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Philippine Cinema Essay
Philippine Cinema Essay
In the same year, the Lumiere Cinematograph was first introduced in the
Philippines by a Spanish soldier named Antonio Ramos.
In 1940 The local audience embraced Philippine cinema’s focus on war and
heroism during this era.
In 1950: Regarded as the first golden age of Philippine cinema, major Philippine
production studios produced a slew of artistic and notable films in the 1950s,
some of which have been internationally acclaimed. One of the most notable of
these was Manuel Conde’s Genghis Khan (1952), the first Asian film to be
screened at the Venice and Cannes Film Festivals. At this point, the Philippine
film industry averaged about 350 films per year, making the Philippines second to
Japan in terms of number of film productions per year in Asia.
However, The year 1930s to the 1960s marked a period dominated by a studio
system. However, by the 1960s, this era ended, making way for independent film
productions. A lot of studio surfaced in this year like Metro Golden, and more.
In the early 1970s, propaganda films became rampant as the Marcos regime
strove to retain their control and power over the country. The government created
a censorship board that would regulate films and ban those that criticize the
administration. The second golden era of Philippine cinema transpired in the late
70s despite the government’s censorship mandate.
Philippine cinema has played a pivotal role in shaping the nation's cultural
identity. Films from the 1930s onwards have influenced Philippine culture,
creating a symbiotic relationship. The emergence of transnational cinema has
taken Philippine films to new heights, exploring potential collaborations and
global perspectives.