysics that assumes an inherent difference between human and
nonhuman, subject and object, mind and body, matter and discourse." (Barad, 2007, p.
185)
A DIFFRACTIVE METHODOLOGY
Agency is not an individual property (Barad, 2003, p. 827). Rather who and
what acts, is a phenomenal question. It is a decision, an incision, a cutting
together/apart of the agentic qualities of phenomena that emerge in the
ongoing performance of the world. This means that we might recognize agency
in different forms as relations, movements, repetitions, silences, distances,
architecture, structures, feelings, things, us/them/it, words...
"Agential cuts do not mark some absolute separation but a cutting together/apart – "holding
together" of the disparate itself." (Barad, 2012, p. 46)
Agential cuts is the cutting together/apart within phenomena. Agential cuts are
momentary stabilizations, doings, rather than beings. They enact that which is
inside and outside of phenomena in a single movement. They are two-folded
movements that produces the very boundaries through which something is
made 'inside' and 'outside', 'this' and 'that', of the phenomena. Detecting cuts is
making them. And making cuts is performing phenomena by diffracting
different types of agencies.
BECOMING PHENOMENA-PHILE
REFERENCES :
Barad, K. (2003). Posthuman Performativity: Toward an understanding of How
Matter Comes to Matter. Journal of Women in Culture and Society 28(3): 801-831.
Barad, K. (2007). Meeting the Universe Halfway: Quantum Physics and the
Entanglement of Matter and Meaning. Duke University Press.
Barad, K. (2012). Nature's Queer Performativity. Kvinder Køn og Forskning 1-2:
25-54.
Sauzet, S. (2015). Thinking through picturing. In: P. Hinton and P. Treusch,
Teaching With Feminist Materialisms. At Gender.