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MaximGorky 10042474
MaximGorky 10042474
H I S L I F E AN D W R IT IN G S
E .
J . D I L L ON
LON D ON
I SBI STER AN D C O M PA NY L I MIT ED
1 5 6°
1 6 TAV I S TO CK S TR EE T C OV E N T GARD EN
19 0 2
V L AD I M I R
C O N S T AN T I N E DILLO N
T H E FO L L O W I N G P AGE S
AFFE C TI O N ATE LY
DED IC ATED
C O N TE N TS
C H AP .
I . H Is UP -
B RI I N G NG
GO R KY I N TH E D E P TH S
GO R KY E ME RG E S
S O ME E X T R I N S I C C AU E S O F H s POPU L AR I T
S I Y
GO R S E TT L E S D OW N
KY
TH B AR E OO T B R I GAD E
E F
T H O VE R T R AM
E -
P
VI I I . H E AR T A HE -
C
T H E C R E AT R E S W H O ON C E W E R E
U
L OVE OF LI B E RT Y
G o R KY’ s ART
R SS I ON I S M
I MP E -
XI I I . HIS E TH S IC
BI I OG RA H I C AL
BL P
C H APT E R I
H IS U P B R IN G IN G
-
G OR K Y .
, ,
’
himself when in Abraham s bosom would not
, ,
j y
o by the greatest R ussian poets and raised ,
M A X I M G O R KY
by his critics to the level O f a genius the so n
O f an illiterate cabman w ho b y dint O f hard
,
p g t e ,
,
’
mother s side equally quick witted and far
,
-
6
H IS U P -
B R I NG I NG
candidate fo r the Presidency O f the Guild after ,
”
On e o f the c hi ef ch aracters in Fo m a Gord yeeff .
M AX I M G O RK Y
8
HI S U P -
B R I NGI NG
had he been W i l ling t o take a helpful interest
,
A sist er of in Fo m a Go rd ye efi .
9
M A X I M G O RK Y
I O
M A X I M G O R KY
of his father s life which was being kept
’
12
—
H I S U P B R I NGI NG
’
who has carefully read Gorky s own writings
would hesitate t o assume—what we know
from his autobiographical notes —that among
the books which made a lasting impress o n
the tender mind o f the b o y at that turni n g
point in his career were the works Of the
,
I 3
M AX I M G O R KY
14
H IS U P B R I NGI NG
-
“
graphical ske t ch w a s the hardest kind of
,
l“
One ”
he lets the light of day shine into the
Cimmerian gloom of the stifling hole in which
h uma n b e ings are sweated to death fo r
Written in 18 99 .
16
H IS U P -
B R I NG I NG
the enrichment o f their heartless fellows An .
-
-
“
We were stifled and crushed living in this
stone b o x under the l o w heavy ceiling which , ,
’
before we had had a night s sleep and at six ,
18
M AX I M GO R KY
w ho is turned ,
as it were t o stone
, whose
feelings are all crushed o u t of him by the
overwhelming weight o f wo rk S il en ce ,
stone prison .
, ,
2 1
M AX I M GO R KY
satisfactorily e x plained .
, T hey
are ever toiling F o r what ? N O o n e can
.
2
3
M AX I M G O R KY
”
men curious diseased natures most of them
, ,
2
4
H IS U P -
B R I NGI NG
Men . And yet even those outcasts are
sometimes idealised beyond measure their ,
’
yet Gorky s knowl edge o f these human
wrecks was both intimate and extensive ,
2 6
M AX I M G O R KY
’
down dead I shouldn t heave a sigh I t must
, .
2 8
G O R KY IN THE D EP TH S
’
K o n o v alo ff s views o n his o w n living and work
ing are peculiar fo r unlike those of most o f his
,
29
M AX I M G O R KY
30
GO R KY IN TH E D E PT H S
call ed them .
“
They repaid o u r hospitality with narra
t iv e s wherein tr u th—but horrible soul searing
—
-
sign.
3I
M AX I M GO R KY
”
E very man he tells us w ho having
“
, ,
33 C
M AX I M G O R KY
34
M AX I M G O R KY
36
G O R KY IN TH E D EPT H S
justice and all the other abstract nouns wor
,
37
M AX I M G O R KY
”
H appened once in Autumn yie lds so many ,
translating it as it stands .
IT H APPE N E D O N C E IN A UTUMN .
“
During the first days of my soj ourn I
sold every screed of my costume which I
could possibly d o without ; then I left the
city and betook myself to one of the outskirts
ca lled the estuary studded over with l anding
,
“
S pl a shing about with my feet in the wet
,
—
alway s better and more wholesomely fed than
that of the citizen who has had his fi ll there
in truth is a p roposition from which o n emi ght
39
M AX I M G O RK Y
“
A boat upside down with shattered
bottom and trees wretched and ancient trees
, , ,
40
l
GOR K Y I N THE D E PT H S
from above the heavens shed endless tear s .
“
And at that time I w as just e ighteen
ye ars old a promising period of life !
,
41
M A X I M GO R KY
’
stall that s doing bus iness still .
’
42
MA X I M GO R KY
44
GO R KY IN TH E D E P T H S
Take it !
’
“
At my feet rolled a round loaf of bread ,
stormy .
’
“
S ee here s an upturned boat over
,
’
yonder shall we go there ?
. Yes ‘
,
’
come And we went breaking our booty on
.
,
45
M AX I M G O R KY
respect.
’
n o t say why N atasha she replied shortly
.
, ,
m u nching sonorously .
“
The pelting rain pattered against the
planks o f the boat unceasingly the even ,
a long dra w n -
46
GO R KY IN TH E D E P T H S
“
The accommodation under the boat w as
devoid of anything like comfort ; it w as
cramped and clammy and through the chin ks
,
47
M AX I M GO R KY
not
I t was she w ho at last broke the silence .
‘
Oh what a cursed life ! she e x claimed ,
48
GO R KY IN TH E D E P T H S
“
Who has been beating you ? I inquired
‘ ’
“
Oh it s al w ays that Pashka
‘
,
’
she
answered in a sonorous and even tone of
voice .
And w ho is he ?
‘ ’
My lover a baker
Does he often beat you ? ’
49
M AX I M GO R KY
‘
carry on with other girls to her face , .
‘
Do you think that does not gall me ?
Am I worse than the o t hers The truth
is he sco ffs at me the blackguard W hy t he
, , .
,
Ab o u t thir ty shil l in gs .
50
M AX I M G O R KY
“
And yet all this wrought u pon me an
e ffect more thrilling far than that of the most
eloquent and suasive books and speeches of
a pessimistic drift of which I had heard or
read a fair proportion before and do still hear
,
52
G O R KY IN TH E D E PT H S
“
And almost at the same moment I w as
aware o f t w o little hands in contact with m y
self one o f them was laid lightly on my neck
, ,
reached my ears
’
What s wrong with you ?
I would fain have believed that the query
w as that of some other person than N atasha ,
,
’
world like a barn owl -
Why ever didn t you
tel l me long ago that you were frozen
J ust yo u lie down o n the ground stretch
’
yourself out at full length and I ll lie
down see N ow put your arms round
me tighter . N o w you ought to
feel a bit warmer . Afterwards we can
l ie back to back We must do our best
53
M AX I M G O R KY
’
doesn t matter .
“
S he w as giving me the cordial o f com
doing her best to cheer me u p .
a l oss t o know ho w to do it .
dream .
“
And then a torrent o f tears flowed from
my eyes sweeping away from my heart
,
’
With God s help everything will right itself
’
and you ll get some work t o do again ’
kisses .
“
T hose were the first woman s kisses
’
’
N ow don t go on sobbing like that y o u ,
if y o u h ave no p lace to go to as if in a ’
56
GO R KY IN TH E D E P T H S
“
And when the broad light of day was
flooding the sky w e crep t from under the
boat and wended towards the city .
su ffering t o he r soul .
“
in the madness of despair Gorky resolve d,
57
M AX I M G O R KY
“
serious and having been l aid up in co nse
,
q u e n ce
, he remarks as l ong
, as w as proper ,
61
M AX I M G O R KY
,
-
62
G O R KY E M E R G ES
him as clerk and treated as a pupil and a
,
“
stricken youth who had been through fire
and water and survived the ordeals evinced ,
o n his education .
65 E
M AX I M G O R KY
66
M AX I M G O R KY
IN TH E S TE PPE .
l A to w n o f
' ‘
so m e b
4 0 0 0 in ha itan ts i n th e Go ve rn m e n t
of Tavrid a ,
b etw een the Gu l f of S ivash in th e S ea of
Az o fi
‘
an d t he Gu l f o f P ereko p i n t he B l ac k S ea .
69
M AX I M GO R KY
“
There were three o f us all told and our , ,
—
“ -
70
GO R K Y E M E R GE S
’
m an s word o n trust at least outward l y ; in
,
, ,
“
The soldier was dressed in a blouse o f
red fustian of which according to his own ,
’
own hands in K herson ; over t h is blouse
he w ore a warm wadded vest his h e ad gear -
bare .
“
The warrior marched sin ging in a some
73
M AX I M G O R K Y
’
surrection do we chaunt and praise When .
tender rose .
’
I t s clear that those are the Crimean
’
mountains remarked the student in a
,
‘
,
’
grating voice .
smothered I n milk .
74
M AX I M GO R KY
“
N one the less we still kept pushing for
wards describing to each other our sensations
, ,
—
and five water m elons but then we had
,
roots
78
G O R KY E M E R G ES
But there were n o s uch roots t o be had
in the black ploughed soil And meanwhile
, .
steppe .
, , ,
’
man lying !
A man
‘
whispered the soldier doubt
fully . What would he be lying there for ?
‘ ’
mination exclaimed : ,
Let us make for ‘
’
him !
“
N one but the keen green eyes of the
student could have recognised the form o f
’
79
M AX I M GO R KY
motionless .
,
’
“
Then he broke silence speaking in a ,
“
We pulled up as if in obedienc e to a
word Of command and for a fe w s econds ,
friend l y reception .
80
GO R KY E M E RG ES
Ho !
’
ej acu l ated the soldier who had ,
’
you on l y l et s have some b read to
eat will yo u ? Give it brothe r fo r Christ s
, , ,
’
’
A l l right said the man laconically
‘
, .
“
W e are peaceable men
‘
8 1
M AX I M GO R K Y
to it .
got no more !
’
As soon as the student had gathered ‘
Tak e this yo u
‘
you take this ,
’
that s not fair ! H ere you scholar ! yo u , ,
82
M A X I M G O R KY
The hell —
.
‘
hound has got suet there still ,
Who is he anyhow ? E h ?
,
’
H e s a dog the soldier declare d in a
’
tone of conviction .
of life or movement .
“
N ight ha d gathered ro u nd us her wealth
of gloom The silence o f the grave hung
.
84
G O R KY E M E R G ES
’
heaven s living flowers glistened over o u r ,
deadly wound .
‘
Y e s let s go
, exclaimed t he soldier
’
,
’
.
,
‘
student lagged be hind us
’
.
85
M AX I M G O R KY
’
The student
’
you devil I ll pummel you ! ,
’ ‘
rattle of death
What sort of a devil is he ? wondered ’
j u bi lation .
“
And we began to eat again in silence .
darkness .
86
G O R KY E M E R G ES
We shuddered at the sound all three of ,
“
The soldier having chewed his mouthful
,
!
‘
Ah you soul o f a hound may you split
, ,
“
And he wen t on pouring out invectiv e s
and eating ; wherefore his abuse lost all its
expression and force .
’
Y o u j u st wait a bit until we ve finished
’
eating and we ll settle our accounts with you ,
’
’
promised the student with malice
‘
“
And then the silence o f the night w as
broken wit h a woeful whining that terrified
us
B rothers how d id I kno w ? I
fired because I w as afra id I am on .
”“
my way from N e w Athos to the
The na m e o f a m o n as ter y .
87
MAX I M G O R KY
’
I was a carpenter there t hat s my
trade .At home I have a wife a nd
student .
’
’
o u think I d have fired on you ? B ut here
y
in the steppe brothers in the dead of the , ,
night a m I to blame ? Eh ?
’
.
soldier contemptuously .
’
H e s certain t o have money on him ,
’
“
The sol d ier blinked his eyes turned them ,
.
‘
88
GO R KY E M E R G ES
cute one But look here let us up and
.
,
“
And what about him ? inquired the
‘ ’
’
‘
st u dent .
“
Oh the devil take him ! Y o u don t
‘
,
’
“ ’
Well it wouldn t be m ore than his
‘
,
’
deserts re p lied the student w ith a shake
,
‘
,
’
u
p the narrow space occupied by ourselves .
’
Brothers the carpenter called out
,
’
Crawl up here
‘
sai d the student ‘
patronisingly .
“
S lowly as if he feare d to lose a hand or
,
, .
90
M AX I M G O R KY
’
hear his teeth chatter T h e st u dent was .
‘
‘
What a night ! eh ? N O end of stars
lukewar m air I t w as he who
.
92
G O R KY E M E R G ES
about the ea rth and knuckle down to no
man . Y e s ! A nd my heart feels light .
’
you ll get into Perekop to morrow and yo u
can buy some there—you have cash about
-
93
M AX I M G O R KY
’
Make h aste March !
Gloom and dismay were written in his
face I looked all aro u nd me The sun had .
’
Of course he s dead And you d be dead
.
’
he expl a ined .
H e w as Th e studen t
ejac u lated .
94
M AX I M G O R KY
,
.
daughters I observed .
’
of this Oh t hey ll grow up and get ,
are w e to go to ? ’
’ ’
I haven t an idea I t doesn t matter . .
’
,
’
that it doesn t signify Let us turn to the
right—the sea ought to be over there
-
.
’
.
,
’
96
GO R KY E M E R G ES
worse year after year worse and worse re , ,
’
“
I m dying fo r something to munch
‘
,
‘
Wh a t shall we eat to day and where ,
and ho w .
’
A puzzle .
adding
That s all That soldier and I became
’
97
M AX I M GO R KY
I inquired
As you see —
.
“ ‘
or rather as you have
.
heard .
H e began to laugh .
‘
Why how ought I to feel about the
,
—
thirst for rapid change in time H is idea .
’
Oh that s y our name is it ?
,
’
N o it is , ,
p u blished in 1 8 9 3 .
, ,
,
y a m an
. .
1 02
M AX I M GO R KY
”
“
Th e S ong of t h e Falco n On a Raft ,
“
,
”
To While awa y the T ime I t H appened
,
”
the dom ain of Greater Literature Gorky
“
,
“
and consisti ng of comments o n the burnin g
”
topics of the day and in the following year
,
”
World S orrow K o n oval o ff
, and ,
104
G O R KY E M E R G ES
which his admirers dignified with the n ame
of novel appeared a fe w years later under
,
1 8 99.
10 5
C H A PT E R IV
S OME E X TR I NS C I CAU S E S OF H IS
P OP U L AR I TY
MAX I M Go v ’
ame w as filed o n the bead
s n
many spoke
devoutl y of the immort al genius—w as the
.
106
MAX I M G O R KY
“
the Conservatives the cream of the aris,
”
tocracy went out of their way to laud the
,
’
links all Gorky s heroes together the Western ,
1 08
C A U S ES O F H I S P O P U L AR I TY
bearer of
revolt against society and apostle of class
hatred “
M Gorky is the onl y artist in
.
I og
M AX I M G O R KY
”
of R ussia the third and youngest political
,
1 10
M AX I M G O R KY
”
H e w as invited everywhere an d lionised “
,
1 12
C AU SES O F H I S P O P U L AR I TY
tion o r a s ch o ol of a r t
,
.
1 13 H
M AX I M GOR KY
.
, ,
M a rxists .
1 16
C A U SES O F H I S P O P U L A R I TY
—
freeing itself from the network of burea u cracy
ever striking o u t an independent course of
its own and many are the pan a ceas for social
evils which it has hai l ed with confidence
and then turned from again in disgust For .
1 17
M AX I M GO R KY
H ence the most zealous among the apostles
of this strange t eaching abandoning all they ,
1 18
M AX I M GO R KY
, y.
.
I 20
C AU S ES O F H I S P OPU L AR I TY
w ho having dropped O
,
u t of the ranks were ,
Tu t tut !
’ ’
man s l ife . Y es ! I n books ,
12 5
M AX I M G O R KY
, ,
12 8
G O R KY S ETT LES D OW N
12 9 1
M AX I M GO R K Y
13 0
M AX I M GO R KY
13 2
G O R KY S ETT L ES D OW N
symptoms su gge s
tive o f incipient consumption are sai d to
have been observed—w as set free by the
police a n d his requ e st that he might be
,
”
Pe s hko ff . H ere replied Gorky
,
Are .
“
e sh ko ff
”
P ? they asked I myself
“ ”
o u
y .
,
I
34
M AX I M GO R KY
half—
, ,
of
I 37
M AX I M GO R KY
—
aside for a moment from the pursuit of his
o w n ideals ideals which his best friends find
it impossi b le to realise and di ffi cu l t to grasp
in order to lend a hand in accomplishing tas ks
more feasible if less glorious the uprooting ,
m em be r.
1 8
3
M AX I M GO R KY
‘
TH E PR OC E S S I O N OF S H AME .
howl .
“
A crowd of peas ants is marching fo rwards ,
“
Bound with a thong to the fr ont of the
c art is a woman sm all and almost wholly
,
1 40
G O R KY S ETT L ES D OW N
“
The legs o f this female well turned and
,
“
On the cart stands a tall peasant in a
white blo u se a n d a bl a ck s heepski n cap from ,
14 1
M AX I M GO RKY
’
one ! ha ! I sn t that right brothers ? ,
’
142
M AX I M GORK Y
Vyvo d .
144
C H AP TE R VI
TH E B ARE FOO T BR I GAD E
TH E ground colour o f Gorky s paintings is ’
, ,
14 5 x
M AX I M G O R KY
nise themselves .
1 46
M AX I M GOR KY
suicide .
’
Manhood s stamp may have been defaced
or rubbed out of the souls o f these sa n s
eu l ottes but they are still at least a portion of
,
148
TH E B AR E F O O T B R I G AD E
every extreme of su ffering every degree of ,
,
-
1 49
M AX I M G O R KY
u
p t o the caress of the breeze or to listen with ,
, ,
besiegers .
the
craz y millionaire ; t he unfrocked clergyman ,
I 53
MA X I M G O RKY
1 54
M AX I M GO R K Y
u
p for them by an E ternal presence .
,
.
’
to disgust them with the w anderer s wallet and
staff to arrest their d ownru sh to ruin
, .
I 56
TH E B AR E F OOT B R I GAD E
stand the temptation t o go tramping with the
barefoot brigade H is lot would seem more
.
“
Don t ask me I tell you ! I t isn t in my
’
,
’
“
couched in similar phraseology : N o sa y ,
I to o
I S7
M AX I M GO R KY
’
But go I will because t h ere s something
,
’
he s a lost man .
and
“
h e afterwards a ss ured his friend Gorky ,
15 8
M AX I M G O R KY
lows “
W ander and look about y o u and ,
1 60
TH E B A R E FO O T B R I G AD E
“
When yo u behold the forest outspread
'
1 61
M AX I M GO R KY
1 62
M AX I M G O R KY
1 64
T H E B A R E F OOT B R I G A D E
1 65
M AX I M G O R KY
g , .
1 66
M AX I M G O R KY
o f sectarian sanctity .
1 68
TH E B AR E F OO T B R I GAD E
cargoes going down to Astrakhan in spri ng .
1 69
M AX I M G O R KY
of hunger in priso n .
17 0
M AX I M G O R KY
Russia .
,
17 2
C H A PT E R V I I
TH E OVE R -
TR AMP
C H E LK AS H , MA K AR C H U D RA ,
D AN K O
’
G o RK v Barefoot B rigade a survival of an
s ,
176
TH E O V E R -
TRAM P
has been a fa m iliar theme of legendary story
and historical narrative the well known figures
,
-
Th at judgment however is , ,
S kab ichevsky , S t . P e te b u g
rs r , 1 89 9 .
17 8
M AX I M G O R KY
were not of iron but were sensitive to the ,
180
TH E O V E R TR A MP-
184
TH E O V E R TR AM P -
somewhere ! Oh oh o h ! I am lo ost
, ,
-
I am ruined
Next morning after the silk had been su c
ce ss fully stolen and profitably sold and the
h
were to be asked out anot er time ? Eh ?
“
Another time ? Y e s well that ,
, ,
’
adds . Y o u shall have your share I ll .
'
I ll give them no w ? I f it s no offence to ’
That s bad
’
he exclaimed . S till wh at .
,
186
MA X I M G O R KY
’
of knocking out his comrade s brains with one
of t he oars seizing the money a nd hurling
,
u
p the cudgels for him Give back the
money shout e d Chelkas h seizing Gavrila
, ,
18 8
TH E O V E R TR AM P -
, ,
’
at his comrade s head Chelkash fel l sense .
—
’
kissed C he lkash s hand But the fierce soul .
’ ’
I don t want them there s misfortune in
them .Chelkash pulled out the notes and ,
Take them a n d be o ff he
”
the peasant .
,
sa id .
“
I cannot take them brother I , .
”
can n ot ! Forgive me ! But the strong
Then I l l
’
m an i n sists Forgive me . .
189
MA X I M G O R KY
’
Y o u h a ve not worked for nothing Don t .
avrila ,
”
Forgive me brother cried Gavrila , ,
away .
“
I t s all right ’
coldl y answered ,
”
19 0
MA X I M G O R KY
C h ud ra .
—
-
, ,
M AK AR C H U D RA
.
N
19 3
MA X I M G O R KY
, ,
” “
many a brave fellow she tells him but , ,
‘
on "
196
TH E O V E R TR A MP -
’
don t waste y our time I have spoken . .
, ,
yo ur submission to me as a y outh to an
elder comrade Y o u shall bow down before
.
’
each other s eyes Loiko himself quietly
.
“
“
Well ? cries Radda to Loiko
”
Wait a .
’
“
bit he replies with a smile
,
”
don t h urry ,
.
I 97
MA X I M GO R KY
spoke ° ‘
Farewel l Loiko ! I knew you
,
19 8
MA X I M G O R KY
”
a t his heart bur n e d with r age at their black
ingratitude but pity fo r the people quenched
,
, .
’
Iz e rgil were typical specimens of all Gorky s
writi ngs as they incontestably are o f many
, ,
Cf , fo r in stance , “
Ab o u t t he D evil ,
” “
Once m ore
ab ou t th e D evi l
” “
, The R ea d e r, &c &c. .
_ 2 Oi l
C H AP T E R V I I I
H EART -
AC H E
’
THE R E is one element in Gorky s conception
“ ”
o f the creatur e s who once were men
which whether common to them all a s he
,
20
4
H E ART -
AC H E
fo r co ope ration paralysed in consequence
-
“ ”
Down to this very moment cries the ,
l
'
dr unken cobbler O fl r, o
“
I l o ng to dis
,
’
the whole universe to d ust or I d gather
together a gang o f comrades and cut the
j ews to pieces
’
every mother s son of
’
them Or I d do anything else whereby I
.
—
I would strangle every one of them
Anothe r time in a mood this time o f
“
The C ou pl e Orlo ff .
20 5
MA X I M G O R KY
2 06
M AX I M G O R KY
says to
,
be transformed into d u st and
scattered o n all sides by the winds of heaven .
it
The o l d Wo m an I z ergil , p . 1 14 .
208
H E AR T -
AC H E
mo n ey nor women nor honours
, I n life , .
, ,
su m y
p la ed fo r is a pe n n , y se ve ra l p ou n d s m ay chan e g
o wn e rs i n l ess than an hou r . This ga m e i s o n e o f th e
g
scour es o f c o n te m p o rar y Ru ssian so cie t y .
2 09
MA X I M G O R KY
Tu rghe n ie ff s sketch
’ ”
The Desperado
, ,
heart ache
-
.
2 10
MA X I M GO R KY
,
’
’
they j ustify their drone s life of idleness and
indulgence at the expense o f the mode s t ,
, ,
’
Orloff and indeed of many other of Gork y s
,
”
, ,
, .
2 14
MA X I M G O RKY
This new
”
wine half a dozen bottles !
enigma renders the whole problem of human
existence more puzzling than before ; heart
ache becomes more acute than ever and ,
’
every care and here am I healthy it s ,
“ ”
exclaims I d do for t he tight b e llie d d evil !
’
“
What ? H e is starving is he ? Good ! ,
”
made of w heat and for his o w n particular ,
2 17
MA X I M G O R KY
’
idea fostered by many of Gorky s admirers
, ,
2 18
MA X I M GO R KY
“
approach t o great ach ievement which nearl y
all Gorky s heroes are lo nging to accomplish
’
.
2 20
H E A RT -
AC HE
The criminal s are not sensitive be ings tende r ,
—
light in the squalor and misery of his existence ,
”
t ainm e n t .
222
M AX I M GO R KY
2 24
C RE A TU R E S W H O O NC E W E R E ME N
but he l acks the energy to make the needful
effort H is so u l is consumed b y weariness
.
,
“
claims K o o v al d a their spokesman without
, ,
”
any su ffi cient justification H atred of those .
p
22 5
MA X I M G O R KY
e x schoolmaster
-
and present reporter is ,
t o eac h ot h er or l istenin
g to the j ubilant
2 28
C RE ATU R E S W H O O NC E W E R E ME N
b ow l of the wind and pondering in their
minds the while over the ways a n d m eans of
stilli ng their thirst for vodka o f gulping it to ,
s id e ra b l
y less than that of the normal human
being I ndeed Gorky s army o f the living
.
,
’
2 29
M AX I M GO R KY
2 30
MA X I M G O R KY
salt works .
’
All right go
‘
b u t shall you manage
,
in my direction .
means .
’
N ow that s business
‘
, l et us be
’
moving ! ’
’
cursing won t mend matters .
’
“
Where are we going to ? To the salt
works is it ? ,
’
go .
, ,
Why not ?
‘
2 33
MA X I M GORK Y
’
far as the fisheries and we ll help the fishers
,
—
brother nothing will come o f it for you or
, ,
“
H e rose up, wet from head to foot ,
and
emptiness is all that I have to show for it .
2 34
MA X I M G O R KY
’
ha ! I d do for the tight bell ied devil -
‘
What ? H e is starving is he ? Good ! ,
2 36
C RE A TU RE S W H O O NC E W E R E ME N
Why is there no bad harvest in all the other
empires ? Because there the people h ave ,
“
A wave caught up the dirty little bag ,
I began to laugh .
2 37
MAX I M GO RK Y
What are you showing your teeth for ?
and they cal l t h ese fello w s people ! he
cons boo ks and even carries them about with
’
fou r eyed bogey !
-
“
T hat shaft was aimed at me and from the
fact that E m e l yan had called me a four eyed -
’
inst ead o f thou and in a tone vibrating
‘
,
2 38
MA X I M G O R KY
a n d close
’
to my nose was held E m e l yan s impressive ,
R ights indeed !
E m e ly a n frowned burying his eyes deep ,
tobacco M ichael ! eh ?
,
’
“
M ichael lo oked up to heaven obviously ,
G oo d d ay he exclaimed
’
‘
, Where are .
you going to ?
2 40
C RE AT U R E S W H O O NC E W E R E ME N
To O cha ko ff
’
for salt .
come
“
We answered nothing seati n g ourselves ,
’
How s that Y o u ought to smoke
’
.
“
The shepherds shuddered and jumped
up cl u tching their long staves and standing
,
shoulder to shoulder .
241 !
MA X I M G O R KY
beg is it
, All right then you may
.
,
your w ay !
“
The de v ils of little R ussians were S h (
ing fight o f that I had not the faintest d 01
E m e l yan judging by his tightened fists 2
,
“
M ichael looked at N ikita N ikita ,
’
M ichael s hand dived into the pocket of Z
tunic drew forth a bulky pouch and II !
,
tobacco ! ’
Good b y e
I muttered my thanks .
2 42
MA X I M G O R KY
’
haul you o ff you little Russians
,
And hav .
‘
S hall w e push on fu rther or spend the ,
night h ere ? ’
’
“
I felt too lazy to continue o u r march Let s .
’
pass t h e night where w e are I decided ,
.
‘
Well then be it so
, , and he stretched
himse l f out at full length upon the earth ’
d e n ly e x claimed E m e ly an .
’
Don t go on jabbering like that I broke ,
’
in testily.
? That job
’
j
“
abbering ! Who s jabbering
will be carrie d out you may rely on my con
,
2 44
C RE ATU RE S W H O O NC E W E R E ME N
’
than a dog s fo r I have not a coop or crust
,
’
you care to hea r ?
“
I signified my assent and E m el yan re , ,
mate in Poltava
, eight y ears ago I .
24 5
MA X I M GO R KY
, , .
—
listened .S plendid lads they were ;
glorious feats they achieved and a l ways
when they fell it was with a crash Y ou d ’
2 46
MA X I M G O R KY
”
for a hundre d roubles ? And thereupon he
set himself to u n fold to me by means of ,
“
‘
At last I said to him F o r a lo ng time
past Pavel Petroff I have had it in my mind
, ,
’
a matter of a week s takings and in a single ,
2 48
C RE ATU R E S W H O O NC E W E R E ME N
job was doubly tempting : revenge for his
dealings wit h me and the chance of snatchi n g
“
a savoury morsel over an d above I must .
”
chew the cud of my thoughts over it I ,
replied.
“
That goes witho u t saying ,
“
The sunset splendours were nearly all
blotted out only one little rosy ribbon grow
, ,
2 49
MA X I M GO R KY
E m e lya n stood up .
“‘
Y e s ! And so I lay with everything
ready A twinkling and the money would
.
2 50
MA X I M G O R KY
’
“
whelmed me I thought to myself I ll u p
. ,
, ,
S he screamed o u t
’
coughing . W ho s
there S h e w as startled I could see ; and
then I at once eh got o n my
feet and “
W ho are you ? S he asks ”
“
H e began to laugh And w ho am I eh ? .
‘
,
—
F irst o f all young lady you mustn t be afraid
, ,
’
2 52
C RE ATU R E S W H O O NC E W E RE ME N
wait to kill a merchant And she rep l ied ,
’
I t s all one to me for I have come here to ,
”
drown myself And the way she said that
.
“
And all at once old chu rn I began t o
‘
, ,
’
talk What I ta lked a bout I don t know but
.
,
I Think Y ou n g lady
.
“
,
And all was
inc l uded in that ! And she brothe r took , ,
2 53
M AX I M GO R KY
, ,
’
And why did I go ? Alas ! life l ife , .
“
H e w as si l ent hiding his face in his
,
al l y in profound slumbe r .
me S e e me home We started As I . .
2 54
MA X I M GO R KY
disappeared
S he I sat down on the .
“ ”
What are you up to here he cries is it to , ,
‘
I gave him a rap o n the snout : o n e !
shouts w h istles
,
march to the police
stati 0n ! Well what o f it ? to the station
,
“
Petroff .
”
spree ? he asks with a laugh I looked
at him—
.
brother !
2 56
He fell silent and stretched himsel f ou t on
,
a bou t
. The roll o f the Su rf g rew softer s till
a ge nt l e sigh
C H A PT E R X
L OVE OF L I B E R TY
is the lead
ing motive which un d erlies the cond u ct an d
shapes the career of most o f his heroic
wanderers H ence the wild energy fearful
.
’
a smile o f incredulity when a dru nken baker s
assistant holds forth to young Gorky on the
s w eets o f freedom in such picturesque phrase
ology as this : Y o u are wholly wrong Maxim
“
, ,
2 00
L O VE O F L I B E R TY
”
K o n oval off .
2 61
MAX I M GO R K Y
,
“
2 62
MA X I M GO RKY
is narro w and I am broad I n the life o f
.
vile comedy t o o .
2 64
LOVE OF L I B E RTY
’
man s lov e of liberty one may affi rm without
,
2 65
MAX I M GO R K Y
the
removal of et h ical as well as social a n d geo
graphical boundaries And society refusing .
social ideal .
between them .
drawn .
“
Clever people grab what they want ,
2 68
L O V E O F L I B E RTY
I n th e ov e l
n A T io Go ky s lo gest and best
“
r , r
’
n
2
70
MA X I M G O R KY
2 72
L O VE OF L I B E R TY
“
hanged We are people apart
we are not inc l uded in any order .
K o no val off .
T K onoval off, p
”
. 2 2, R ussian e d itio n .
g
to who se in e n io u s an al sis lad l y I g y acknowledge m y
S
2 73
MA X I M GO R K Y
u p s o n beats the ,
revi e w s in 1898 .
2 74
MAX I M GOR KY
“
Thumps and blows enraged her but from ,
“ ”
she knew Gorky assures us
,
“
that after ,
2
76
L O V E O F L I B E RTY
2 77
MA X I M GO R KY
st ru ct n i g
the m are not wanting Whether .
2
78
M AX I M GO R KY
“
Well Mo t r ya many others have loved me
, ,
they found
husbands and turned sour in work S ome .
’
fi eea om f or a ny w i fe or any lzn ts Vassily ’
f
.
280
L O V E O F L I B E R TY
she says “
for he is your father tell him al l ,
’
fo r Christ s s ake S ay y our mother is
.
, ,
’
him that ! S he ll soon be an old woman and ,
B ut
’
har d ; fo r Christ s sake tell him , .
28 1
MA X I M GO R KY
as such however pernicious its de fects may
,
28 2
MA X I M G O R KY
’
Gorky s characters di fferi ng herein from
,
2 84
GO RK Y S AR T
'
2 85
MA X I M GO R K Y
, ,
2 86
MA X I M G O R KY
’
as affording a clue to the author s own ideals
here embodied without any of the limita
tions o f realistic art—are devoid of living
outline and co l our and help us very little as
,
Ol d Wo m an I zergil
”
.
2 88
GO R KY S ART
’
—
nation o n minds now grown conscious of their
dignity and power and yet incapab l e like the
,
2 89 r
MA X I M GO R KY
people have long since outgrown that Go rky ,
, .
2
93
MA X I M GO R KY
unhappy ne e r do -
, ,
2 94
M AX I M GO R KY
” ”
K o no val o ff Makar C hu d ra
, H eart ,
” ”
ache,
Foma G o rd ye e ff and most of ,
’
Gorky s sketches are spoiled by this itching
desire of the autho r not only to lend his o w n
traits to the figures he is limning but to make
them use language which they could not u n
d e rstand to express thoughts of which they
,
2
96
G O R KY S A R T ’
w as born a fool
,
Did he then come into the
.
GO R KY
”
heroine of another tale named Iz e rgil who ,
3 00
GO R K Y S AR T ’
”
Archippus and Lenka An old man and
.
i n flict an y wro ng .
’
to die I t s impossible that I should die a nd
leave you To whom ? . Lord ! Why hast
Thou ce ased to love Thy servant I can
not live longer and neither can I die because ,
39 4
GO R KY S A R T ’
be no e n d .
‘
G randfather ! whispered Lenka in ’
“
And the wel kin shuddered again flashed ,
without moving .
30 5 U
M AX I M GO R K Y
’
his tones which reached Lenka s ears as it
,
uttered by a stranger .
in the sky .
’
it is the vill age Go I don t want
o ff—o — o
.
,
u to sit here Be
y o g g
u
.
“
H is voice w as a hoarse and mu ffled
scream .
Grandfather !
‘
forgive me
p l ored Lenka moving up closer to him , .
“ ’
N o I w o n t go
‘
I won t forgive I ’
for
yo u . I s it fo r my s e l f that I want any
3 06
MA X I M G O R KY
“
The heart of Le n ka grew faint with terror ,
“
Len k a divined that his grandfather w as
sitting motionless but he felt as if the old
,
3 08
GO R KY S A R T
’
“
Th e grandfather waved his hand in the
air and kept muttering something now fagged ,
’
G randfather !
‘
Let s go ! he
’
whined pressing his head in his grandfather s
,
l ap
H is grandfather bent down over him ,
monotonously dismally
,
and at last it
seemed as if in the steppe there was nought
and never had been a n y thing but t he noise
’
o f the falli n g rain the lightning s sheen an d
,
t he boundary ,
t u rned back hurriedly and
caused a hubbub in the v illage by the
announcement that they had seen under a
poplar tree the beggar o f y esterday and that ,
n ot
. T he old m an w as still alive When .
IMP R E S S I ONI S M
FOMA GOR D YE E F F . A TR 10
3 13
MA XI M GO RKY
—
ce ive s the impress of a picture which is one
/
,
3 14
MA X I M GO RK Y
“
The strip of land narrow and long was
, ,
3 16
I MP R E S S I O N I S M
upon ou r souls in soothin g or stimu l ating
streams calli n g forth impressions i nducing
, ,
3 17
MA X I M GO R K Y
’
fiery fancy into o n e universal s o ul the will o ,
-
3 18
MA X I M G O RKY
'
unconsciously it may b e
that however begrimed the human soul can
,
320
I M P RE S S I O N I S M
able apprehensio n of li fe by presenting it as
it appeared—not indeed to the wil l whic h
feels a ttracted or repel led but to the passion ,
cipl e s .
life.
’
“
F o m a G o rd ye e ff t he first of Gorky s
,
x
32 1
MA X I M G O R KY
ow e s d p icte d by L eo To l stoy an d Tu
n r e
gh e ieff r n .
322
M AX I M GO R KY
’
I n Ig nat s ever present brutality there is
such a minimum of huma n ity as there is of
truth in a l ie to give it cohesion H imself a .
324
I M P RE S S I O N I S M
good purpose N ow a nd again he rush es
.
o ff
“
on the spree staggers through every
,
, ,
326
MA X I M G O R KY
’
to beat everybody ! People don t please me !
What are they ?
Tw o other instances will s u ffi ce to give a
fairl y adequ a te idea of the portraits of the
actors painted by Maxim Gorky for the
scenes in Foma G o rd ye e ff One of them.
“ ”
sque e ze the young m erc hant begins to ,
“
ch unt prayers to the blessed b ir thgive r of
a
328
I M PRE S S I O N I S M
God .
Another choice youth the pre ,
, ,
t i n u all
y inveighs against the upper classes
in mad outbursts like this I w ould collect
together the remnants o f my tortured soul ,
329
MA X I M G O R KY
”
honest enough to feel indign a tion at the
i m m oral con d uct of men who however bad , ,
“
A Trio is the life story of t hree childre n
”
-
,
b y the songs
o f a drunken cobbler the chatter o f blithesome
,
—
master .
”
books ? asked one of his companions after ,
’
” “
I did w as the reply
,
Why it s the only.
,
333
MA X I M G O R KY
'
3 36
I MP RE S S I O N I S M
shunned o r y ielded to without p revious
struggle o r subseque n t pai n or with at m ost
,
so
chaos of mist .
338
MA X I M G O R KY
3 40
I M P RE S S I O N I S M
desk rummaged it carefully seeking for some
, ,
’
hands and in the mone y c hanger s throat
,
-
, ,
34 1
M A X I M GO R KY
’
he avier and heavier the load on I lya s heart
,
o n the bench .
’
I lya s feet la y two cak es of soap a purse and , ,
342
M AX I M G O R KY
, .
’
not to have taken it .
’
Don t grieve Olympiada comforted
’
him . D on t re gret him
‘
he had no
’
heart .
’
I don t regret him w ant to
justify myself E very one j ustifies himself
. ,
345
MA X I M G O R KY
3 46
MA X I M G O R KY
3 48
I M P RE S S I O N I S M
H ence he too like them is bu ffeted and
, , ,
3 49
C H AP T E R XIII
H IS E TH IC S
—
been termed amoral . Ma n y m asters of
fiction claim a right and unless they deal
with the drama have their claim allowed—to
take up such an attitude of indifference to
good and evil as t he su n may be fancied to
assume in d istri b uting his heat and the clouds
in wateri ng sand and mould But Max i m
.
352
H I S E TH I C S
’
as to the upshot Man s character is no
doubt born into the world with the child and ,
3 53 Z
MA X I M GO R KY
, .
,
”
are so free an d self centred that non e o f
“ -
3 54
MA X I M GO R KY
”
Pil ya i Chelkas h the
,
S tu d ent
, Larra a nd , ,
3 56
H I S E TH I C S
h h N x ’
to w ic h
ie t sc e s teachin gs merely gave
’ ‘
z
sk e tc h es ]
L
S auntering through the street of
his village one day he s aw a young calf t he ,
Go rk y
, w h o sp eaks o f S chopen hauer, n e ve r m en tions
Niet z sche in an y o f his w ritin gs , no r by any m eans
i s it
ce r tain that h e has re ad th e writin gs o f t he ge n ial
Germ an .
1
“
Cyril I vanovitch Yaroslavtseff ,
in the tale entit ed l
A Mi stake .
”
358
MA X I M G O R KY
“
more stupid get nothing at all R ights
indeed cries E m e lya n Pilyai These are .
”
to live to some purpose has no fear of sin ,
”
ce e d s from his stomach T he upshot of all
.
“
tion for h i m because he knew how to be
,
s o in the S teppe .
“
ethics are incarnated in a perfect human
body endo w ed with strength and beauty and
ignora n t o f fe a r : thus the cringing greedy , ,
”
n eck and hairy breast solid as an anvil , .
3 62
MA X I M G O R KY
j ust thin k he is
“
the red h a ired workman
-
.
,
’
S ilan meanwhile encircling M asha s waist
,
’
am sinning that s true I know it Well
, . .
,
3 64
H I S E TH I C S
TH E S O N G OF TH E F ALCO N .
“
T he mountains covered with trees
,
3 66
M AX I M GO R KY
o ther kin d s! .
3 68
H I S E TH I C S
meets it .
‘
R ahim ! tell me a sto ry .
’
What for ? asks R ahim without even ,
6
3 9 2 A
MA X I M G O RK Y
so ng ? assents R ahim
’
.
“
I a m wishful to hear a n ancien t chant ,
,
' ‘
“
H igh in the heavens beamed the sun
and the breathing o f the mountain s sultry ’
“
A nd adown the cleft in gloom and in
spray the torrent rushed onward to meet
the sea bounding over stones as it rolled
, .
angrily .
“
And the falcon having gathered al l his
strength cried out with aching heart and
exquisite pain
Oh were it vouchsafed me to soar up
,
“
And the falcon quivered and uttering a ,
“
And onwards he went spread h is wings ,
“
And behold he peered out into the dis
tance which ever caresses the eyes with a
dream of bliss .
“‘
N o w what could he have espied the ,
fleeting moments
“
S aid and—done H aving coiled hin
.
, ,
374
MA X I M G O R KY
l ation
.
37 7
M AX I M G O R KY
‘
”
to creep shall never fly it flops down in a ,
2 7 8
MA X I M G O R KY
him a fulness o f the power clearly to perc
and impressively to reproduce the tragic e x
and sordid situations inherent in R ussian
in some o f its least known aspects . J
”
soul ; class distinction fist rights sto rr
, ,
38o
H I S E T H IC S
,
”
,
o f civilisation .
38 1
MA X I M G O R KY
surface o f cheap Byronism and political
N ihilism w e discern a well o f human pity
which w as but deepened by the sufferings of
years of wandering during which he got many
,
w h o lly de void o f li te r ar y v al u e .
I .
—I ST O L F GOR K YS WR I TINGS .
1 89 2 .
1 8 93 .
C hel kash .
”
1 8 94 -
1895 .
Th e Ol d W o m an I ze rgil .
”
(Appeared in the Ga zette of
S a mar a , 1 89 5 .
T I t H app en ed Once in
“
Au tu m n .
A Mistake 1 8 9 5
”
. .
i
“
I n the S al t Wo rks .
(Ap peared in the Gazette f
o Sa
mara .
! 1895 .
i
“ A Fairy Tale .
(Appeare d in th e Gazette f S a m ar a !
o .
1895 .
385 2 13
M AX I M G O R KY
Th e Little Fair y an d th e Youn g S hepherd .
(Appeared
in the Ga zette o f S a ma r a , No s 9 8, . 1 00 , 105 ,
189
5 .
Po e m e n tit e d l “
On the B lack S e a .
(Appeared in the
Gazette o f S am ar a , N0 . 1 89
5 .
My Fellow Traveller 89 6 .
”
1 .
1896 .
B o l ess . 189 6 .
H eart -
ac he . 189 6 .
K o n o val o ff . 189 6 .
The Kh an an d his S on . 18 96 .
l
'‘ “
ThePro cessio n o f S ham e 1 8 9 6 . .
Th e De sperad o .
”
189 7 .
”
Varenka Ol yosso va . 18
97 .
C om rad es 1 8 9 7
”
.
“
i I n the S teppe .
Mal va .
”
1 89 7 .
“
The Green K i (
”
tte n . Z azo o b rin a . 1 89 7 .
Cain an d A tem r .
”
1 89 8 .
C hu m s 8 98 .
”
1
“ ”
Th e S harpe r .
The R ead e r .
Tr an sl a te d i n th i s w o r k , pa ge 3 66 .
3 86
M AX I M GO R KY
M akar C hu d ra ”
app eare d in the Monthly R evzew for
D ec . 190 1.
I II .
—I OG B R AP H I CAL S K E TC HE S of Maxim Gorky
have appeare d in
B ain .
“
Co up le Malva by D Mon
'
”
The Orl ofl an d ,
. B .
t e fi ore .
J Dillon
. .
IV —
. R U SS IA N ARTIC LE S ON GORK Y .
A S kab i tsheffsky
. . Maxim Gorky . S ke tches and
Tal es .
”
1 89 8 .
18
98 .
189 8 .
”
of Freed om . 1 89 8 .
T. Ignatoff .
“
The Phil o so phy o f S ansculottism 8 98 . 1 .
”
'
m u fi in s . 1 898.
388
B I B L I O G R AP H I CA L
N o 8 0 7 5 in 1 8 9 8
.
N O 8 8 0 5 in 1 9 00 . . .
A B arsar
.
ghi n
“
A H ear tsi ck Talen t
”
App eared i n the
.
.
V G .
A Note, in N ovoy e Vr ema No 8 5 5 0, in
.
”
. .
1899 .
A . B . A Tale n t Gro w n V ig o ro u s . 18 99 .
N . H ekker .
(App ear e d i n th e Odessa N ew s No 49 3 3
. .
4 9 3 8,
‘
Tw e n ty six -
Me n an d a Girl ,
On ce More . 1 9 00 .
V B o tsyan ovsky
. . In ! uest o f th e M eaning of Life .
1 9 00
y—
.
L . E O bolensky
. Tw en t s x en an d a Girl A .
*
i M .
”
L . E Ob ol en sky
. M axim Gorky and the I d eas of his,
* “ -
N ew H eroes . 1 9 00 .
L E O
. . bol en sky .
*
Maxim G orky s Tal en t ’
.
. .
1 1 9 00 . .
V F B o ts
. . . Maxi m G orky A Critico B io graphical .
-
(P etersburg !
”
S ke tch .
9 . 1 0 1.
revi ew L ifi N o s 4 , 6, 8
. . . 1 900 .
3 89
MA X I M GO R K Y
S hestako fl
'
No . 1 9 00 .
Me ! Veal Wor ld No 5
. 1 00
9 . . .
E . A . Lyat sk y .
“
Maxim Gorky and his Tales .
(Ap
peat ed i n the R eview, Vestn ik E u ro py , Novem ber
7
Al ex An d rovsky
. . Maxim Go rky an d his Writings .
1 90 1 .