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Dwnload Full Cases and Exercises in Organization Development Change Second Edition Ebook PDF Version PDF
Dwnload Full Cases and Exercises in Organization Development Change Second Edition Ebook PDF Version PDF
Many students who are new to the field of organization development (OD)
are frustrated by how hard it is to break into the field. Clients prefer to work
with experienced practitioners, but the only way to gain relevant experience
is to work with clients. In addition, it is often very difficult to hone one’s
ability to apply theory to practice, even for experienced practitioners. Enter
the case method, an approach that has been used in business schools and
university courses for more than 100 years. Cases are not real clients, but
they provide a safe environment for practice until a real client environment
provides a suitable opportunity. In the classroom, case studies engage readers
with real problems that can provide complex situations for the application of
theoretical concepts.
Cases here represent real issues and organizations. In most cases, the
contributors have disguised the organization’s name or have changed minor
details to respect the organization’s anonymity. You will find cases that take
place in the same diversity of organizations where OD is practiced: for-profit,
nonprofit, government departments, health care environments, education, and
more. You will find classic organizational change dilemmas as well as new
issues that challenge practitioners today. New to this edition you will find
more cases that address global OD challenges, dialogic OD, and OD in
virtual organizations.
Acknowledgments
—Donald L. Anderson
Introduction
Most observers agree that a background in the social and behavioral sciences
is a good starting point to expose beginners to introductory organization
development concepts. Burke (1993) recommends academic training in areas
such as organizational psychology, group dynamics, research methods, adult
learning, career development, counseling, OD, and organizational theory.
Head, Armstrong, and Preston (1996) recommend courses in business, since
most OD work is done in that context, a point echoed by Burke and Bradford
(2005), who concur that the OD consultant needs to “understand the language
and how profit is made and costs contained according to various business
models” (p. 8). Supplementary study in areas such as organizational
communication, sociology, public administration, and political science can
also provide useful concepts that can add to a practitioner’s theoretical and
practical knowledge. Participation in groups such as professional
associations, conferences, and training courses offered by those associations
can be good ways to increase one’s knowledge of organization development
concepts and to expand a professional network. Practical experience,
however, is a prerequisite to successful consulting, so shadow consulting
with a skilled mentor is among the best ways to gain experience. Those
wanting to break in to the field might volunteer to help an internal consultant
with a project at work. Assisting an internal consultant with data gathering,
data analysis, taking notes during interviews, or simply sitting in on a
workshop or facilitated meeting can be excellent ways to watch OD work in
action. In addition, a popular way to gain experience is to seek pro bono
opportunities to work with a nonprofit group. One caveat: Because it is
important to present oneself ethically and not to overstate one’s level of
knowledge, working with an experienced consultant is usually necessary until
the beginning consultant gains enough experience to be able to take on the
engagement alone.
Entry: The first stage of the consulting process is entry, which begins
with an initial contact between a consultant and a client.
Contracting: Next, the consultant and client come to agreement on
what work will be accomplished. The client makes the request by
describing the problem or OD consulting opportunity, and then the client
and consultant discuss the engagement and how to create a successful
consulting relationship. The consultant responds with a formal or
informal proposal about what he or she will do.
Data Gathering: Third, data are generally gathered about the situation,
the client, the organization, and other relevant aspects of the problem.
This can involve one or more methods or sources of information.
Diagnosis and Feedback: Next, the client and consultant jointly
analyze and interpret the data. The consultant presents the client with
feedback from the data gathering stage. The problem may be
reevaluated, additional data may be gathered, or an intervention strategy
may be proposed.
Intervention: The consultant and client agree on what intervention(s)
would best address the problem, and the intervention strategy is carried
out.
Evaluation and Exit: The consultant and client evaluate the outcomes
of the intervention(s) and whether the intervention(s) have resulted in
the desired change. Additional data are gathered at this point and the
client and consultant may agree to terminate the engagement or to begin
the cycle again (reentry, recontracting, etc.).
Thinking Like an OD Practitioner
Throughout this process, practitioners are confronted with choices at every
turn, and these choices are not easy ones to make. Practitioners must make
trade-offs as they decide, among other concerns:
How to gather the most relevant data when time and access are limited
Which questions are most germane to ask in an interview or on a survey
Which model to use in analyzing data, or whether a model is appropriate
at all for the situation
How to prioritize which issues and themes discovered in data gathering
are most important to address
How to frame sensitive concerns in a feedback meeting with a client to
encourage action but avoid collusion
How to genuinely help the client and add value without taking on all of
the client’s burdens alone
How to balance concerns of limited time and money in selecting
interventions
Whether to address task or relational interventions first
How to evaluate the results of the engagement given the many factors
involved in personal, team, and organizational change
When to leave the engagement, staying long enough to leave the client
in a satisfactory position for the future but leaving early enough to avoid
client dependency
As a result of having to make these choices, you will hone your ability to
communicate your rationale for your decisions. Classmates will make
different choices, each with their own well-reasoned rationales. Through
discussion you will sharpen your ability to solve problems, understanding the
principles behind the decisions that you and your classmates have made. You
will learn about how your own experiences shape your assumptions and
approaches to problems. You will be challenged to develop your skills to
provide evidence for your reasoning, defend your analyses, and explain your
thinking in clear and concise ways for fellow practitioners and clients alike.
You may find that these discussions prompt you to change your mind about
the approach you would take, becoming convinced by a classmate’s well-
reasoned proposal, or you may find that your reasoning persuades others that
your approach has the greater advantages.
Regardless, you will learn that there is not a single right answer at the back of
the book or to be shared by your instructor after you have struggled. For
some of the cases in this book, the authors have developed an epilogue that
your instructor may share with you to explain what happened after the case
concluded. This information may provide support for the approach you would
have taken, or it may make you think that your approach was incorrect.
Instead of seeking the right or wrong answer, however, asking yourself if
your proposal was well-reasoned given the circumstances is more important
than knowing the exact outcome of the case. While you have the opportunity
to do so, use the occasion of the case study and the discussion to play with
various alternatives. Here, the process may be more important than the
outcome.
Analyzing Case Studies
As you read the cases, take the role of the change agent as you analyze the
situation, considering the trade-offs and choices that professionals experience
in real OD situations. Each case is accompanied by discussion questions and
resources for further study should you wish to follow up on the research or
theories implicated in the case.
Here are a few tips to get you started with case study analysis:
1. Read the entire case first, and resist the temptation to come to any
conclusions the first time you read through it. Allow yourself to linger
with the problem, first gathering all the relevant data about the situation
before you propose any solutions or come to any judgment about what’s
happening or what the client needs to do. Try not to rush to a solution.
Maintain a spirit of inquiry, not problem solving, as you read the case
again.
2. Use charts to map out organizational structures and underline key
phrases and issues. Write questions that come to mind in the margins.
Read the case through multiple times to ensure that you have not missed
a key detail that would indicate to a client that you had not been paying
close attention.
3. Realize that like real life, case studies contain many extra details and
describe multiple issues. Organizational life is messy and complex, and
not all of these details are helpful or necessary to the consultant or
change agent. “A case is a description of a situation, usually a complex
one, that has multiple meanings, some of which can be contradictory”
(Ellet, 2007, p. 90). A consultant helping a team redefine roles and
responsibilities may be doing so in an environment in which the
company has acquired a competitor or quarterly results were
disappointing. Part of the practitioner’s role is to sort through the useful
primary information from the unnecessary secondary information (or
information that is unnecessary for the immediate problem). This is part
of the value of these case exercises and a logic and intuition that you
will develop as your skills and experience grow. Ask yourself what the
client is trying to achieve, what he or she has asked of you, and what the
core issues and central facts are.
4. Similarly, in any response to a client or reaction to a case, resist the
temptation to comment on everything. An OD practitioner can help to
prioritize the most pressing issues and help the client sort through the
complexities of organizational life. It could be that part of the reason the
client has asked for help is that the number of possibilities for action are
too overwhelming to decide what to do next.
5. When you are prepared to write a response or an analysis, ask yourself
whether you have addressed the central questions asked by the case and
whether you have clearly stated the issues to the client. Once your
response is written, could you send that, in its present form, to the client
described in the case? In that regard, is it professionally written and well
organized to communicate unambiguously to the client? Will the client
understand how and why you reached these conclusions?
6. As you write your analysis, ask yourself how you know any particular
fact or interpretation to be true, and whether you have sufficiently
justified your interpretation with actual data. Instead of boldly stating
that “managers are not trained for their roles,” you could write, “only 2
of 10 managers had attended a management training course in the past 5
years, leading me to conclude that management training has not been
given a high priority.” The latter uses data and makes the interpretation
explicit; the former is likely to invite criticism or defensiveness from a
client. This does not mean that directness is not appropriate, only that it
must follow from the evidence. We describe the considerations of the
feedback process in depth in this book.
7. When you have finished your own thinking and writing about the case,
and after you have had the opportunity to discuss the case and options
for action with classmates, take the time to write down your reflections
from the experience (Ellet, 2007). What did you learn? What principles
might apply for the next time you are confronted with these choices?
Another random document with
no related content on Scribd:
with its spinning-wheels was the sitting-room, or occasionally the
kitchen, and the bedroom adjoining was called the spinning-room
kametje. There were often four or five spinning-wheels in a family,
and their merry hum meant lively work. The furniture of these rooms
was in character much like that of townhouses, and all had sanded
floors. Above these rooms were comfortable chambers; and above
the chambers the garret.
A more loving pen than mine has drawn the old garrets of the
Flatbush farmhouses, with their cast-off furniture, old trunks, and
bandboxes; the unused cradle and crib; the little end window with its
spider-webs and yellow wasps buzzing angrily, and beating with
extended wings against the dingy panes, or sitting in dull clusters,
motionless and silent, along the moulding; the rough chimneys; the
spinning-wheels and looms, the wooden pegs with discarded
clothing. Mrs. Vanderbilt says:—
“The shingled roof which overarched the garret in all its
length and breadth was discolored by time, and streaked and
stained with the leakage caused by hard northeast storms;
there were tin-pans and sea-shells apparently placed at
random over the floor in a purposeless way, but which were
intended to catch the drip when the warped shingles admitted
the rain. In winter there were little drifts of snow here and
there which had sifted through the nail-holes and cracks.”
The garret was a famous drying-place in winter-time for the vast
washings. Often long adjustable poles were fitted from rafter to rafter
to hold the hanging garments.
In the garret, beside the chimney and opening into it, was the
smokehouse, sometimes shaped like a cask. Too heavy and big to
have been brought in and up to the garret, it was probably built in it.
Around this smokehouse were hung hams and sausages, and sides
of bacon and dried beef. These usually were not cured in this garret
smokehouse; that was simply a storage-place, in which they could
be kept properly dry and a little smoked.
Of the kamer, or parlor, of New Amsterdam Irving wrote, with but
slight exaggeration of its sanctity and cherished condition:—
“The grand parlor was the sanctum sanctorum, where the
passion for cleaning was indulged without control. In this
sacred apartment no one was permitted to enter excepting
the mistress and her confidential maid, who visited it once a
week, for the purpose of giving it a thorough cleaning—
always taking the precaution of leaving their shoes at the
door, and entering devoutly on their stocking-feet. After
scrubbing the floor, sprinkling it with fine white sand, which
was curiously stroked into angles, and curves, and
rhomboids, with a broom—after washing the windows,
rubbing and polishing the furniture, and putting a new bunch
of evergreens in the fireplace—the window shutters were
again closed to keep out the flies, and the room carefully
locked up till the revolution of time brought round the weekly
cleaning-day.”
Mrs. Grant fully confirms and emphasizes this account as
applicable to the parlors of country-houses as well.
The kitchen was usually in a long rambling ell at one gable-end of
the house, rarely in an ell at right angles to the main house; in it
centred the picturesqueness of the farm-house. It was a delightful
apartment, bustling with activity, cheerful of aspect. On one side
always stood a dresser.
The shining pewter plates, polished like silver, were part of every
thrifty housewife’s store; a garnish of pewter, which was a set of
different-sized plates, was often her wedding-gift. Their use lingered
till this century, and many pieces now are cherished heirlooms.
Methods of cooking and cooking utensils varied much from those
of the present day. The great brick oven was built beside the
fireplace; sometimes it projected beyond the exterior of the building.
It had a smoke-uptake in the upper part, from which a flue connected
with the fireplace chimney. It was heated by being filled with burning
dry-wood called oven-wood. When the wood was entirely consumed,
the ashes were swept out with an oven-broom called a boender. A
Dutch oven, or Dutch kitchen, was an entirely different affair. This
was made of metal, usually tin, cylindrical in form, and open on one
side, which was placed next the fire. Through this ran a spit by which
meat could be turned when roasting. A bake-kettle, or bake-pan, was
a metal pan which stood up on stumpy legs and was fitted with a
tightly fitting, slightly convex cover on which hot coals were placed.
Within this bake-pan hot biscuit or a single loaf of bread or cake
could be baked to perfection.
Across the chimney was a back-bar, sometimes of green wood,
preferably of iron; on it hung pot-hooks and trammels, which under
the various titles of pot-hangers, pot-claws, pot-clips, pot-brakes, and
crooks, appear in every home-inventory. On those pot-hooks of
various lengths, pots and kettles could be hung at varying heights
above the fire. Often a large plate of iron, called the fire-plate, or fire-
back, was set at the back-base of the kitchen chimney, where raged
so constant and so fierce a fire that brick and mortar crumbled
before it. These fire-backs were often cast in a handsome design,
sometimes a Scriptural subject. These chimneys were vast in size;
Kalm said you could drive a horse and cart through them. Irving says
they were “of patriarchal magnitude, where the whole family enjoyed
a community of privileges and had each a right to a corner.” Often
they were built without jambs. Madam Knights wrote in 1704 of New
York townhouses:—
“The fireplaces have no jambs (as ours have), but the
backs run flush with the walls, and the hearth is of tiles and is
as far out into the room at the ends as before the fire, which is
generally five foot in the lower rooms, and the piece over
where the mantle-tree should be is made as ours with joiners’
work and as I suppose is fastened to iron rods inside.”
The kitchen fireplace was high as well as wide, and disclosed a
vast smoky throat. When the week’s cooking was ended and the
Sabbath was approaching, this great fireplace was dressed up, put
on its best clothes for Sunday, as did all the rest of the family; across
the top was hung a short petticoat, or valance, or little curtain
gathered full on a string. This was called a schouwe-kleedt, a
schoorsteen valletje, or sometimes a dobbelstee-tiens valletje, this
latter in allusion to the stuff of which the valance was usually made,
—a strong close homespun linen checked off with blue or red. This
clean, sweet linen frill was placed, freshly washed and ironed, every
Saturday afternoon on the faithful, work-worn chimney while it took
its Sunday rest. In some houses there hung throughout the week a
schoorsteen valletje; in others it was only Sunday gear. This was a
fashion from early colonial days for both town and country. In the
house of Mayor Rombouts in 1690 were fine chimney-cloths trimmed
with fringe and lace, and worth half a pound each, and humbler
checked chimney-cloths. Cornelius Steenwyck a few years earlier
had in his “great chamber” a still gayer valletje of flowered tabby to
match the tabby window-curtains. Peter Marius had calico valances
for his chimneys.
A description given by a Scotchwoman of fireplaces in Holland at
about this date shows very plainly from whence this form of hearth-
dressing and chimney were derived:—
“The chimney-places are very droll-like; they have no jams
nor lintell, as we have, but a flat grate, and there projects over
it a lum in a form of the cat-and-clay lum, and commonly a
muslin or ruffled pawn around it.”
When tiles were used for facing the fireplace and even for hearths,
as they often were in the kamer, or parlor, they were usually of Delft
manufacture, printed in dull blue with coarsely executed outline
drawings of Scriptural scenes. In the Van Cortlandt manor-house,
the tiles were pure white. I have some of the tiles taken from the old
Schermerhorn house in Brooklyn, built in the middle of the
seventeenth century and demolished in 1895. There were nearly two
hundred in each fireplace in the house. The scenes were from the
Old Testament, and several, if I interpret their significance aright,
from the Apocrypha. The figures are discreetly attired in Dutch
costumes. Irving says of these Scripture-tiles: “Tobit and his dog
figured to great advantage; Haman swung conspicuously on his
gibbet; Jonah appeared most manfully bursting out of the whale, like
Harlequin through a barrel of fire.” To these let me add the very
amusing one of Lazarus leaving his tomb, triumphantly waving the
flag of the Netherlands.
Sometimes the space between the open fireplace and the ceiling
of the kamer was panelled, and it had a narrow ledge of a
mantelpiece upon which usually were placed a pair of silver, brass,
or pewter candlesticks and a snuffers with tray. Occasionally a
blekker, or hanging candlestick, hung over the mantel. In some
handsome houses the sur-base was of tiles and also the staircase;
but such luxuries were unusual.
Domestic comfort and kindly charity sat enthroned in every room
of these Dutch homes. Daniel Denton wrote of them as early as
1670:—
“Though their low-roofed houses may seem to shut their
doors against pride and luxury, yet how do they stand wide
open to let charity in and out, either to assist each other, or
relieve a stranger.”
In these neighborly homes thrift and simple plenty and sober
satisfaction in life had full sway; and these true and honorable
modes of living lingered long, even to our own day. On the outskirts
of a great city, within a few miles of the centre of our greatest city,
still stand some of the farmhouses of Flatbush, whose story has
been told con amore by one to the manner born. These old
homesteads form an object-lesson which we may heed with profit to-
day, of the dignity, the happiness, the beauty that comes from
simplicity in every-day life.
CHAPTER VII
THE DUTCH LARDER