N Opening Act One — part one “Another Op’nin’, Another Show” (Hattie, Wardrobe Lady, Stage Doorman and 3 Stagehands) th (4 3] Cues (The howe Has din) (STAGE DOORMAN enters). JE!“ rcety (nea 72) ‘Orch. tune up \__ STAGE DOORMAN ws (Electrician) (STAGEHANDS enter and prepare in feeloaing nef te new show.) ee nin’, an = oth = er show . su + u (Ast STAGEHAND turns: light and ares Cages)5 +2 - Opening Ast One = pst one 2nd & 3rd STAGEHANDS (Crpeter& Asst. lectica] op’ - nin’, of an - oth - er BP iin p—=) e Pre, Sa. suas 10 Bech pot (STAGEHANDS welcome HATTIE back other theatre. WARDROBE LADY enters) [29] Bouncy two (J=132)3 Opening Act Out ~ prt one ch ize. Bek Pi Os, 820, Fa, wri gpd Pipe Pree pr? warpropetapy “(4% z 00d a "A chance for stage— folks to ‘A pee ENae re J for - get your past,—(9) srr out o’ the ees £6 wt Pi crese- cn BC, Pro, Bs, Ors 5 Opeiag Act One pa one worse, (eo. WW. * ale RE SCL. Hn Ton} VenBs, Pio.) 6 -Openlag Act One pat 0 [85] parte is a - bout to start, You Over - ture DOORMAN & 3 STAGEHANDS — = ture— Vr ron z IF 2 st sub cresc. poco a poco| } mp%\*""* Bsc, Pro, Bs rs ues ope aR. Fano Conductor(The other members of the COMPANY, —'t except the PRINCIPALS, enter from upstage.) <7 - Opening Ast One pat on the 197) qatziecepe ktm er) He. Hae fers) (lark Tree oles, Hp. ad F scale iss) ww. ‘Ao, B.,Hn., Pro. +. tram. ” Ao. la Opening Act One — part two “Another Op’nin’, Another Show” (Hattie, Paul & Ensemble: SATB Chorus) +: (Attacea from No, 1 Opening Act One ~ part one) [109] Listesso tempo (1-182) mee aon sas - oth - er op’ - nin’, an-oth - er show— r Mes2 - Opening Aet One pat v0 ———- at last, Sova SH vy es your past, (PAUL enters.) Sie.” ppd v an (choke Om) YOR. Pano Concer(141) He 3 Opening Ast One pat 0 HATTIE Four weeks, you re - hearse and re - hearse, (WOW. Vr sus) Ww. mut Te hy. nf r 7 i PAUL ind i i weeks, it couldn't be Worse, raunchy” (ow. out) we wa ‘Three (vn. a. sus) nf Va, To, = One week, will it ev-er be right? Then FL I erese. poco's a[157] “Opin A Oman Vi va" sub mp cresc. poco a poco (eater 16) Bact Ton. Ve, r r r r your fin IR Pano ConductorNo. 1b Opening Act One — part three “Another Op’nin’, Another Show” (Orchestra) +: (Asacea from No. 1a Opening Act One ~ part two) L’istesso tempo (d~132) (RALPH, the Stage Manager, supervises the loading in ofthe properties for the new show. STAGEE ‘arrange scenery, lighting fxtures, costumes, etc. in their proper storage sequence. The arriving COMPANY greet each other and prepare for the rehearsal to follow) Se, Koa. 488 SK =~ Tn Te, Be.tn Sof 7, q I I ! roo Bs, Dre, LH. Pro. (Some of the GIRLS use an area upstage ofa large flat from the loading in as an improvised temporary dressing room.)<2 Opening Act One ~ pr tee ” — 1 ‘RALPH: (admonishing STAGEHANDS who have stoped work ory Pod a “Menoae acmenee kee 7 A Br, Hn, << Attacca Bast, Toe. Bs. (Ors)18 No. 1c Opening Act One — part four Overture (Orchestra) Cue: (Attacca from No, 1b Opening Act One ~ part three) ‘Allegro (=132) [in four} 5 “aes a2 a.c.5e im? (my * (the pit orchestra rehearses the “Overture” forthe new show os vo M several members of the COMPANY come downstage to greet —S> ——__—_—. Jamiliar musicians inthe pit and listen (o the orchestration.) = ——> a y : Smee Double time, bri; l= : niet S38, Pro. ~ nf i — 2 ¢ (LOIS LANE enters — to the immediate attention of the STAGEHANDS.) [17] a. X ‘Sa IR Piano Condor 2)nese. eh ist POSE. — lth) ap wo oF F GILL CALHOUN enters and ransacts some clandestine bettig [33] __ Sly wt one of be STAGEHANDS before greeting Los Lane) om (4010) --~ af fy Pro. ne if To a IR. Pano Conductor (ors. soon)Py 9 Opening At One = prt four straight elghths [56] Brighter two =. 8r,Hn. Se ef’ cresc. |[tobar 63) A ett t Bart, Ve, Bs, Pro, Sl bly Liistesso tempo — 80.0) IR. Pano Conductor4 Opening Act One par four a1 [64] Wattx¢ fom (LILLI VANESSI, the star, enters to great attention) Fy: Pro. Ba, Or, “Vianise Wate2 = 5 Opening Act One - pa our rall. [92] Romantic (d= —S m2 Berl Oo eehie Avr BOL, Ve gf ick, warm sound) Hn, Va ty: Pro, Bs De. whrushes (Left alone for a moment, LILLI observes the scene around her reflecting on happier days inthis theatre) 2.0.8 = cresc. poco a poco IR. Pane ContactorN Opening Act One - part five “Another Op’nin’, Another Show” (Hattie & Ensemble: SATB Chorus) Cue fom. Oeting At On peo) DANCE CAPTAIN Oty ats Ltt eet ' case Cpe itesk se og Ricker. Brightly (J=184) Sol ‘rahoarsa Piero atic ‘we go, five, six, ight -k-one-two. sod 7 ‘9m 4 LE sipecipi Smt [5] (The COMPANY dances.) #84, Des. WH tne-2- Opening Act One pat five Slower, strip tempo (4=96) [21] fat onde) stake Sf wat__wa dot doo _wa rt ea in, Va, rf ri me Te 7) Myatt O° contra treaty PANG en Rea Dorcas aah Test ee mee AP straight eighths ' A R- Pano Condor Bat, Be, Oye[31] +3 Opening Act One ~ par ive (COMPANY dance rehearsal continues.) ‘A, Br, Bal, 48 Vas. un. “rong Sot af (Gal Tre, ‘atchet cust) LH Pro Bs aR Pano Conductoroe = Openag Act One pat five oe sto Tos = _—. Ge | GR Pane Cotcoroping het On pat re 2 [63] Ensemble: SATB Chorus] re ALL (except HATTIE) unison Four weeks, could - n't osu. 2 (ce Sx, aust th bar 72, ‘KIR- Piano Condor8 Opening het One = pave (HATTIE moves among the dispirited COMPANY crying fo soe 7 1) = > On Cue (J= You cross your fin-gers and hold It’s cur-tain R-Pano Conductor= 10-Opeing Act One par ve1 Opening Act One — pat ve 3