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Analysis of Moral Values in The Short Story
Analysis of Moral Values in The Short Story
Analysis of Moral Values in The Short Story
Abstract:
This article presents a qualitative descriptive analysis of moral values in the short
story "Umi Kalsum" by Djamil Suherman. Employing a qualitative descriptive
method, the study focuses on the application of moral values, specifically
respecting social norms and religious beliefs in data (a) and (b), and compassion
and empathy in data (c), (d), (e), (f), and (g). The data comprise selected quotes
and dialogues from within the short story. The analysis reveals the significant role
of social norms and religious beliefs in shaping the characters' thoughts and
actions, as evidenced by specific instances in the narrative (data a and b).
Additionally, the study identifies instances showcasing the moral values of
compassion and empathy within the character interactions and dialogues (data c, d,
e, f, and g). This research contributes to a nuanced understanding of how moral
values are portrayed and emphasized in literary works, particularly in the context
of interpersonal relationships and societal expectations.
A. Introduction
The word "sastra" (shastra) in Sanskrit refers to a book that contains
rules or instructions. In contrast, the term "literature" in Indonesian refers
more specifically to a literary style of writing. Literature can be defined as
imaginative works of fiction or other creative works, or as the skillful
application of elegant language to convey meaning (Taum, 1997: 13). Life is
depicted in literature, and social realities make up the majority of life.
According to this definition, relationships between individuals, between
society and people, and between internal events all constitute a person's life.
The primary standard for evaluating literature is to consider it a representation
of the world and human existence.
According to Ratna (2008), literary works are social facts that are
resolved based on real-world events. Literature is the imaginative or fictitious
representation of people's real-life experiences. In this instance, literature does
serve as a reflection of society. There is a causal relationship between literary
works and the social context in which they were created, according to Herder
(in Atmazaki, 1990:44). This is because literary works are an expression of
their own time and are influenced by their surroundings. Thus, it can be said
that the foundational human urges to express one's existence give rise to
literary creations.
Short stories are a type of literary work that take the form of narrative
prose. The content of short stories is more concise and gets right to the point.
Short stories typically tell the story of a person's life, which can include
conflict, pleasure, and sadness. A short story, according to Panuti Sudjiman
(1988), is a fictional narrative that only highlights one significant or intriguing
aspect of a character's life in order to leave a lasting emotional impact on the
reader.
From excerpt (a), it falls under the moral value of respect for societal
norms and religious beliefs because the character "I" applies a hadist narrated
by Imam at-Tirmidzi from the companion Abdullah bin Umar: "No man is
secluded (alone) with a woman, except that the third among them is the devil."
This rule is well-embedded, making it one of the etiquettes of interacting with
the opposite gender in Islam. On the other hand, the traditional society, which
is deeply obedient to religious rules, considers it a common practice that should
be followed by their descendants.
(b) “Due to the strong influence of religion and customs in our
community, there are rarely interactions between men and women
unless they are family members or closely acquainted and known by
each other's parents, such as my relationship with Zainab. Even
though such interactions are not explicitly prohibited, people
naturally refrain from them out of fear of committing sins. Religion
also prohibits any form of interaction that may evoke feelings or
desires. Our interactions are limited to greetings only, and anything
beyond that is not allowed. If a man is interested in a woman, the
man's parents must formally propose to the woman's parents, and
marriage takes place only when both parties agree.”
(c) Like the melting wax, the feeling in my heart is gradually fading. Oh,
how unfortunate her fate is. But unbeknownst to me, from behind,
Zainab appears and comes to snatch the letter. Fortunately, I had
crumpled it. How red her face became when she saw the letter. She
bowed down.
The expression " Like the melting wax, the feeling in my heart is
gradually fading. Oh, how unfortunate her fate is." This sentence appears after
the character "I" receives and reads Umi's letter, which describes her struggles
in life. Despite feeling happy to see and hear the voice of someone she admires,
there is a significant obstacle that makes her feel constrained. The girl seems to
harbor fear towards Zainab and especially her father, who restricts her
interactions with men. She feels like "a monkey chained in a cage" because she
is not allowed to see men. The rebellion in her is reflected in her smile, which
is actually a form of protest against her difficult fate.
(d) At that moment, my body felt as if sins were sticking to it. Oh, my
tears fell. I cried. And suddenly, my heart swelled with anger and
hatred as I pictured the face of that hypocritical Hajj. I felt the urge
to go to his house and say to him, "You're a lecherous pilgrim.
Hopefully, you'll die soon!" Or, "May your money be devoured by
termites." But suddenly, I shivered as the wind whispered around my
head. A few moments later, the howling sound was no longer heard.
The passage illustrates how the character "I" experiences a deep sense of
sadness and anger simultaneously in response to what happened to Umi.
(Fitriani 2020) states that Individuals involved in interpersonal conflict may
experience various negative impacts, such as trauma, anger, feelings of hatred,
and resentment. That aligns with the intense emotions depicted as "I"
considers expressing their strong dislike for Haji Basuni, entertaining the idea
of cursing him, who is Umi's father. It mirrors a complicated array of emotions,
encompassing sorrow and evolving into resentment in the character's response
to the situation involving Umi.
(e) Oh, my sweet heart Umi Kalsum, her fate is truly accurate; my
lament. If only that pilgrim wasn't so miserly, my sentiments towards
him wouldn't be like this. Since that unfortunate incident that night,
it's been a long time since I dared to meet Umi. I couldn't even bring
myself to look at her. And indeed, I have never seen her again.
(f) I think, then what my father and mother said yesterday is true. "Poor
Umi," said Dad. "Why her?" Mom asked. "Her father is too harsh.
Poor her," Dad replied.
The conversation reflects concern and empathy for Umi's fate. The
father expresses pity for Umi, highlighting possible suffering or difficulties she
is facing. The mother's question, "Why her?" indicates confusion and regret
regarding the situation Umi is in. The father then expresses his view that Umi's
father is too harsh, indicating that their sympathy and empathy are directed
towards Umi, who seems to be facing hardship or unfair treatment from her
father. Thus, this conversation reflects compassion and empathy for Umi's
suffering in the context of a family relationship that may be challenging for her.
(g) Since that day, my thoughts have been influenced by the sad news.
Who would have guessed that such an event would befall Haji
Basuni's family? Afflict Umi Kalsum, who is so gentle? Oh, my
long-cherished life gem that I intended to seize with all my feelings,
is now stained.
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