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Bass Play-Along Vol 46 - Best Bass Lines Ever
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Bass Play-Along Vol 46 - Best Bass Lines Ever
Bass Play-Along Vol 46 - Best Bass Lines Ever
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Billie Jean
Words and Music by Michael Jackson
Intro Verse
Moderately q = 118
F#m F#m
Play 12 times
(Drums)
1. She was more like a beau -
2. See additional lyrics
Play 12 times
*
mf
w/ pick
P.M.
4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4
*Synth. bass arr. for standard.
ty queen from a mov - ie scene. I said don’t mind, but what do you mean, I am the one
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
Bm F#m
who will dance on the floor in the round?
P.M.
4 2 4 4 2 4
4 4 2 4 4 4 2 4 2 4 2
4 4 4 2 4
Copyright © 1982 Mijac Music
All Rights Administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203
International Copyright Secured All Rights Reserved 1
Bm
She said I am the one who will dance on the floor in the round.
P.M.
4 2 4 4 2 4
4 2 4 2 4 4 2 4 4 4 2
4 4 2 4 4
F#m
She told me her name was Bil -
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
lie Jean as she caused a scene. Then ev - ’ry head turned with eyes that dreamed of be - ing the one
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
To Coda 1
Bm F#m
who will dance on the floor in the round.
P.M.
4 2 4 4 2 4
4 4 2 4 4 4 2 4 2 4 2
4 4 4 2 4
2
Pre-Chorus
D
Peo - ple al - ways told me, be
P.M.
4 2 4 2 2 3
4 4 2 0 5 5 5
F#m D
care - ful what you do, a, don’t go a - round break - in’ young girls’ hearts.
let ring
4 4 2 3
0 5 5 5
2 2
F#m D
And moth - er al - ways told me, a, be
let ring
4 4 2 3
0 5 5 5
2 2
F#m D
care - ful who you love. And be care - ful what you do, ’cause the
let ring
4 4
0 5 5 5 5 0
2 2
3
Chorus
C#7 F#m
lie be - comes the truth. Hey. Bil - lie Jean is
P.M.
4 2 4 2
4 4 4 4 4 4 4 4 4 2 4
not my lov - er. She’s just a girl who claims that I am the one,
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
Bm F#m
but the kid is not my son.
P.M.
4 2 4 4 2 4
4 4 2 4 4 4 2 4 2 4 2
4 4 4 2 4
Bm
She says I am the one, but the kid is not my son.
P.M.
4 2 4 4 2 4
4 2 4 2 4 4 2 4 4 4 2
4 4 2 4 4
4
D.S. al Coda 1 Coda 1
F#m
P.M. P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 0 4
Pre-Chorus
D F#m
Peo - ple al - ways told me, be care - ful what you do, a, don’t
let ring
2 3 4 4
5 5 5 0 4
2 2
D F#m
go a - round break - in’ young girls’ hearts. A, but you
let ring
2 3 4
5 5 5 0 4
2 2
D F#m
came and stood right by me, a, just the smell of sweet per - fume. A, this
let ring
2 3 4 4
5 5 5 0 4
2 2
5
D C#7
hap - pened much too soon. A, she called me to her room. Hey.
5 5 5 5 4 4 4 4 4 4 4 4
Chorus
F#m
Bil - lie Jean is not my lov - er. She’s just a girl who
P.M.
4
4
2 4 2
4 2 4
4
4
2 4 2
4 2 4
4
4
2 4 2
4 2 4
Bm
claims that I am the one, but the kid is not my son.
P.M.
4 2 4 4 2 4
4 2 4 2 4 4 2 4 4 4 2
4 4 2 4 4
1. 2.
F#m
She says I am the one,
P.M.
4
P.M.
4
4
2 4 2
4 2 4
4
4
2 4 2
4 2 4 4
2 4 2
4 2 4
6
To Coda 2
Bm
F#m
but the kid is not my son.
P.M.
4 2 4 4 2 4
4 4 2 4 4 4 2 4 2 4 2
4 4 4 2 4
Interlude
F#m
Play 7 times
She says I am the one,
Play 7 times
P.M.
4
4
2 4 2
4 2 4 4
4
2 4 2
4 2 4 4
4
2 4 2
4 2 4
Bm F#m
but the kid is not my son.
P.M.
4 2 4 4 2 4
4 4 2 4 4 4 2 4 2 4 2
4 4 4 2 4
D.S.S. al Coda 2 Coda 2
(take 2nd ending)
She says I am the one.
P.M. P.M.
4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4
7
Outro
F#m
She says he is my son.
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
She says I am the one. Bil - lie Jean is not my lov - er.
P.M.
4 2 4 2 4 2 4 2 4 2 4 2
4 4 2 4 4 4 2 4 4 4 2 4
Repeat and fade
Bil - lie Jean is not my lov - er.
P.M.
4
4
2 4 2
4 2 4
4
4
2 4 2
4 2 4
Additional Lyrics
2. For forty days and for forty nights, law was on her side.
But who can stand when she’s in demand, her schemes and plans,
’Cause we danced on the floor in the round.
So take my strong advice, just remember to always think twice.
(Don’t think twice. Do think twice.)
She told my baby we’d danced till three, then she looked at me.
Then showed a photo, my baby cried, his eyes were like mine.
’Cause we danced on the floor in the round, babe.
8
Hysteria
Words by Matthew Bellamy
Music by Matthew Bellamy, Chris Wolstenholme and Dominic Howard
Intro
Moderately q = 94
µ(Am) (E)
f
0 0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
0 0 10 0 10 12 0
10
0 12 0
10 10
12
10 12
(Dm) (Am)
Play 4 times
*
1. It’s
Play 4 times
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7
0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
*Sing 4th time only.
Verse
µ(Am) (E)
bug - gin’ me, grat - in’ me, and
2. See additional lyrics
0 0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
0 0 10 0 10 12 0
10
0 12 0
10 10
12
10 12
(Dm) (Am)
twist - in’ me a - round. Yeah, I’m
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7
0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
© 2003 HEWRATE LIMITED (PRS)
All Rights in the U.S. and Canada Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
(E)
end - less - ly cav - in’ in and
0 0 10 0 10 12 0 10 0 7 0 8 8 7 5 7 10 10 10 10 12
0 0 10 0 10 12 0 0 12 0 12
(Dm) (Am)
turn - ing in - side out. 1., 2. ’Cause I want it
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8
7 0 0 0 6 0 0 0 5 0 0 0 4 0 0 0
Chorus
C G7
now, I want it now.
3. See additional lyrics
5 3 5 5 3 5
5 3 5 5 3 5
3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3
Dm Am
I’m
And I’m break - in’
Give me your heart and your soul.
not break - in’
7 5 7 7 5 7
7 5 7 7 5 7
5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 0
2
To Coda
C G7
out,
I’m break - in’ out.
down,
5 3 5 5 3 5
5 3 5 5 3 5
3 3 3 3 3 3 3 0
3 3 3 3 3 3 3 3
1.
Dm E
Last chance to lose con - trol.
7 5 7 7 5 7
5 5 5 5 5 5 5 10 10 10 10 12
0 0 10 0 10 12 0 0 12 0 12
µ(Am) (E)
0 0 10 0 10 12 0 10 0 7 0 8 8 7 5 7 10 10 10 10 12
0 0 10 0 10 12 0 0 12 0 12
(Dm) (Am)
2. Yeah, it’s
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7
0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
3
2.
Dm Am
Last chance to lose con - trol.
Harm.
7 5 7 7 5 7
7 5 7
5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 0 12
µ(E)
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8
10 10 10 10 12
7 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7 0 10 0 10 12 0 0 12 0 12
Guitar Solo
µ(Am) (E)
0 0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
0 0 10 0 10 12 0
10
0 12 0
10 10
12
10 12
1.
(Dm)
(Am)
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8 7
0 10 0 10 12 0 10 0 7 0 8 8 7 5 7
2.
(Am) C
5 3 5 5 3 5
7 0 0 0 6 0 0 0 5 0 0 0 4 0 0 0 3 3 3 3 3 3 3 0
4
G Dm
7 5 7 7 5 7
5 3 5 5 3 5
5 5 5 5 5 5 5 0
3 3 3 3 3 3 3 3
1. 2.
D.S. al Coda
Am Am
And I want you
5
7
5
5 7
5 5 5
7
5
5 7
5 0
5
7
5
5 7
5 5 5
7
5
5 7
5 0
Coda
Dm Am
feel - in’ my faith e - rode.
Harm.
7 5 7 7 5 7
7 5 7
5 5 5 5 5 5 5 0
5 5 5 5 5 5 5 0 12
Outro
µ(E)
Play 5 times
0 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8
7 0 10 0 10 12 0 10 0 10 9 0 9 8 0 8
0
Additional Lyrics
2. Yeah, it’s holdin’ me, morphin’ me, and forcin’ me to strive
To be endlessly cold within and dreaming I’m alive.
Chorus 3. And I want you now, I want you now.
I’ll feel my heart implode.
And I’m breakin’ out, escaping now,
Feelin’ my faith erode.
5
Longview
Words by Billie Joe
Music by Green Day
Tune down 1/2 step:
__ =
(low to high) Eb-Ab-Db-Gb
Intro 3
Moderately fast q = 142
µ
(Drums)
3 3 3
f
3
w/ pick
P.M.
19 18 18 17 17 16 15 14 13 12 10 0
µ(E) (D) (E) (D)
8 9 7 6 7
9 7 6 7 6 4 9 7 6 0 0 0 0 0
7 7 5 5 7
Verse
µ(E) (D) (E)
1. I sit a - round and watch the tube, but noth - ing’s on.
2. See additional lyrics
7
9 7 6
7 5
7 6
5
4
7
9 7 6
(D) (E) (D)
I change the chan - nels for an hour
8 9 7 6 7
0 0 0 0 0 9 7 6 7 6 4
7 7 5 5
© 1994 WB MUSIC CORP. and GREEN DAZE MUSIC
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
(E) (D) (E)
or two. Twid - dle my
8 9 7 6 7
9 7 6 0 0 0 0 0 9 7 6
7 7 7
(D) (E) (D)
thumbs just for a bit. I’m sick of all the same old shit,
8 9 7 6 7
7 6 4 9 7 6 0 0 0 0 0
5 5 7
(E) (D) (E)
in a house with un - locked doors, and I’m fuck - in’ la -
9 7 6 7 6 4 9 7 6
7 7 5 5 7 7
Chorus
Slightly faster q = 150
D B A E
poco accel.
- zy. Bite my lip and close my
3 3 3 3
poco accel.
5 5 5 5 5 5 5 5 5 5 5 5 7 7 7 0
7 0 7 0 7 0 7 0 5 0 5 0
2
B A E B
eyes. Take me a - way to par - a - dise. I’m so damn bored,
7 7 7 0
7 0 7 0 7 0 7 0 5 0 5 0 7 0 7 0 7 0 7 0
1.
A E B A
I’m go - in’ blind and I smell like shit.
7 7 7 0
5 0 5 0 7 0 7 0 7 7 0 5 5 5 5 5 5 5 5 0
Interlude
Tempo I
E5 µ(D) (E)
3 3
let ring let ring let ring let ring let ring
9 9 7 7 6 4 4 9 9
7 7 9 9 0 0 0 7 0 7 7 9 9
7 7
2.
Bridge
(D) A E
I got no
let ring
5 5 5 5 5 5 5 7
7 7 6 4 4
0 0 0 7 0 9 9 7 7 6 0
7 7
3
D E D
mo - ti - va - tion. Where is my mo - ti - va - tion?
9 9 7 7 6 0
5 5 4 4 7 7 5 5 4 4
7 7 5 0 7 7 5 0
E D E
No time for mo - ti - va - tion, smok - ing my
9 9 7 7 6 0 9 9 7 7 6 0
7 7 5 5 4 4 7 7
7 7 5 0
Interlude
D B A E
in - spi - ra - tion. Huh!
5 5 4 4 7 7 7 0
7 7 5 0 7 0 7 0 7 0 7 0 5 0 5 0
B A E B A
7 0 7 0 7 0 7 0 5 0 5 0
7 7 7 0 7 0 7 0 7 7 0 5 5 5 5 5 5 5 5 0
4
Tempo I
E µ(D) (E) (D)
3 3
let ring let ring let ring let ring let ring let ring
9 9 7 7 6 4 4 9 9 7 7 6 4 4
7 7 9 9 0 0 0 7 0 7 7 9 9 0 0 0 7 0
7 7
Verse
µ(E) (D) (E)
3. I sit a - round and watch the phone, but no one’s call -
3 3
let ring let ring let ring let ring let ring
9 9 7 7 6 4 4 9 9
7 7 9 9 0 0 0 7 0 7 7 9 9
7 7
(D) (E) (D)
- ing. Call me pa - thet - ic, call me what
3
let ring let ring let ring let ring
7 7 6 4 4 9 9 7 7 6 4 4
0 0 0 7 0 7 7 9 9 0 0 0 7 0
7
(E) (D) (E)
you will. My moth - er
3
let ring let ring let ring
9 9 7 7 6 4 4
7 7 9 9 0 0 0 7 0 9 7 6
7 7 7
5
(D) (E) (D)
says to get a job, but she don’t like the one she’s got.
8 9 7 6 7
7 6 4 9 7 6 0 0 0 0 0
5 5 7
(E) (D) (E)
When mas - tur - ba - tion’s lost its fun, you’re fuck - in’ lone -
9 7 6 7 6 4 9 7 6
7 7 5 5 7 7
D A5
poco accel.
- ly.
3
3 3 3 3 3 3 3
poco accel.
5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5
5 5 5
Chorus
Tempo II
B A E B
I’m
Take me a - way
Bite my lip and close my eyes.
slip - pin’ a - way
7 0 7 0 7 0 7 0 5 0 5 0
7 7 7 0
7 0 7 0 7 0 7 0
6
A E B A E
to par - a - dise. I’m so damn bored, I’m go - ing
to par - a - dise. Some say quit, or I’ll go
7 7 7 0 7 7 7 0
5 0 5 0 7 0 7 0 7 0 7 0 5 0 5 0
1. 2.
B A E B
blind and lone - li - ness has to suf - fice. blind, but it’s just a myth.
7 0 7 0 7 0 7 0 5 0 5 0
7 7 7 0 7 0 7 0 7 7 0 5
Outro
Tempo I
A E µ(D)
3
let ring let ring let ring
9 9 7 7 6 4 4
7 7 9 9 0 0 0 7 0
7
5 5 5 5 5 5 5 0
Repeat and fade
E D E E5/D
3 3
let ring let ring let ring let ring let ring let ring
9 9 7 7 6 4 4 9 9 7 7 6 4 4
7 7 9 9 0 0 0 7 0 7 7 9 9 0 0 0 7 0
7 7
Additional Lyrics
2. Peel me off this Velcro seat and get me movin’.
I sure as hell can’t do it by myself.
I’m feelin’ like a dog in heat, barred indoors from the summer street.
I locked the door to my own cell and I lost the key.
7
Roundabout
Words and Music by Jon Anderson and Steve Howe
Intro
Free time Moderately fast q = 136
Em C Em D C
(Gtr.)
Bm Am G F#m Em7 F#m G F#m G F#m Em
f
w/ pick
0 2 0 2
0 2 X 0 2 X
0 0 2 X X 3 X 0 X X 2 X X 3 X
F#m G F#m Em
0 2 0 2
0 2 X 0 2 X
0 X X 2 X X 3 X 0 X X 2 X X 3 X
F#m G F#m G F#m Em
0 2 0 2
0 2 X 0 2 X
0 X X 2 X X 3 X 0 X X 2 X X 3 X
F#m G F#m Em
0 2 0 2
0 2 X 0 2 X
0 X X 2 X X 3 X 0 X X 2 X X 3 X
© 1972 (Renewed) TOPOGRAPHIC MUSIC LIMITED
All Rights Administered by WB MUSIC CORP.
All Rights Reserved Used by Permission 1
Verse
2nd & 4th times, substitute Fill 1
Em F#m G F#m G F#m Em
1. I’ll be the round - a - bout.
2., 3., 4. See additional lyrics
0 X X 2 X X 3 X
0 2 X
0 2
0 X X 2 X X 3 X
0 2 X
0 2
F#m G F#m G F#m Em
The words will make you out ’n’ out,
0 2 0 2
0 2 X 0 2 X
0 X X 2 X X 3 X 0 X X 2 X X 3 X
4th time, substitute Fill 2
F#m G F#m G F#m Am Bm C Bm
and spend the day your way.
0 2
0 2 X 0 0 2 3 5
0 X X 2 X X 3 X 0 X X 3
Fill 1 Fill 2
0 2
0 2 X 0 0 2 2 3 3 5 5 7 7
0 0 2 X X 3 X 2 5
2
To Coda 1
To Coda 2
C Bm Am Bm Bm/A G,7
Call it morn - ing driv - ing through the sound and in and out the
7
2 5 7 5 3
1.
Interlude
F/G Em7 F#m7 G,7 F#m7
val - ley.
0 2
0 2 X
3 0 0 2 X X 3 X
G,7 F#m7 Em7 F#m7 Gmaj7 Am7 Bm7 Em7
0 X X 2 X X 3 X
0 2 X
0 2
0 X X 2 X X 3 X
0 0 2
0
2.
Chorus
Fadd9 G C F5 C
val - ley. In and a - round the lake,
3 2 0
3 2 3 5
3
3
Bass tacet
F5 C G C F5 C Bb G
moun - tains come out of the sky and they stand there.
C F C F C G C F C Bb G
One mile o - ver we’ll be there and we’ll see you.
C F C F C G C F C Bb
Ten true sum - mers we’ll be there and
3 3 3 3 3 3 3 3 1 0 3 3 3 0 3 1
G C F C F C G
laugh - ing, too. Twen -
1 0 1 0 3 3 3 0 1 3 3 3 3 1 0
C F C Bb Am Bm C D Em
- ty - four be - fore, my love, you’ll see, I’ll be there with you.
7
3 3 3 1 3 1 1 3 0
4
Interlude
Em7 F#m7 G,7 F#m7 G,7 F#m7 Em7
0 2 0 2
7 0 2 X 0 2 X
0 0 2 X X 3 X 0 X X 2 X X 3 X
F#m7 Gmaj7 Am7 Bm7 Em F#m7 G,7 F#m7
0 2
0 0 2 0 2 X
0 X X 2 X X 3 X 0 0 2 X X 3 X
D.S. al Coda 1
G,7 F#m7 Em7 µ
0 2
0 2 X 3 3 2 0
0 X X 2 X X 3 X 0 3 2
Coda 1
Chorus
Fadd9 G C F5 C
val - ley. In and a - round the lake,
3 2 0
3 2 3 5
3 1
5
F5 C G C F5 C Bb G
moun - tains come out of the sky and they stand there.
3 3 3 1 3 3 3 1 3 1 1
C F C F C G C F C Bb G
One mile o - ver we’ll be there and we’ll see you.
3 3 3 1 3 3 3 1 3 3 3 1 3 1 0 1 2
C F C F C G C F C Bb
Ten true sum - mers we’ll be there and
3 3 3 3 3 3 3 3 1 0 3 3 3 1 3 1
G C F C F C G
laugh - ing, too. Woo, yoo, yoo, yeah. Twen -
5
5 5 5 7
1 0 1 0 3 3 3 3 3 5 7
6
C F C Bb Am Bm C D Em
- ty - four be - fore, my love, you’ll see, I’ll be there with you.
5 5 5 5 3 3
5 7 5 7
0
µ
7 3 3 2 0
3 2
Interlude
µ(Em)
3 3 3 3
0 2 3 5 7 5 3 5 7 5 3 5 3 2 3 2 0
3 3 3 3
0 2 3 5 7 5 3 5 7 5 3 5 3 2 3 2 0
Bridge
µ(Em)
A - long the drift - ing cloud, the ea - gle search - ing down on the
See additional lyrics
3 3 3 3
0 2 3 5 7 5 3 5 7 5 3 5 3 2
7
land. Catch - ing the swirl - ing wind, the sail - or
3 3
3 2 0 0 2 3 5 7 5 3 5
sees the rim of the land. The ea - gle’s
3 3 3
7 5 3 5 3 2 3 2 0 0 2 3 5
1.
danc - ing wings cre - ate as weath - er spins out of hand.
3 3 3
7 5 3 5 7 5 3 5 3 2 3 2 0
2.
years. I’ll be the round -
8va
loco
let ring
6
16 16 16 16 16 14 16
7 7 2
3 2 0 0
8
- a - bout. The words will make
2 4 5
5 2 4
you out ’n’ out. I’ll be the round -
8va
loco
6
16 16 16 16 16 14 16
5 7
7 7 2
0
Em
- a - bout. The words will make you out ’n’ out.
let ring
2 4 5 7 9
5 2 4
0
Interlude
Free time
Bass tacet
Em C
let ring
9
Em
C
In and a - round
Chorus
A tempo
G Gmaj7 Em7
the lake, moun - tains come out of the sky, they
Bb G F Bb Eb
stand there. Twen - ty - four be - fore, my love, and I’ll be there.
0 2 2 3 5 3 1
1 3 1 1
Organ Solo
G C F5 C F5 C G
1
3 1
C F5 C Bb G C F5 C F5 C G
3 3 3 1 1 3 3 3 1 3 3 3 1
10
C F5 C Bb G C F5 C F5 C G
3 0 3 3 0 3 1 0 1 0 3 3 3 0 3 3 3 3 1 0
C F5 C Bb G C F5 C F5 C G
3 3 3 0 3 1 0 1 0 3 3 3 0 1 3 3 3 3 0 1
Interlude
C F5 C Bb G6
3 3 3 0 1 1 1 0
3 3 3 3 7 7 7 7 8 8 8 8 10 10 10 10
F G6
Play 3 times
8 8 8 8 10 10 10 10 13 13 13 13 8 8 8
0
3 3 3 3 7 7 7 7 8 8 8 8 10 10 10 10
Organ Solo
F G C F5 C F5 C G
8 8 8 8 10 10 10 12 13 13
3 3 3 0 1 3 3 3 3 0 0 1 1
C F5 C Bb G C F5 C
3 3 3 3 0 1 0 0 0 1 1 2 3 3 3 3
11
F5 C G C F5 C Bb
3 3 3 1 0 3 3 3 0 3 1 1 1 0
Interlude
G6 F
Play 3 times
3 3 3 3 7 7 7 7 8 8 8 8 10 10 10 10
8 8 8 8 10 10 10 10 13 13 13 13 8 8 8
0
G6 F
8 8 8 8 10 10 10 10 11 13 13 13 11 13
3 3 3 3 7 7 7 7 8 8 8 8 10 10 10 10
Am Bm C D Em F#m G Am Bm C D Em B7(no3rd)
9 9 10 X 12 14 16
0 2 3 5 7 7 9 X 10 12
D.S. al Coda 2
Coda 2
Em Fadd9
val - ley.
16 3 2 0
0
12
Chorus
G C F5 C F5 C G
In and a - round the lake, moun - tains come out
0
3 2 3 5
3 1 3 3 3 1
C F5 C Bb G C F C F C G
of the sky and they stand there. One
3 3 3 1 1 3 3 3 1 3 3 3 1
C F C Bb G C F C
mile o - ver we’ll be there and we’ll see you.
3 3 3 0 3 1 0 1 0 3 3 3 3
F C G C F C Bb
Ten true sum - mers we’ll be there and laugh - ing, too.
3 3 3 1 0 3 3 3 0 3 1 0 1 0
13
G C F C F C G C F C Bb
Oo. Twen - ty - four be - fore, my love, you’ll
3 3 3 0 1 3 0 1 0 3 3 3 0 3 1
Am Bm C D Em
see I’ll be there with you. Da, da, da, da, da,
7
1 0 3 0
Outro
Bass tacet
Em D
Play 7 times
da, da. Da, da, da, da, da, da, da.
C G/B Am G D/F# E
Additional Lyrics
2. The music, dance and sing,
They make the children really ring.
I spend the day your way.
Call it morning driving through the sound and in and out the valley.
3. I will remember you.
Your silhouette will charge the view of distant atmosphere.
Call it morning driving through the sound and even in the valley.
Bridge. Go closer, hold the land, feel partly no more than grains of sand.
We stand to lose all time with a thousand answers by in our hand.
Next to your deeper fears we stand surrounded by million years.
I’ll be the roundabout. The words will make you out ’n’ out.
I’ll be the roundabout. The words will make you out ’n’ out.
4. I’ll be the roundabout.
The words will make you out ’n’ out.
You spend the day your way.
Call it morning driving through the sound and in and out the valley.
14
Sweet Child o’ Mine
Words and Music by W. Axl Rose, Slash, Izzy Stradlin’, Duff McKagan and Steven Adler
Tune down 1/2 step:
(low to high) Eb-Ab-Db-Gb
Intro
Moderately q = 122
D5
(Gtr.)
mf
w/ pick
w/ chorus
12
D
C
11 11 12 14 16 14 12 11 12 10 9 10 9
12 12 12 0 10 10 10 10 0
G D
let ring
12 12 11 12 11
11 12 12 12 12
10
14
C
7 3 2 0
5 5 5 5 5 5 7 9 9 0 3 3 3 3 3 3 3
G D
3 4 5 7 5 4
0 3 4 5 0 5 5 0 5 7 9 0 5
3 3 3 0 3 3 0
Copyright © 1987 Guns N’ Roses Music (ASCAP) and Black Frog Music (ASCAP)
All Rights for Black Frog Music in the U.S. and Canada Controlled and Administered by Universal - PolyGram International Publishing, Inc.
International Copyright Secured All Rights Reserved 1
Verse
D Cadd9
1. She’s got a smile that it seems to me re - minds me of child - hood
5 5 5 5 5 5 5 0 2 3 0 3 3 0 3
G
mem - o - ries, where ev - ’ry - thing was as fresh as the bright blue sky.
5
3 0 3 3 3 2 0 0 0
3 3 3 3 3 3 3
D
Now and then when I
7
5 5 4
5 5 5 5 5 0 5 5 5 5 5
Cadd9
see her face, she takes me a - way to that spe - cial place, and if I
5 5 5 0 2 3 0 3 3 3 3
0 0 0 1 1 2 2
2
G D
stared too long, I’d prob - ’ly break down and cry.
5 6
3 4 5 0 5 5 0
3 0 3 3 0 3 3 0 3 3 0
Chorus
A5 C5
Whoa, whoa, whoa, sweet child o’ mine.
7 7 7 7 7
7
2 3 3 3 3 0
0 12 5 5 5
D5 A5
Whoa, oh, oh, oh,
7 5 4 7
5 5 5 5 5 5 5 2
5 5 5
C5 D5
sweet love of mine.
5 6 7 7 7 7 7
3 3 3 3 5 5 5 5 5 0
0 12
3
Guitar Solo
D C
7 5 5
5 5 5 5 5 0 5 5 5 0 3 3 3 0 3 3 0 3 0
G D
7
5 4
2 0 3 0 4 0 5 5 5 5 5 5
3 0 3 3 0 3 3 0
Verse
D Cadd9
2. She’s got eyes of the blu - est skies, as if they thought of rain.
5 5 5 5 5 0 5 5 5 0 3 0 3 3 0 3
G
I’d hate to look in - to those eyes and
5 3 2
3 0 3 5 3 3
3 0 3 3 0 3 3 0 3 3
D
see an ounce of pain. Her hair re - minds me of a
7 7 7
5 5 5 5 5 5 5 5 5 5 5 5 5
4
Cadd9
warm, safe place where as a child I’d hide and
5 0 5 5 5 0 3 0 3 3 0 3 3
0 0 0 1 1 2 2
G D
pray for the thun - der and the rain to qui - et - ly pass me by.
5 6
3 4 5
0 3 4 5 0 5 5 0
3 0 3 3 0 3 3 0
Chorus
A5 C5
Whoa, whoa, whoa, sweet child o’ mine.
7 7 7 7 7
7
2 3 3 3 3 0
0 12 5 5 5
D5 A5
Whoa, whoa, oh, oh, oh,
7
7
5 0 5 5 0 5 5 5 0 5 5 5 0 2
5 5 5
5
C5 D5
sweet love of mine.
0 7 7 7
7
3 3 3 3 5 5 5 5 5 X 5 5 5 0
Guitar Solo
D C
2 2 2 3 3 4
5 5 5 5 5 0 5 5 0 2 3 0 3 3 0 3 3
0
G D
3 4 5 7 5 5 4
0 3 4 5 0 5 5 5 7 9 0 5
3 0 3 3 0 3 3 0
D C
Oo.
5 5 5 5 5 5 5 0 2 3 0 3 3 0 3 3 0 3 3 2 0 0
G D
Whoa, yeah!
7 7 7 7 7 7
3 4 5
0 3 4 5 0 5 5 5 5 0
3 0 3 3 0 3 3 0 0
6
Chorus
A5 C5 D5
Whoa, oh, oh, oh, sweet child o’ mine.
2 3 3 3 3 0 5 5 5 5
5 5 5 5
A5 C5
Oo, whoa, oh, whoa, oh, sweet love of mine.
7 7 7 7 5 4
5 5 2 3 3 3 3 5
5 5 5 5
D5 A5
Whoa, oh, oh, oh,
5 5 5 5 5 2
0 2 0 3 0 4 0 5 5 5 5
C5 D5
sweet child o’ mine. Oo, yeah - heh!
7 7 7
3 3 3 3 0 5 5 5 5 5 5 5 5 0
7
A5 C5 D5
Oo, sweet love of mine.
7
2 3 3 3 3 0 5 5 5 5 5 5 5 5
5 5 5
Guitar Solo
D#5 Em C B7
let ring let ring let ring
10 9
5 5 5 5 5 0 6 7 7
0 0 0 0 8 8 8 8 0 7 7 7 7 0
Am Em C B7
let ring let ring let ring let ring
5 5
7
0 3 2
0 0
7
0 0 0 8 8
10
8 8 0 7 7
9
7 7 0
1., 2. 3.
Am Am
let ring
5 5
7
0 3 2
0 0 0 0 0 0 0
4 7 7 7 7 7 5
7 5
1., 2., 3.
Em G A5 C5 D5 G5
let ring let ring 1/4
0 0
7
0 0 2 3 3
5
3 3 0 5 0 5 5 5 0
3 3 3 3 5
3
8
4.
Outro
C5 D5 G5 E5 G5
Where do we go? Where do we go now?
3 3 3 3 5
3 0 0 2 3 3
A5 C5 D5 G5 E5
Where do we go? Mm, mm, oh. Where do we go?
1/4
3 3 3 5
5 5 3 0 0 2
G5 A5 C5 D5 G5
Oh, where do we go now?
1/4
3 3 3 5
3 3 5 5 3
E5 G5 A5
Where do we go? Oh. Where do we go now?
0 0 2 3 3 5 5
9
C5 D5 G5 E5 G5
I, I, I, I, I, I, I, I.
1/4
3 3 3 3 5
3 0 0 0 0 2 3 3 3 3 0
A5 C5 D5 G5 Em
Where do we go now? Oh, ah. Where do we go?
let ring
5 6 7 7 7 7 7 5 7
5 5 5 5 5 5 0 7 5 0 0 0 0 2
G A5 C5 D5 G5
Ah. Where do we go now? Oh.
let ring 1/4
5
3 3 3 3 5
3 3 3 3 0 5 0 5 5 5 0 3
Em G A5
Where do we go? Where do we go now?
let ring let ring
5
7
0 0 0 0 2 3 3 0 0 0 5 0 5 5 5 0
10
C5 D5 G5 Em G
Where do we go? Whoa.
1/4 let ring
9 9
5
3 3 3 3 5 7
3 0 0 0 2 3 3 3 3 0
A5 µ Em
3
3
Where do we go now? No, no, no, no, no, no, no. Sweet child,
3
3
1/4 let ring
7 5 7
5 0 5 5 5 0 7 6 5 3 0 0 0 0 2
G A5 C5 D5
rit.
sweet child of
let ring rit.
5
3 5
3 3 3 3 0 5
E5
mine.
11
Taxman
Words and Music by George Harrison
Intro
Moderately q = 138
*
D7
1. Let me
mf
w/ pick
7 7 5 7 7 5
5 5 7 5 5 7
5 5
*Key signature denotes D Mixolydian.
Verse
D7 D7#9 D7
tell you how it will be.
2. See additional lyrics
7 7 5 7 7 5 5
5 5 7 5 5 7 5 7
5 5 5 5
There’s one for you, nine - teen for me.
7 7 5 7 7 5 7 7 5
5 5 7 5 5 7 5 5 7
5 5 5
Copyright © 1966 Sony/ATV Music Publishing LLC
Copyright Renewed
All Rights Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219
International Copyright Secured All Rights Reserved 1
2nd time, substitute Fill 1
D7#9 D7 C
’Cause I’m the tax - man,
5 7 7 5 5 5 3
5 7 5 5 7 3 5
5 5 5 3
G7 D7
yeah, I’m the tax - man.
5 5 3 7 7 5
3 3 5 5 5 3 5 5 7
3 3 3 5 5
3
1. 2.
Bridge
D7
2. Should five I’ll tax
(If you drive a car, car...
7 7 5 7 7 5 7 5 7 5
5 5 7 5 5 7 5 5 7 7
5 5 5
Fill 1
7 7 5 5 5 3
5 5 7 7 5 7 3 3 5
5 3
2
C7
the street. I’ll tax your seat.
If you try to sit, sit... If you get
5 7 5 7 5 7 5
5 5 7 5 5 7
5 5 5 3 3 3 2 3 3 3
D7
I’ll tax the heat. I’ll tax
too cold, cold... If you take a walk, walk...)
7 5 7 5 7 5 7 5 7 5 7 5
5 5 7 5 5 7 5 5 7
5 5 5
C7 D7
your feet. Tax - man!
7 5
5 5 7
3 3 3 2 3 3 2 3 2 3 2 3 2 3 3 5 5
3
Guitar Solo
D7 D7#9 D7
7 7 5 5 7 7 5
5 5 7 5 7 5 5 7
5 5 5 5
D7#9 D7
7 7 5 7 7 5 5
5 5 7 5 5 7 5 7
5 5 5 5
Interlude
C7
’Cause I’m the tax - man, yeah, I’m the
7 7 5 5 5 3 5 5 3
5 5 7 3 3 5 3 3 5
5 3 3
G7#9 G7 D7
tax - man. 3. Don’t ask
7 7 5 7 7 5
5 5 3 5 5 7 5 5 7
3 3 5 5 5
3
4
Verse
D7 D7#9 D7
me what I want it for
(Ah, ah, Mis - ter Wil -
7 7 5 7 7 5 5
5 5 7 5 5 7 5 7
5 5 5 5
if you don’t want to pay some more.
- son.)
7 7 5 7 7 5 7 7 5
5 5 7 5 5 7 5 5 7
5 5 5
D7#9 D7 C7
’Cause I’m the tax - man,
(Ah, ah, Mis - ter Heath.)
5 7 7 5 3 5 5 5 5 3
5 7 5 7 3 3 5
5 5 5 3
G7 D7
yeah, I’m the tax - man.
5 5 3 7 7 5
3 5 5 5 5 3 5 5 7 7
3 3 3 5 5 5
3
5
Verse
D7
4. Now my ad - vice for those who die.
7 7 5 7 7 5 7 7 5
5 5 7 5 5 7 5 5 7
5 5 5
D7#9 D7
De - clare the pen - nies on
(Tax - man.)
5 7 7 5 7 7 5
5 7 5 5 7 5 5 7
5 5 5 5
D7#9 D7
your eyes. ’Cause I’m the
(Tax - man.)
7 7 5 5 7 5
5 5 7 5 7 5 5 7 5
5 5 5 5 5
C7 G7
tax - man, yeah, I’m the tax - man,
5 3 5 5 3
3 3 5 5 3 3 5 5 5 5 3
3 3 3 3 5 5
3
6
D7 F7
and you’re work - ing for no one but
7 7 5
5 5 7 7 2 3 3 2 3 3 3 2 0
5 3
Outro-Guitar Solo
D7 D7 D7#9 D7
me.
(Tax - man!)
7 7 5 7 7 5 5
5 5 7 5 5 7 5 7
5 5 5 5
Begin fade
7 7 5 7 7 5
5 5 7 5 5 7
5 5
Fade out
D7#9
D7
7 7 5 5
5 5 7 5 7
5 5 5
Additional Lyrics
2. Should five percent appear too small,
Be thankful I don’t take it all.
’Cause I’m the taxman, yeah, I’m the taxman.
7
Under Pressure
Words and Music by Freddie Mercury, John Deacon, Brian May, Roger Taylor and David Bowie
Intro
Moderately q = 114
D5 D
Play 6 times
mf
w/ pick
P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12
12 12
A/D G/D A/D
P.M. P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12
D A/D G/D
Boom boom bah bah, boom boom bah bay, b - b - boom bah bay bay.
P.M. P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12
Verse
A/D D A/D
1. Pres - sure push - in’ down on me, press - in’
P.M. P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12
© 1981 EMI MUSIC PUBLISHING LTD., TINTORETTO MUSIC and QUEEN MUSIC LTD.
All Rights for EMI MUSIC PUBLISHING LTD. in the U.S. and Canada Controlled and Administered by SCREEN GEMS-EMI MUSIC INC.
All Rights for TINTORETTO MUSIC Administered by RZO MUSIC
All Rights for QUEEN MUSIC LTD. in the U.S. and Canada Controlled and Administered by BEECHWOOD MUSIC CORP.
All Rights Reserved International Copyright Secured Used by Permission 1
G/D A/D D
down on you, no man ask for. Un - der pres - sure that burns a
P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12
12 12 5 5 5 5 5 5 0
A/C# G/B A
build - ing down, splits the fam - ’ly in two, puts peo - ple on streets.
4 4 4 4 4 4 0 2 2 2 2 2 2 0 0 0 0 0 0 2 0 4 0
D A/C# G/B
Boom bah bah bay, boom bah bah bay, do day dah, do day dah.
5 5 5 5 5 5 0 4 4 4 4 4 4 0 2 2 2 2 2 2 9
Chorus
A G A/G
It’s the ter - ror of know - ing what this world is a - bout,
5 5 5 5 5 5 5 5
0 0 0 0 0 0 2 0 4 0 5
3 3 3 3 3 3 3
2
G A/G G
watch - in’ some good friends scream - in’, “Let me out!” Pray to - mor - row gets
5 5 5 5 5 5 5 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
A/G D/F# G A
me high - er. Pres - sure on peo - ple, peo - ple on streets.
5 5 5 5 5 5 5 5
2 3 5
D
Day day dep, oo oo, da da da bop bop. O - kay.
P.M. P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12
Verse
D A/D
2. Chip - pin’ a - round, kick my brains ’round the floor.
P.M. P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 12
3
G/D A/D D
3
These are the days it nev - er rains but it pours. De doh dah,
P.M. P.M. steady gliss.
12 12 12 12 12 12 12 12 12 12 12 12 12
12 12 9 5 5 5 5 5 5 5 7
A/C# G/B A
de de doh dah doh, mm dah doh, ba lop.
4 4 4 4 4 4 0 2 2 2 2 2 2 0 2 0 0 0 0 0 2 0 4 0
D A/C# G/B
Peo - ple on streets. De dah de dah day. Peo - ple on streets. De dah
5
5 5 5 5 5 5 0 4 4 4 4 4 4 X X 2 2 2 2 2 2 2
Chorus
A G A/G
de dah de dah de dah. It’s the ter - ror of know - ing what this world is a - bout,
0 0 0 0 0 2 0 4 0 5
3 3 3 3 3 3 3 3 3 3 3 3 3 3
4
G A/G G
3
watch - ing some good friends scream - ing, “Let me out!” Pray to - mor - row gets
steady gliss.
5 5 5 5 5 5 5
5 5
3 3 3 3 3 3 3 3 3 3 3 3 7
A/G D/F# G A
me high - er, high - er, high.
steady gliss.
15 15 15 15 15 15 12 0 2 3 5
Bridge
G C
3 3 3
3
Turned a - way from it all like a blind man,
5
5
G C G
3
3
3
sat on a fence but it don’t work. Keep com - ing up with love but it’s so
steady gliss.
16 16
17 17
5
C Am F5
slashed ’n’ torn. Why? Why? Why?
steady gliss.
6
7
0 0 0 0 0 0 0
15 3 1 1 1 1 1 1 1 1
G/F F G/F
steady gliss.
1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 3 7 13
A Am7 Am A
In - san - i - ty laughs, un - der
0 0 0 0 0 0 0 0 0 0 0 0 0 12 12 12 12 12 12 12 12
Verse
G D G A G
pres - sure we’re crack - ing. 3. Can’t we give our - selves one more chance? Why can’t we
12 12 12 12 12 12 5 5 5 5 5 5 5
3 3 3 5 3
6
D G A G D
3
give love that one more chance? Why can’t we give love, give love,
5 5 5 5 5 5 3 5 5 5 5 X 5 3
5 3 3 5 5 3 5
G A G D A/C#
give love, give love, give love, give love. ’Cause
5 5 5 5 5 5 5 5 4 4 4 4 4
3 3 5 X 3
G/B A D
love’s such an old - fash - ioned word, and love
7 7
2 2 2 2 2 2 2 2 0 0 0 0 2 0 4 0 5 5 5
A/C# G/B A
dares you to care for the peo - ple on the
6
7 7
4 4 2 2 4 5 4 2 0 0 0 0 0 2 0 4 0
7
D A/C#
edge of the night. And love
5 5 5 5 5 5 5 5 4 4 4 4 4 4 4 4 4 4 4 4
Chorus
G/B A G
dares you to change our way of car - ing a -
2 2 2 2 2 2 2 2 0 0 0 0
0 14 3 3 3 13
A/G G A/G
bout our - selves. This is our last dance.
5 5 5 5
3 3 3 10 3 3 3 3 3 10 3 3 3 3
G A/G D/F#
This is our last dance. This is our -
5 5 5 5 5 5
3 3 3 3 3 3 3 0 2
8
Outro
G A D
selves. Un - der pres - sure.
P.M.
12 12 12 12 12 12
12
3 5
Un - der pres - sure.
P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12
12 12
G A D
Pres - sure.
P.M. P.M.
12 12 12 12 12 12 12 12 12 12 12 12
12 12
Fade out
G A
P.M.
12 12 12 12 12 12
12
9
YYZ
By Geddy Lee and Alex Lifeson
A
Moderately q = 112 Slightly slower q = 104
µ
Play 8 times
(Perc.)
f
5 5 5 5 5 5 5 5
4 4 4 4
Slower q = 88
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
2 2 2 2
Faster q = 116 Faster q = 128
3
6 8 9 8
6 7 9 9 10 10 9
6 7 9 10 9
8 9
B
Faster q = 140
4th time, substitute Fill 1
µ(F#m)
7 7 7 2 2 2
10 10 9 7 10 4 4 3 2
10 9 4
Fill 1
2 2 2
4 4 3 2
4
© 1981 CORE MUSIC PUBLISHING
All Rights Reserved Used by Permission 1
2 2 2 2 2 2
4 4 3 2 4 4 3 2
4 2 4 4
2
(Am)
2 2 2 5 5 5
4 4 3 2 7 7 6 5
4 2 4 7
2
5 5 5 5 5 5
7 7 6 5 7 7 6 5
7 5 7 7
5
1. 2.
To Coda
5 5 5 5 5 5
7 7 6 5 5 5 5 5 7 7 6 5
7 7 7 7 5 7
5
C
µ(B)
*
2 2 2 2 2
2 4 4
2 4 2 4 4
2 2
*Key signature denotes B Mixolydian.
2 2 4 2 2 2 2
2 4 4
2 4 2 4 4
2 2
2
(C)
5 7 5 5 7 7 7 5 5 5 5
5 5 7 7
2 3 3 7
7 5 7 9 7 5 4 5 5
5 0 7 7 6 5 7 5 5 5
3 7 7 7
(B)
2 2 2 2 2
2 4 4
2 4 2 4 4
2 2
2 2 4 2 2 2 2
2 4 4
2 4 2 4 4
2 2
(C)
7 5 7 5 5 5 5
5 5 7 5 7 7
2 3 3 7
5 7 5 5 7 5 4 4 5 4
5 7 5 3
3 5
3
D
B7
2 2 2 2 2 2 2 2
4 4 4 4
2 4 2 4 4
2 2
C7 µ
let ring
5 7 5 7 9 7 11 9 12 14
5 9 10 11 12 12 14
2 3
B7
2 2 2 2 2 4 2 2 2 2
4 4 4
2 4 2 4 4
2 2
C7 µ
5 7 5 5 5 7 5 5
5 7 5
2 3
B7
2 2 2 2 2 4 2 2 2
4 4 4 3 2
2 4 2 4 4
2 2
C7 µ
5 7 5 7 7 8 7 5 7 5 5 4 5 5
5 7 7 7 0 7 7 6 5
2 3
4
B7 C7
2 2 7
4 2 4 4 2 4 5 5 7 5
2 4 2 4 2 3 3 5
2 2
µ B
5 2 2 2 2
5 4 4
8 2 4 2 4
2 2 2 2
C µ
5 7 5 7 12 14 16
5 7 11 12 13 14 14 16 14 12
2 3 11 12 13
12
Bsus2
15ma loco
3
Harm.
14 12 11 12 11 5 4 2 2 2 2
14 5 4 4 4
7 2 4
2
Csus2
2 2 2 2 5 7 5 5 5 7 5
4 4 4 5 7
2 4 4 2 3
2
E Guitar Solo
µ µ(B)
5
5 4 4 4
0 2 2 2 2
2
5
(C)
4 4 4 5 5 7 5
2 2 2 2 3 3 3
(B)
7 9 7 5 4 4 5 4
7 5 4 4 4
2 2 2 2
2
(C)
4 4 4 5 5 7 5
2 2 2 2 2 3 3 3
(B)
7 9 7 5 4 4 5 5
7 5
7 5 2 2 2 2 0
2 2
(C)
5
4 4 4 5
2 2 2 2 3 3 3
3
(B)
4 7 9 7 5 4
7 5 4 4 4
2 2 2
2
6
(C) µ
5 7 7 5 7 5
4 4 4 5 5 5
2 2 2 2 3 3
1., 2., 3.
F
Bass tacet
Am Gadd9/A D/A F/A
4.
D.S. al Coda
(take repeat)
Coda
G
Bm7b5/A F/A
µ(B)
*
2
12 2
2 4
2
*Key signature denotes B Mixolydian.
2 2 2 2 2 2 2 4
2 4 4 2 2
2 4 4 2 4
2 2
(C)
4 2 2 2 5 7 5 5 7
2 4 4 2 5
2 4 2 3
2
7 7 5 5 5 5 7 5 7
5 7 7 5
3 7 3
7
(B)
let ring
2
2 3 5 3 3 2 2 2
3 5 5 2 4
2
let ring let ring
2 2 2 2 2
2 4 4 2
2 4 2 4
2 2
(C)
let ring
2 2 2 5 7 5 7
2 4 4 2 5
2 4 4 2 3
2
7 7 5 5 5 5 5 7 5 7
5 7 7 5
3 7 3
µ
3
5 9 9 7 7 5 5 4 5
5 9 5 7 7 5 4
7 5 4
Slower q = 102 Faster q = 118
3
4 2 0
3 3 3 3 3 2
7 2 2
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