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A Writers Reference With Exercises Ninth Edition Ebook PDF
A Writers Reference With Exercises Ninth Edition Ebook PDF
Diana Hacker
Nancy Sommers
Harvard University
8
For Bedford/St. Martin’s
Vice President, Editorial, Macmillan Learning Humanities: Edwin Hill
Senior Program Director for English: Leasa Burton
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f e d c b a
For information, write: Bedford/St. Martin’s, 75 Arlington Street, Boston, MA 02116
ISBN 978-1-319-27056-8(mobi)
Acknowledgments
Gould, Stephen Jay, excerpt from “Were Dinosaurs Dumb?,” from Natural History, vol. 87,
no. 5, May 1978, pp. 9–16. Copyright © 1978 by Stephen Jay Gould. Reproduced with
permission of Turbo, Inc.
Rudloe, Jack and Anne Rudloe, excerpt from “Electric Warfare: The Fish That Kill with
Thunderbolts,” from Smithsonian, vol. 24, no. 5, August 1993, p. 94. Copyright © 1993
by Jack and Anne Rudloe. Reproduced with permission of the authors.
Taylor, Betsy, excerpt from “Big Box Stores Are Bad for Main Street,” by David Masci, from
CQ Researcher, vol. 9, no. 44, November 1999. Copyright © 1999 by CQ Press.
Reproduced with permission of CQ Press, an imprint of of Sage Publications, Inc.
Art acknowledgments and copyrights appear on the same page as the art selections they
cover; these acknowledgments and copyrights constitute an extension of the copyright page.
9
It is a violation of the law to reproduce these selections by any means whatsoever without the
written permission of the copyright holder.
10
Preface for instructors
Dear Colleagues:
Welcome to the ninth edition of A Writer’s Reference. When you
assign A Writer’s Reference, you send an important message to your
students: Writing is worth studying and practicing. And you make it easy
for students to find answers to their writing questions quickly and
efficiently. The more comfortable students become using their handbook,
the more confident and successful they become as college writers.
As I developed the ninth edition, I kept one central question in mind:
What is the value of owning a handbook? We know that 79 percent of
students surveyed by Bedford/St. Martin’s say that using a handbook
makes them feel more confident as academic writers. Yet we know, too,
that students can access free online materials about writing. How does
owning a handbook help students succeed as college writers?
A Writer’s Reference is designed so that students can feel confident in
their investment; they find what they need and understand what they find.
In the handbook, they receive straightforward, trusted answers to their
questions about every aspect of college writing, from drafting a thesis
statement to formatting a paper. And in LaunchPad, the companion media,
students have plenty of opportunities to practice and strengthen their skills.
On the open Web, students might search for help and receive millions of
results, including outdated and questionable information that is more
confusing than illuminating. And free Web sites offer no practice tools that
include feedback, scoring, and tracking.
A Writer’s Reference is designed for teachers, too, so that students in
their classes are all on the same page, with access to the same trusted
advice and to answers to common questions and solutions to specific
writing problems. The value of the handbook, as I learn from fellow
teachers, is that it provides a common vocabulary, both within the
classroom and across a writing program, to meet a college’s learning
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outcomes.
A Writer’s Reference helps students succeed because it breaks down
complex tasks and challenging concepts, providing step-by-step
instruction, one lesson at a time. Take research, for example, one of the
most challenging assignments for first-year writers. The ninth edition uses
a “how to” approach — both in the handbook and in LaunchPad — to
bring students into the research process, showing them how to ask a
research question, enter a research conversation, go beyond a Google
search, read and evaluate sources, avoid plagiarism, annotate bibliography
entries, and more. The instruction and guidance students need to compose
successful academic essays is all in one place, so when they’re writing
their papers at 2 a.m., they have a trusted source to consult. And in that
moment, when a student takes ownership of the writing experience, the
handbook becomes My Writer’s Reference.
On the first day of class I tell my students, Everything you need to
become a successful writer in any college course is in A Writer’s
Reference; buy it, become friends with it. With the ninth edition, students
have the valuable combination of a print resource and a comprehensive
online resource to build their success and confidence as college writers and
as writers in the world beyond. I am eager to share the new edition with
you, confident that you and your students will find value in A Writer’s
Reference.
Nancy Sommers with student writer Michelle Nguyen. (Photo by Mara Weible)
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nancy_sommers@harvard.edu
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approach makes grammar content more teachable by giving
instructors flexibility — a way to individualize instruction for
students who may need more than a conventional explanation of the
rules.
New emphasis on peer review supports students as they practice
the skills they need to collaborate in college writing environments
and beyond. Thoroughly revised content in section C3 illustrates
best practices for peer review.
More attention to research helps students meet important
academic requirements. MLA’s 2016 guidelines inform the research
coverage so that students have up-to-date advice and models as well
as instruction for conducting responsible research. A new APA-style
review of the literature paper shows proper formatting and effective
writing.
ForeWords for English is custom content made simple.
Developed especially for writing courses, our ForeWords for
English program contains a library of the most popular requested
content in easy-to-use modules (12–16 pages each) to help you build
the best possible text. Choose from modules on time management,
CSE style, business writing, sentence templates for academic
writing, writing proposals, and more. Of course you can still include
original department- or school-specific material as well. Visit
macmillanlearning.com/forewords/composition or see the
information about custom publishing on pages IE5–IE8 in the
Instructor’s Edition.
A handbook tailored to the way you teach the course is a more
useful tool. With trademark Hacker/Sommers flexibility, the print
book is available in three versions:
A Writer’s Reference (Classic), Ninth Edition
ISBN 978-1-319-05744-2
14
A Writer’s Reference with Exercises, Ninth Edition
ISBN 978-1-319-10696-6
15
How to improve your writing with an editing log
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The following Hacker handbook content is available for custom editions:
Writing in the Disciplines; Resources for Multilingual Writers and ESL;
Understanding and Composing Multimodal Projects; and Strategies for
Online Learners. And for programs or instructors who prefer a digital-only
handbook, LaunchPad for A Writer’s Reference includes a full e-book.
Contact your publisher’s representative for more information.
Now in LaunchPad
As an instructor, you may be looking for new ways to get the most out of
your handbook. LaunchPad for A Writer’s Reference combines a full e-
book, engaging tutorial content, and innovative practice and assessment
tools in a fully customizable course space. LaunchPad allows you to mix
our resources with yours, assign easily, and save yourself time. For
students, LaunchPad is the space in which they will learn and practice key
skills.
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Feedback in the exercises and in the adaptive LearningCurve
activities makes the engagement a learning experience. The
gradebook in LaunchPad, which can integrate with your LMS,
allows you to view, track, and report students’ progress.
Video tools make it easy to integrate open-source content (videos
from YouTube and other sources) into your LaunchPad course and
allow you to build scorable, trackable response assignments around
that content. The video tools allow your class to engage in online
discussions about the material, fostering a social environment.
The handbook covers a lot of ground. Neither Google nor an OWL can
give students the confidence that comes with a coherent reference that
covers all the topics they need in a writing course. A Writer’s Reference
supports students as they compose for different purposes and audiences
and in a variety of genres and as they collaborate, revise deeply, conduct
research, document sources, format their writing, and edit for clarity.
It’s easy to use and easy to understand. The handbook’s
explanations are brief, accessible, and illustrated by examples, most
by student writers. The book’s many boxes, charts, checklists, and
menus are designed to help users find what they need quickly.
It provides authoritative, trustworthy instruction. Most writing
resources on the Web offer information, but they don’t offer
instruction. With the ninth edition of A Writer’s Reference, students
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have reference content that has been class-tested by hundreds of
thousands of students and instructors. Users who loved the new
Writing Guides in the eighth edition will be pleased to know they are
still here in the ninth.
It is available in affordable e-book formats from partner vendors
that offer mobile-friendly, accessible e-books that match the content
of our print books and that provide students with the ability to read,
highlight, take notes, and search. Both offline and download options
are available. Visit macmillanlearning.com/ebooks for more
information.
It comes with the service and support you have come to expect from
Bedford/St. Martin’s. We have been in the field of composition with
you for more than thirty-five years. We provide professional
resources, professional development workshops, training for digital
tools, and quick, personal service when you need it.
Acknowledgments
Reviewers
Elizabeth Acosta, El Paso Community College; Brian Adler, Pasadena
City College; Lisa Busonic Avendano, Lincoln Land Community College;
Eberly Barnes, University of California, San Diego; Michelle Bean, Rio
Hondo College; Jason Beardsley, Santa Monica College; Matt
Birkenhauer, Northern Kentucky University; Brett Bodily, North Lake
19
College; Scott Boltwood, Emory & Henry College; Michael Brokos, Johns
Hopkins Carey Business School; Merissa Brown, Leeward Community
College; Christopher Cain, Towson University; Bryonie Carter, St. Charles
Community College; Cheryl Clark, Miami Dade College; Virginia Crisco,
California State University, Fresno; Jim Crooks, Shasta College; Amy
Peterson Cyr, University of Maine at Augusta; Ann Dean, University of
Massachusetts, Lowell; Tom Deans, University of Connecticut; Regina
Dilgen, Palm Beach State College; Bonnie Dowd, Montclair State
University; Patricia Keefe Durso, Fairleigh Dickinson University; Heather
Elko, Eastern Florida State College; Laura Ellis-Lai, Texas State
University; David Estrada, Rio Hondo College; Carol-Ann Farkas,
Massachusetts College of Pharmacy and Health Sciences; Karen Forgette,
University of Mississippi; Tikenya Foster-Singletary, Spelman College;
Elizabeth Fourzan, El Paso Community College; Amy Fugazzi, Northern
Kentucky University; Monica Fuglei, Arapahoe Community College;
Karen Gocsik, University of California, San Diego; Angela Green,
University of Mississippi; Gary Hall, Victoria College; Anna Hall-Zieger,
Blinn College; Kathryn Harrington, Community College of Denver; Lynn
Hawkins, Daytona State College; Andrea Holliger, Lone Star College;
Nancy Kennedy, Edmonds Community College; Amanda Knight, Andrew
College; Richard Kraskin, Daytona State College; Elizabeth Kreydatus,
Virginia Commonwealth University; Jane Kuenz, University of Southern
Maine; Tamara Kuzmenkov, Tacoma Community College; Jessica Labbe,
Guilford Technical Community College; Jennifer Laufenberg, Bossier
Parish Community College; Bill Leach, Florida Institute of Technology;
Can Li, Red River College; Bronwen Llewellyn, Daytona State College;
Walter Lowe, Green River Community College; Jennifer Lutman, Colgate
University; Marta Magellan, Miami Dade Virtual College; Andrea Mason,
Arapahoe Community College; Carola Mattord, Kennesaw State
University; John McKinnis, Buffalo State College; Terrence McNulty,
Middlesex Community College; Zia Miric, University of Illinois at
Urbana-Champaign; Tiffany Mitchell, University of Tennessee at
Chattanooga; Dawn Montgomery, University of Alaska Southeast,
Ketchikan; Alice Myatt, University of Mississippi; Robin Jean Gray
Nicks, University of Tennessee; Barbra Nightingale, Broward College;
Michele Ninacs, Buffalo State College; Vicki Pallo, Virginia
Commonwealth University; Nancy Pederson, University of Minnesota,
Morris; Margaret Price, The Ohio State University; Jeff Pruchnic, Wayne
State University; Kristin Redfield, Forsyth Technical Community College;
Kristin Reed, Virginia Commonwealth University; Jennifer Rios, Fresno
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City College; Megan Salter, Middle Georgia State University; Jean
Sorensen, Grayson County College; Kathleen Spada, Northern Kentucky
University; Lucas A. Street, Augustana College; Jamey Temple,
University of the Cumberlands; Kate Tirabassi, Keene State College;
Marlea Trevino, Grayson College; Leah Van Vaerenewyck, Lesley
University; Heather Blain Vorhies, University of North Carolina at
Charlotte; Jennifer Holly Wells, Montclair State University; Richard
Williamson, Blinn College; Nancy Wilson, Texas State University; Greg
Winston, Husson University; Virginia Wright-Peterson, University of
Minnesota at Rochester; Diane Yerka, University of Minnesota at Morris.
Editorial advisers
I was thrilled to have the help of the following individuals, fellow teachers
of writing, in shaping a new edition that responds to students’ needs, saves
teachers time, includes digital options, and reflects current pedagogy and
practices:
Heidi Ajrami, Victoria College
C. J. Baker-Schverak, Eastern Florida State College
Elizabeth Haddox, El Paso Community College
Jessica Kidd, University of Alabama
Guy Krueger, University of Mississippi
Tracy Michaels, University of Massachusetts, Lowell
C. Cole Osborne, Guilford Technical Community College
Mauricio Rodríguez, El Paso Community College
Student reviewers
It is always instructive and rewarding to involve students in the
development of new content. I thank the following students for reviewing
early-stage writing and citation videos: Abigail Dellinger from Forsyth
Technical Community College; Angel Carboni, Pal Patel, and Shandice
Rowe from Massachusetts College of Pharmacy and Health Sciences; Ron
Butts, Katie Hazelwood, and Shaneqia Johnson from Middle Georgia State
University; Fernando Alvidrez, Andrea Esparza, Christian Melgarejo,
Lorena Pedroza, and Jacob Perez from Rio Hondo College; Seungah Kim,
Henry Medelius, Kyle Seifert, and Justine Stoberl from SUNY Buffalo;
Elizabeth Johnson from University of South Carolina; and Grant Hovey
from Virginia Polytechnic Institute and State University.
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Contributors
I thank the following fellow teachers of writing for their smart revisions of
important content: Kimberli Huster, ESL specialist at Robert Morris
University and Duquesne University, updated the advice for multilingual
writers, and Sara McCurry, instructor of English at Shasta College,
improved Teaching with Hacker Handbooks. I also thank Robert Koch,
director of the Center for Writing Excellence at University of North
Alabama, for a series of new Writer’s Choice boxes. For helping me to
think about new content on pronouns and gender, I am deeply grateful to
Margaret Price, associate professor of English at The Ohio State
University.
Student contributors
Including sample student writing in each edition of the handbook and its
media makes the resources more useful for you and your students. I would
like to thank these students for letting us adapt their work as models: Ned
Bishop, Sophie Harba, Sam Jacobs, Michelle Nguyen, Emilia Sanchez,
April Bo Wang, Matt Watson, and Ren Yoshida.
Bedford/St. Martin’s
A comprehensive handbook is a collaborative writing project, and it is my
pleasure to acknowledge and thank the enormously talented Bedford/St.
Martin’s editorial team, whose focus on students informs each new feature
of A Writer’s Reference. Edwin Hill, vice president for humanities
editorial, and Leasa Burton, senior program director for English, offer their
commitment to and deep knowledge of the field of composition and the
ways in which it is changing. Stacey Purviance, senior program manager,
brings her creative energy and thoughtful contributions to the handbook.
She has brilliantly and generously inspired us to envision new ways to pair
print and digital content. Doug Silver, product manager for English, helps
us reimagine writers’ and teachers’ opportunities with digital tools.
Michelle Clark, executive editor, is the editor every author dreams of
having — a treasured friend and colleague and an endless source of
creativity and clarity. Michelle combines wisdom with patience,
imagination with practicality, and hard work with good cheer. For this
edition, I am especially grateful for her work in developing exciting new
video content and in reframing the MLA coverage. Barbara Flanagan,
senior media editor, brings unrivaled expertise in documentation —
22
mastering the 2016 MLA update — and manages content development for
LaunchPad for A Writer’s Reference. Mara Weible, senior editor, brings to
the ninth edition her teacher’s sensibility; I thank her for working with
student writer April Wang on a new APA-style research essay and for
developing the multimodal supplement. Thanks to Stephanie Thomas,
associate editor, for expertly managing the review and permissions
processes, for updating Teaching with Hacker Handbooks, and for
developing other key supplements. Thanks also to Cara Kaufman,
associate editor, for developing the ESL supplement and helping us create
online writing tutorials, and to Julia Domenicucci, assistant editor, who
played a key role with LaunchPad and the citation tutorials. And many
thanks to the media production team — Michelle Camisa and Allison Hart
— for delivering engaging handbook tools for students in the digital age.
Practical advice from Bedford colleagues Joy Fisher Williams and
Vivian Garcia, who, like me, spend many, many hours on the road and in
faculty offices, is always treasured. Many thanks to Kendra LeFleur and
Rosemary Jaffe, senior content project managers, who have produced
quality content in many versions and on schedule — and who expertly
managed a redesign of the print book. And thanks to Arthur Johnson, copy
editor, for his thoroughness and attention to detail; to Claire Seng-
Niemoeller, text designer, who crafted a clean and more accessible ninth
edition; and to John Callahan, designer, who has introduced a striking new
cover.
Last, but never least, I offer thanks to my own students who, over
many years, have shaped my teaching and helped me understand their
challenges in becoming college writers. Thanks to my friends and
colleagues Jenny Doggett, Joan Feinberg, Suzanne Lane, Maxine Rodburg,
Laura Saltz, and Kerry Walk for sustaining conversations about the
teaching of writing. And thanks to my family: to Joshua Alper, an attentive
reader of life and literature, for his steadfastness across the drafts; to my
parents, Walter and Louise Sommers, who encouraged me to write and set
me forth on a career of writing and teaching; to my extended family, Ron,
Charles Mary, Alexander, Demian, Devin, Liz, Kate, Sam, Terry, Steve,
and Yuval, for their good humor and good cheer; and to Rachel and
Curran, Alexandra and Brian, witty and wise beyond measure, always
generous with their instruction and inspiration in all things that matter.
And to Lailah Dragonfly, my granddaughter, thanks for the joy and
sweetness you bring to life.
Nancy Sommers
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C
Composing and Revising
C1 Planning
d Drafting a plan
24
C2 Drafting
a Drafting an introduction
b Drafting the body
c Drafting a conclusion
C3 Reviewing, revising, and editing
C5 Writing paragraphs
25
Another random document with
no related content on Scribd:
The Project Gutenberg eBook of Pictorial
history of the war for the Union, volume 1 (of
2)
This ebook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this ebook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.
Title: Pictorial history of the war for the Union, volume 1 (of 2)
A complete and reliable history of the war from its
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Language: English
OF THE
FROM ITS
VOL I.
CINCINNATI:
JAMES R. HAWLEY, 164 VINE STREET,
PUBLISHER OF SUBSCRIPTION BOOKS.
1863.
Entered, according to Act of Congress, in the year 1862,
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INTRODUCTION.