MAPEH 10: QUARTER 1
~jjaella<3
ARTS
IMPRESSIONISM
* the viewer's momentar
* “impression" of an image not intended to be
clear or precise fleeting fragment of reality
caught on canvas
* sometimes in mid-motion, other times
awkwardly positioned
* used short "broken" strokes that were
intentionally made visible to the viewer
* Result was a feeling of energy and intensity, as
the colors appeared to shift and move
EUGENE DELACROIX
* French painter who was greatly admired and
emulated by the early impressionists
* Use of expressive brushstrokes, emphasis on
movement, study of the optical effects of color
THE BARQUE OF DANTE
* Based on a fictional scene from Dante's
Inferno
* Showing Dante and the poet Virgil crossing
hell's River Styx
* The drops of water - almost never used in
Delacroix's time
* Unmixed pigments - yellow, green, red, white
appear monochromatic
EDOUARD MANET
* 1832-1883
* First 19th century artist to depict modern life
subjects
* Key figure in the transition from realism to
impressionism
CLAUDE MONET (most influential)
* 1840-1926
* One of the founders of the impressionist
movement
* The most prominent S- the most influential of
the group
* Best known for his landscape paintings
AUGUSTE RENOIR
* 1811-1919
* One of the central figures of the
impressionist movement
* Snapshots of real life, full of sparkling color
and light
* Mid - 1880's, broke away from Impressionist
* Continued using the basic qualities of the
impressionist
* Using geometric approach, fragmenting
objects and distorting people's faces and body
parts, and applying colors that were not
necessarily realistic
PAUL CEZZANE
* French artist
* Exemplified the transition from the late 19
century to a new and radically different world
art an the 20th century
VINCENT VAN GOGH
* 1853 – 1890
* Post - impressionist-painter from The
Netherlands
* Remarkable for his strong, heavy brush
strokes, intense emotion, and colours that
appeared to almost pulsate with energy
* His works are the most recognized in the
world
EXPRESSIONISM
* Arose in the Western art world in the early * Logical and rational
1900s * Involved analyzing, detaching, selecting &
* More emotional force simplifying
* Distorted outlines, applied strong colors & * Representational abstractionism - depicting
exaggerated forms still-recognizable subjects

NEOPRIMITIVISM
CUBISM
* Art style that incorporated elements from the
* Style derived its name from the cube, a three-
native arts of the South Sea Islanders and the
dimensional geometric figure composed of
wood carvings of African tribes
strictly measured lines, planes and angle
*cubists analyze their subjects' basic
FAUVISM geometrical forms & boke them up into a series
* Style that used bold, vibrant colors and visual of planes
distortions

FUTURISM
* Created art for a fast-paced, machine
DADAISM propelled age
* Style characterized by dream fantasies,
* Admired the motion, force, speed and
memory images and visual tricks and surprises
strength of mechanical forms
* The works appeared playful, but the
movement arose from pain
* Came from the word dada hobbyhorse
MECHANICAL STYLE
* Result of the futurist movement
* Planes, cones, spheres and cylinders all fit
SURREALISM together precisely and neatly in their appointed
* Style that depicted an illogical, subconscious
places
dream world beyond the logical, conscious,
physical one
* Came from the term super realism
NON OBJECTIVISM
* Depicted morbid or gloomy objects
* Logical geometric conclusion of
* Others were quite playful and even
abstractionism
humorous
* Did not make use of figures or even
representations of figures
* Did not refer to recognizable objects or forms
SOCIAL REALISM in the outside world
* Expressed the artist's role in social reform
* Used their works to protest against the
injustices, inequalities, immorality and ugliness
of the human condition

ACTION PAINTING
ABSTRACTIONISM
* One form of abstract expressionism
* Arose from the intellectual points of view
* Huge canvasses spread on the floor, materials
splattering, squirting and dribbling paint with no * Life-size or even larger
pre-planned pattern or design in mind * Constructed or positioned in public or private,
indoor and outdoor

COLOR FIELD PAINTING

* Contrast to the vigorous gestures of the action PERFORMANCE ART
painters * Modern art in which the action of an
* Used different color saturations individual or group at a particular space and in a
particular time constitute the work

NEO DADAISM
* Wanted to make reforms in traditional values PERFORMANCE ART FOUR BASIC
* Made use of common place, trivial, even ELEMENTS
nonsensical objects * Time
* Enjoy nonsense for its own sake and simply * Space
wanted to laugh at the world * The performer's body
* Relationship between performer and audience

POP ART
* Inspirations were celebrities, advertisements,
billboards and comic strips that were becoming
commonplace at that time

CONCEPTUAL ART
* Arose in the mind of the artist, took concrete
form for a time then disappeared
* Often requires little or no physical
craftsmanship

OP ART
* Optical art
* The action taking place in the viewer's eye
* Lines, spaces and colors were precisely
planned and positioned to give the illusion of
movement

INSTALLATION ART
* Contemporary art form that uses sculptural