RYOANJI for Bass with percussion or orchestral obligato and ad libitum with other pieces of the same title Sor Joelle Léandre "New York City, March 1984 Copyright © 1984 by Henmar Pros he. 373 Park Avenue South, Now York, New York, 10016Each wo pages ares “parden” of sounds. The gisandl ae tobe played smoothly and as much a ‘ossble lke sound evens in nature rather than sounds in music, “The dyaamic, no hen, ace co be Soft rather than loud, saul, a ule tha has exceptions. ‘The pieces ar for bax olo — , with voclse ad ibivum (stigh differentiated lines, ste below, above the saff) and prerocorded puts, These latter are =v+,=—, and —ent «Bach prt isto have ins own wound system ‘The sore i 2 "sill" photograph of mobile circumstances, That is, where here te evo o mote parts Active atthe same tnt ehet relationship in ime need not be exactly the one delineated. Each Should be played or ecorded independendy ofthe others but wichin the ame total length of tne and Felling the general outlines of proportional notation. ‘The piece for insrumental ensemble or pression begins and ends a performance, in each case with shout to meatare I contnuce daring ences of any length Between bas piecesJOHN CAGE ena "AIL Righs Revered ‘li echt vrbebalen,— \ af i\ — ————_,. \ uaas SatFae sad r A> i \ a | 4 =z| 7 i xy \ N, #& acom eal ts re nant eg 1 £7 / ( ! t 1 \ \ i ¢A NS \ h Khi 7 ‘, \ J afte A “8r j / \ ) / eae cc c \ ) Nee RR, Loos, 4 oe “ , 37. 1} Aaa 4 \ INI | | . ae |ff