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B 48 Bee 83986 F 6 BF 8 A 651
B 48 Bee 83986 F 6 BF 8 A 651
JT Kench
F-block
Smith
12/22/23
The non-linear structure of “Into the Wild”’s impact on the character of McCandless
The Structural base of Into the Wild formed a character, Chris Mccandles, open to all
forms of interpretation. The plot of Krakauer’s book was often broken up into parts where he
went from the past to the future and back again. The author often details anecdotes from
McCandless' survival in the wild, then follows up with the details and the people he met to get
there. Krakauer shows how the lack of true parenting during his childhood, although he was
financially well off, made him crave the same isolation he had experienced as a child. The story
reveals the bonds that he forms with everyone along the way and how it eventually came back
to McCandless wanting human interaction once again. The stories that Krakaur includes, at
nonlinear intervals throughout the book, provide insight into why McCandless left his life to live
as a nomadic adventurer and later, shows his eventual reasoning, portrayed by the stories of joy
Mcandles shared with others, for a change of mindset when it comes to living in society.
Krakauer places the idea of McCandless wanting to break away from society in the
reader's head, after and during the time he makes his journey to Alaska. In the earlier sections
of the book, there is a clear and developing disconnect between him and his parents, with them
both always working and not understanding Chris’s needs. In an early chapter, an idea of his
parents, Walt and Billie, not understanding his character was implanted into the reader's mind.
Chris finally snaps at once and sends a letter to his sister ,Carine, about his new plan, which
states “I’m going to completely knock them out of my life. I’m going to divorce them as my
parents once and for all and never speak to either of those idiots again as long as I live. I’ll be
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through with them once and for all, forever”. Krakauer does a really great job in showing the
harsh development between him and his parents, whilst also showing that the only person he
could effectively communicate his feelings with was his sister. Carine was the only person who
could begin to understand him, or tried to in the household. For example, Carine stated
“Sometimes he tried too hard to make sense of the world, to figure out why people were bad to
each other so often.” The strength of their bond was amplified through the structure of the story,
as Krakauer includes letters that Chris wrote back to his sister from time to time at intervals
throughout the novel. These letters are significant in their own way as it shows, although
Mccandless is breaking away from everyone in society and plans to live in complete isolation,
he still finds the time and the need to detail his journeys to his sister Carine.
The author consistently switches back and forth from the present and past in the latter
half of the story in order to better amplify McCandless' longing for human interaction. The novel
goes into detail about McCandless’ time he spends working in South Dakota in a grain elevator.
The people there enjoy his company, and he makes friends. After his time in Bullhead city, he
was described as the following : “He needed his solitude at times, but he wasn’t a hermit. He did
a lot of socializing. Sometimes I think it was like he was storing up company for the times when
he knew nobody would be around”. In contrast to how McCandless remained antisocial in his
past, slow life, Chris could often find himself getting to know others and spending time enjoying
their company. Despite this, most of his peers said how he was ever focused on his trip and life
in Alaska. Another of McCandless’ bonds with people he meets can be seen in the form of his
relationship with an old man named Franz. Chris or “Alex” at the time formed a strong
relationship with Franz after receiving a ride from him in California. They quickly formed a
paternal-like bond, and Franz even offered to adopt Chris as a grandchild, yet McCandless
remained the man how his adventures into nature were his calling and purpose in life. The
stories like these when intertwined with his current status and actions in Alaska push his
narrative of longing human interaction within the book. This evidence is one of the many parts
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that foreshadows the longing of interaction that McCandless would go through. His philosophy
at the time was that “(McCandless) wanted movement and not a calm course of existence. I
wanted excitement and danger and the chance to sacrifice myself for my love. I felt in myself a
superabundance of energy which found no outlet in our quiet life”. The truth is, when
Mccandless settles into a new area he is generally pretty likable, and does enjoy the moments
he shares with other people, however, he generally places his love of nature above the love of
others.
Upon the latter end of McCandless’ journey in the North, and where he begins to starve
and suffer, the story switches back and forth between old accounts of his time and society and
his current state of struggle. Stories such as his relationship with Franz, his time in South
Dakota, and living in Slab city are included between the chapters of McCandles physical and
mental downfall in Alaska. The author does this to explain how Chris was actually happy in
society, at least one that encompassed people with souls like his, and his pursuit of a more
spiritual and nature based happiness which he considered to be “the masterful and
incommunicable wisdom of eternity…” may have led to his demise. At the time of McCandless
death, Krakauer includes a small, but heavily important detail of the spiritual development of
McCandless. His presumed last message to the world: “Happiness is only real when shared”.
The seemingly simple sentence carries so much meaning to the structure and development of
McCandless’ values as the beauty of nature which he assumed to be self fulfilling in isolation,
The structure of the story, based on a real man, allows the author to accurately depict
the life of McCandles and the leading factors of his actions and beliefs. The non-linear pattern of
storytelling reveals the various factors which may have led to McCandles need for belonging in
society. Switching from the fast paced hurdled society that McCandless claimed to hate, but
simultaneously found sanctuary in once he found a community of people like him, and back to
his growing struggles as a result of his self-made isolation, allowed Krakauer to effectively prove
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the point that McCandless missed a sense of belonging. His bonds formed with Franz, and his
friends in Slab City and Nebraska, prove the fact that Chris could in fact be a part of society and
joyous one at that, however, he believed his true purpose was to live life nomadically, and he
could not find himself tied down to one spot. Krakauer’s depiction of Chris’s subtle downfall
additionally emphasizes the safety McCandles could’ve had in society, and how it could’ve
saved him. In conclusion, the intertwining of the stories of McCandless’ dissolving happiness in
the wild and stories of the happy companionship he found within society effectively projects