The document discusses Viktor Shklovsky's concept of "defamiliarization" in art and literature. It explains that over time, people become habituated to everyday experiences and perceptions, which then become automatic. Art aims to "defamiliarize" objects and experiences by making them strange or unfamiliar again, in order to recover fresh sensations from familiar things. This can be achieved through techniques like ambiguous imagery, unusual perspectives, and nonstandard use of language that impedes automatic processing. Examples are given of how Tolstoy uses defamiliarization in his writing to estrange common ideas. Poetic language also follows this principle of making language strange.
Хърватските бугарщици и техните български съответствия. Статии и материали (Croatian bugarštica and Their Bulgarian Equivalents. Articles and materials), ed. С
The document discusses Viktor Shklovsky's concept of "defamiliarization" in art and literature. It explains that over time, people become habituated to everyday experiences and perceptions, which then become automatic. Art aims to "defamiliarize" objects and experiences by making them strange or unfamiliar again, in order to recover fresh sensations from familiar things. This can be achieved through techniques like ambiguous imagery, unusual perspectives, and nonstandard use of language that impedes automatic processing. Examples are given of how Tolstoy uses defamiliarization in his writing to estrange common ideas. Poetic language also follows this principle of making language strange.
The document discusses Viktor Shklovsky's concept of "defamiliarization" in art and literature. It explains that over time, people become habituated to everyday experiences and perceptions, which then become automatic. Art aims to "defamiliarize" objects and experiences by making them strange or unfamiliar again, in order to recover fresh sensations from familiar things. This can be achieved through techniques like ambiguous imagery, unusual perspectives, and nonstandard use of language that impedes automatic processing. Examples are given of how Tolstoy uses defamiliarization in his writing to estrange common ideas. Poetic language also follows this principle of making language strange.
The document discusses Viktor Shklovsky's concept of "defamiliarization" in art and literature. It explains that over time, people become habituated to everyday experiences and perceptions, which then become automatic. Art aims to "defamiliarize" objects and experiences by making them strange or unfamiliar again, in order to recover fresh sensations from familiar things. This can be achieved through techniques like ambiguous imagery, unusual perspectives, and nonstandard use of language that impedes automatic processing. Examples are given of how Tolstoy uses defamiliarization in his writing to estrange common ideas. Poetic language also follows this principle of making language strange.
• Autonomy of the text • The importance of form and technique • Art as Technique (1917) and the concept of ‘Defamiliarization’ • Formalism VS Symbolism • Poetic language Alexander Potebnya Viktor Shklovsky
Art is thinking in images
No need to think in images Art or literature lies in the use of language, but not in the symbols and imagery • Imaginary is only the abstraction of one of the object’s characteristics. • When perception becomes habitual, it becomes automatic. • Repetition of things we do in daily life
• Habitualization devours works, clothes,furniture, one’s wife, and the fear of
war. Algebrization
• Things are replaced by symbols.
• By this ‘algebraic’ method of thought we apprehend objects only as shapes with imprecise extensions, we do not see them in their entirely but rather recognize them by their characteristics. • The objects that perceived thus fades and fails to leave their impression. • The process of algebrization = the over automatization of an object The purpose of ‘Art’ • Art exists that one may recover the sensation of life; it exists to make one feel things, to make the stone stony. • The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects "unfamiliar” ,to make forms difficult, to increase the difficulty and length of perception.
• Art removes objects from the automatism of perception.
• Literary language is ordinary language deformed and made strange. Tolstoy • Tolstoy makes the familiar seem strange by not naming the familiar object. He describes an object as if he were seeing it for the first time, an event as if it were happening for the first time. • In describing something, he avoids the accepted names of its parts and instead names corresponding parts of other objects.
• 1. Defamiliarises the idea of flogging in “Shame”
• 2. Narrator of “Kholstomer” is a horse. • 3. In “War and Peace”, Tolstoy describes whole battles as if battles were something new. • 4. Dogmas and rituals described as if they were unfamiliar. Poetic language • It follows the method of defamiliarization • According to Aristotle, poetic language must appear strange and wonderful. • The language of, poetry is, then, a difficult, roughened, impeded language. • Defamiliarization in poetry through – obscure style, phonetic “roughening”, repetition of identical sounds.
• Pushkin used the popular language in his poetry to create defamiliarization
• Maxim Gorky used dialects to create defamiliarization • The rhythm of prose serves to automatize and ease the process, while the rhythm of poetry is disordered and cannot be systematized.
Хърватските бугарщици и техните български съответствия. Статии и материали (Croatian bugarštica and Their Bulgarian Equivalents. Articles and materials), ed. С