BAHIRDAR UNIVERSITY

DEPARTMENT OF ARCHITECTURE
THEORY OF ARCHITECTURE II

SUBMITTED TO.AMANUEL.
SUBMITTED BY.FASIL MAMO
ID:1103483

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SEMIOLOGY
INTRODUCTION

what is semiology in architecture

Semiology in architecture, also known as architectural semiotics or semiotics of architecture, is the study
of signs and symbols in the built environment. It involves analyzing the , spatial, and cultural meanings
that are communicated through architectural forms, materials, and construction techniques. The goal of
semiotics in architecture is to uncover the ways in which buildings communicate ideas and values to their
users and to society at large.
visual

semiology in architecture and its relevance in the transition form modern to post modern
architecture
the transition from modern to postmodern architecture, the relevance of semiology stems from the
rejection of formalist approaches to design, instead favoring a more analytical and critical approach to
architectural language. As modern architecture emphasized the functional and structural aspects of
building design, postmodernism sought to incorporate more symbolic and expressive values. Architectural
semiotics provided a framework for understanding these new symbolic meanings embedded within the
built environment Int.

Identify at least 2 urban theories in post modern architecture categories and compare
them in dialectical approach and discuss them using case studies
Two urban theories in postmodern architecture categories are the "High-Tech" theory and the
"Deconstructivist" theory.
The High-Tech theory emphasizes the use of technology and industrial materials in architecture to
produce visually striking, efficient, and innovative structures. This architectural style can be seen in a
series of buildings designed by Richard Rogers such as Pompidou Centre in Paris and Lloyd's building in
London. The Pompidou Centre defies traditional construction methods with its daring structural systems,
and openly highlights mechanical, electrical and plumbing systems; displaying them as an integral part of
the design's aesthetics. Whereas the Lloyds Building pushes the boundaries with an entirely steel-framed
structure which exposes its complex network of services such as duct work and piping intended for easy,
on-site maintenance and repair.

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On the other hand, the Deconstructivist theory was inspired by philosopher Jacques Derrida’s work on
deconstruction, with architects taking a more philosophical and theoretical approach to design. This style
is characterized by fragmented forms, unusual shapes, and asymmetrical compositions. A famous example
of Deconstructivism can be seen in the Jewish Museum Berlin by Daniel Libeskind that reveals the
devastating history of Jewish people in Germany, with abstract spaces and angles symbolizing the
unthinkable nature of the Holocaust. The design of this museum demonstrates how the very shape of a
structure can function as a form of symbolic language and political statement.

In a dialectical approach, the High-Tech theory and the Deconstructivist theory can be compared
through their differences in form and function. High-Tech architecture leans towards functional
technology and incorporating techniques of industrial production, whilst Deconstractivist architecture
seeks to break down the structural conventions and emphasizes the aesthetic experience.
In their dissimilarities, they are both concurrent and related in that both exhibit formal innovation, using
unusual materials to create visually complex structures. However, High-Tech Architecture is concerned
primarily with functionality, while Deconstructivism is more focused on the process of dismantling form
to create unique aesthetic experiences. High-Tech makes use of grids, optimized structure, and modularity
with key concerns for function and efficiency, whereas Deconstructivism celebrates fragmentation,
displacement and the rejection of the conventional in favor of a more abstract formal language.
In conclusion, both theories have inspired architects to create new designs that break with traditional
stylistic norms to provide innovative architecture. This stems from the increasing demands for progress:
culturally, politically and economically. Ultimately, The architects of the High-Tech style are invested in
function, rationality, and technology; those of the Deconstructivist school are interested in dialogues
around globalization, identity, representation, and the interpretation of history.