isa atk ELECTRONIC KEYBOARD Ca a CeContents arkansas Traveller ail ‘The lrish Washerwoman : ie Farewell to Lochaber ; or The Sligo Maid* ; re -rioso (from Cantata, BWV 156) : Bie ance ofthe Little Swans (from Swan Lake) ee ‘Jupiter (from The Planets) : i Theme from New York, New York. : mae ‘The NeverEnding Story : Clarke Mediterranean Breeze : Technical work i 6 * own interpretation Pease reef the Electronic Keyboard & Organ Syllabus 2019-2022 for detalson all sections ofthe inguin information on keyboard specification voices, volume and accompaniments ete, introsjennn pre-recorded material and registration facilities, own interpretation, chords, tempo and set o ings, use of Summary of exam requirements PIECES Cents arm coc hcet omamme of three pices, chosen from the complet ist inthe sylabus, An own ‘Composition may be played TECHNICAL WORK = Keyboard exercise ~ Either sales & chard knowledge or exercises SUPPORTING TESTS ‘Ary TWO o the folowing: ~ Sight reaging ~ Aural = Improvisation ~ Musial knowledge Every, elt Tint tts been megTRINITY COLLEGE LONDON Press 03 ELECTRONIC KEYBOARD es & Technical Work for Trinity College London Exams 2019-2022 GP ee sons GRADE Published by Trinity College London Press Ltc trinitycollege.com Registered in England Company no. 09726123, ‘© Copyright 2018 Trinity Colege London Press Ltd Second impression, June 2019 All pieces adapted and arranged by TCL Press except ‘Mediterranean Breeze’, by Joanna Clarke Uneuthorised photocopying is ilegat ‘No part of this publication may be copied or reproduced in any form or by any means without the prior permission ofthe publisher. Cover image courtesy of Yamaha Music Europe GmbH Printed in England by Caligraving LtdColonel Sandtord Fating, “ti ‘Accomp on a ending Play repeats in the exam, jece Please set up for the next Pi 2 cai 208 ty alge London Pres LiVoice; Resonance Lead Style 6/8 Motown Pop or 6/8 Ballad The Irish Washerwoman 80 “40 Trad. [Resonane a Fill to B Ab Gm Fm Fm ee & DS. al Coda FIIItoA nf ‘© Copyright 2018 Tty College London Press Ltd Please set up forthe next piece 3+ Harmonica, Bright Pad Country Waltz Farewell to Lochaber Trad, Fill to B Bright Pad) lth 3D a” A Fim Play repeats in the exam 4 cone 208 ty Cotege London ress tt Please set up for the next piece‘own interpretation* Voice(s): Style The Sligo Maid Trad. Jao e * Candidates should refer to the current syllabus requirements for own interpretation pieces. © Copright 2018 Tnty Coleg London Pest Li Please set up for the next piece 5strings Voices: English Hor, Bassoon (sounding an octave ower), Style: Orchestral Rock Ballad Arioso from Cantata, BWV 156 Johann Sebastian ax, Jeo (English Horn] Gm & FP got Bb © c F Gm? C7 F Fill toB Please set up for the next peVoice: Woodwind Section Style: 8-Beat Dance of the Little Swans J=80 Woodwind Section| 13 wp oy Se z Rhythm on from Swan Lake Peter lyich Tchaikovsky 10 A o ‘Accomp on, 7 1, F 3s (© Copyrigtt 2018 Trinity Cotoge London Press i Gm o —————_ ¢ Please set up for the next piece 7counding pitch), Strings (orchestral Section) Voices: Brite Organ (played at s Style: Waltz (Enalish) Jupiter from The Planets Gustav Theodore i Ist femora} ; GS Rhythm off mp 0 ae y Accomp off ae Syne start, B & & F ‘Accomp on Co y B Fm Cm Bb Gm 8 ©Copmat 2018 TrntyCotege London Press te Please set up for the next pieceThis page has been left blank to facilitate page turns| jig Band Brass, Sax Section (sounding an octave lower) Big Band (Medium) Theme from New York, New York ‘Words by Fred Ebb swing += 108 Music by John Kander (Big Band Brass] ae A= Fill toB Copyright ©1977 EM Una Cataog In {Untied Partnership Limited. THs arrangement Copyght © 2018 EMI Unart Catalog nc 10 International Copyriot Secured A Rights Reserved Used by permission o Hal Leonard Europe Limited. ra D pe” Fim 87 Em N —-_ +¥ Fill to A D 3 r—3—_ En! ar } Fill to B ey G Gm D Br Em? Fim? G7 AT Big Band Brass BAT D b. 7 (th) Please set up for the next piece 11—- ) t in octave lowe! i Resonance Lead, Overdriven Guitar (sounding ar sty UK Pop ~The NeverEnding Story Giorgio Moroder 20 Resonance Lead] mF Am 8 c Gas! G Dn__f = Am: G c Gest G Dm F B , Cm Cm? Aye 4 Bb c Gas G Dm Am G iTS B Bysuse) Bb Fm Cm Bb bom te = {©1990 Warner Bros. Muse Corp ipegranement © 2018 Warne Bros. Muse Corp, WarerChappe North Amerie Li W8 SDA, 12 _-AVRiGts Reserved Reproduced by persion ol FABER MUSIC LID. ond ALT gee FilltoB(Overdriven Guitar G —~—— yo Bm = : D.C. al Coda "1 ToRes. Lead Fill to. A, Repeat to fade Please set up forthe next piece 13Flute, strings. | | | Woices: Guitar (sounding an octave loner) Mediterranean Breeze [Aad] {FluteB E pe a D.C.al Coda Tootr Fill to A —= Rhythm stop Please set up for thenext piece 15Technical work Candidates pepe section tanto section 2x sectlon 3 KEYBOARD EXERCISE (music may be used) EYDOARDE span te Ls Hutte Bon don tnords IV. Vs notes sou ply oe ote akong seas athe RH accompa BY 1 Amo Garman mio and cok) oer the flowing: 2." SCALES & CHORD KNOWLEDGE (om mon) ~ Exits set 6M YAmaior Ane 1 Gino ana cheleo ethe harmon oF melodica no Rs lopli ¥ Sinan sale oA sae on woatoes| 8 | a ¥ Chromatic scale in similar motion starting on G and A fae ¥ Amor pentatonic ands separate sagt Ee $$ _ ees canciate choice 1 Gino pentane Fitony stag or sn9 » Boessce ong ‘candidate choke 1 creres nro potion rat nd second inversions Chord progression of LVIIV-V"t In the following keys: onion ante ie) main mine or S exencises tmasicmay be sed) Canddtes prepare althee eer. Candidates reo one execs to play est Eanes then eet oe ofthe ean two execs fo e performed 1 Niger Lease teyboard function evercse 2. Ravana Moonah alc everse 3. Minin vay Finisticerrese 1. Keyboard exercise ‘A major scale accompanied by LH chords I, 1V, V’ and vi A Fer ; a aa DIA j EuGt A * Chord Vay be played in pace of V" ie E/GH maybe played in pace of £68)eon minor scale accompanied by LH chords, iv, Vand VI Gn BIG ee cher + crond Vay be played in place of V" (ie D/FS may be played in place of D/F4) 2. Scales & chord knowledge major scale two octaves) ad i pe ae 4Mixolydian scale on A (two octaves) Dorian scale on G (two octaves) Vee 4 he ° Dat! 2srr ta nie scale (wo octaves) straight or swung ieeeret ct Pa S==— 2 ——— See = qt b¥ F chords In oot postion first and second inversions. a & ENG? 7/8 th e BIG: a eo rh or Ort OA © ‘Chord progression of I-vi-IV-V"-1 in A major th, * Chord progression of i-VI-iv-V"-i in G minor th o DvFe DIA