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Charges will be assessed for all unerased, damaged, missing and overdue material per the signed License Agreement relating to this rental material.i GH TEIGHTS LIN-MANUEL MIRANDA —QUIARA ALEGRIA HUDES Cowcerveo ev LIN-MANUEL MIRANDA Development of /n the Heights was supported by the Eugene O'Neill Theater Center during a residency at the Music Theater Conference of 2005 Initially developed by Back House Productions Originally Produced on Broadway by Kevin McCollum, Jeffrey Seller, Jill Furman Willis, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper Riu me AN IMAGEM COMPANY 601 West 26th Street + Suite 312 + New York, NY 10001 ‘Tel 800/400.8160 or 212/564.4000 » Fax 212/268.1245 www.rnh.com IN THE HEIGHTS © 3008 by Lin-Manucl Miranda and Quiara Alegria Hudes All songs, music and Iyries © 2008 by Lin-Manuel Miranda / (5000 Broadway Music (ASCAP) administered by Williamson Music: An Imagem Company) International Copyright Secured. All Rights ReservedCOPYRIGHT WARNING Professionals and amateurs are hereby advised that this material is fully protected by copyright in the United States of America and other countries throughout the world. All rights, including performance of any kind or nature by professionals or amateurs, recitation, lecturing, public reading, radio or television broadcast, cable television, videotape, audio recording, motion pictures and rights of translation into foreign languages are strictly reserved. Any performance, copying (including photocopying). arranging, adapting, inserting or storing in a retrieval system, transmitting in any forms or by any means whatsoever, including mechanical or electronic, or any portion of this material without the prior written consent of the copyright owners is an infringement of copyright thereby entitling the copyright owners to injunctive and other relief to the full extent of the law. (RHO.12/11/2011.RS)CAST OF CHARACTERS USNAVI DE LA VEGA, owner of De La Vega Bodega (USN*) NINA ROSARIO, a freshman at Stanford University (NIN) KEVIN ROSARIO, Nina’s father, owner of Rosario’s Car Service (KEV) CAMILA ROSARIO, Nina’s mother, co-owner of Rosario’s (CAM) BENNY, employee of Rosario’s (BEN) VANESSA, works at the salon (VAN) SONNY, Usnavi's cousin (SON) ABUELA CLAUDIA, raised Usnavi, though not his blood grandmother (ABC) DANIELA, owner of Daniela’s Salon (DAN) CARLA, works at the salon (CAR) GRAFFITI PETE, an artist (GRP) PIRAGUERO (PIRAGUA GUY), scrapes piraguas from his block of ice (PIR) ENSEMBLE, 5 Women, 6 Men (W1-S, M1-6) (The three capital letters listed after each character are used as a short hand in the libretto, Similar abbreviations are found in the score.)THE «x 4 ORCHESTRATION TOUR VERSION S-piece 1 Reed (Flute, Piccolo [preferably wooden], Clarinet, Soprano Sax, Alto Sax, Tenor Sax, Bari Sax) 1 Trumpet (Bb Trumpet, Flugel, Bb Piccolo Trumpet) 1 Trombone 1 Keyboard I / Conductor 1 Keyboard 2 I Guitar (Nylon Acoustic, Steel Acoustic, Blectric, Tres) 1 Bass (Electric, Fretiess) 1 Drums (1 Player): Kit, Timbales, Roto-Toms, Repinique, Piccolo Snare, Soprano Snare, China Cymbal, Shaker, ‘Small Shaker, Cloth Shaker, One Shot Shaker, Maracas, Metal Guiro, Wood Block, Small Wood Block, Jam Block, Granite Block, Cha Bell, Cow Bell (Campana/Bongo Bell), Triangle, Mark Tree | Percussion (1 Player): Bongos, Congas, Surdo, Floor Tom, Djembe, Concert Bass Drum, Cajén, Susp. Cymbal (2), China Cymbal, Crash Cymbal, Ride Cymbal, Shaker, Heavy Shaker, Big Shaker, Medium Shaker, Small Smaker, Teeny Shaker, Samba Shaker, Hip-Hop Shaker, One Shot Shaker, Cloth Shaker, Egg Shaker, Liso Shaker, Maracas, Caxixi, Small Caxixi (2), Cabasa, Claves, Hip-Hop Claves, Large Wood Block, Medium Wood Block, Small Wood Block, Tiny Wood Block, Granite Block, Triangle, Large Triangle, Small Triangle, Triangle (Miller Machine), Finger Cymbals, Castanets, Jingle Bells, Cowbell (Campana/ Bongo Bell), Wooden Bell, Tam-Tam, Tambourine, Samba Whistle, Wind Chimes, Mark Tree, Vibraslap, Timpani, Vibraphone, Chimes (only 2 notes: D and A)MUSICAL SYNOPSIS ACT Scene 1: Washington Heights - sunrise 1. In the Heights (Opening).. .Unsnavi & Company... 1 Scene 2: On the Street 1A. Back to Work 7 eos ea 7 34 1B. Nina’s Theme...... Eerste 2, Respira (Breathe) . Nina & Company......38 2A, To the Dispatch! Eerste aa Scene 3: Rosario’s Car Service 3. Benny’s Dispatch . 3A. jAy, Qué Calor! re Benny & Nina... 55 z “Ensemble (Dan, Car, Van, Son, Pir, WI-5 & MI-6).....63, Scene 4: The Street 3B. This Isn’t Social Hous! enn ee 4, Te Won"t Be Long Now ce ft ‘Vanessa, Usnavi & Sonny. Scene 5: The Dispatch Booth 4A. Return to the Dispatch..... 5. Iniitil (Useless) SA. Usnavi’s Dance Lesson Scene 6: The Salon 6. No Me Diga. 6A. What Up? Daniela, Carla, Vanessa & Nina Scene 7: Inside the Bodega; the Street 7, 96,000... Usnavi, Benny, Sonny, Vanessa, Daniela, Carla & Company...... 111 7A. 96,000 Playott/Abuela’s Transition sneer COPD 1... 136 Scene 8: The Street 8. Paciencia ¥ Fe (Patience and Faith) : veenAAbuela Claudia & Company... 139 8A, Time Lapse... AST Scene 9: Abuela Claudia’s Stoop - early ev 9. When You're Home Nina, Benny & Company... 158 Scene 10: The Street — dusk 10, PiragUa .-Piragua Guy.....179 Scene 11: The Rosario Household H. Sicmpre (Always)... nsssnnsnsnene Camila & Bolero Singer... 187 Scene 12: The Club 12. The Club (Club Nurnbe) eeoeentcs Company .... 189 13. Blackout... 7 .-Company ....225ACTII Scene 1: Benny’s Fire Escape ~ Sunday morni 14. Sunrise Hl : : Nina, Benny & Ensemble......249 14A. Aftermath... Beit cS Scene 2: Outside the Bodega; the Rosario Fire Escape 14B, Nina’s Gone iq 264 ‘Scene 3: Interior of Usanavi and Abuela’s Apartment 15. Hundreds Of St0F%eS ...nnnnsninsinninannnntnnnninnnnnnnne 265 15A. Nina Comes Home ea ele eet aa seven 282 Scene 4: Outside the Dispatch Booth 16. Enough .. sasasianntna piel biti teeth ene CAMTA oe 283 16A. Powerless Ensemble (Dan, Car, Van, Son, PIR, GRP, W1-5 & M1-6).....294 Scene 5: The Street 17. Camaval Del Barrio ... Bia svnnnnennerenses Daniela & Company.....295 17A, Alza La Bandera. ws se nessee eee Scene 6: The Dispatch Booth 18, Atencion..... a v» Kevin......342 Scene 7: The Street 19, Alabanza. .Usnavi, Nina & Company.....344 Scene 8: The Street ~ later that afternoon 20. Everything I Know : Nina.....352 Scene 9: Outside the Salon 21. No Me Diga (Reprise).. Daniela, Carla & Vanessa.....365 Scene 10: The Street 21A. Piragua (Reprise)... sv: Piragua Guy_....367 Scene LI: The Bodega 22. Champagne. ‘ eee masts sone Wanessa & Usnavi.....372 2A. Too Late 387 Scene 12: The Dispatch Booth 23, When The Sun Goes Down. dee Nina & Benny... 389 Scene 13: A Shady Alleyway late at night 23A, Somy’s Proposition. EE ee eee eee ere a Scene 14: The Street ~ Monday morning, sunrise 24. Finale. Usnavi & Company.....397 25, Bows/Exit Music.... AIT, Keyboard 1/Conductor In The Heights IN THE HEIGHT rene el Music and Lyrics by Lin-Manuel Miranda Orchestrations by Alex Lacamoire and Bill Sherman USNAVI: “Yo, that's my wall! i GRAFFITI PETE: "Pash. Hip-Hop; Half-time feel J =83 jo, Vamp 2 usnawe ‘ Lights up on Wash-ing-ton Heights, Up at the break of day, [ Clave (on click track) { \fe FACET luntit72 wake up_— and [ got this little punk T gotta chase away. Pop the grate at the crack of dawn, Sing while I Pasha, China Chery. Sanat ! Just for today. t gocmamey USNAVI: “Oye,pimighero, Como eias?™ PIRACUERO: “Coma sempre Ak Sefioe Usnavi:” 2 | the aw-aing, Hey, yall, Good Mor - ning, : mp Grishman Music Preparation (212-768-2950)Keyboard Conductor 2.IN THE HEIGHTS In The Heights - Tour El usnave : ni 1 [am Ussna-vi and you pro-bly ne-ver heatcl my name Repos of my fame ace great-ly © +Blec. Gur Rhodes Ble, Bs, ¥ wiGuiro, Clave TomiKick * (ere. plays) cont’. ¥, " 19 20 o fix-ac-er-beted by the fact that my syn-ax is high-ly comp-li-cat-ed cuz | imm-i-gra-ted from the sin-gle ‘Tpt, Alto at "Ss 2 23 3 a 2 ‘greacest licsle place in the Ca-ribbean: Domin-ican Re-public! I Jove ft! Je sus, Tm jeadous of it And be- +Tbn. K2(noHns) Gtr. bachata-esque se -+Conge (aumbao), =" Guiro cont'd. 2% 26 a 20 2 yond that, ever since my folks passed on— I haven't gone back God Damn!—.1 gotia get on that, Gir. ke \f : Leer’? eI Bs, Vibraslap, = Spiash Cym. au 2Keyboard 1/Conducior 3.INTHE HEIGHTS In The Heights - Tour a 2 Ey The milk has gone bad, Hold up just a second. Why is evrything in this fridge— warm and te-pid? 1 K2(n0Gix) Alto, Ton. wiBs. 9 #Shaker J's, = Timbale (rumbao) | fe { | es 38 » a better siep it up and fight the eat ‘Cuz fm not makin’ —a-ny proot if the coffee is-a't light and sweet! fs tp, Gee se >_—= —=ler ‘4 (break) ehip By ni (CLICK IN 4) ABUELA CLAUDIA: “Ooo-00!" USNAVI: “Abuela,do we have milk at home?” CLAUDIA: “No, que pas6?" K2: Pizz. Sigs. pab fF HH J's j Bongos (mario), % 0 “ “s vamp | EGSNavi Nic anon 1] © Gswiss my ftp Tap cate but no oon ce" fo ioe ea ABUELA CLAUDIA: “Try my mother's old recipe: one can of condensed milk.” “Paciencia y fe.” HA] Sn. i ‘ A a cpa i Gu, K2"= i Rhodes F” wiBs. ann Saat| He OH rae INTHE HEIGHTS {The Heights - Tour Hip-Hop USNAVE: * % st = wf Bb Bs. solo was Abue-la. She's not really my ‘Abwela,” but she practic‘ly raised__me. This cor - ner is her escweda. Now, t # é +K2 eh A \ Shaker d's, ~ Drs: time Sn: on '3)) 2%, s o ss y thinkin’: “Tm up shits creek! I nev-et been north of Nine-ty sixth Street!” # $K2,Gtry fF) 3 Y Swing 8ths; “A Train” Straight 8ths; As before must take the Ev-en farther than Har-lem to North-er — Man-hat-tan and main - tain (a (cue only) bis Alt o7 lee afd : Dr.Pere. > > = Tee? “4Shaker @)'s, r yea) PT erie +Congas, Drs. Drs: time (Sn.on'3') Ge. te o ee jet of at Onecight-y firs, and take the es-ca -la-tor, I hope you're writing this down, ee ins. = : : y (Drs. stop, um -4- shaker plays through)Keyboard Conductor SIN THE HEIGHTS In The Heights - Tour im gon-na test ya ka ter po uli getting tes~ted; times are tough on this bo - de- ga K2 (no ins.) Sample % 4 Poe ob ‘months a-go some-bo-dy bought Or - te-ga's, Our neigh-bors star-ted pac-kin! up and pick-in’ Sa. 5 fo che eed. ev- er since the rents went up it's got-ten mad ex-pen-sive but we live with just e-nough. [nthe ALL:Keyboard l/Conductor 6.IN THE HEIGHTS Salsa; Listesso tempo, = Heights! ENS: Heights. TX" flip the lights afd stan my ee Hs. Graf f (Gtr, K2 owt) Be Edn Pale, 23) Bs BNS: ay PENS: a CalaDaricwirwoywarwarws”” | BenayKeviecim yas fights and end - less debts__ and bill 10 py. am “6s In The Heights - Tour ALL: ‘There are There are sw/Perc/Tirnbales fillKeyboard 1/Conductor 7.IN THE HEIGHTS In The Heights - Tour i * e, a se USNAVE: fA Survie wou ca +f fom “Nylon Grr: comp (DesPere: time) right seems like a—mil-ion years a-wayt__ Bn Wash ~ ing-on. ‘witins. ot 7 A (ERCET] ——= ~f ‘TimbaleKeyboard UConductor BIN THE HEIGHTS BH ussavs sowing Sis — eo ” Next up to bat, the Ro - sar-i-os they run the cab K2 solo a company, they struggle in the ln The Heights - Tour 1 barri-o, See, their daugh-er a 9s KEVIN: Ni-na’s off at college, tui - tion is mad steep. So they can't sleep, Ev-'ry-thing they get is mad cheap! Good mor ning— Us = na = | mp ae Hns.~ FF em” on — (ara) Maracas r r 100, _, KEVIN: i oo 7 Put twenty dol-lars on to + days lot-te- ry, One tick - if (K2 out) v 8 _USNAVI: CAMILA wiGu._+FI, Brs.~ harmon am, —! 1 cmd FP WBS. ‘sMark Tree gliss ee b KEVIN: A et thats itt Hey, a ins. ounKeyboard 1/Conduetor 9.1N THE HEIGHTS 109 CI cana: man's got - ta dream, Don't mind him, ‘wis, Cym, HH | mavtilio T 125, 107 Three AM. lastnight! KEVIN: —3— Don't took | aaa In The Heights - Tour (Ger. out) aro ‘The one’s been VS. 2 beats) a iKeyboard 1/Conductor 10. INTHE HEIGHTS In The Heights -Tour 109, Wo Us - nav, come o- ver for din - ner, There's plen - ty to Ss cook-ing all week! ‘There’s plen - ty to ar) bo a er eer 7 if Conga” ce Fim. roll [2] Son-esque pantera: “Aba. 15 We i So then Ye - se- nia walks in the room.— She smels— sex and cheap per - v | tes Gu | Ff owes G Congas (tumbao), Cscara (Paita) Bs con ~10-Keyboard UCondvetor LLIN THE HEIGHTS In The Heights ~Tour a7 18 9 CARLA: DANIELA: | ¥ I Tt smells fike one of those trees that you hang from the ear view! Ah, not It's A Timbale A, Grabs a bat and kicks— inthe She_— screams “Who's in there with you Ju - lio? USNAVICARLA: 124 wes 1 wi i He's in bed with Jose from the tl-quoe storet No me di-gat (break) So ws, Congal 2 7Tnbicha Bet al aun -u-Keyboard 1/Conductor 12. IN THE HEIGHTS In The Heights - Tour USNAVI: “Daniela and Carla, 1%, from the salon.” 19 DANIELA: 190 Gee wiDrvConga a 6 fr y SONNY: “Chillax. You know you love me." 2 139 14 USNAVE sy, (CLICK IN) ‘Sonny, you're late." Ka © g Do sad Bongos ie Hip-Hop USNAVI: 1 a 1 and my cousin run-in’ just another dimedozen Mom and Pop Stopand-shop. And, Oh, my God, its gotten 1199 K2 Bs. Shaker D's, OF Drs: time (Sn. on 3) aun -2-Keyboard /Conductor 13, INTHE HEIGHTS In The Heights - Tour ® : too dar hot, like my man Cole Por-ter said Peo-ple come through for a few cold waters and a oT Pay (Shikr, Drs. contd.) loc-te-ry tie-ket, ust apart of the routine. Ey-'ty - bo-dy’s got a job, ev-'ry- bo-dy’s got a dream, ‘They ‘The first stop as peo-ple hop to work, Bust it I'm like: 05 - sip, as 1 sip my cof-fee and smirk Sample Ff Tati 4 -B- umKeyboard l/Conductor IN THE HEIGHTS: In The Heights Tour [Hi] Dance-Hall Reggae ws ss ‘One dotlar, Two doHars, One fifty, One sixty nine. You got it! You want a bax of condoms? What kind? That's two Fins, K2: Organ, wiGte carp's PLAY] ‘mf {TOOTY ORGAN (sounding 234) Cer Bongos, Drs: time (HH a's) _ @ quarters. Twoquarter waters. TheNewYorkTimes.Younceda bag fortha'The tx is added.” Once you getsome practic at it 182 You do ra-pid math-e-ma-ties au-to-ma-tic-al-Iy, Sell-in’ Max-i-pads fuz-zy dice for tax ivcabs, Prati -cal-ly e inf +Gte arp's, K2: ro Sire des p's aun) ~14-Keyboard Conductor 15. INTHE HEIGHTS JbTSSHays - Tour y') ( al’ J wo ee agg CLICK OUT) ecpbody’s stressed, Yes! But they press through the mess, bounce checks, and won - der what's next, Inthe ENS: In the } erate et? ) nN Le, = { FS. at = Qn S casa -15- |Keyboard 1/Conductor 16.IN THE HEIGHTS In The Heights - Tour [) Salsa +ENS: Heights 1 buy my cof Heights Ger op eer eae my Hs. fof 2 iB ‘wiGtr. Congas (tunbao), comp Drs: Cascara, Ride Bs. sights Gn only what | need to know. What 1 need © know — In ‘ai wiDrsiCongas amy -16-Keyboard UCondvetor U7. INTHE HEIGHTS In The Heights - Tour Heights = mon - ey is e Heights, mon ey is When the a (Time) 92 sing ths You ain't got no skilst ve (LH. tacet)Keyboard 1/Conductor 18. INTHE HEIGHTS In The Heights - Tour R&B/Funk; Swing 8ths aaa i Lem-me al- so get a Lem-me get a. USNAVI: Ben-ny! | wiDes time 2 mf ao (LALTACET, 2 Five su-gars. I'm the anda... And mest im-por = tant, my Bo-ss' sec-ond cof-fee, one cream, five sugars. 1 num-ber one ear-ner, The fastest learner, My boss can't keep me on the damn back bur-ner! USNAVUSONNY: USNAVI: 3K2 Tape Sigs. 8vb What? K ‘y Yeah, he =18-Keyboard l/Conductor 198 186 Tm mak-in’ moves, I'm —ma-kin’ deals, a Va USNAVI: Har-dee ar. 4K sim +k am Gtr. dD chicken pickin’ | | ‘Drs funky time (Cabasa jams J Tell Va-nes-sa how you feel, nes-sa show up— yet? buy the gid a 19. INTHE HEIGHTS ln The Heights Tour SONNY 7 a but guess what? You stil ain't got no st +Gu. #2: Rhodes 708 (break) 201 202 Hey lit-tle ho-mie don't get so up - set Shut up! Man, +K2 +K2 20s 208 ‘meal,— on the real, or you aint got. no skills Gir, Hins, K2 (Rhodes/Piano) -19-Keyboand 1/Conductor 20. INTHE HEIGHTS la The Heights - Tour Pon de Replay Dance Beat (still swing 8ths) VANESSA: (o" her cell phone), ce oto poe No,— no, 10, (Gtr out) = if K2:Monosynth 8a ar Kick Shks/HH ¢)'s, Tamb.on ro PRT no-no-ne, «No. n'O-N0-no-no-no-no-n0, No-no-no-no-no!_—Mis-ter ‘WBS, Shke/Drs. sim John-son, 1 got the se - cu-ti-ty de-pos - it. Its locked in a box in the bottom of my clo - set (K2 out) aun -20-* Keyboard [/Condvetor 21. INTHE HEIGHTS In The Heights - Tour | aye a na os ite | Wes not re-flec-ted in my bank statement. But Ive been sa-vin" to make a down pay-ment and pay rent. } ; bev, ink 212 212MBENNY: an | : No, no, 1 ‘Tenor, Ton. et you down. Yo, Here's your chance; Ask her out right now! Tp. VS. cum -u-4) Keyboard 1/Conductor 22. IN THE HEIGHTS In The Fleights - Tour 210 _ VANESSA: 212 (she hangs up) BENNY: are USNAVE: Tl see you Ia-ter we can look at that lease Do some-thin’, Make your move, Don't freeze! Hey a Ait ee WIBs, Shkr/Drs. sim. “+Mark Tree gliss VANESSA: 2iey USNAVI: You owe me a _bot-tle of cold cham pagne! ‘Are you mov - ing? K2EP. " (Fins, out) wIK2 5vb (é WBS. © oe ow o sus. +Xstick on D & egw | VANESSA: aux ee USNAVIE az Just a litle cre-dit check and 'm on— that down - town — tra! Well, your cof-fee's on the Dieg (00 Bs) Es. stnp OF ui -n2-Keyboard /Conducter 23.IN THE HEIGHTS In The Heights - Tour 21gan VANESSA: race, BENNY: nice, SONNY: azo VANESSA: house. toy T= ona 7 ow ask her OW NO way \ K2: Mareato Stgs. +805 Tre j Time (Hi d's) =! Hi PT} Ll f (CHICK OUT) avr zest BENNY: 2s | = ; Oooh... Smooth op - € - ra tor, Any damn, there she go! | Brs. +K2; Rhodes nf oa wie. b Ebay? wiBs, k Drs, VS.24, IN THE HEIGHTS In The Heights - Tour Keyboard 1/Conductor [5] __ Back to Hip-Hop a + ted, lost, Don't bro, tke five, Take a walkout sidel— You look x K2 > Gir ns. OF) yp 8. | Drs: time (Sn. on’3)) 218 28 2m let fife slidet The whole hood is strug-gl- ing times are tight, stuck to the cor-ner like a streetlight! +ConcertB.D., Drs. fll”Keyboard l/Conductor 25. IN THE HEIGHTS In The Heights Tour 2) usyavt zs wa Zz Yeah, Tm a streetlight, cho-kin’ on the heat. The world spins a-round while I'm —fro-zen to my seat. The A rh Tutti 7 Tom 35, Gt, Toms, Ke: Rehoe 2% za a ose © people that I know all keep on rolling down the street, But ev'nyday is difent So I'm switehin’ up the beat. ‘Cuz my China eym. scrape Drs a eo 2 28 238 parents came with nothing, they got a litle more. And sure, we're poor, but, Yo, at_ least we got the store. And its K2: Pizz. Stgs. +8vb Gm K2: Jay-Z Fast Sigs, WiDr: ‘ime. WiBs. 8vbKeyboard I/Conductor 26. INTHE HEIGHTS In The Heights - Tour 2, 208 zo 20 all about the legacy they left with me, its destiny. And one day [be on a beach with Sonay writing checks to me legato, breathy re trem-ebMaj? +Cym. roll, Mark Tree gliss Drs: lite fill 2a We came to work and to live and we got a lot in common, Heights I hang my _flag up on— display. PLA | wir. g's mf Drs: time, Congas (rumbao, like @ hip-hop loop) (Congas out) 26 sare not sto-ppin’ ALL minds me that 1 came ffm miles Has, Gm, songs (Congas 000 Clits he cu =26-| Keyboard liConductor am 27.IN THE HEIGHTS VS. >>> In The Heights - TourKeyboard I/Conductor 28. IN THE HEIGHTS In The Heights - Tour CLAUDIA: asp as) USNAVIE - 20, By = ty ay. Paccion = cia y fer Unt the day we go from po-er-ty 10 stock epsions Pp erese s Heights Ooh, {fe omy [PLAY “i b, | [FULL PAD somdingsza] | Feb ‘4 46 EG, BIDS sim. +Congas Time (Ride 2's) (Congas out) And today’ all we got,—so we cannot stop, This is our block! Inthe = ALL: Heighs, ['ve_ got to - day wanKeyboard lsConduetor 29. INTHE HEIGHTS In The Heights -Tour Salen eo ame PUY: a lok b leo ki kid le. Heights hang my flag up on— dis FAM wiGte.comp +K2: Maracas, Conga (timnbao), Drs: Cascara 258 _ osegSNAVIMANW4: rect —~ My fam = ‘ly came. minds me thai 1 came from miles — 4 fs Z oSKeyboant Conductor 2 2061 Heights, ge moe ex - pen - sve or asp sen __USNAVI: But as for fight is sO fara + way x x we n oun 30. INTHE HEIGHTS ma 250K 26h cy chy, 2380 see In The Hejghts - Tour woms7) Ra-na, mi pa-na, You got - ta just keep watchin" Youll see ~30— PKeyboard l/Conduetor SLINTHE HEIGHTS In The Heights Tour &] 28 2 20 ibe laie nights you'll taste beans and rice The sy - nip and shaved ice, Iain gonna say it wice. Tum Late nights! Beans and tice! Shaved ice! Sait twice! 1) Heights: In die Heights! K2: Super-Mare. Sigs. +81 wiHlas..0's 2:Jay-Z"@ yn. Bs. sus 234, eae 3 3 up the stage lights, we're tak-in' a fligbi— to a couple of days in the life of tbat it's ALL: Record Seratch ey -31- |Keyboard /Conductor 29. IN THE HEIGHTS In The Heights Tour ves poco rit. tie, Heights! : Orch. Hit ‘Segue many =32-i Keyboard 1/Conductor BACK TO WORK VS. >>> In the Heights Tour 1AIn the Heights Keyboard 1/Conductor Tour | 1A BACK TO WORK CUE: Applause Segue "2-3-4" Salsa 1-82, His.) le f yp ==Keyboard I/Conduetor 3.BACK TO WORK To the Heights - Tour SONNY: “Hells no, it was blowing fuses, sparking. shit!” ; ABUELA CLAUDIA: “Usnavi, send him fo D.R. fos the summer. Let him work on a farm so bis Nikes get real drt on them!” USNAVE: “ain't wasting no plane ticket on this kid. I'll be on Playa Rincén witha rura and coke. | Sonny can stay here and sell Twinkies.” a ® 0 Ger sw/Bongos time fa Drs. cont. sim. ‘ ) =e Preto ( | Firtecas) SONNY: “Sell? TI give ‘em away for free. Tm the Robin Hood of El Barto.” (GOON) Yamp 18, 8 " e 9 = (hold thru VAMP) Pore., Drs. sim, ;pnn =35-Keyboard Conductor 4. BACK TO WORK In the Heights - Tour NINA: “Hey!” ‘Nina Rosario, what is up?!” NINA: “Fetlag, I haven't slept all night.” CLAUDIA: “Its the watermelon of my heart” NINA: “Bendici6n, abuela.” 2 2 FI a w/Gt. sust. chords warmly ‘Inf! pedal Gaus? RieCymup a ws ong CLAUDIA: “Congratulations, your NINA! “Fe fet tke wen.” frst yearat Stanford Universiy” (cuTorr) (in the clear) e ie Sou jst missed x —_———. ase te 2 ot your parents > 2 |ooae 2 uf a Ride Cym.Keyboard 1/Conductor In the Heights Tour | 1B INA'S THEME CUE: USNAVE: “Back 10 work. Stop by later.” TUSNAVI Exits (GO) NINA: “Those recipies you sent were my survival kit.” CLAUDIA: “I had to make sure you remembered tho flavor of home. Moderate Waltz J. =58 1, Gt 2 3 4 © rir hp) CLAUDIA: “Bueno, come inside, Thave your sandwichito ready!” NINA! “Tl be there in a second.” CLAUDIA: “Til go put the fan on.” @ 10 * 2 yp CATTACCA) P hold thru vamp) ee | Bs. Ridecym. Wf 2 attacca "Breathe" 4Bs,, Te ano -37-Keyboard 1/Conductor In The Heights Tour| 2 BREATHE Moderate Waltz J. =53 1 2 a ‘ s 6 ? a of Tay \é | gee Nylon Bongos me Sig-ue an ~ dan-do el ca-mi J Fiza sme ACE] mp +Bs(8vb) Maracas (time) B.D. (db. every other bar) ‘igie andando el camino por toda si vida, Respira Keep walking that path all of your life, Breathe IY sipierdes mis huellas, que Dios te bendiga, Respira And if you lose my trail, may God bless you, Breathe| win -38-Keyboard l/Conductor 2. BREATHE In The Heights-Tour is 6 NINA: 8 e Ed Breathe. PGISONNY USNAVIATS IS: si pier-des mis hue -llas que Dios te ben - TAY] mp wiBs(15vb) ] ! \ j : § ab ( : : eae ‘Maracas (stop on 1) 22 = 0 a 2 my life. They ce - gard me with pride steer T swage ares ving) smile at the fa ces Te known all ah Cte solo 2 2 omminos) Bhi we Gans (ime) mm ORO) -39-Keyboard Conductor 3. BREATHE, In The Hoights-Toue And cv 'ry-one’s sweet, they say, a6 a Ey “You're go-ing pla - ces” So how can +Bs(8va) say that while had Flug. | Bet Bs(loco) ‘The big-gest dis - 4FL so much to hide! “Hey guys, its Gu (comp) gm IN| nf i axis (cont) Bs /8vb) BD. (db. of every other ba) ap ~ point-ment you nos coum -40-Keeyboned I/Conductor 4. BREATHE In The Heights-Tour 31 2 = Ey ss et @ A kid could-n't hack it, she's back and she's wal-kin’ real__ slow Welcome home. P eb i f Bs,(out), Caxixis (cont,) Caxixis (roll) Caxixis (out) a 8 ® 5 e a e breathe, CARLAMWS DANUWE: v . Posonny SB + ue an = dando ef cami Res - USNAVUBISIMS: Tpt(Harmon) af Fimyayimr bis inacer| +Bs (yb) fe Drs(time) Bs. loco ar -41-Keyboard L/Conductor S.BREATHE In The Heights-Tour = = 8 meee breathe nlf (Tpt. out) af Kos EP, j “ Gtr(shythm cont) | 5 | 8b o wiBs(15vb) 2: EP. wiBs (15vb) Bs.(8vb) -42-Keyboard L/Conducter 6. BREATHE In The Heights-Tour for - got-ten bo-le - rs, 1 think of the days when this ci-ty waS—_ mine. plays ot ‘Tpt.Solotone} Fi, Thn(out) af Gu. (comp) 2 ob Bhi £ TH CCE Pee ee rere e et eRMPe eee a fee Bongos(timne) Bongos * id } Dis.time) Tce member the praise, “Ay, te a= do-ro, te quie neigh-bor-hood She Bscont. sim.)Keyboard Conductor and 7. BREATHE, In The Uleights-Tour Bongos(groove 8th notes) Bs ad Ib), Drs.cime) um Drs. (fll) cl. Ton.f K2(out) Flug.Keyboard I/Conduetor 8. BREATHE Tn The Hleights-Toue } all seems like —We-times a - go.____ So what dot say to these ioe Tonsou) GecereceeceeeeLett geecetts ——— Gtr.(sus.) sou eb Give I] 4, |% TACET 7 Db wwiBs (8vb) Bongos(cont.) Drs (time + Crash on d.b's.) home” _ fase4 ? f=? ‘Tri, Cym, VS. Lay) 4Cym. eosil au -45-Keyboard L/Conductor 9. BREATHE In The Hoights-Tour Hey. Theyre not worried about me. CARLA/WAAWS WOMAN 4 banitas ban PGIMG) Mass: No me preocupo por @ Mi ra, ae PGUYIME: Ton. K2(sus) simile e =a) wi pedal OF mnt Bsiloco),5, mf BD. PF a =~ zy ac Congastime) ‘They ate all count-ing on met suc ~ ceed. | fas == _ DANAE: - FA ~ PGISONNY AMG Ui esta muesira es tre = Wai USNIMS/MUMBS: B - fla Tpt 7_tF ' -+Timbat 5 = 46 emKeyboant l/Conductor 10. BREATHE, In The Heights-Tour 4s wa 2 i one who made it = out! who al ways made the > tr tf o Bs(8vb) - > > 7 | Toms(8ths) v= a te but may-be [should have just stayed home... When 1 was a child 77 F Drier, #Cowbelgroove), VS. (fully Congas(cont.) (PLAY) jum -47-Keyboard Conductor LL, BREATHE In The Heights-Tour 8 wer wide awake, climbed to the highest place on ev-'ry fire escape, restless t0 climb. wIK2, Git Bs, Surdo ia a = lam bases ue OT eg no Ped. #1, aCe Cowbell (groove) sscho - lar «ship, saved ev dol - tar, the first 10 go. t0 college, how do 1 tell them why Eb smite 7 iey ——— = ie CD am =48-Keyboard [/Conduetor 12, BREATHE ln The Heights-Tour 3 192 1 Tm comming tack ——_home?. With my ewes onthe ho - E Sr oom a Ten(out) Gtr(out) f rit, Freely, colla voce me and the G as-king “Gee Ni-na, what'll you 41, Tpr(our) Gtr: Nylon. ‘Scrape V.S. (now) (PLAY) ava ~49- 1Keybourd L/Conductor Smile, wave goodbye 13, BREATHE, A tempo Straighten the a Ens (out) Solo P bs ‘The stand - ard and pray Bich 4 WiBs, +CongasiDrs.(time) ~50- In The Heights-Tour ws for the neigh-bors. —Ev-'ry- things Fe-ply:——— “Lots of tests, ots of pa - +208), Cu. Bhp Bstloco) ? ym. to the sky, Drs Pere (fll)Keyboard 1/Conductor |e 1 i Tet. ator what will my pa = ems say? e PGISONNY “1 know that tm 14, BREATHE USN/MSIMaNMs/M6: Ni In The Heights-Tour Can 1 go in there and say, CARLA/DANLAVA/WS: rit. 191 lecting you down. Congas(roll) ~ VS. [KI Tacet al fine] ~S1-Keyboard /Conductor 15, BREATHE In The Heights-Tour dad | Freely, col tea NINA: [=] Tempo 62 163 6a ug CLAUDL ae Maracas(time) | I 15 168 6 a Tall. 189 a +Tpt(Cup) Gte(out) ebm K2: Pro. ' Pe SEA eeu +Bs(6vb) Brenton) Applause | Segue wm pate:Keyboard 1/Conductor In the Heights Tour | 2A TO THE DISPATCH! CUE: Appliuse Segue na Sa D4 Salsa o=8i "Tre & : L wiGer. rhythm, eae | rc fine oy 7 i fF tt 7 Bs wwiConga: umbao 2-3, Timbales: edscara 2-3 KEVIN: *Ciento noventa y dos..” (in the clear) FL (CUTOFF) *"enta esquina, al frente del MeDonald’s.” F FS ——— Conga roll Ride CyrKeyboard Conductor way VS. >>> ~54— {nthe HeightsKeyboard 1/Conductor In The Heights 3 BENNY'S DISPATCH on CUE: CAMILA: “How much English did you speak when you started here? Benny is honorary Latino.” (KEVIN hands BENNY the radio.) GO) j BENNY: “Ahem, there's a new voice riding the heat wave today-”. BENNY: “I got your back.” | KEVIN: “Just get them from point A to point B.” {CAMILA and KEVIN exit} Moderato J =92 - Z _, Safety (GOON) Nov9pect- K2: Sub Bass : ‘wiShaker a ny -ss—Keyboard l/Conductor 2. BENNY'S DISPATCH In The Heights -Tour BH _ Oncue BENNY: 6 7 ° Check 1-2 - 3 ql This is Ben-ay on the dispatch. Yo! PLAVRIT] +tr. vol. swells % 5 Cymn. roll It’s Ben - ny, and Td like to mention T'm on the mic-ro-phone this. mocm-in' ¥ [2[Reggaetén ++Bongos o's Honk ya horn if you want itt © -kay,—we got traffic on the WestSide, Get off at SevemtyNinth, —and take the left side se, AAS i \ i rr < BOTH i. | fianos | ep EG = ‘wiBS. sir Bongos: time the ys best friend if you catch West End's Hins, i unKeyboard l/Conductor 3. BENNY'S DISPATCH ln The Heights - Tour \é Tights ‘And don't take the Dee - gan; Man-ny Ra-mir-ez i in town this week - end. K2: Sine-y Organ i ‘wiBs. sim. (seeing NINA) Sor ty Do-min-i-cans, take Route Figh-ty-Sev-en, you aint. gett-ing back in a-gain, Hold up a mvin-ue, FF (change patch) es Bs, Cym. roll Pop Ballad; L'istesso tempo BENNY: 2 Ni-myyou'e home today! _of your folks’ They're on —theit way! Its good to see—your face. Ben-y, hey. Acay igo, FfnPtaaasyKeyboard 1/Conductor 4. BENNYS DISPATCH In The Heights - Tour Hold up a mi “AWerwutl You used to run this dis-patch, right? Once— or twice. PLAY. wiK2, Gtr Sims Well check— the tech-niquet Yo! There's a traf-fic ac-ci-dent 1 have to men-tion at the in ter chm? WRhy. as before section of 10th Ave and the Jacob Javitz Conven-tion Center. And check it, don't get stuck in the rubber-nec kin’ on A um =58-Keyboard l/Conductor 5. BENNYSS DISPATC In The Heights - Tour Je 2 Hun-dred-Nine-ty-See-ond, There's a dou-ble-dec-ker-bus wreck! Now lis-ten up, we got a spe-cial guest! esa Brass K2: Organ Saar wi pedal live and di-rect from a year out West! Welcome her back, ‘cause she looks mad stressed! NINA: os Honk your | Brass 3, f | cracen Bs. Bari > lis!Keyboard 1/Conductor 6. BENNY'S DISPATCH. In The Heights - Tour horns snSiESS Shes smi - ling Say helo 7 W wiK2; Wurly 0's, Ami. Bs ite wiGtr, DrsiPere time a (We hear the cacophony ofthe most beautiful HORN CHART EVER WRITTEN.) NINA: 4 ® a LH. TACET] OF 7 tilr ple AREY. & Pop Ballad; L'istesso tempo (click out) NINA: I bet-ter find my folks. ™p (Hins. out) wi pedal im nf wiShaker 's am = 60Keyboard l/Conductor 17. BENNY'S DISPATCH In The Heights - Tour “, «7__BENN' “ o ‘Thanks for the Wel-come Wa-gon Anytime, Anny time, Wait here with xm? Ga of Finger Cym. IS getting hot out - side, — Tun up— the A Bs. K2 wiB.D., Bongos, Shake er N's ‘Tutti Rhy. a Applause segue 4Cym. roll aun -61-Keyboard L/Conductor 8, BENNY'S DISPATCH In The Heights «Tour VS. >>> any, -62-Keyboard 1/Conductor In the Heights : Tour | 3A, iAY, QUE CALOR! cur: poles -Seave A ENsenLe: BDRNET toma ( (SV) Hip Hop J = 108 f 2 AS fot Ton,” W/K2 (15a) 4G. shythin Fim? at Spl ++Shaker 2s, H Clap on 284 ‘a © [=] Double-Time; Salsa a it UU“ joan dt op” spmagam cate oh! A ot a a eo mis TACT) “= Fim? BODE ftp Po Pea Re Clave block swiCongas: tumbao 2-3 ano -63-