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GEORGIAN TRADITIONAL FOLK SONGS

From the repertoire of the Anchiskhati Choir

Deciphered and compiled by David Shugliashvili

Redactor: Malkhaz Erkvanidze

Painter: Tengiz Mirzashvili

The edition was prepared by: Levan Veshapide
Giorgi Bagrationi
John Graham
Luarsab Togonidze

Songs texts translation by: Elene Pagava and la lashvili

Printed in the Publishing House "Nekeri"

Tbilisi. Georgia. 2016

Second edition

© D. Shugliashvili. Anchiskhati Choir. 2016

 PREFACE

Anchiskhati is the name of an ancient church (built around G c.) in Tbilisi, the capital
th

of the Georgia. lts choir, known for its tremendous efforts in the revival of traditional
Georgian sacral and folk music, bears the same name. lt was due to those efforts that
the Georgian chants, once prohibited under the Russian Empire and the secular So­
viet government, have been restored and are used universally in the Georgian
divine service.
The Anchiskhati Choir initially began this process
by collecting and studying traditional Georgian
folk songs. The singing traditions of the choristers'
families proved to be fruitful grounds for the
flourishment of deep love towards the
magnificence of Georgian polyphonic singing.
Three voice - such is the primary form of tradition­
al Georgian musical expression. The listeners are
delighted by the originality of Georgian polyphony
and by the diversity of its forms. Songs from each
region are distinguished by their peculiar musical
features, providing contrast between the regional
stylings and at the same time showcasing the
originality and unity of the fundaments that
distinguish Georgian singing traditions from those
of its nomadic neighbors and other musical
cultures around the world. Anchiskhati Choir
The most important principle of the Anchiskhati Choir is the performance of Geor­
gian folk songs in a traditional, authentic manner. The choir acquired this skill
through the analysis of old, archived recordings of performers of folk songs, well­
known or not, as well as listening to the elderly singers who have kept the
tradition alive - whose singing has enabled the choir to feel the depth of Georgian
folk songs in person. First teacher of this kind was the outstanding performer and
conductor, late Benia Mikadze. The Anchiskhati Choir studied, performed and
popularized
III
 ...
a number of previously forgotten songs. The
most important of those were songs taught by
Benia Mikadze.

The presented collection is the first edition

of notated score of Georgian folk songs, pre-
senting the performative art of the Anchiskha-
ti Choir. It is compiled according to the CD
- "Georgian Folk songs. Anchiskhati Choir",
Benia Mikadze edited in 2000. The songs are consecutively
ordered by regions of their origin in the follow-
ing way: Megrelian (No 1-3), Svanetian (4-5), Kartli-Kakhetian (6-8), Gurian (9-13) and
lmeretian (14-19), and city folk (20-22).

David Shugliashvili

•
·a·
•

IV
 ANCHISKHATI FOLKSONGS INTRODUCTION

Searching for the heart of Georgian folk music, one is bound to find oneself seated at a
long table laden with food and drink, engaged in a ritual meal of singing and exuberant
toasts. In modern times, folk music seems to be connected hand in hand with the act
of hosting, and as a guest with 'high musical taste,' expect the best in homemade egg-
plant cooked with walnut sauce, fresh grilled lamb, and local wine while you inquire
into the nature of the Georgian folksong.

On one such occasion, after a respectful toast to the highland ancestors - an eloquent
elegy in memory of their struggle for independence, commitment to family and clan,
and enduring traditions of song and religion - a man across the table from me stood
and with deliberate drama, growled the beginning of a stanza from Rustaveli's twelfth
century epic poem, 'Knight in the Panther's Skin.' His posture became .tall and trans-
forming into the hero narrator, his rising voice hurled the colors of medieval banners
and sea battled ships into our company for all to experience.

As hearty applause and joking followed this performance, another voice cut through
the din like a bell, sounding the beginning of a three part polyphonic song called Me
Rustveli, again lyrics from the epic poem. A second voice quickly entered, then a third,
and as the voices twined their way about one another, rising playfully into the canopy
of grape leaves hanging from the balcony arbor and back into the living room where
children played, we were removed from a present time and seated side by side with
Georgians of old singing these very songs.

Georgian folksongs are not merely words and notes, but reflect a culture that has
delivered people through centuries of struggle. They are a living connection to those
who have passed before, to the land, and to an understanding of their unique history.
The hardships of endless invasion instilled in the people of Georgia a tremendous joy
for living expressed in their music and captured by the phrase 'Mravalzhamier,' which
translates as 'Long life, Many years', but means in essence, 'Peace, prosperity, and live
in glory, my dearest friends.'

Throughout the centuries, Georgia was invaded by Assyrians, Turks, Persians, Mon-
gols, North Caucasian Highlanders, Ottoman Turks, and Persians again. A brief era of
peace occurred from the 11th to 13th century when Georgia was unified for the first
time, and enjoyed a brief period of strength in the region. During this 'Golden Era'
arts and the Church flourish~d, and seemingly overnight, cathedrals were erected in
every province, great works of epic poetry were written and recited, and Georgians
prospered from increasing trade as caravans passed through from India to Europe on
the Silk Road.

Mongols destroyed this prosperity in the early thirteenth century and the Persian em-
pire held eastern Georgia in servility for another five hundred years. During this time,
many rebellions were brutally supressed. In 1620, Shah Abbas, the Persian Emperor,
killed an estimated two thirds of the Eastern Georgian population, including five thou-
sand monks in one day at the cave monastery of Davit Garegi. Perhaps as a result of
the constant threat of invasion, elements of Georgian culture remained strong. While

v
cathedrals and castles crumbled, Georgians clung to their religious and cultural tra-
ditions, passing their sacred and folk songs to the next generation as heirlooms of
survival.

A new era began in the early nineteenth century as Tsarist Russians moved into Geor-
gia and brought western culture and music with them. The advent of professional
chorus' for the Opera and Theater lead to choral arangements of Georgian folk songs
for the stage. Professional choirs condensed village work songs that might have last-
ed several hours or longer into palatable three minute arrangements. At the same
time, a vibrant musical culture in the city centers spawned a genre of 'urban songs.'
This movement combined folk themes and three voiced harmony with western chord
structures and instrumentation. While the concertization process brought many folk-
songs back to life, it was also an indicator that the village work songs and the folk
' tradition at large was no longer relevant to city life.

As political events churned in the Caucases in the early part of the Twentieth Centu-
ry, culminating in the Bolshevik Revolution of 1921, folk songs were used by various
groups as symbols of national sentiment. Composers were encouraged to add fourth
voice parts and arrange songs for mixed choirs of one or two hundred singers in the
western style. These arrangements were very popular in Russia as Georgian big cho-
ruses won 'folk competitions' every year, but the village folk tradition was in decline.
Fewer and fewer singers maintained or passed on their traditional songs.

In recent years there has been a renewed interest in discovering the traditional Geor-
gian folksong. Ethnomusicologists have sought out and recorded those village singers
who harbored their tradition. Large collections of gramophone recordings from the
beginning of the 20th century also hold secrets to rediscover village singing.

This book is a selection of songs collected by members of the Anchiskhati Choir. The
ensemble follows in the footsteps of pioneer choir Mtiebi, directed by the late Edisher
Garakanidze, who brought together village singers in the 1970s to sing in their nat-
ural, undirected, untrained manner. The Anchiskhati ensemble was born out of the
inspiration of a group of Conservatory students, who gathered under the leadership
of Malkhaz Erqvanidze to begin learning traditional folksongs and medieval Georgian
chanting. When they began in 1987, they practiced chants in secret at the secluded
Betania Monastery for fear of KGB suspicion. These singers developed their unique
blend of brusque folksy sound with highly tuned professional voices, mimicking old
folk recordings and village singers.

In 1988 the ensemble was given' a blessing by Patriarch Ilia II to sing in the sixth cen-
tury Anchiskhati basilica in Tbilisi. Since that time they have produced nearly a dozen
recordings of folk and sacred music, six publications of sacred chant, and taught many
students and beginning choirs.

In choosing songs for this publication, the editors sought to represent the many genres
of folksongs as well as the various regional styles within Georgia. Traditionally, songs
accompanied all aspects of life including working in the fields, celebrating birth, the
passing of loved ones, festivals, songs to accompany travel and war, historical ballads,
children's lullabies, and feasting table songs. These genres of songs exist all over Geor-
gia yet many regions are inaccessible to one another and over the centuries devel-

VI
oped independently. For example, while the Black Sea coastal areas feature fast paced
polyphony with techniques such as yodeling, the singing in the steppe country of east-
ern Georgia, where vineyards and long vistas prevail, features a strong drone bass
playfully harmonized by two soloists singing long, interweaving melismatic phrases.

Several songs come from Guria, a region of lush hills on the Black Sea coast known
for highly complex polyphony and a form of specialized yodeling called 'krimanchu-
li' (Adila Ali-Pasha). The songs of neighboring Mingrelia, a subtropical coastal plain
thought to have been visited by Jason and the Argonauts from Greek Mythology, are
in the local language and reflect an agrarian culture several millenia old (Arti Vardi).
The Caucasus mountain valleys have long been inhabited by fierce warrior tribes who
have maintained an ancient bardic tradition of ballad singing as well as myriad genres
of folksongs for all walks of daily life. These songs, notably from the Svanetian region,
are often simple in harmony, serious in mood, and long in verses (Mirangula). Inland,
a five thousand year old vineyard culture has thrived in the arid climate and rich soils
of Kakheti and Kartli, where folksongs are stately and long in phrase (Shemodzakhili).

As Georgian music becomes more accessible to performers and scholars in the west,
interest is bound to increase. It is important that performers stay true to the tradition
to the best of their ability, using the recordings as guides. Most importantly, as the
Georgians will attest to, sing from the heart. Enjoy this wonderful collection of folk
songs from the Anchiskhati Choir repertoire.

John Graham

VII
International transcription of the Georgian alphabet
A simple guide to pronunciation of Georgian words

Not all Georgian sounds can be adequately explained or represented by Euro-

pean languages, but here is some guidance.

a - simple "a "as in "are" q - as in "Queen" or "Kate"

b - simple "b" as in " big" gh - as "R" in French "Paris"

g - simple "g" as in "good" q' - Impossible to give parallels to any of

the European languages. Press the
d - simple " d" as in "day" back of the tongue to the posterior
wall of the pharynx and pronounce
e - as in "at"
"K". Something like "K" as in German
v - as in "visa" "Kirsten" but more glotalised.

z - as in "zoo" sh - as in "show"

t - as in "tea" ch - as in "child"

i - as in "England" ts - as in the end of "cats"

k - as in Spanish "Vote Keiro" dz - as in the and of "beds"

I - as in "left" · ts' - a bit like the end of "tents" with a

small explosion between the tongue
m - as in "me" and the upper teeth at the end on the
's' so without the release of breath
n - as in "no" (non aspirated)
o - as in "always" ch' - this is very difficult to explain with
European parallels. In English the
p' - as in French "petit"
sound "ch" would normally release
zh - as "J" in French "Je t'aime" air but this is glottal stopped the
sound being trapped between the a
r - as in "ring" closed larynx and the tongue so that
air squeezes out making a little ex-
s - as in "stop" plosion.

t' - as in the French "tete" kh - as in "J. S. Bach"

u - as in "bull" j - as in "John"

p - as in "painting" h - as in "Helen"

VIII
 1
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(Me and My Cart)

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9
 .)t'lo>n 3.)t'l~ n
3 Arti Vardi
(One Rose)
Vivact! J, 200
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a.)a -. JM.)
kop'
-
.
on
ts'i
-. ~n,
Ii, khe
b3 -- un
si
8n
mi
-- lei --
JO

.. -· - .
r
- .
r
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-
I
'

,
- I ii-- I I

~·.
I
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~
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v 63' - l)'O I I I ' I I' I I'

.- na, l.'ll.) - un - l>n

O)(I 6.), c'3-:Jlll (1)0

ne • bu ti da shur - si ti - si
.. - - I'-

.
f
~ ;; ,;;
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r ;- r

I I' I I'

,. I I I I I I
-- - -- - - -
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83
me
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un
- O>b'O - s>6d,
. tkhu - aq,
bs> -. sia -- mov -. no
bA.:> 8M3 &., &-.
ma
t
.- na. '6'0 O)(I

98 pu ti
.
f
-
~

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;;
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r

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;;
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3M - l.'llO - ~n - .) &'O - ~..,

vo-de·li·a ni • na gu lu

10
 r I ,-1 I
. - - - --- ~·
I
' I I I
.. . ,;
I

_;;: - ~
.
~ • • I....J I ~ r I I -1 •
3,) • 'lJO • ~Pl,
va - pi . ro,
fua
nai
-- 6c,
ni
-
-
fu
na
-- Pl,
o,
. .
I

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'
: ~

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~

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I I

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I
• I
I I I I
b.j.)611 cnM • ~:, • l>nb :Jo . ~n. &, j;Q,),
sqani to - le - bis ch'i . ri - _ma,

-
da.
-,
,. .;.

I
.;

I l
- -

T I
- -
I
-

.)MOlO 3.)M~n &,)aJM.'Jl>n~n, arti vardi gamkop'ts'ili,

bou 80Jo630-., 0106,), (!?.) khes mikinebu tina, da
o~Ml> o,ou 83-.,Gmb-.,.)d shurs tis meuntkhuaq
U.)Uo,)8('1')36M 8,)~-.,mo6,), sasiamovno maputina.

a,) 3,)aotld-., ,)0,0 3,)M~O ma vamichqu ate vardi

UM6 O.)~non 6.)M~o M36n, ~ son baghishi nardi reni, da
3,)MOlO bM8~, 3,)MOJO t)~O~..,. varti khomu, varti zhghiru,
a~~a,) JMRocl 6.:,Mao ~360. mudga kochish nargi reni.

3.)M~nd md-.,..,: t\do8 0106.:,~3 vardiq tquu: chqim tinare

aom a..,Muo;, ~M c1..,~u 8o6mb-.,,)6U, mit mursu do shurs mintkhuans,
b3l, 3,)0~~3.)0~6l,, 3.:i8JM.'J00~..,6l,1 khes vabjghvabuns, vamkop'ts'iluns,
t\dn8 unl>d3.:i8.:im ~..,l, n~o,..,,)6l,. chqim sisqvamat dus irtuans.

-
•

11
 an~c)6a~~c)
4
Mirangula

1\l lcgn:1111 J= 100

.. ,
. - - I I --
r-,
J
I l
- I
J
--
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·-
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"'
I I I I
I I I I i'

' 3.) • n,
va · i,
63
clie
. a..,
. mo
an. tf\.)6
mi · ran
.
. a-:,
gu
.
. ~.),
la, ~: d.)·dn·.)·6n
dza·dzi · a · ni

,. - - .= . .= --
~

I I i'
I I
'" '" '"

A r-, I
,........., I I I I I I I I

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ge
;;nb,
s, ,: ,:
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I!
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[ff &

'' fJ i it , ** 12
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d
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;+±a
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r-, I I Fl
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-
,1 I -r I I -=T I T

3~,) ,)~ ,)
- ~!). ~-a~ - "' - ~,)a,
gza er a - ris. u-gzo • o • bam,

/
~. - - .;
~
~

I I I I

,. r-, I I I l I I I I r-, I r-, r I I I

,, VI I
:
I
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ga- a- ar-ga ctie
~:J -
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mi snvi •
it' ~: t
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I

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/
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r r r i" T i" I

r-, ,i, .l
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3.)o, B::iaM aoM,)60';'.)~,)' ~,) vai, chemo mirangula, da

do)do.)60 ~:)~,) &:)~Ob 1 ~.) dzadziani deda gelis, da
030~"1 Mfl'IZ,"1M 0,)~06-:,~.), ~,) shvilo rogor gaq'inula, da
Uo)t,3,)M::J~O JO~,) a::iGo, ~.) saq'vareli kera sheni, da
8oa.)~ff>3:J J"10JOO ff>O~.)~, ~.) mimat'ove koshkshi oblad, da
-:,o::i~Mo.)u &'?J~o Bo3ou, ~.) ubedobas guli chivis, da

a'b.) .)M .)Mou. -:,01>ff>ff>o.)a, ~,) gza ar aris. ugzoobam, da

a.)~.)J.)~o.) R0 a3n~o, ~.) ao gadakarga chemi shvili, da
C!,)83.) ~.) 00301, J.)MO, ~.) ghamea da ts'ivis qari, da
0 'b33o a>"13~oa> 3.:im.:i63~~.:i, ~.:, gzebi tovlit gatangula, da
d.)~U j3omo60 8M.:id3l> d.)~ol>, ~.) qars qvitini moaqvs qalis, da
3.)0, u.)~ b.:iM 80M.:i63-:,~.), ~.:i vai, sad khar mirangula, da

13
 ~~(!!!~ J(Y)~~l> ba~~a~11~~a
5 Dala Kojas Khelghvazhale
(Dala Is in Childbirth on the Rock)

Modcrmo J.. HO

II: 1J. !
1
z
I

choir
~ ~ I\
I \
.. "t-..
' ' - I

-
I

- - ~- ~-
j
'

') -
~ : .:;
" I
I" r y v y I I
b.),:i 31"'1 Ql.) ~n - A3 A.:. - 0,) A3 - A.:. - o.:. A.:. - &,
aal VO de ri . re ra . aha re - re· aha ra . aha,
,
'"
- .. -
~
-
- - ~

- -
I y I" I' I' I' r

- I\ I I I I I I I I I I I I I

- ... I I I I
L....---l L..J I I I I I T T

Jf"l-~,)b bo~ - c:?3., - -al) - ~o, Ao· A.:.· cl.:.

ko - jas khel - ghva • zha • le, re· ra-sha ra • sha,

14
 trio

b•a
'-
... b.)Q 31"1 ~.) ~n - ~3 ~.) - cl.) ~3 - fl'j.) - c}.) ~,> - cl.>,
sai vo da ri - re ra - sha re • ra • aha ra • sha,

l,.,o
•••

~.) - ~,> ba~ - ~3~ - &> - ~a, ~3 - ~.) - cl.) ~.)-~

da • la khel • ghva • zha • le, re • ra-sha ra • sha,

~
.' I I

, I

b.)4,
"- I

b.)a
- "'-
sai, aai

, :
- : ~· ~
, -

,. I I I I I I I I

I ,, I
l----l l,,....J I

~.,~., JPl~.il> b3~~3.i't).i~3, dala kojas khelghvazhale,

b3~~3.i'l.J,)~D m33016,)a Jffl~,)l>, khelghvazhale tvetnam kojas,
R-;,d3.:,6 mb3~rr,~ :J(Y)~~.3631 chuqvan tkherol hoq'llp'Lne,
~.:,~.:, JM~.:,u bo~~a.:,t1.:i~o dala kojas khelghvazhale

15
 oo8cYld~bo~o
6
Shemodzakhili

Modernto. ad /ibitum

II I ..
.J
ll l-._5--...J
.l.>11 ,l,>Q .)..,,
hai hai ha,
-
II I

..,
a
~ ~t:::i:ii'
.'IA ..,
al a
.'IA
ai a
---1
..,
~r·
,>a
ai o
rr,

' M
0

r-3--,

~ • /JJ6M • l,3 • ~M 3,>~ - I.Tlfll, JM • 6.., 3,

u - ch'kno-be - lo var - dis ko - nav,
r-3--, 3----,

~:JJ "&,, • l,3 • ~M 3.>t', • ~OU JM • S..,3,

uch'k-no - be - lo var - dis ko - nav,
-...

I\ I r - - 3 - -1 r--3---i

cJo8 • JM · ao • ~ ~ - 3ob b3 . M,
sham - ko • bi - lo al - vis khe - o,
I\ I r=:::= 3 =====i_ r::::::: 3 ===::,
~ I I I I I I I I I

'a38 • Jf'l • lm • ~Ma

ahem • ko bi • lol
~
al
- vis
.
3ob bo
khe
-- oi,
Ma 1 M
0

16
 J

. -·
I - . - .
,;
~
·~
~

-------- :

.),>
ha
-. ici'O- ~-~('),
ru • la • lo,
.' I
.; -
-
~

~
~ ~

- r I
~I I
.),> . ic,'O - ~,) - ~(')
====== (')Q

ha . ru • la • lo oi

.. . - - ----- ..

J,>a J,> l.> - ~-;:,·~,>a • ~"' ll('I),

hai ha ha • ru - lai - lo io,

;J,> - ~'O • ~.)ll - ~(')

ha-ru-lai - lo

('I)
0

~ ,., . ---- .
. -

~ L3-..1
J,> - ~.)-~(').

.
, -.
ha· ra - lo,
~
_---;-:---._
,-- _,_ - -- - ~
-
---- -
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- . .
~ ~
~-~ ~
r
~

~ ~ ' c:::::I I
;),> - ic;-., - ~,)ll • ~('I) .lo,
ha - ru - lal - lo he,
·~-. - .. ..

~
. (')
0

17
,.
- -
~

~
- ;: ;: .----::--..
- -- - -- --
- - -· -- -
,1 -
r
- ~

~ I
I
I
~:tJ • 61') • ZJ3 • !!:!M f')ll 3,)ci;·aznb J(')·~3. Jo, -
uch'k-no - be - lo oi var - dis ko-nav, he,
,-.
,
- .. -

~ • !!:!l't
--
bi - lo

!38 - Jl't l>n-~a ~-3n-b b3 • M,

shem-ko bi - loi al - vi· s khe - o,

. I
--- . . •
,....._
-- •
-
-
~ r r ~ ~

~
,)
- n ao bl'ta
~flla,3-l>n ,)I\, &b- bn-
8 - i me khom prte - bi ar mas-khi·
. .. I ~
. - -- r r - ,-
. r
---- - - - -
,J I I
~
r ,, ~

c:::::::: ' r r
,) ,)Jl, 83 bl'ta
~t',a,3-~ ,)II, &b- bn-
a al, me khom prte - bl ar mas-khi-
.. -. .... -

18
 :,, GM
a, io

,.
:», J,)-~,)-~('11 Jo,
a, ha·ra-lo he,

I I

-,. :: -

I
____
-- - - - , .~
I
- -- - _
I I

,. . r
~ ~ ~ ~

~
~
- ..... ~

r
~ - 1:1...J - I

ao br,8 'l,ltiia>o • ~n
me khom prte - bi
,){,;j
ar mas
8:,1> -. bo-:,,
khi·a,
J::,
he

.. .
" - ~~·
.... -··---·

3'l,ltiin6-~3 a36-o,:,6
-~ vprin - de shen-tan

a~-8C',,a-M 3~~6-lllo a 3s. o,:,-6 a0 • ..,,_

gad-moi-o vprin - do shen-ta-n me • o.

19
 -----. ~b 8M•2, • ~81 6'0 332, - d-:J~
ch'irs mo·g-ch'am, nu sheg-dzul

-> n -> n, ~b 8c,,-a • ~a,

a I a I, ch'irs mo-g-ch'am,

' I I .-
,?
"'·0,
,.. I
. .;:
,.
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M, ;,., - n ;i., n,

, ~
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---~-----~----~~-
ha • I ha i,

.
, I I

- ,.

ii

f
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'1
~

:tn~b &Ma - :J.>a,

~ ~ ~ ~ ~

6-;, i132, - d-o~ - ~::, - oo,

ch'irs mog-ch'am, nu sheg - dzul • de • bl,
- ------ - - --
I"'
.

.. "
- .. . -·~·

"

20
 II I

II 1. L ,--3---, ,-3--,

i' "' "'i' i' I ==:t:::!e.J r r ~ y I i' "'"'

3~-0,n ~111-o,~-~n 8n-cnl).)-llil'f), 8,)·a,b~-o ~,>-c'\n-6n - R,>-~n, b,>-8,)-1113
er· ti qar • tu • II mi·tkha-ro, ma-tkhu-e ba - ri - ni - cha-bi, sa-ma-re

-"
I
~- .- - - - .- .
-
~ ~

~
~ ~
:
ti I
' ii.:z::i I
J.:,11,)~-b,)-~,)~j'f)
- Al'),

" I I I..
r-3---, -~ ,
-- -
hai ar~kha-ra - lo
I .~
io,
#

- =- - - . -·-- - ;:
,.

--
~ ~ ~ ~

~
r y r I
"' "' """-'
"'.:i-81">-3'1-0lb~l'f),J.)-II)~~ J3 J:,,
a-mo-vo-tkha-ro, ha-ru -la - lo he he,
~· -...
. "

I '

cl63. ~n- .> lwiJ3 • awb a->-a- J-> - on,

II I I
dzne - Ii - a mokv-des vazh-ka-tsi,
~
~
~ -.
I r I r I

d63-~n-,> al'f)J3 • Cfll)b 3.>'(I • J,) • on,

dzne ·Ii· a mokv-des vazh-ka • tsi,

21
 Cl!,) • n • Jo>~ • 2.M • b.>, 8n • Un JM•JM·~n ~ • 3t) •
da • I - kar • go - sa, mi • si ko - ko • rl ul - va •

..., • f.ll~·Mte Qlo)• n • Jo)~ • &M • l,,> 1 Bo. l,n JM•JPJ-~n ;,~ - 3,> •
u • dro • od da · i · kar • go • sa, mi • si ko • ko • ri ul • va •

-,i :: .. - .
II I
.= -
r

I
- - -- - - - -
r r r r r r r r

<'Jo
shl_~
an-oo>-an
mi .. ts'a··shl cha
& - n .. at)~ - bM
. i - mar· kho • sa .
- bt).
r-3-i
I
.,. • •
-
A I I I.. I.. I,, I,, I.. I..

--- - - - -- - -
~

,. " ~
~

,i
ao
shi
Sn - o,> .. ao
mi - ts'a • shi cha
& -. i - mar
a~ - bM • bo>.
n •
- kho - sa.

, '" ,.
...
- ... ..

...

,. ''
,>
...
I
.,

o)

a
,--3---,

.- .- .-
;)o) - ~..,- ~,) - ~Pl
ha~ ru - la - lo
-----
- - -- - -- --
--=== l"IA
oi
Pl
r
-- - -
---.......
,
I
.

o ~
=-
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I
. - - - ~

- - -- -- ~
I
.
,i I r r - ~

ESi:ej I I =-.!

:,..,
ha
-- ~.ru. , -- la --
~t) ~Pt
lo
("IQ

oi
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0

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- -
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22
' II I ~ - I

,·. " ,
I
I

J.)a ;).)
'--3--'
J,)-
hai ha ha· ru • la • lo
=== ==
~..,-~,)-~!")
I
Q('I)

lo

' I ' I ~. r--s~

I

,/ I
,).:;
L _r
l' === Ei::i
,),)Q 3.>-~-:J-~o>-~C"l Ma I') P'la."'
hai ha ha • ru • la • lo oi 0 oi • o
-
. "
I
C"l
0

,?
I

,),>
----- ........---

L-3__::j • I

Ao>-~
ha ra - lo
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--
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,?
.),>
ha
.
.
l'
~,)-~,)

re • 111
- -
aM
lo

23
 an~o3~~0
7 Met'ivuri
(Rafter's song)
Mmkrato. ad libitum

-
l>.)·60·33-'ba 60-30 cf:,3- J.)11,, 60-30 .)·Anl> 6.).d3nlil»-1>.),
sa·t'i·ve-ze t'i·vi shev-kar, t'i·vi a·ris na·dzvl• khksa,

(')
0

-
Mill • 0,.) lf30 - 11,3 - ~n al') . 3.)ti - bo,
or· ta q'vl • re • bi mo • vas • khi,

ii
81"1 -1>.)l, - 83 - ~o
mo • sas - me • Ii
.) • <'lnli l>lf~n-li.>.
a • ris ts'q'li • sa.
----

J:., J3 : J311 ~.).

he he : hei da,
I

~:i. a!'I 61'1• 31"1 a.) - &6 a.)· d:i~.

cha-mo t'I . VO ma-shin ga • qeb,

24
'

t',(W)l, d.) • ~.)d • 0'1 fl.) • l,~ • ~n • 8PI,

- - .
ros qa - laq • shi cha • su - Ii • q'o,

....
a-:, !(!jo>-tllin ao - b33 - Pl - aiob,
mu stit'a - rl ge-khve - o - des,

.-3--,

l,b3-> • ,,:J 83·6~ p.->•l>-:,-~n·8PI· ;J-,.lfi-:,·~.>-~M, 111"'1.

skhva-ze me-t'ad ga-su • II - q'o. ha· ru • la - lo, io.

83-~3 o-l"io·J~ol>ai~-ao-.,
me-pe e- re • kles dro - shi· a shors mo-va-dzo-ve dzro - khaoi,

C5l.)3-6'3d IJl.> ~3:)"'l'in 3n-dn-63, 0).)3l,aio)-3n-bo;,-l'i3 f!M. b-,-6n.

dav-ts'eq da bev-ri vl-dzH'le, tavs da -vi-khu-re che>«ha-ni.

25
 r-1--,

I
I -
I 3312 fllol,

: hei da,
•

80 • 'll3
-
t,n • l")t') • t,nb fll~M • 3n • ,)
me·pe gl • or • gis dro ahi • a

- - --·

I
"
- . ·~

30 • c:?l>A 3~&0. l,"' • ~ dMb • cln • ">,

ve • ghar vdge • bo • di qokh • ahl • a,

33A al) 3"> • I).:, • ~3 QM~ • cl30-~n,

ver ga va • kha • re tsol • ahvi • II,

aolli SM-a~-bn-60 t!)PI~-&-->. l.'>-~..,-~1)-~M, GM,

ver mo • vii • khi·ne t'ol • 1hi·a. ha· ru • la • lo, io.

26
 -
1
63-6->·30 a.>-a.>-2,3-lln-fu, al) - a,) - .),) - a->-6o ~l) d&~.>6,
ne-t'a-vl ga-ma-ge-bi-na, ma-ma-p'a-p'a-ni ra qmni·lan,

lf3~~Cl(3Pl~d~o ~~~~,,o~a~~l).
an mo - q'va-ru • Ii tsol-qma-ri u-dro-od ra-zedga-q'ri-la.

r-, I
" ' I I

- - - ---
I I

. .. ~

-
J

\I I I I I I I I I I I I I I I l I
~,) - oe:in • e:i.>6 fu . bl)- ~.>-163 - 6o, 'bPI&. 6o b~ o&6 - ~~ l) - 1116n-e:i.>6,
da - .tali - Ian na - sa- khla - re - nl, zog - ni sul ts'mln dad a • q'ri · Ian,
.. . ..
.' ;
-
I I I I I I I I

.,a l>C"I-Clj~b ., - c:!,)~ tll:;-,r. lll&l)-!'>.>6, n8 d3a11-6ob 8J3n-~6o !3 • d86n-e:i.>6.

am so-pals a - ghar dam - dga-ran, im qveq'-nis mkvi·drni she-qmni·lan.

;)l)a ,b . e:'PI•
hai ha • ru lo.

('l M,
0 o.
27
 8 a~a30 J~J~~o
Shashvi Kakabi
(Thrush and Partridge)

Modt!rato. ad libitwn
~- ------~ r 3, r--- 3 ::=r

J-> J-> -lln '/J:, - n - l,636,

ka ka • bi she· i • bnen,

Jo>
ka

(')
0
------ ----- Jo> -l,n '/J:, - n - l,636,
ka • bi she· i • bnen,

-' I
-
~
-
I I I I
' '/Jo> -. shvi
'/J3n '/Jo> • '/J3n Jo> - J.> .
-
- -
-------------, =I ' ,
sha sha • shvi ka - ka

.
- -
I
"
~
"
I

;;
I

,. '

---------
\-' "--,,j i.-- 1:::1::::i:::j I I
I
'/J» . 'Ban i1o> • cl3n J-> - Jo> .
sha . shvi sha-shvi ka - ka .
.. - --- --... ,, .
I
('!
0

on 113 n 0636 lo>Q

bi she i bnen hai

------- ----
'/J:, l,636 ;J,>Q
bi she bnen hai

('! ('! l"I M

0 0 0 0
28
~ II I I

I - I - I I
cl.:, - cl30 83.:i ~I"> 83.:i • ~I"> • l>3. ~o Mii.
sha·shvi mga lo mga • lo - be • Ii ol.
" I -~ - I I I

11~ I -1 I --..I

----
0,) - 030 83.:, ~M 83,) • ~l"I • l>3 • ~O (')A.
sha-shvi mga lo mga • lo - be - Ii oi.
--
I
l"I
0

.~ r-3--,

i:QO • ~,) 0-111") aa3a - 6o-a-

di - la 1- q'o mshve - ni - e •

azo - ~,) 0-111') aaaa - 6o-a -

di • .la i · q'o mshve-ni- e -
..---..... .- -----.

l'llo, IJlO • ~,) ~O-~,) 0 • 111"1

ri, di - la di - la i - q'o

------· ------
i:QO • ~,) 0 • lfl"I
ri, di - la di • la I - q'o

........
M
0

29
 3 Mn, .).)11
e ri, hel

------ --------
8cl33 - 6n 3 Mn, 3,)Q J,) 3,)Q
mshve·ni a ri, hai ha hei

M
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sha-shvi mga lo mga - lo oi.
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sha-shvi mga lo mga - lo - be - Ii oi.

. - . - ~

- I
l"I
0

0.)030 J.)J.)OO 0300636, shashvi kakabi sheibnen,

a.)a3o aa.)~Moo~o. shashvi mgalobeli.
(S?O~.) OHM 8!33600~0. dila iq'o mshvenieri,
a.)a 3o aa.)~Mo3~o. shashvi mgalobeli.
c).)038.) .)~MO.) J.)J.)01.,.), shashvma ajoba kakabsa,
a.)a 3o a3.)~Mo0~o. shashvi mgalobeli.

30
 9
~oJa~a.) ~Ma ~.)ao~o~au
Lekebma Rom Damich'ires
(When the Lezgins Caught My)

Andantino L 1111

~ trio

.ll"IQ ~.) 6.) - &i - fu, ~:) -J:JO -8,') lllM8 8n - 3n-/Gl3b
lQ.') •
hoi da na • ni-na, le • keb - ma rom da • mi • ch'i·res

Ql.\8-awa n - W" SJ.> - O),') - 013n - ~ I G!.\

dam-deg i · q'o mka • ta • tvi • sa, da

31
 -
.lM11 ~,) 6.:i - 6n-fu,
hoi da na • nl·na, · t'a· res,

608-\!)0•60 60-6."> 3M 3M • ~O - ~.">

choir
rim • t'i • ri ri • ra vo vo - di - la

."> • ~O-~:.J • 3M ~O-~."> 60-6.">,

a - di - le • vo di - la ri • ra,

lo, .)::, • 3M l311 - ..,

he, he· VO hei • a

32
Ql:) • ~n 3M3 • IJl:J ·~.) 6.) • 6.) • l,.), Ql.),
de • Ii vov • de· la na • na - sa, da.

Ill,)
VO • n VOV • • VO da

3,) Jo• .)•3M l,)O • tlln ~,) Ill,)·

var-"'T'"'-.;.h;;.i_-•;;;.._·v;;.;-o hai - di la da.

.) - Ql(l·~:J • 3M Ql(I·~.-, • ~O-~.), .) • l>.)•13l.J·~M Ql:J·~M 3M• ~:J-~M

a - di - le - vo di • la ri - ra, a - ba-de- lo de - lo vo-re-ro

l3 - 3"' 330 - ,)
he-vo hei-a

lll3 - ~n 31')3 - IJlO • ~"' 6.., - fu - !)..,, Ill"'·

de - Ii vov - de - la na - na - sa, da •

.)n-.)-3(') .),)Q. IJlO ~,) 13l.),

hi• a· VO hal - di la da.

33
 ~8-~n-ifln Cfin.it;., 31"'1 31"'1 • IJlO·~.>
rim - t'I - rl ri - r11 vo vo • di - la
(!) Coda

31"'1,
VO,

.)3 " 31') .):)Q " ,)

he-vo hei-11

IJlO • ~n 31')3 - tq3-~.> 6.> • fu. b.>, "!,)·

de • II vov • de - la na - n11 - sa, da.

3"' "~n 31"'13 - l'q:)-~l"l fu - 6.:.-u.:.0·31') Ql,)

vo • ri vov - de· lo n11 - n11-sai -vo da .

3.> .ln-.a. 31') .).i,g. fllO • ~,) fll.>,

VII hi ·II• VO h11i • di - la da.

~OJ:J68,) MM8 (l?.)80::,0~al> 13?.)813?:J& 01:fM 8Jt)Olt)Ol3ol>t).

,)IJO 8a,,) &,)13?,)8,)~t)M:)I.., aaiaon Jt)3Jt)l>Of'l6nb.:i.
3,)3obaC1? R:,Md:J'b 8o6~""11'lbt), 6ol>~o 0~3.:i a.:i30 'b~3obt),
b.i8o d,)~O mo3.">l.i OlOO(l?t), b.:.ao, Rat1>do'b 0,)6M6nl>.'>.
ba~cln m:Jot1>.:.m OD~aon, Jnt1>n .ldM6(1?.:. ,)~a.:.Lioll.'>.
8.:.(i)8t)MO~Ml> t,,)~ob,)3nm n8.'>m 8M~Ol:JMOQ?[J6 Jo(i)b.:..
b,)ao nba 3.:.bd.">bM13?t), MM2,M(i)O ,)6&:)~Ml>n oob.:..
3.:.80J3nl'l(l?t) .')(,;, 8a6.:.b.:. 8i;,o.:.MO,) O?M(30l>,).

lekebma rom damitsh'ires damdeg ik'o mkat'at'visa.

asi mt'a gadamat"ares, mt'ebi k'avk'asionisa.
gavikhed tsherkez mindorsa, nisli idga shavi zrg'visa.
sami kali t'ivas t'ibda, sami, tsherkez bat'onisa.
khelshi etsh'irat' t'selebi, p'iri hkonda almasisa.
marmarilos salesavit' imat' mout's'q'obden p'irsa.
sami ise gasdzakhoda, rogort's angelosi t'sisa.
gamikvirda ar menakha mushaoba diat'sisa.
34
 fi3a6 8a3o~(YJ~.)
10
Chven Mshvidoba
(Peace Be With Us)
A llcgrdto J. urn
-...
/\
:. .,
. r---i
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"

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I I

a,) •'
-
boo . - 6d~b
chvens ma . sp'i - ndzels
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ma - sp'i ndzels

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ap'i ndzela

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VO . re· ro ri - a na ho
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VO ai - di - lo VO
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. di· la vo vo-di-la vov • di - la vo vo-de • la
-. Ii ~C'I 3M

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vo vo-di - lo de . la a-ba-de-lo di - lo de· lo de-la di- la da
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vov . de· la ra • ni • no rai - ni-na ho de - lo de - lo de - la

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a-ba-de - lo vo-re-ra na • ni-na ho vo-de - lo

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8 di - le - vo na - ni na - ni - na o ho he II VO

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chvens ma - sp'in - dzels
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mkhi • a • rul • sa
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M ,.,C'I C") R336b a,) - b3<16 • d3~b abn - ,) - e11-:,~ - h.:i

0 ri o chven. ma • sp'in • dtels mkhi • a • rut • sa

36
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hq'avs st'um • re • bl sa-q•var - le
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on
bi
!!i!:J·~M ,) • !!i!n·~M ~,)-6o - 63·3M QI,)
de· lo a-di-lo ra • nl • ne-vo da
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hq'avs st'um • re - bl sa-q'var • le · .bi de· lo de - lo de - la da

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.la.-,au t,~~8-~3-on l,,)-1:13~-~3 - on 3"' J.-,

hq'avs st'um ·re· bi sa·q'var - le • bi va ha

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da di-la-vo di·la-vo di·la VO di· la·VO di la-vo di-la vo-de-la-vo
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de 0 vo-re·ra ra-nl·na-vo a - ba - de - lo
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da ra ni-na lo a a· ba-de-lo

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rai
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- ni-na
(!;!.)
da
cen~it'i-;,•CQO-~,) :JM :JM•lfin·lfi,)
di·ru-di·la vovo-ri-ra

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a· ba di-le-vo o-re-ra de· la de 0 ho ho
.
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r r I"' I r r r
!!i!O • ~P'I t'),:ia6n • fu (!;!.)
• .)3 31") .l3 ,)

di - lo rai - ni - na da he VO he a

37
 (lii,>ito&,-fu
ral-nl-na

a~:ttci-> ->-ce~a-ol"') ceo

vo-re-ra a - di- le-vo de

P'I .lM n ,) 3M ce~3"3"' 6,)G-6n-fu 3P'I ce~('l"I

oho avo di-le·vo nai-nl·na VO di-lo

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nai nl - na Sl!I . nam sa-nam vi-q'av a - khal - gazr - da

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da • sl - sts're - pit dzgor - de gu - II ne · I • ni no

38
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vov-re- ra ra·ni-na ra-ni - VO vov - rl • ra vo vo-.re· ra

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div di· la vo-vo • di • la ra - ni-na ra-ni-na hov de-lo de . lo de . lo

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a-ba-re-ro vo-re-ra
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rim· t'i • ra vo vo-de • lo VO·di • fa·VO ra·ni·no de· la-vo a · di· lo ra · ni· ne·o da
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45
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46
 II choir

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va he-a va-ha-he - a va he • a va ha he, o.

47
 3~b~~60 ()frlO
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Vakht'anguri

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de - lis vov- de • Ii - av da

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.)•Q.)~~M Ill~.) :J.lA • 1110 • ~f'l ltl~f'l 11,.)Q - 60 - 611

11-ba-de-lo da-la vai • di - lo di - Jo rai - nl - na
choir

l~
he <jt'I~.) .'JM~t',~-,:JM ~t'\~.:, .'JM~t'\~i>JM ~t'j~,) lM~t'\~ ll:JC"'I
u ru a ho u ru a ho u ru a ho u ru II ho u ru a ho u ru a ho

l~
he 3M • ce~M - 0 3111 - ce~M 31"1 • fii:JA.)3~~.,
VO - di-lo • i VO di • lo vo - re-ra vo-re- ra

ap . . . ceo - ~·., .'J 3 111-> 3.:.~o l'iM

da a - di-lo ho da va -ri - ro
48
 trio
...L

---
ffl
'O ,) 'O ,) M'i'!J.> M 'O~°O,) JM °O~°O,) JM 'i'!l~'O,) JMJM JM ha 3M·CQ~3~~,)
u a uaouao u ru a ho u ru a ho u ru a hoho ho vo - de-la vo - di-la

.
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fu cea ~f'l :JM - ~~->:)~~.') ~,)g

na na de lo VO - re-ra vo -re · ra lai

---
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3-> (llO ~,)g - 3M lo l3 la he ,)Q

va di lai VO he he he ai

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na ni ra - ni· na ra • man shag-qmna t'a • nad p'i - rad

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a-ba-de - lo de - lo di - la vo - de - 11 - a da o • de - la vo-de - la
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y

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de . la da a - ba-de - lo ri - o - de - lo de - la da a-di-la

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a-ba-de • lo de · lo vai • di di· lo

49
 .choir

lo
hoo 3M • a!~M • a!tr::'I') • (l 3r,
VO di-lo di-lo • i VO

(11,) • 60 fu '31,) 3.:, • QIO • ~M lo

ra - ni na da va - di • lo he

~ ~~ ,) .)M ~ ~~ ,) .)M '.'.) ,)

u ru a ho u ru a ho u a u a o

3M. ~~.:,3~~,) 6.:, ~M M • "1~M~o-AM

vo • re·ra vo-re-ra na lo re-ro o-re· ro
#-

.l3 t'q,) 3~~M 3.:, cqo ~,) 31"1 .l3 (l .l3 .l3
he da va·ri-ro va di la VO he he he

trio

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" t,o M • (q:J · ~.) ~.:,-6o.fu11 80-J3o~l> ~,)a.! b.:,~ a . J~M . 3.:,11. 60
o • de - la ra • ni • nai mi· kvirs rad khar e . klo - vai · ni

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0 nai mi· kvlrs rad khar e klo . vai · ni
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an •J3nl'll> c'l.:,(!l b.:,~ 3 • J~M • 3,)11-60

ml· kvira rad khar e · klo • vai • ni

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6o CC1">te .">~b :jn - M">"? M • "13·~."> 3M•"1:J·~,) M">. 6o- 6->·M CQ->
p'ov-na she - ni rad ars ch'i - rad o • de - la vo - de - la ra · ni- na-o da
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p'ov · na she-ni · rad ars ch'i·rad de - la da a· ba ·de· la ra - ni · na-o da

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3r,3 .fu ao. 60

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p'ov· na she · ni rad ars ch'i • rad ai • di lo va hai e
choir

Jo
h• 31"1 - Ql~M - n 31"1 - "1~M - n 3M 3M - l"i~->a~a-ll'i.)
VO - di-lo VO • di - lo VO vo • re-ra vo-re-ra

CQ.!1 :J<>. CQO • ~l"I .)II• ~O • ~ I ' ) . .">ll • CQO • ~I')

da va - di - lo ai - di • lo ai • di • lo

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() .) ';, ,) I') ';, ,) I") ';, M() ,) .lM () M~ ,) JM () M() II .'JM:JM :JM ho 6.:. • 6n • 6.:.11
u au a OU a o uruaho u ru a ho u ru a ho ho ho na - ni • nai

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- . ho . re - ra vo • re - ro

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na - ni • nai
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ren 3"' .la 11,n .la
di VO he ri he

51
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8.'l6 01d3o> ~iincti - l,,) 86',) • M:)<11 .'.3M - 33?> lixl'!Zlli o- d6a- ?>ob Mo) - (3.'l d30- M<'lc:Q
man tqva t'kbil • sa mts'a • rat p'o-veb sjobs i- qna-bis ra • tsa dzvi • rad
r. .i
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8,)6 oid3<'l ~Jl,o~ - lio> 81io> - M:)<11 3M· 33ZI b~Ml,l, o-d63-1'ob M,) - t3o> d3n·M~
man tqva t'kbil - sa mts'a - rat p'o·vab sjobs i- qne·bis ra • tsa dzvi • rad

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man tqva t'kbil • sa mts'a - ret p'o-veb sjobs i · qne • bis ra • tsa dzvi • rad

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(Q~->:)M ~~~C"'I (Q~.) 31"'1 Q!~~MQ!O '~~M(Jl~o>3MtJl3'C!'.) Mo)-00-6,)~M Q!b

di-la-vo di-la·vo di-la VO di-la-vo di 111-vo di·la vo-d.,..fa ra·ni·na-o da

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de . la a-ba-de·lo di-lo de-lo de . la da a • di - lo ra- ni-na-o da

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,) • l>o>·Q!:J~l"ll."q:) • e:'M <'lll - Ill" - ~.:,--;, Q!-> 3,) cqo~M Mb11 - 60 • fu
a· ba-de·lo de • lo ai • di • la • u da va di - lo rai - ni - na

choir

'O M'O,) .lM 'O M'O,) .lM 'O M7J,) lM 'O M7J ,) lM
urua~urua~ urua~urua~

lo
he 3M • Mo«:iM • 0 3M • t<1~M • .o :JM 3M.(<,~.:,:)
vo • ri-ro VO • ri - ro - VO vo • re-ra e

~,) 3.:, • (QO • ~M .la .la "la Ja

da va • di - lo he he i he he

52
 trio

J..,
':!JM':!J.) .lr1..,~..,,) .lM
.., ,) .., ,) M..,,) M ho Qi?C"t'(.!!',>-:)Mf.'I!~.)
uaua ouao uruahouruaho di· la-vo di· la

.la o Ql.) Cll() - ~,)

he da de la

.l3 :, 3 - Mo lo l3
he he ri he he

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Ql~->3MQl~->3MCll~.) ()M QlO - ~.) Cli?~.)3~~.)~.) ~.)Q - 6o - 6.)

----·- -
di-la-vo di-la-vo dl·la VO di - la di -la vo·de·lav da rai . ni . na
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la va-di - lo a·ba-de·lo de-lo ...
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Ql0~->3M f.'l!~->3t'l Qi?~.) 31"1 Qi?O . ~.) Cli?~->a~~.)3 Qi?.) ~,)Q - 60 - 6.:.
di · la-vo di - la-vo di-la VO di - la di- la vo-de-lav da rai - ni • na

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. la da a-di-le - o ra-ni-ne-o da
la da a-ba-<le-lo di-lo de-lo de

/
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.)·O~~MQl:J - ~.:, M.)A • Go • 61"! 3.:, (l!~MM.)Q - 6o - 6.)

a-ba-de-lo de • la rai - nl - no va di· lo rai - ni - na

53
 choir

)~
h•3M - ~OMM - n 3M • ~~M ~~MQl3·~f'1
vo ri-ro vo ri · ro • de-lo de • lo

3.) - ~o. ~f'1 J3 • ~n J3 33

va • di • lo he • ri he he

trio
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he da he he

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rim-t'i- ri rim-t'i • ri rim·t'i • ri rim-t'i - ri rim·t'i-ra a-ba-di-la di - la vo-de-li • a da
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e he vo-de-la va-di - lo

54
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II

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Q?n-(!!'O 3~31!:.'0 • ,) l'l·Q?ac:i0~31!:.',) fli.:,-6o • 63-l'l Q?<I
a-ba-de • lo de· la di - la vo·de • Ii • a da o·de·la o·de-la ra·ni·ne·o da
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-. la da ra • ni-ne-vo di - lo de - lo
~.:,~.:, fli.:i-6o-63-3M ~l'lC!W~M lll~.:,cq.:, ,)~~(')
de·la da a-di-lo,
fli.:,.&, • 63-M Q?.)
ra-ni-ne-o da

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a-ba-de • lo de·la ra - ni na-v da hai di-la rai • ni na
choir

)3
11e :JM - ~M - n 3M - Q?~M • n 31"1 :JM • ~l)~~PIC!l~,)
VO • di·lo VO • di-lo • i VO vo - de-la vode-la

3,)A • (QO • ~M J3A Ill,) 3~~M

val • di - lo hei da va-di-lo

, j t. t. f .. ft. t t, ... f f -- .. - - ll

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r
r r . r r r
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u 8 u 8 0 u 8 0 u ru a ho u ru 8 ho u ru 8 ho ho ho

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na - na de . la VO . de - la vo-de - lo

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3.:,11 ~ 3M flin la Jo
val di VO ri he he

SS
 trio

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ho M·I.TW~.> 6.>-60- 6.>a 6..,11to 0 . oo - 60 6..,Ao Bil -. 00-630

o-de-la na - ni - nai nurts i - tsi . ni nurts ma tsi-neb
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al nurts i - tsi • ni nurts ma - tsi-neb

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to - rem da - gva sho • re • be • no o • de - la o • de - la ra • ni • na • o da

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to • rem da • gva - sho • re • be • no hei di • lo va hai e
choir

. (: t • I (: (: .- t (: • ,I ,_ (: t . - t (: • t t. - I

,. . ' . r
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f Jo
h• .., I'll..,,) J<'l () M..,,) JM .., Ill..,"> .)M .., Mi:) .:a .lM ~I'll~,) JM ~ I'll() .:a JM
u ru a ho u ru a ho u ru a ho u ru a ho u ru a ho u ru a ho
.
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he 3M . tll°"'I!!'"' - 0 3M -. ~·(!!'M . 0 3M
VO - di· lo . i VO di· lo . i VO
,,.,
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lo
h• l312 (S!."> 3">ll • Q!O • (!!'M
hei da vai - di lo

56
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uruahoho

3"' 31'>Ql3'{!!'.) 3~3'{!!'.) fu ~IY,)(Y)

vo vo-de • hi vt>de -la na na li·VO

.lo11 ce.:i a~~"' a.:i cen ~,)II 3(Y) l3 - ~nl3 J3

hei da va-di • lo va di lai VO he ri he he

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trio
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ho fu-6o- fuA
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o • de-la na • ni • nai si • q'va - ruls rom she . gvi . t'q'o-ben

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l,n • !13,) • ~~(:!!!) ~Ma !l3 • aan • 6!1"'•036

si - q'va ruls rom she - gvi • t'q'o·ben

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57
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13 Adila-Alipasha

Allegro J: 120

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. mshvi • do • bit che . mo nats-nob-no, mtskhov-reb-no gu . ri • I • sa,
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66
 - 6M, o)'I, - 6,) - ~ - ~() - OM,
Oh). 3,)!ll ciao - ~() - OM &~3 • bl', - 00 - I,,).
ta • vad • no, az - na - u - re - bo, ahvi - le - bo gle - kho • bi - sa.

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mets vi - q'a-vi da i - si-nits, da ga-tav-da es am-ba-vi, o. ~

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Ui,c::' 306.:,bo llJl'llmboc::i.:,a? m.:.30, sul vinakhe prtkhilad tavi,

a.:,oGo uaab31.l!.:, 0u.:,ao.:.3o. maints shemkhvda es ambavi.
6i,l'll3ou 00J30Mm Ro8'b::J<l? ,)30, nurvis gikvirt chemzed avi,
001.l!O ('ii(Y)8 8dM6o.:, d.)30. bedi rom mqonia .shavi.
aa3ol.l!Moom Raaf"I G,)0 6Mo6M, mshvidobit chemo natsnobno,
aob(Y) 3M::ioGM 3()!Yinouo), mtskhovrebno guriisa,
m.:.3.:,1.l!G("), .:.'b6.:,'i'.Jfil300, tavadno, aznaurebi,
u3nc::ioo(") aoc::ib(")OOU.). shvilebo gelkhobisa.
J3c::',)30,) 3,)f'\11.l!:)OM, 8,)fila?DOM, kvlavtsa vardebo, mardebo,
aa:306oil>om a'b3.-,3b6(") 8'boll,), - mshvenebit mzgavsno mzisa,
8otJ~M:)Ol ool.l!a,) Mo) 8otJM, miq'uret . bedma ra miq'o,
3.:,3Rl.'!?o en..,
ao Mo) l.l!(!!OU,)I gavchdi tu me ra dghisa!
3o6o &.:,n30 ou .:,a R0au .:,ao.)3u vints gaigebs am chems ambavs ·
tiaoc::i,) l.l!.:,an6t1oou 3al'lo.:.b.:,. q'vela damits'q'ebs gmobasa.
O~tf30,)6: OU 'i'.)OOCS?~MO it'q'vian: is ubeduri
R0af"lol.l!.:, 3,)tiJ,)o(")o.:,u.:,. chemobda vazhkatsobasa.
.)0,) 8.-,a, f'llf'l8 8f'>30Jo)c::'O aba mat rom movekali
l.l!.:,8fiiR3c!if'll.l!,) t,i.:, u.:,b3c::io? damrcheboda ra sakheli?
0,)Mo)(!!O l'tioum3ou 8dM6a?.:,, iaraghi ristvis mqonda,
.:,6 uoS.:,tr,aw, .:,6 fil.:, boc::io? an simarde, an ra kheli?
'3?.'.>3nd600 (!?.'.>81lJ.:,l'ti3oc::io, daviqnie damparveli,
3.:,C1?3ofiiRn60 .:,8nm m.:,30. gadvirchine amit tavi.
aoo 3ntJ.'l30 l.l!,) nbo6oo, mets viq'avi da isinits,
~,) 3.:,m.:,3(l?.'l 3u .-,80.:,30.
da gatavda es ambavi.
67
 ~~~n ~~a~
15 Chari Rama

1\th.:gro.:llo . J= 1211

choir
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cha - rl ra-ma, cha - rl, cha - ri

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ekh·la vkhedev, se·q'va • re • lo, chem-zed lthe • Ii • gi • ghl·a,

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mo-ghrub . lul - khar p'ir - ta mze • o, shub • lits a • ghar

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69
 rit.

'b~ 8n • 3:.-9:. • A:, ~3-r, 1,3~-~n ~11.

zed mi • va-q'a • re qva, ts'vri - II charl •

ob~,) 3bo~,)3, l>,):,3,)~o~C""I, okhla vkhodav, saq'varelo,

Ro8'b3~ bo~o ,)ao~o,), chemzed kheli agighia,
8M~~~o~~b,)M .loMm,) 8'b3M, moghrublulkhar p'irta mzeo,
o-:,l>~oo ,)~,)M &,)&O~,). shublits aghar gagighia.

oo o:,~83Mml"l, M,) a,)o:,n6o she ughmerto, ra gats'q'ine

8omb.)M 1 3Mcno 008,)l,8063, mitkhar, erti shemasmine,
,)6 8C'll8J,)~o, ,)6 a,)(3Pl(3b~o, an momkali., an matsotskhle,
,)6 ,)a ~,)6~3,)t, ,)a,)0 ~o60• an am t'anjvas amatsdine.

OtJ,)~l, 6,)'l3(t')~O R,)8rrt3d('l')6~,)I ts'q'als napot'i chamohqonda,

,)~3ou boll R,)8('1')6,)m,)~o••• alvis khis chamonatali •••
~,)~Dd 6,)'l3('1)~('1') 1 80,)803 dadeq napot'o, miambe
6,):,3,)~~ou cl38C"'16,)o,3,)~0. saq'varlis shemonatvali.

cJoGo 8P>tf3.)MO, ~.)6i>3Mo~o, sheni moq'vare, t'ants'vrili,

~(l')OOU doMU 36,)ba ~,)~O~O. ghobis dzirs vnakhe dach'rili.
8030~0, 033Mo 3~o~a, mivedi, bevri vit'ire,
'bo~ 803,)tf.)MO d3,), &3Mo~n. zed mivaq'are qva, ts'vrili.

70
 .. '

d-)~a-) Q?.)ao803 ~.:> ~.)a.)Cf>a.)

16
Qalma Damtsq'evla Lamazma
IA Pretty Woman Cursed Me)

Alkgr\!lto J, 1:m

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qal • ma damta'q'ev la, la • maz - ma, VO·de • Ii • a da,
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63 • 6.) • 3n n 8.)1, cJ38 - ~ ti,.), 3M·CQO • ~n • .) . CQ.),
ne - t'a . vi I mat ahem ·q'a vo-de . Ii · a da,

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vi ghvl • ni • ta.
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da,

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3P1·1tii3-ltii.> 3P1·ftii3-~,) Pl•3C') • i!,3 -ft,,) ~,).

vo-re-ra vo-re-ra
-
o-vo • re - ra da.

~o-lfi.> ,) • l).)·ltiia-1\\P) P1 - 3PI • «'13-Ao>

re·ra a-ba-re-ro o-vo - re-ra

;)M • 3M·cc;3 • II,,> ;}Pl-31") • cc; 0 • ~,> ~,).

ho - vo - re - ra ho~vo - re • i'a da.

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72
 :J.>-~3 a3s - b.i d<)• ~1'1 - (),) - b.i, 3r1 • ~3 • ~o - "
qa - lov sher.-sa qa - lo - ba - sa, vo-de - Ii-a

ba.:, an • an-a.:.3ll a.:. - ~1'1 - l>.:, • l).), 3M • !Jl:) - ~n - ,) ,(Il.:,,

khma ml - gi -gava ga - lo - ba - sa, vo - de-li , a da,

,) • l,.;,.(Il~M (Il~M~(J~.>
a - ba-de - lo di - lo · de - la

63-c').:, - 30 &" 9.i-a::, - l>n • fu 3M•!Jl(J • ~O·,) !Jl.>,

ne-t'a - vi ga - ma-ge - bl - na vo-de - Ii-a da,

73
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C'ir, • Glnb an. 'b,)a 1$t,.)·~M • !.) - b,). ~-6,) n - ,) .

ro - dis mi-zem ts'q'a - lo - ba·sa. na - n• . I . e de,
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3ew>·A::,·..;., 3"1·t'i3-t't-> "'·31"1 - Ao - !',,) ~,).

vo-re·re vo-re-ra o-vo-re-ra de.

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a· re ·ra e-be-re·ro
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o-vo • re·ra de.

3M Jew> 3M-l',t) Jew>-3C"l - t't:J - l'i.:> Ill,)·

VO ho . vo·re . ra ho-vo • re • ra de.

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ga- ten da da - ..
gah-qra bin • di, vo-de Ii· a - da,

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chit'-ma da - i - ts'q'o ga - lo-ba ... vo-de - li - a da,
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dam - p'ir - di da mo-ma - t'q'vl - le, de - II - a

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a-ba-de-lo di - lo-de - la
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Ql.), az.)·n- (3.)b <lo - 6n ~ - ~(') - ~.).

ct., da - i - ts'vas she - nl qa - lo - ba.

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d.-,e:;ia.. a?.-,a6803~.-,, ~.-,a.-,ia.-,, qalma damts'q'evla, lamazma,

c:nao)oo~ooo~a.-, o6nc:no). tmasheghebilma inita.
60~,')30 oa..,1, ooali.-,6).-,, net'avi imas shemq'ata,
a?.>8cn361.i~n o.i30 ~306001.i. damtvrali shavi ghvinita.
d,)e::'M3 O:J6U,) d.,~3.-,1,..,, qalov shensa qalobasa,
b8.i 802,02,.i3l> &<>~Mo.-,t,..,, khma migigavs galobasa,
601!).-,30 2,.iS.:>2,0006.-, net'avi gamagebina
Mf"la?OU ao'b.. a 68,)~MO.>U.i. rodis mizam ts'q'alobasa.
&.-,mo6a?.-, a?.-, &.-,.ld61.-, 006~0, gatenda da gahqra bindi,
ffo~a,) a?.-,ooliM 3.. ~Mo.-,••. chit'ma daits'q'o galoba ...
~.-,8:JoM~O ~,) 8M8,)~l:l30~0 1 damp'irdi da momat'q'vile,
~Mo3.">u cl.-,60 d,)e:;i('l)o.:,. daits'vas shani qaloba.

76
 JfrlO~~Dl.)M
17 Krialeso

J'vloderato J= !10

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kria • le . so VO hoi da kria • le . 80
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- 6n-6:, - nI .).., .)cw, 3PI n ,) 31"1 n ,)
31"1 n ,) 3PI .)cw,,
ra - nl-ne - ho ho VO I • VO I
• VO I a VO ho,
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j i. L I.

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re - nl-ne . I ho ho vo • re-re re - ra

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79
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,) . Zl.:i-Cllo-~.:i 3"" • CllO • ~ -a.:, n • .:, - 'I") 3C"l,

a . ba·de • la VO . de . Ii . i . II • 0 ho,
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(el)-~O 31"1•(el)·~O 31"1•Qll)·~.:i, Qll)·~O 3M•QW·~O 3Pl•Ql:)·~.:,, am- ~.:i .:i-ll.:i-Ql3-~.:i
de· Ii vo-de • Ii VO•de • le, de· Ii vo-de • Ii vo· de· la, de· la a·ba-de • la
. .n. t fL
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,

3.:i .)3
va he

3""3 - Ill~,) Ql.)

vov • de · la da ""·o, Ql:)·~n 3M·Ql3-~n 3M·Ql3- ~.:i, Ql:)·~O 3M•(Q:)·~O 31"1-Ql~.),
de· Ii vo·de • Ii vo-de • la, de· Ii vo-de • II vo~de·la,
.u

331t .:, M ,) 3.:, .l3 33 .l311 CQ.) 3.:, .)3

hai a 0 a va he he hei da va he

80
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de la a·ba·de·la vov . de· la da o,
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lllO • ~n 3M • lllO • ~n 31'l • lrlO • ~..,, GlO - ~n 3M • Gl:J - ~n 3M • GlO - ~,).
de· II VO·de·li vo • de • la, de· II VO· da • Ii vo • de • la,
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81
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II U II II O II U a II O IIUIIOUIIO

Glo-~n 3f'l·Cllo-~n 3c,,-ceo·~,). Gl3 . ~,) ,) • ~-CllO-C,

de - Ii vo-de- Ii vo-de-la, de 111 11-be-de-111
.u.

Jo Joca Ill,) 3.) Jo 34) J3

he hei de va he VII he

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de • II V.O ·de·li VO• de· la,
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IIUIIUIIO IIUIIOUIIO auao

lll::J·~ 3f'l·t:QO·~n 3M·Cll:>-~,)'

de - Ii vo-de • II vo-de- la,
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hel da VII he va he hei a 0 a o.

82
 ·{I,.)~ o06~.) d.)~O ~.)8.) 'ho?
18 Rad Ginda Qali Lamazi?
(What Do You Need a Pretty Woman For?)

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ha-ra • lo, rad gin-da qa - Ii la· ma - zi? hei va·ru • di - lo

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ha·ra - lo, ra om-ahi ga-mo ~gad· ge ba?
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rad gin· da qa
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Ql{J·~l'l·b 3M • l'I 3,) • ~'O·Qll)·~M 3,) • Iii.) .).).~b-~M,

de • Ii • a vo • i va • ru • di • lo va - ra ha ·r• · lo,

ritardando
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Sr,- a,)lll · ao-1>,)? aw-~n-.) .JM. n 3,> • cc;~·Qll)·~M .),) - ~M.

mo-gad-ge-ba? de-Ii-a VO • i va - ru - di - lo ha - ra . lo.

.. ,; ,:; - . - . . - .;;. -~

~ ~ ~

c'l.)\:Q an6~,) d,)~O ~,)8,)'bo? rad ginda qali lamazi?

~ riaao a~('l)a,)~aol>,)? ra omshi gamogadgeba?

R,)0<33,)ab 6'oa,o~-::t3no,3~b,), chaitsvams ts'itel-q'vitelsa,

a,)afl'la,), l><>61>o ~<>~~ol>,). gamova, banze dajdeba.

8nbo cl38b3i:Qn 3,)'lJJ,)on misi shemkhedi vazhkatsi

J:)~,):Jc!,,)~300, ~,)~6al>,), kelap't'arivit dadneba.
83
 o~J.:»-o~J.:»
19 Shuka-Shuka
(Small Lanes)
Vivac~. Paco a poco accelerando

CJln·~,)'
,> -
a - di - la,

\!
P .l3 • n ,) • Qln·~,), .)3 •n ,)•OlO-~,), J3 • n ,) • Gl(l-~,>, J3 - n ,> - CJln·~,).
he - i a - di • la, he • i . a • di •• la, he - I a - di - la, he • a - di - la.

trio

~ • Jll6 - ~ - J,)6, l\d,) - (Ii,,) • l\d,) • (\1,)

u - kan • u - kan, chqa - ra • chqa - ra

tlSl\3 - ~,)
rche- ba

84
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,... r v v b-,6 8m.:i, b.:i - S.:io 3.:i - J:)
I"
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., - 8(,, - b-:, - ~.,.
mze lazh - vard - shi a - mo - au - la, khan mta, kha-nata va - ke a - ria.
.. , ~ ~ ~ ~ ~ ~ ~ ~

r
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I') - Ill:) - l,n 4lJ.:) • 6.:, • JO • .) • 6c,.

'l).) •
o-de-bi pa • pa • na • ki • a - ni.

t Coda
choir

f 33 • n .) • l:llO·~.), 33 - n .> - l:llO·~.,, .'.J3 • 0 .) • l:ll0·~.)1 33 • 0 .) • !JlO·~.)t

he • a • di • la, he - a - di • la, he • a • di - la, he • i a - di - la,

rit.

33.
he •

••••
•••••
85
a..,J.:i-cl~J.:i, cl.:i~.:i-cl.:i~.:i, shuka-shuka, shara-shara,
~J.:i6-~J.:i6, Rd.:i(Y).:i-Rd.:i(Y).:i ukan-ukan;· chqara-chqara
l">Roi!>.:i 311300 ~,) UM'l)ewoo, rcheba gzebi da soplebi,
8Mfjt">QOn ~,) ao11Mo~oZ>o. moq'rebi da mezoblebi.
8Cf>:J ~.:,"3.:i~~OO .:i8MU~~.:i, mze lazhvardshi amosula,
b,)6 acn.:i, b.:,6.:io 3.:iJo .:,('l)ob. khan mta, khanats vake aris.
3'l,.:,~ M~:)ZIO 3.:i8Mb~~.:, 1 gzad odebi gamosula,
oncno~ 'l3,)'l3.:,6.:iJn.:»6n. ts'itel papanakiani.
..,o.:ioo~.:icn .:,~.:i2,o'bo utsabedat alageze
o,ncndMU Cll,)30~,)M,)~~oo.:i, titqos dagidarajdeba,
o,mnd!"lb &o~nb, .:,6 £Sl.:i&3d3i!>b, titqos gells, an dagedzebs,
&~obn &:>683nb 0.:,8.:i(Y)~30.:ib, glekhi get'q'vis gamarjvebas,
~,) ,)MO ':!)613?.:, 2,.)0M(lM, da arts unda gaiotso,
Ol">mbo~ ~6~.:i ~,)~~rrl(lM ertkhel unda daulotso
b.:ib~ob 'l)~d:), :)'bM-J,)l°'l0 1 sakhlis pudze, ezo-kari,
o~-cl3n~n a,~ 802,(T)Q,)(Y}o. tsol-shvili tu megobari.

O(T)~O &'b.:i 8.:id3b 2,.:ib.:i3~3~0, shori gza maqvs gasavleli,

b~in~.:i ,)~.:,~ 3.:ian2/ido~('ll' supra aghar gamigrdzelo,
bb.:i0.:i6.:io 8.:id3b ~.:ib.:i~o30, skhaganats maqvs dasalevi,
a.:i~.:i~no a.:io6do~(T). map'at'ie maindzelo.
ana.:i6d.:i(Y)3ob 'b~ftl3nb d.:i~n: mimachqarebs zurgis qari:
,..:,~.:,fl, ~.:in030.:i6"'I" "aghar daigvianol"
aoal"l303~1"lb Roan cn.:i3n, shemogevlos chemi tavi,
Roa('ll J,)M&M na.:iGM. chemo kargo imano.
cl~J,)-0':!]J,), Q,)fi,,)-0,)~,). shuka-shuka, shara-shara,
()J.:i6-()J.:i6, Rd.:ie"l.:i-Rd.:i<ll.:i ukan-ukan, chqara-chqara
C"lff 30.:, &'boon ~.:i U(T)'lJ~oon, rcheba gzebi da soplebi,
8MtjM:JOO ~,) ao'bMo~oZ.n. moq'rebi da mezoblebi.
bo300 6obt!!'n 030.:i botil.:i~.:i~, khevshi nisli ts'vba sts'rapad,
a'bob 2,.:i~(Y)c!,nb, a~na.:i(Y)ou, mzes gaurbis, mghimares.
2,M2,1'13 <in6n C1l:)C1lt'lln J.:,0,) gogov sheni tetri kaba
68.:it!!'l> anJd(\')611!.:i, a!S!n6.:itll3l>. ts'q'als mihqonda, mdinares.
2,M2,1'13 1 2,M2,M3 1 .:i\!,8ol., b:.JP) 1 gogov, gogov, at'mis kheo,
2,P)2,1"1(3, o,3.:,~:)i',8.:,8:.J~0,)6M1 gogov, tvalebmaq'vliano,
Somb.:itll, l°'),)~('lla 3.:i8~nbb3M, mitkhar, rat'om gamriskheo,
2,n611?.:i 11?.:,8.:,6.:,~3~n.:i6rr,? ginda damanaghvliano?
o0cnnooon, 2,.:i6aoli 2,,)6.:,, gepitsebl, gangeb gana,
806~.:i ::Jt'llC1lO 0~~0 o:.JdM611!:)U, minda erti bude gvqondes.
l>()~ .:.C"l al"'l3.:ic::, .:ia dam1.:i6.:i1.>, sul ar moval am qveq'anas,
0:16 ('i)(Y)a .:i~ a00~c::,ool"l!S!O· shen rom ar megulebode.
a~J.:i-cJ()J.:i, a.:i<ll.:i-cl.:iC"l.:i, shuka-shuka, shara-shara,
Rd.:i~.:i-Rd.:il'll.:i, Rd.:i~.:i-Bd.:i~.:, chqara-chqara, chqara-chqara
MR3Z>.:i &'boon ~,) UM«ljC::,:.JOO, rcheba gzebi da soplebi,
8MfjM:)OO 11!.:, ao'bMi!>c::,oon. moq'rebi da mezoblebi.
8b311?30.:, a'bncn Ol() lm3('l)nc::,ocno, mkhvdeba mzit tu sigrileti,
Roan fjM8Monb bn8~::JM::JO'IO, chemi q'rmobis simghereti,
83,)30C::,::JOlll, ~na"t!!'OOlO, q'vavileti, ghimileti,
n8otilnmn, n8oe"lomn. imereti, imereti.
86
 20
a?~ ob 3060 a~dooa?~
Da Is Vints Gaqebda
(And the One Who Praised You)

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Moderato.

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ad libitum

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Ill.) ob, 3060 a-> - do! . Ill.), ~,) ob, 3060
I
a.., - dol> -
da is, vints ga • qeb . da, de is, vints ga-qeb .
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da, da is, vints gal - khan - da, da Is, vints
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gal-khen

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3f(io, • bi)~ & . n6o ,) - ~.)f(i a.) - a->b . b36 . CQ.>?
ert . khel ma - inta 8 - ghar ga - gakh . sen - da7
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87
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o~-b~ a,)· n6o

ert • khel ma • ints

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a· ghar
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ga- gakh - sen . da?
G!,) • ,) - Rd,) - lll3I aob - 8nb?
da • a • chqa • rel gea - mis?
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da a chqa·re, ma - lei to· rem mag shena do -

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bils ver - sad da - ve - ma - le,

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88
 i;e.,a. 6'33•(!:!tl 3.,c'i-Qln, Ol!'IO'ld·8nb cl3-8n-tt3~.,, OltlOl:f-&b ao-a.,..tta~ - lrl"·
dam-ta've • Ii var· di, titq • mis ahe-mi-q'var·d•, titq • mis ahe-vu·q'var • di.

QlO, cnno,d- anb 113.,A i:eo,

di, titq • mis she - vu q'var di,

I
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titq - mis she - vu . q'var di.

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89
 a.)'b~cnb(l~o
21 Gazapkhuli
(Spring)
Andante . ad libitum

O)(l'll>u, l>n- JOJ-~(l·Ooo,, ::,cJ- boo, 8,)11(.

- tobs, si - kek - lu - tsit, esh-khit mat -

,)~ -a,) -l>n-,), ~,) - a,). 'bn -

robs. al - ma -si - a, la - me - zi -

Fine

~o, ti,,) ~..,~ • 'l).) •.)

sav-se, II, ra t'ur - pa - a

90
 3nb Sc,,b • 6'un6 • ceob
vis mos-ts'q'in·des

a.) • 'bbco ·.b~~b ~.).

ga • zap • khuls ra ba.

~.) J.)~-an • .) ~nl

ra kar - gl - a Iii

D.c. al Fine

a,)'b,)'l.3b~~o 8M~ou, a,)MO)MOb, gazapkhuli modis, martobs,

bnJoJ~~ona,, 3oboa, 8,)a>MC"lou. sikeklutsit, eshkhit matrobs.
a,)~cnb~~o M,) 6,)'bo,) 1 gazapkhuli ra nazia,
,)~a.-,1.>n,), ~,)a,)'bo.-,, almasia, lamazia,
M.') J~an,) a,)'b.)cob~~nl ra kargia gazapkhulil

~b36ncn b,)3b3, 033oncn bM~~o, lkhenit savse, shvebit sruli,

M,) (!,~~en,),) a,)'b.-,cnb~~n. ra t'urpaa gazapkhuli.
3ob 8C"lbouo6~3b 8nbn doo,)?I vis mosts'q'indes misi qeba ?I
a,) 'b.)4nb~1.> M,) ooo~Mao,). gazapkhuls ra sheedreba.
M,) J~t,O.') a,)'b,)«lj~~nl ra kargia gazapkhulil

o°"6ao.-, MC"la ,)H3,)3~ 0o,), buneba rom aq'vavdeba,

t,°"~00 &,)~,)b,)~Ob~:)O.). gulits gadakhallsdeba.
an6,)oa~oon a,),,..,«Bb~b.>, venatsvlebi gazapkhulsa,
.:i63(!,..,M3ol> nan a°"~b,) anet'arebs igi gulsa
M,) J,)Mao.., a.., 'b.:,CBb~~ol ra kargia gazapkhulil
91
 a308~n~o~
22
Gvimgheria
(We Have Sung)
Moderato. ad fibitum

p.30 - <3bc-,3- An-.) AM-&Mlio [)A

ta'al - zed ma - t'I gvi. takhov • ri - a ro • gorta er

r.
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b.), l,33A • b.) a,)3
f.'l!C!?:)b 8M3l> - l>Ao - lin. 3~a,,
sa, bevr - aa shav dghes movs-ts're - bi - vart,
.. ... ·~ I

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:; ..
,aJ II v y
' r
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a,)a - (ll.)8 li33~ - t>.:io l,3~ - 6n - ~ !).).
mag - ram bevr - eats bed - ni - er 88.

.. I
:·

aana - ~:., - ~n - .:i,

gvim - ghe - ri - a,

92
 fl.
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.
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dets
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vim • ghert

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0:)3Mli,) c).)3 CQ~QU 8f'l3l>ot"l3003.)MOl, a,)&M,)a oa3Mli<'>O O:JCQGOQMl>,).
2,308~:Jl"io.-,, JOCQi)O 308~01'\Sm R3::i6u c.!)JOO~ 81'\S.:,3,)~\1<'>8031'1Sl,.,,
a308~31'\So.), JOCQi)O 308~31'1101 f\306u c.!)JOO~ al'IS.,3.:i~'lJ<'>8001'1Su.:,.

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2,308~0(,}n.:,, JOCQ:JO 308~,'.)MOl f\3061.> ~JOO~ 8C'ii.:i3.:,~'lJ<'>8nol"il>.-,,
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sami atas ts'elzed met'i gvitskhovria rogorts ersa,

bevrsa shav dghes movsts'rebivart, magram bevrsats bedniersa.
gvimgheria, kidets vimghert chvens t'kbil mravalzhamiersa,
gvimgheria, kidets vimghort chvons t'kbil mravalzhamiersa.

qartvolt siskhlit sheghebili, dghosats mt'kvari aris mghvrie;

qartvel dedis dazrdil shvilebs mt'rubis siskhli daughvria.
gvimgheria, kidets vitnghert chvens t'kbil rnrnvalzhamiersa,
gvirngheria, kidets vimghert chvens t'kbil mravalzhamiersa.
93
 THECONTENTSOFTHESONGS

SAMEGRELO (MEGRELIA)
1 Me and My Cart
Me and my cart slide and roll,
It has an axis of acacia stuck on both sides,
Go, on this side of the track of the wheels,
Go, on this side of the track of the wheels.
1
Churia and Nabada are
2
Your gymnasium, Chela
You don't need education,
Chew the cud and be smart.
3
Chela on that side, Buska here!
You heartless one, not knowing love,
You whose neck is hurt!
Goi, on this side of the track of the wheel,
Goi, on this side of the track of the wheel.

Chela on that side, Buska here!

You accustomed to the slavery,
I am exhausted of grief, I am poor,
A rich man carries my sweetheart away.

2 My Pigeon
4
(Sung with the accompaniment of Chonguri. )
When I was twelve I wanted to catch a pigeon,
to bring it up to my taste, myself.
My pigeon became wild
Flew away into the hickory grove,
I won't get up, I won't sit down,
Till it comes back.

I
Churia and Nabada - the names of the pastures
1
Che la- the name of the Bull
1
· Buska ·- the name of the Bull
·• Chonguri ·· Georgian musical instrument. with four strings, similar to Lute. No
9. I 4. IS, 16. songs are also performed with the accompaniment of Chonguri.

94
 My pigeon flew back today,
An old hawk attacked it,
It was its destiny.
its unfortunate destiny.

3 One Rose
I picked a rose. I am holding it,
I am smelling it, I am pleased.
I don't know in which garden this rose has grown,
It does not wither, it doesn't fade; What man planted it?
The rose said: the one who comes and smells me is mine,
Who does not tear me, does not pick me.
The one who will enjoy my beauty.

SVANETI

4 Mirangula 5
(Sung with accompaniment of Chuniri 6 )

Woe to me, my Mirangula,

Your Mother in mourning is waiting for you,
How frozen is your hearth, my child,
How you have left me orphaned in the tower.
My heart complains of misfortune.
There is no way, there is no road,
And my daughter is lost because of this
It's night, the wind i.s screaming,
The roads are covered with snow,
The wind brings the weeping of a woman,
And woe to me, where are you my Mirangula?

~ Mirangula - the of a voun~ hero.

IHllllt!
'' Chuni;i -The string instru1;1ent played with a bow, mainly preserved in Svaneti.
No S sing is also performed with the accompaniment of Chuniri.

95
 5 Dala 7 Is in Childbirth on the Rock
Dala is in childbirth on the rock,
She is giving birth to a child in a white rock,
A wolf was waiting for her below ...
Dali is in childbirth on the rock.

KARTLI-KAKHETI

6 Shemodzakhili (untranslatable)
Bunch of roses that does not wither, beautiful poplar,
I have no wings and cannot fly to you.
I'll take your troubles, don't hate me. Tell me a Georgian word,
Let me have a spade to dig out a grave.
It is bad when a young man dies
Before his time, and his budding moustache
Must be buried in the earth.

7 Rafter's Song
I have made a raft. It is made of fir,
I have provided with oars to row on the water.
My raft,
I will praise you when you get to town,
And have more customers than others.
In the reign of King Erekle8 I took my cows for to graze,
9
I lay down .and slept a lot, covering myself with chokhas;
In the reign of King Giorgi 10 I could not live in my hut.
I could not make my family happy,
I could not have a good time with my friends.
I wish I knew where my ancestors have gone,
Or why loving husband and wife have parted soon.
The house·s stand empty. Some people have gone away,
They haven't stayed in this world, Have gone to the beyond world.

7
Dala (Dali)- the goddess of hunting i11 the Georgian mythology, the mistress of
beasts. she could both help hunter~ and harm them . Her liaison with select
hunters caused multiplication of animals and guaranteed success while hunting.
But if a hunter betryed her he would perish .
s King Erekle II - a fomous Georgian King .
., Chokha- man' s main national attire
111
King Giorgi XIII - the last king of KarTli and Lakheti, sun of King Erekle II

96
 ..
8 Thrush and Partridge 11
The thrush and partridge began to fight. The singing thrush.
The morning was fine. The singing thrush.
The thrash got the better of the partridge. The singing thrush .

GURIA
12
9 When the Lezgins Caught Me
When the Lezgins caught my it was the beginning of July
They took me over a hundred mountains,
The mountains of the Caucasus.
13
When I looked at the Circassians' field,
There was mist of the Black Sea.
Three women were making hay,
All the three belonging the master of the Circassians.
They had scythes in their hands, with diamond blades.
They sharpened the blades with a marble oilstone.
The three women were singing like angels from the heaven.
I was surprised for I had never seen a working woman

10 Peace Be With Us 14
Our merry host has guests whom~he loves .. .
Wile I was young and my heart beat fast. ..
Love is good .. .

11 Elesa 15 (untranslatable)
Hey, boy, Elesa, let's drag them Elesa.
Hey, boy, Elesa, let's drag them Elesa.
Go, boy, Elesa, let's drag them Elesa .

11
According to the legend the song describes the competition between two skilful
singers.
11
Lezhin - one of Georgia's North-Caucasian neighbors.
1
1. Circassion - one of Georgia ' s North-Caucasian neighbors.
11
In Gurian improvised songs the words of the taxt are not of main importance. In
Lhis vesion fragments from various poems are used . The same happens in No 12
and 13 songs
15
Working song. performed ,vhile carryng heavy tree trunks from the forest. In this
songs the high voice is Krinu111cl1t1/i - a specific Yodel type os singing with
broken movement of the voice.

97
 12 Vakhtanguri (untranslatable)
What has made your body and face,
I wonder why are you so thorny?
Why it is so hard to find you?
He said: sweet can be found through bitter,
Whatever you find with difficultly, it will be better.
Don't laugh, and don't make me laugh
Othe~ise they will part us.
If they see that we love each other
They will separate us.

13 Adila-Alipasha 16

The rose was asked what made her so lovely.

I wonder why are you so thorny?
Why it is so hard to find you?
17
Ali-pasha betrayed us. He took us to Kviriketi •
He took money and threw us the Russians' hands.
Nothing good happened to him either,
He was dragged into the ship with ropes,
19
His cries were heard in Baileti 18 , beyond Supsa .

IMERETI

14 I Have Always Spared Myself

(A song of an outlaw}

I have always spared myself but still this happened to me

Don't be surprised to hear bad of me, it was my ill fortune.
Good-bye my friends , inhabitants of Guria,
Princes, noblemen, children of peasantry.

1<,Table song, consists ot' two parts, the first words of the parts 111ake the title of the
song. The second part tells us about Ali-Pasha's betrayal in Russian-Turkish war.
17
Kviriketi - a village in Guria, in the Ozurgeti Region .
IR Baileti - a village ii1 Guria. in the Ozurgeti Region
19
Supsa - a river in Guria, in the Ozurgeti Region

98
Roses, fast ones, beauties, that look like the sun
See what destiny has done to me. On what day I was born!
Those who hear what happened to me will condemn me.
They will say, "That ill-fated one, thought he ,v,t~s a brave man"
But if they killed me what would people say a.qout me?
What did I have arms for, or quickness, or what hand?
I swung my shield and saved myself by doJng i_t •
I was and they were too, and this is how this story_ended.

15 Chari rama (untranslatable)

Now I see, my dear,
That you don't love me any more,
You look gloomy, like a clouded sky,
Your sunny face now shaded by scowling brow.
What have I done, you godless creature,
Tell me, explain, what is wrong,
E.ither kill me, or let me live,
Only spare me such suffering
The water was carrying a chip of wood,
Cut off from a poplar tree,
Stop your fleeting, little chip,
Tell me darling's story.
I saw your beloved, slim and handsome,
wounded, lying by the road,
I cried a lot by his side,
And covered him with little stones.

16 A Prettyl Woman Cursed Me

A pretty woman cursed me
Her hair was dyed with henna,
I wish I could meet her
When I'm drank with red wine
Oh, woman, blessed be your charm,
your voice sounds like a chant,
I wish to know, when, oh when,
You'll be kind to me merciful
The day broke, the dusk disappeared,
The birds began to .sing ...
You promised bat you deceived me,
Be cursed you and your womanly charm.

99
 17 Krialeso 20 (untranslatable)

18. What Do You Need a Pretty Woman For?

What do you need a pretty woman for?
Will she do you any good in the war?
She will put on red and yellow dresses,
She will sit on the balcony
Looking at her any young man
Will melt like a burning candle.

19. Shuka -shuka 21 (Small lanes)

Small lanes and wide roads rushing backwards very fast
Leaving back the roads and villages, the beloved and neighbors.
The sun has risen into the azure sky. Shining upon the mountains and plains,
The houses have come out to the road, all of them wearing red hoods.
Quite suddenly, near his house, as if waiting for you,
As if expecting you and looking for you, a peasant will say 'Hello' to you .
You mustn't be surprised. You must drink a toast and bless
His house, his land, his family and friends.
I have a long way to p~ss, please, don't make me stay long,
I have to drink in other places, too, I'm sorry, pleas, forgive me my host
Favorable wind makes me hurry. "Don't be late any more!''
Small lanes and wide roads rushing backwards very fast
Leaving back the roads and villages, the beloved and neighbors.
The must is filling the gorge rapidly. The sun is running away smiling,
My girl, your white dress was .carried away by the river.
My, girl, you're like a peach-tree, my girl, with eyes like blackberries,
Tell me, why are you angry with me? Do you want me to be unhappy?
I swear, believe me, I want us have one common nest,
I wouldn't come to this world at all, if I didn't know that you are in it.
Small lanes and wide roads rushing backwards very fast
Leaving back the roads and villages, the beloved and neighbors.
I am met by sunny or cool days by the songland of my youth
By the flowerland, by the smileland, by my lmereti.

0
~ A folk song performed on the Easter while going round the church. The name ·
originates from ·Kyirie Eleiso11 ' . The whole text of Krialeso consist of unscnse
syllables.
!I Travel song. Performed speeding up by and by

100
 CITY SONGS
(In West Georgian singing tradition this name is given to the folk songs
created in European major-minor system. starting from the second half of
the 191h·c.)

20. And the One Who Praised You

And the one who praised you, and the one who made you happy
Why haven't you remembered at least once?
be quick, do you hear? B.e quick, hurry!
Or I can't hide from your friend who pretends to be your sister
Shi is always with me, taking c~re of me, shi is like a burning rose,
I have almost fallen in love with her,
She has almost fallen in love with me

21 . Spring
Spring is coming, I'm amused.
Spring is making me drank with its coquetry and beauty
Spring ls so tender,
It's Diamond, It's beautiful,
Spring is so good!
Full of merriment, perfect with relief
Spring is so charming.
Who can get tired of praising it?!
What can be compared with the spring?
Spring is so good!
When the nature is blooming,
When the heart is full of changes
I bless spring ,
it fill the heart with happiness
Spring is so good!

101
22. We Have Sung
As a nation we've been living from more than three t_housand years,
We suffered black days, but enjoyed many happy days as well.
We have sung , and we will sing again the sweet "Mravalzhamieri" 22 ,
We have sung, and we will sing again our sweet "Mravalzhamieri".
The Mtkvari 23 is still not transparent because of the blood Georgians.
The young people, brought up by Georgian mothers, shed the blood of the
enemies.
We have sung, and we will sing again our sweet "Mravalzhamieri"
We have sung, and we will sing again our sweet "Mravalzhamieri"

21
Mravalzhmnieri - name of the song wishing each other many years of happy life.
!.\ Mtkvari - name of the river in east Georgia

102
 -a 0at>tc1(l~ao~oon:
8.:i~b.:i~ OMd3¢6ndo - II b8.:i - 2, 4- 6, 8--10, 11, 12, 14-20; o.:i6n -- 13:
n6u~M()8 06~()(.'::~in m.:i6b~oo.:i - 2, 4, 5, 9, 14- 16.
CQ.)300, Cf,¢0,0.:,030~0- - I b8.:i - 7, 18, 20 - 22i J(v)n8.:i6[J(J~O 11, 12, 17;
I b8.:i 2,.:i(Q0d.:ibn~n - 2, 9, 14, 15, 19.
~.:,.:,~ lloMamo~n - Iba.:. - 4, 6, 8, 9, 12, 14-16, 19;
llb8.:i-1,3, 11, 17,21.
3.:,un~oaob~.:,do-lbB.:i-1,3, 10; llb8.:i - 7, 13, 17,22.·
II b8.:i e,.:i(Q.:id.">bn~n - 2, 9, 12, 14, 15, 19;
~03,)6 aao,).'.3od3 - JMn8.:i6j()~O - 13.
(Q.'l300, a~~~O,)cl30~0 - o.:i6n - 6::-8, 16-18, 20-22.; o.:i6n ~MOMdn -
5, 9, 10, 12, 14, 15, 19; JM0806_3 (l~O - 11.
&M02,M~ 2,~~0,) - 0.:,60 1, 3-9, 11, 12, 14-22; o.:.Gn ~Mnf'lOO - 2.
8¢8~J.:> JOJ6,)dQ - o.:i6n - 1, 3-9, 11, 12; 14-22.
.:,~3du.:>6CQMD b.:,bocl30~0 - o.:i6n - 1, 3-9 1 11, 12, 14-22.

Performers:
Malkhaz Erkvanidze- II voice -2, 4-6, 8-10, 11, 12, 14-20; Bass-13
Instrumental accompaniment - 2, 4, 5, 9, 14-16.
David Zatiashvili- - I voice - 7, 18, 20-22; Krimanchuli* - 11 , 12, 17;
I voice ofthe Gadadzakhili* -2, 9, 14, 15. 19.
Zaal Tsereteli - I voice - 4, 6, 8, 9, 12, 14-16, 19; II voice - 1, 3, 11, 17, 21.
Vasil Tsetskhladze-1 voice -1 . 3, 10; II voice - 7, 13, 17, 22.
llvoiceoftheGadadzakhili -2,9, 12, 14, 15, 19;
Levan Veshapidze - Krimanchuli - 13.
David Shugliashvili - Bass - 6-8, 16-18, 20-22.; Bass in Trio - 5, 9, 10,
12, 14, 15, 19;
Krimanchuli - 11.
Grlgol Bulia - Bass - 1, 3-9, 11, 12, 14-22; Bass in Trio - 2.
Mamuka Kiknadze - Bass - 1, 3-9, 11, 12, 14-22.
Aleksandre Khakhishvili - Bass - 1, 3-9, 11 . 12, 14-22,

* The chorus responding the trio is called "Ggadadzakhili". It can consist of three or
two voices. The part of the song they sing is also called Gadadzakhili.

103
6060mj80 .............................................................,,............... ,, Ill
a0 t.)..')
3.::iGo .............. ....... ;. ......................................... ........... ...... v
1. 80 (QM Rdn8o .:>M00,'). ........................................................... 1
2. Rdo8o ~MMo6'.X,o ............................................................... 6
3. .)MO)() 3->M(QO .................................................... ...... ............ 10
4. 80M06 0 ~~0 ...... ............................ .................................... 12
5. CQ0C:_10 JM'.X.0G bot?:~ 30t10~o ............................................ 14
6. dtJ8.Md0bo~O ..................................................................... 16
7. 80~03()MO ......................................................................... 24
8. 00cl30 - J0J000 .; ................................................................ 28
9. C:_lDJD080 M018 <:Q08ocl:0MaG ............................................... 31
10. R306 803o(QM00 ............. :................................................... 35
11. DC:_lD'->0 ............................................_.................................... 45
12. 30b~062,(JMO ..................................................................... 48
13. 0(:QOC:_lc>-.)C:_10'(3000 ........................................................... ... 58
14. b(JC:_1 306.:ibo C[3M01bo~0C!? 01030 ........... ............................ 65
- 15. R0MO M080 .. ..-................................................................ ... .. 68
16. d0C:_180 <:Q0861:Jo3~0 1 e:1_1080 'b80 .......................................... 71
17. JMn0~ouM ....................... ~ ................................................. 77
18. M..'>(!? 0 06<:Q.:, d0~n (!',?080 'bo? ................ .............................. 83
19. O(JJ->-cl()Jo ...................................................................... .. 84
20. (!?0 nG I 3060 30dooC!?.:, ....................................................... 87
21. 21,·/b0C[3b()~O .. .......................................................... ........... 90
22. 0 308~0Mo0 ................ ........................................................ 92
Go8~:JM.'.)OOO do600Mlio {m..'>M 0 8060} ..................................... 94
d:J8GM(J~.'.)O~:JOO ............................ ;................... .................. 103

104
 CONTENTS

Preface ............ .................... .. .............. .... ....... ··· ·· ······· ········ ···· ·· ··· ··· · Ill
Introduction ...........................................................···· ··· ·· ·· ···· ··..... ··· · V
A Simple Guide to Pronunciation ................................................. VIII
I. Ma Do Chqimi Araba .................................................. ............. 1
2. Chqimi Torinji ............. ....................................... ··· ··..... ··· ··· ······ · 6
3. Arti Vardi ... ....... ........ .. ...... ........ .............. ... .... :........ ··············· ··· · 10
4. Mirangula ................................................... ···· .. ·.. ....... ··· ·..... ···· · 12
5. Dala Kojas Khelghvajale ................ ... ...................................... 14
6. Shemodzakhili ......................................................................... · 16
7. Metivuri ..... ............ ................_,....... ................. ..................... ..... . 24
8. Shashvi - Kakabi ............................................................ .·.... ··· 28
9. Lekebma Rom Damich'ires ... ..... .. ............... ........................... 31
I 0. Chven Mshvidoba ............ .... .................................................... 35
1 I . Elesa .................................................................................. ·..... · 45
12. Vakht'anguri ............ ............ .. ..................... .............. ................ 48
13. Adila-Alipasha ... .. .................. ........... ............... ......................... 58
14. Sul Vinakhe Prtkhilad Tavi ............... .. .... ................................. 65
15. Chari Rama ...·........................................................................... 68
16. Qalma Damts'q'evla. Lamazma ............................................. 71
17. Krialeso ............... .. ................................. ................................... 77
18. Rad Ginda Qali Lamazi? ................... ........................... ........... 83
19. Shuka-Shuka ........................................................................... 84
20. Da Is Vin ts Gaqebda ................................. .... .. ........................ 87
21 . Gazapkhuli .............. .. ............. .. ..... .... ......... .... .. ....................... ·· 90
22. Gvimgheria ....... .............................. .......................................... 92
The contents of the songs .. ........................................................... 94
Performers .................................. ....................................... ,............ 103

•
•151-
•
105
1. Ma Do Chqimi Araba (me and My Cart) 3:08

2. Chqimi Toronji (My Dave) 3:09

3. Arti Vardi (One Rose) 2:19

4. Mirangula 2:26

5. Dala Kojas Khelghvazhale (Dala is in Childbirth on the Rock) 3:05

6. Shemodzakhili 3:20

7. Metivuri (Raafter's Song) 3:21

8. Shashvi Kakabi (Thrush and Partridge) 2:55

9. Lekebma Rom Damichires (When the Lezgins Caught Me) 2:39

10. Chven Mshvidoba (Peace Be With Us) 2:26

11. Elesa 2:42

12. Vakhtanguri 2:37

13. Adila-Alipasha 1:45

14. Sul Vinakhe Prtkhilad Tavi (I Have Always Spared Myself) 3:34

15. Chari Rama 3:24

16. Qalma Damts'q'evla Lamazma (A Pretty Woman Cursed Me) 2:31

17. Krialeso 2:45 .

ii(Ftad Ginda Qali Lamazi (What Do You Need a Pretty Women For?) 2:37

19. Shuka-Shuka (Small Lanes) 2:09

20. Da Is Vints Gaqebda (And the One Who Praised You) 2:47

21. Gazapkhuli (Spring) 2:32

22. Gvimgheria (We Have Sung) 2:22

,