Flauto

Моїй дружині

Камерна симфонія № 3
Євген Станкович
Yevgen Stankovych


  
10

    
4 4

2


 

      
20

     
2
3

  

          
    
           


         
       
  
     
 

                  
30

       

      


                       
         


1
 Flauto

                        

    

          
              

           
40

    
  
  


 
          
               


 

               
             
 


                   

  
  

                 
        
50
      
   

 
3

2
 Flauto

                                   
     

3

                              
  

 3

                      

  
60

      
   
3

             
         
               
 
 3 3 3
3

  
         
             
  
3 3
3 3 3 3 3 3

    
    
70

      
 3

3 3 3

3
 Flauto

    
                    
   
 

3
3 3 3

         
              
 
3
3

3 3 3

  
     
80

                
    
                  
(ossia frullato)


     
 



                        
  
                       

    
             

 
 


    
90

                 



4
 Flauto
 
        
      
  
 

 
           
                100


2 2 


Andante 
poco rit. Quasi recitativo, molto rubato
         
      
3
 
 molto espr.


110
 
       
3

                            

  
                                
      
3 3 3

   
                      
3

 
poco a poco dim.
    


120

  
Molto spirito, molto cantabile, con moto
          
2 2
    
   

5
 Flauto
130

           
      
3

     
          
              
3 5

   
3 espr. 3
poco a poco dim.

140

  
                 
5

  

     
      
150


9 2

                     
 

   
160

         
 


                     


6
 Flauto

  
       
           
  
  


             
           


             
     
170

  

poco dim.



 
     
           
 
     
 



     

                 
   


                   


 

7
 Flauto

        
     
180

  
   



             
           
    
      
 


3 3

        
  
   
        
       
  

                          
190

        


3 3


              
 

3


           
         
200

   

6

  

               

 
2

 poco a poco dim.

8
 Flauto
   
       
       
  

  

  –   
210

    
  
Solo molto espr.
  
            
3

    
  

      
   
        
             
3 3 3

 
                gl. 
    
 3 3

                
220

               
   
 3
 3
3

 
poco dim.

           
           
3   3   

9
 Flauto
Cadenza, molto rubato

                           
                            
  

 (a tempo)

     
230

    
2 2 3 3

                 
Solo  
     
240

    


              
               
  

3 3 3 3
3 3 3 3 3
3

          
                                     
  3 3 3 3
 
3 3 3 3 3 3 3
3

   
     
          
        
   3 3

      
              
   
  3 5
5 5

10
 Flauto

        
   
250

      
  
6 6

                  

L'istesso tempo
   
            
dolce

 3
3 3 3


          
Allegro
  
 
260

  
4

3
3 3 3

  
       
 


 
                
270

      
   () 

3 3
3 3

           

4
3 5

11
 Flauto

                              
280


 

Andante  Allegro 
        
    
3

             
290

 
      

  
        
300

   
  
6

        sim.
                    
molto ritmato



                           


                           
310

12
 Flauto

                           

                    

 

Andante  Molto allegro 

  
320

  
  
3 2

    
  
330


4 

3

            
           
    
 
6 6
6 6

          
  
 
  
6 6 6

 
                  
340

 
2

 6 6 6 

          
  
    
3

13
 Flauto

           
350
       
   
 6 6

                        
  
    
 6 6
 6 6 6

                   
       
  
 6 6 6 3 3

         
        
                    
 3 3 3 3
 3 3


360

                        
    
     3
   3
 
6 6 3

        
         
        
  3   3   
6 6
6

         
       
  6  
6

14
 Flauto

                 
 
   
6 6 6

             
        
 
7 6 6 6

  
                    
370

  3 

3 3

                     

 
 3
 

 
 
Andante Allegretto
 
380

                           
     

                       
4 3

15
 Flauto

       
Frullato


()     

    
    
    
 6
2 2
3 5

                   
      
  
             
3 3
7

                       
Frull. 400

    

         
  


             
     
ord.

    
       

3




         
 
410

     

 
2

 3

 
               
420
 
  

3 3



rit.
               
4
         

16
 Flauto

 
430

           gl.             gl.  
2

     
                   gl.


                                 
440

  


               
          gl.

450

          gl.  
       gl.  
2


460

                        
2


470

 
2
 2

        

17