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Cobianchi
Cobianchi
1. Introduction
Figure 9. Phase variation of first prototype, 2D and Figure 11. Sound pressure at 16 kHz in final
3D simulations prototype, 2D above, 3D below
Phase variation data allow a more precise Many different variations of the initial design
assessment of the performance of the first were drawn and simulated before building a new
prototype. Some improvement over the empty prototype. The final design is shown in Fig. 11,
case is evident, but the highest frequencies still together with the sound pressure simulation at 16
violate the isophase criterion. kHz.
It is clear from the picture that the wavefront
is now almost perfectly planar at waveguide
outlet.
Figure 13. Phase variation vs. distance from center at Empty, 2D 8 1450 4000
12 kHz, comparison between simulations and Empty, 3D 2800 62000 112000
measurements in final design
First des., 2D 20 6700 15600
The results of experimental validation First des., 3D 2500 63000 117000
confirm the expectations for all but the highest
frequencies (15 kHz and beyond). Fig. 13 shows Final des., 2D 20 6500 15300
the data at 12 kHz. Notice how the 3D curve is Final des., 3D 1050 50000 97000
again closer to the measurements.
Table 1. Mesh size and computing time for all
models
Table 1 compares problem size and solution 7. References
times for all models.
The difference in times is two orders of 1. Heil C., Urban M., Sound Fields Radiated
magnitude. The times for 2D are short enough to by Multiple Sound Sources Arrays, Preprint n.
be used in case of an automated optimization of a 3269, 92nd Audio Engineering Society
first try design. Convention, (Mar 1992)
2. Urban M., Heil C., Bauman P., Wavefront
On the other hand, 3D gives an higher level Sculpture Technology, Journal Audio Eng. Soc.,
of precision and detail, as well as much more Volume 51, n. 10, pp. 912-932 (Oct 2003)
information. For example, with 3D we could 3. Mores R., Schröder N.B., Schwalbe T.,
evaluate the horizontal angular coverage of the The Performance and Restrictions of High
waveguide and compare to measurements, with Frequency Waveguides in Line Arrays, Paper n.
good results (see figure below) 6777, 120th Audio Engineering Society
Convention, (May 2006)
Coverage at 10 kHz, relative levels 4. Henwood D.J., The Boundary-Element
0 Method and Horn Design, Journal Audio Eng.
-3
Soc., Volume 41 n. 6, pp. 485-496 (Jun 1993)
Relative level (dB)
-6
9. Acknowledgements
-9
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We are grateful to Cesare Tozzo of
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COMSOL Italia for his help and support.
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0 15 30 45 60 75 90
Angle from main axis (°)
6. Conclusions