Siempre (Adiós Dulcinea Parte II)

Partitura para Piano

Francisco Javier Diez Esteban, Jesus Maria Hernandez Gil, Antonio Lopez Menguiano


Txus Di Fellatio

            

 = 112

     

   
 
  
    
   

  

   
  

  
 

                             
     



     
   



                     
         
13

   
   
      


             
        
18

 
         



         
    

       
        
   
23


 
            
      


                        
 
         
29

 
      

    

Warner / Chappell Music, Inc.

     
2

 
         

34

          
                
    

  
                      
  
40

              

           
    

  
         
         
     
46

    
  
         
  

              
          
   
50

            
   
   
  
  
 

     
 
           
   
   
55

            
              
     



                   
       
61

 
  
     
             
    
  

Warner / Chappell Music, Inc.

   
3

        
   
66

    
        
     
  

        

          
 
71


  
      
 
   
 
      


      
          
76

             

               
    

      
       
                

82

            
     
  
     
  

         
                       

88
3

        
       
    

           3  3    
        
          

93


         
          
    

Warner / Chappell Music, Inc.

             
4

      
   
98

      
        
    

     

                

                 

103

  

                 
   
  
           


      

  

         
      
109

      
                
  
   
 

  
                 
      
  
115

  
           
             
    

                   

        

121

      
            
  
 = 80
 = 40
     
          
 = 60

    
126



  
       


 
  
3



  
    
 


Warner / Chappell Music, Inc.