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The Many Faces of Eros A Psychoanalytic
The Many Faces of Eros A Psychoanalytic
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Reviewed by
Donna Bassin, PhD
Independent Practice
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BOOK REVIEWS 429
of the past to the conflicts of these inherent traumas and "in the face of
contradictory parental communications concerning core gender identity,
masculinity, femininity, and [the] sexual role" (p. 179). According to
McDougall, subjectivity and sexual identity arise from the various solu-
tions to mourning "the impossible wish to be and to have both sexes"
(p. 11). However (and here again is a tension-inducing paradox), McDou-
gall wants us to keep in mind that the resolution of these universal traumas
is never fully accomplished and that all of us deny that in some part of our
psyche we are "blessedly free to be omnipotent, bisexual and immortal"
(p. xv).
McDougall pushes to the foreground an expanded and rehabilitated
appreciation of Eros. She resituates Eros as a reparative and creative
self-preserving drive in the development of all psychic solutions to the
inherently traumatic aspects of growing up human. Her grasp of the
survival aspects of Eros, extending beyond a Darwinian biological frame
of reproduction and preservation, has her taking issue with Freud's concept
of the repetition compulsion as exclusively serving the death drive.
In this book, McDougall builds on Freud's work on the universal
presence of psychic bisexuality and the importance of the primal scene as
basic organizing functions of the psyche, and rescues psychic bisexuality
from its culturally bound equation with pathology and relocates it as part of
the everyday human experience. She deconstructs its meaning and extends
the range of its unconscious significance in psychic life. She suggests that
although the conflictual aspects of bisexual wishes may create neurotic
suffering, they also provide psychic enrichment. Moreover, although
bisexual wishes can appear to have been dealt with through repression or
sublimation, breakdown is always likely to occur, giving rise to creative
inhibitions.
The primal scene for McDougall, idiosyncratically, refers to the
entire unconscious knowledge and personal mythology of human sexual
relations and accompanying wishes of the child to possess both parents and
the imagined power of each. This scene for McDougall is not just played
out genitally with phallic oedipal conflicts, but it can be depicted in
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two sexes. Archaic primal scene material (including the child's fantasies of
This document is copyrighted by the American Psychological Association or one of its allied publishers.
beginning there was the voice, sounds, and rhythmic beating. Her attention
This document is copyrighted by the American Psychological Association or one of its allied publishers.
according to Freud (1910/1957) may hope to take his patients beyond the
point at which he can no longer put himself in question" (1978, p. 48),
McDougall puts psychoanalysis and the psychoanalyst into question here
in her last two chapters ("Deviations in the Psychoanalytic Attitude" and
"Beyond Psychoanalytic Sects in Search of a New Paradigm"). Similar to
the symptomatic individual who becomes uncreative and rigid when links
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between body and mind are disavowed and immediate positions are not
This document is copyrighted by the American Psychological Association or one of its allied publishers.
in our field. Still, perhaps her reminder of our task is necessary given the
strains of working with our less symbolically able patients.
References